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Yasutomo Mineral Paper Mixed Media PadsSave Up to20%Off listPaper made from rocks, not trees!! Made from 80% calcium carbonate, Mineral Paper provides a unique surface for dry and wet media. Because the paper is bonded with a small amount of HDPE (plastic), it can handle more abuse. Yasutomo Mineral Paper is tear-resistant, foldable, non-wrinkling, and will… Paper made from rocks, not trees!! Made from 80% calcium carbonate, Mineral Paper provides a unique surface for dry and wet media. Because the paper is bonded with a small amount of HDPE (plastic), it can handle more abuse. Yasutomo Mineral Paper is tear-resistant, foldable, non-wrinkling, and will not allow color-bleed through even when soaked. Mineral Paper has a smooth, vellum-like velvety feel and a nice amount of tooth for wet media. You can draw crisp lines with graphite or puddle alcohol inks on the surface. Perfect for multi-media projects, you can emboss, deboss, varnish, glue, and even laminate Mineral Paper. Key Features: * Acid-free bright white paper * 80% calcium carbonate bonded with HDPE (plastic) * Can handle more abuse than traditional paper * Available in 100 lb /150 gsm or 160 lb/240 gsm weight * Green alternative to wood pulp * Smooth, vellum-like velvety feel * Nice amount of tooth for wet media * Tear-resistant, foldable, and non-wrinkling * Will not allow color-bleed through even when soaked * Not recommended for oil-based paints or oil pastels Perfect For: * Dry and water-based media * Alcohol inks, watercolors, and colored pencils * Graphite, acrylic, and pan pastel * Crisp lines and saturated colors * Emboss and deboss * Accepts varnish and glue * Inkjet printing (results will vary depending on the printer) Mineral Paper now comes in a heavier weight! 240 gsm Mineral Paper is more durable than previous versions and holds up better to various art techniques, including alcohol ink painting, silverpoint drawing, mixed media, and more. See More
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Yasutomo Art Paper and BoardsSave Up to20%Off listAuthentic, high-quality art papers and boards From Japan Yasutomo Premium Art Papers are made in the traditional paper districts of Japan. Artisans make the pulp-based Gasen and Torinko papers to be sturdy and resilient. Each sheet is lightly sized to capture the fine details in your artwork. Gasen… Authentic, high-quality art papers and boards From Japan Yasutomo Premium Art Papers are made in the traditional paper districts of Japan. Artisans make the pulp-based Gasen and Torinko papers to be sturdy and resilient. Each sheet is lightly sized to capture the fine details in your artwork. Gasen and Torinoko sheets are perfect for ink painting, watercolor, Suminagashi (Japanese marbling), calligraphy, and block printing. The surface of Torinoko holds up to watercolor washes with minimal wrinkling. Kozo art paper is made with 100% (unsized) Kozo fiber from the mulberry plant. Because of the long fibers, Kozo paper is solid and durable. You can use Kozo for Sumi-e, watercolor painting, conservation and repair, woodblock printing, and other printmaking techniques. Asagami is a bleached acid-free, neutral sized art paper used for legal documents, watercolor, and gansai paintings. While Mashi is an unbleached, unsized paper used for calligraphy, ink painting, and watercolors. Key Features: * Gasen 20 sheets, 82 GSM * Torinoko 20 sheets, 80 GSM * Kozo 10 sheets, 58 GSM * Asagami 20 sheets, 43 GSM * Mashi 20 sheets, 40 GSM * Lightly sized to capture the fine details * Made in Koshu and Echizen districts of Japan Perfect For: * Sumi-e and watercolor painting * Calligraphy and ink painting * Suminagashi (Japanese marbling) * Chigiri-e (Japanese collage) * Woodblock printing and printmaking techniques * Conservation and repair Kozo is used for Sumi-e, watercolor painting, conservation and repair, woodblock, and other printmaking techniques. Gasen is suitable for ink painting, watercolor, Suminagashi (Japanese marbling), calligraphy, and block printing. Torinoko is suitable for ink painting, watercolor, Suminagashi (Japanese marbling), Chigiri-e (Japanese collage), and printmaking. Asagami is suitable for woodblock printing, monoprinting, inkjet & laser printing, stamping, mixed media, legal documents, copy paper, watercolor, and gansai paintings. Mashi is suitable for Calligraphy, ink painting, gansai watercolor painting. Shikishi Boards Shikishi boards are made from washi papers mounted to a hardboard backing edged with gold foil. Traditionally used for sumi-e, watercolor, and haiku painting. They can also be used as a substrate for multimedia projects. The 3x3 pack includes five Gasen mounted boards. While the 5x7" 3-pack includes a Hosho, Gasen, and Torinoko mounted board. See More
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Yasutomo Origami Paper and AccessoriesSave Up to21%Off list…Origami Paper is excellent for practicing and perfecting the art of paper folding. Paper packs are available in a variety of bright colors and patterns. The thickness of the paper is specifically designed for the crisp, sharp folds needed for origami. Key Features: * Assorted square paper sizes *… Perfect For Folding Origami! Yasutomo Origami Paper is excellent for practicing and perfecting the art of paper folding. Paper packs are available in a variety of bright colors and patterns. The thickness of the paper is specifically designed for the crisp, sharp folds needed for origami. Key Features: * Assorted square paper sizes * Available in bright solid colors and patterns * 8 to 1000 sheets per pack Perfect For: * Practicing origami * Mixed media art * School or group projects * Parties See More
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Yasutomo Washi Hosho and Washi Kozo PapersSave Up to25%Off listTraditional Japanese Paper, also known as Washi, is popular for practicing strokes and experimenting with inks, charcoal, pastel. Washi Kozo (also known as Kozogami) Paper - Is made from mulberry and is designed for use in Sumi-E, calligraphy and paper crafts. Washi Hosho Paper - Is made of sulphite… Traditional Japanese Paper, also known as Washi, is popular for practicing strokes and experimenting with inks, charcoal, pastel. Washi Kozo (also known as Kozogami) Paper - Is made from mulberry and is designed for use in Sumi-E, calligraphy and paper crafts. Washi Hosho Paper - Is made of sulphite and kozo pulp. It is acid-free with a smooth and textured surface. Excellent for printmaking, collage and wood cuts. See More
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Posca Acrylic Paint Marker 0.9-1.3mm Fine Tip Soft Colors Set of 8Save Up to33%Off listLight Tones Water-Soluble, Non-Toxic, and Lightfast Acrylic Paint Markers POSCA markers contain highly pigmented water-based acrylic paints. The paint is highly opaque, quick-drying, lightfast, and non-toxic. POSCA Paint Markers are blendable when wet and can be diluted with water to create a gradient effect on almost any surface. Thanks to its fast-drying time, you can layer colors on top of each other. The pen has a valve mechanism that allows for a tight paint seal. Before each use, you can shake the ball inside the barrel to prime the marker. Thanks to its fast-drying time, you can layer dark colors over light colors or even bright colors over dark colors. The ball inside the barrel of the POSCA markers ensures that when shaken, the paint is evenly mixed. The valve mechanism provides a tight paint seal that prevents the paint from drying out. After use, you can rinse the pen tips under water. Permanent on porous surfaces and erasable on most smooth non-porous materials, your creations can be protected with a fixative varnish. Use POSCA Paint Markers on a variety of surfaces, including wood, fabrics, glass, ceramic, plastic, metals, stones, papers, cardboard, and canvas. Key Features: * Water-soluble Paint Markers * Non-toxic, alcohol-free, lightfast acrylic * Valve mechanism provides tight paint seal * Ball in barrel primes marker * The medium tip is reversible * Quick-drying matte opaque colors * Stable pigments * Permanent on porous surfaces * Erasable on most non-porous materials * Perfect For: * Multiple art projects * Blending and layering colors * Creating infinite gradations of color * Use on a variety of different surfaces * Indoor and outdoor use * Bright compositions * Drawing smooth, consistent lines * Wood, fabrics, glass, ceramic, plastic * Metals, stones, papers, cardboard, and canvas Glass, Plastic, and Metal: Clean the surface with a cloth and ensure it is dry before starting work. Make artwork permanent by applying two coats of water-based spray varnish. Hold the can about 30 cm from the surface and spray in slow circular movements. The varnish can be matte or gloss depending on the look you want. (Not suitable for food use) Fabric: Machine-wash the fabric you plan to draw on to remove any industrial coatings or dirt. To prepare natural or artificial leather, wipe with a damp sponge and leave to dry. Once your creation is finished and dry, you can iron it from the reverse side without using steam. Set the temperature of the iron to the material setting for the fabric you are ironing. You can place a sheet of tracing paper between the iron and the fabric for extra protection. If the fabric used is not suitable for ironing, you can fix your creation with a hairdryer. Hold it 30 cm from the surface and make small circular movements. Ceramic: With treated ceramics, fix your creation, for non-food use, using a water-based spray varnish, spraying from about 30 cm in small circular movements. With rough ceramics, fire your creation in the oven. Heat the ceramic in the oven slowly to 220°, then turn off the oven and allow it to cool completely before taking it out. Fix the paint on porcelain in the same way, but to a temperature of 160° and for no more than 45 minutes. To give your creation the longest possible life (for non-food use), you can apply a water-based varnish or adhesive varnish. Afterward, you can only hand wash the ceramic in cold water. See More
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