Strathmore Aquarius, 80 Lb Paper at Jerry's Artarama

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Reflexions Watercolor Journal 5.51X5.51In 140lb. Cold Press 48 Pages

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Blue Let Your Imagination Flow Brilliantly! Acid free paper with a clean white appearance for beautiful results. Lays Completely flat Great paper is always important to achieve better results no matter what your skill level is! That's why we recommend you use Reflexions Watercolor Journals. These journals feature an acid free paper with a clean white appearance, a beautiful cold pressed fine texture and heavy tub and external sizing to allow ink and paint to sit up nicely on its surface. The results are beautiful and vibrant! Beefy enough to handle watercolors, thinned acrylics, acrylic inks, spray colors, markers. Lays Completely flat for working two-page spreads! Key Features:* 300 gram (140lb imperial) Weight* Acid-Free Paper* Cold Pressed Fine Texture Soft White Color* Special Deluxe Premium Smyth Sewn Books secures 24 sheets* Lays Completely flat for working two-page spreads* Clean white appearance* Heavy covered board cover and back with inside pocket* Elastic strap to keep books from opening between uses* Fine perforation allowing it to be removed without harming the artwork Perfect For:* Keeping books from accidentally opening when traveling with an elastic cover band.* Accepts all well media well because of vat and external size.* Creating all types of mixed media works. * Working two-page spreads that are wonderful for depicting cityscapes, seascapes and landscapes* Beefy enough to handle watercolors, thinned acrylics, acrylic inks, spray colors, markers* All types of watercolor painting, graphic and fashion designs and mixed media works* The 300 gram weight (140lb Imperial) is beefy enough to handle watercolors, thinned acrylics, acrylic inks, spray colors, markers and other wet media and works wonderfully with fine line pens, graphite, crayon, oil pastel, standard colored pencil and watercolor pencil. Use to create all types of watercolor painting, graphic and fashion designs and mixed media works. Books feature special deluxe Smyth sewing which not only secures all 24 sheets inside but allows the book to layout completely flat for working two-page spreads that are wonderful for depicting cityscapes, seascapes and landscapes. Books feature heavy covered board cover and back with inside pocket and elastic strap to keep books from opening between uses. Each sheet has a fine perforation allowing it to be removed without harming the artwork. See More

Saral Transfer Paper 12" x 12 ft Roll - White

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White Wax-Free Precision Tracing on any Surface! Use Saral Wax Free Transfer Paper like carbon paper to transfer, trace a design, or sketch to any other surface - paper, wood, glass, acetate, metal, cloth, canvas, ceramics, and more! The all-purpose, acid-free coatings can be used several times each to render crisp, clean tracings. The tracings are easily erased like a pencil and do not smear. The tracing can be inked or painted over with no bleeding. When used with fabric, the transfer lines can be washed or brushed off and will not set into the fabric, even when used with a hot iron. Saral WAX FREE Transfer Paper is available in 5 colors: Graphite, White, Blue, Yellow, and Red in rolls of four sheets measuring 12" x 3 feet for a total of 12 feet each box. A larger size is available in a 12-Pack of 18" × 24" sheets in Sally’s Graphite transfer paper. All Saral transfer papers conform to ASTMD-4236 and are certified by The Art & Creative Materials Institute as non-toxic. Key Features:* Available in 5 colors: Graphite, Blue, Red, White, and Yellow* Wax Free Transfer Paper, 4 Sheets* 4 sheets per box - 12" x 3 ft each sheet* For tracing a design or sketch to another surface* The ability to use each sheet multiple times* Conforms to ASTMD-4236 and are certified non-toxic Perfect For:* Fine Arts and Watercolor painting * Tole painting, Scrapbooking * Fabric painting, Quilting, Sewing * Graphic Arts, Architecture * Woodworking, Ceramics, Stained Glass, Metalworking   See More

Sennelier Artist Dry Pigments Light Turquoise 60 grams

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Blue An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More

Old Holland Classic Pigment Mars Orange Red 60g

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Orange Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More