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Related Categories: 8.5x11 Paper | Paper Cutter | Logan Mat Cutter | Mat Cutter | Palette Tray | 9x12 Panels | Paper Palette | Logan
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Fabriano Rosapina Printmaking Paper, Ivory 20"x27" - 100 sheetsSave Up to45%Off list…papers Rosapina Printmaking paper is made with qualitatively high-level raw material (60% Cotton). Rosaspina paper is a mould made paperboard and suitable for all printmaking techniques (etching, lithography and silk screening). Rosapina printmaking paper performs as well as a 100% rag paper for all… Rosapina is a hidden jewel amongst printmaking papers Rosapina Printmaking paper is made with qualitatively high-level raw material (60% Cotton). Rosaspina paper is a mould made paperboard and suitable for all printmaking techniques (etching, lithography and silk screening). Rosapina printmaking paper performs as well as a 100% rag paper for all printmaking techniques. It is made of 60% cotton but lacks external sizing, giving it a sumptuously soft surface. Ideal for deep etching and aquatint and equally as luxurious as an upscale drawing paper. Mould-made Natural Grain with two deckle edges. All sheets are acid-free. * Sold only in Sheet Packs * Printmaking Papers * White or Ivory, 20" x 27" (50x70cm) * Type: Cotton * 220gsm sheets * Watermarked * 2 Deckle Edges * Surface & Finishing: Natural Grain * Acid Free, lignin free - with neutral alkaline sizing and an alkaline buffer content * Upscale drawing paper See More
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Yasutomo Washi 6MMK Kozo Paper 11"x60' Roll - WhiteSave Up to25%Off listTraditional Japanese Paper, also known as Washi, is popular for practicing strokes and experimenting with inks, charcoal, pastel. Washi Kozo (also known as Kozogami) Paper - Is made from mulberry and is designed for use in Sumi-E, calligraphy and paper crafts. Washi Hosho Paper - Is made of sulphite… Traditional Japanese Paper, also known as Washi, is popular for practicing strokes and experimenting with inks, charcoal, pastel. Washi Kozo (also known as Kozogami) Paper - Is made from mulberry and is designed for use in Sumi-E, calligraphy and paper crafts. Washi Hosho Paper - Is made of sulphite and kozo pulp. It is acid-free with a smooth and textured surface. Excellent for printmaking, collage and wood cuts. See More
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Stillman and Birn Premium Beta Hardbound Sketchbook - 9”x6" (26-Sheets)Save Up to20%Off listWhite Premium Hardcover & Wirebound Sketchbooks for Mixed Media Stillman & Birn Sketchbooks allow artists to choose the paper weight, shade, and surface type best suited for their specific media. Whether you prefer to work with wet media, dry media or both, these premium durable sketchbooks can withstand multiple erasures and a wide variety of applications. Artists can confidently experiment with new ideas and materials on papers that support the most demanding techniques. These sketchbooks are made with high-density heavyweight board that is resistant to warping and adds strength and stability to these sketchbooks Key Features:* High-performance, robust art papers* Acid-free, pH neutral, and lignin-free* Available in different sizes, in both hardbound and wirebound* Exceptional paper strength for wet media and layering of media* Paper manufactured in the Netherlands Perfect For:* Mixed media artwork* Art Journaling* Sketching, drawing and coloring with dry or wet media* Documenting ideas on the go* Creating bullet journals Stillman & Birn Hardcover & Wirebound Sketchbook Series: * Alpha Series - Heavyweight (150 gsm) / Medium grain surface / White / Dry media, light washes, ink * Beta Series - Extra heavyweight (270 gsm) / Cold press surface / White / Dry & wet media, watercolor, ink * Gamma Series - Heavyweight (150 gsm) / Medium grain surface / Ivory / Dry media, light washes, ink * Delta Series - Extra heavyweight (270 gsm) / Cold press surface / Ivory / Dry & wet media, watercolor, ink * Epsilon Series - Heavyweight (150 gsm) / Smooth surface / White / Pen & ink, dry media, light wash * Zeta Series - Extra heavyweight (270 gsm) / Smooth surface / White / Dry & wet media, watercolor and ink *Artwork by Artist Ivory Baker, using Schmincke Horadam gouache using an abrasive impasto technique. The artist reports "The methods I employ in my sketchbook work are very harsh on the paper to be able to cope well with the wetting, scratching and thicker paint without creasing, wrinkling and tearing." See more at the "On Paper" Blog: Click Here > See More
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