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Old Holland Classic Pigment Titanium White 110gSave Up to40%Off listWhite Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More -
Sennelier Artist Dry Pigments Gold Ochre 110 gramsSave Up to37%Off listGold An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More -
New York Central Oasis Synthetic Brush Short Handle, Size #2X0 RoundSave Up to82%Off list…Professional Watercolor Brushes for Use With Watercolor, Gouache, Ink, and Acrylics The New York Central brush makers didn't just try to imitate the characteristics of natural hair they set out to create something superior and succeeded with Oasis! The Oasis synthetic watercolor brushes were created… Elite Professional Watercolor Brushes for Use With Watercolor, Gouache, Ink, and Acrylics The New York Central brush makers didn't just try to imitate the characteristics of natural hair they set out to create something superior and succeeded with Oasis! The Oasis synthetic watercolor brushes were created by combining centuries of brush-making knowledge with the latest technology. Each Oasis synthetic brush is made by blending different filament diameters, taper ratios, and lengths. A computer simulation determines the precise combination of filaments before each brush is assembled by hand. Over 30 types of synthetic hair are blended to accurately imitate natural hair. This attention to detail results in a soft, extremely absorbent brush that holds its shape well and has great snap. Handmade in Germany by Expert Brush Makers One of the first brushes designed using computer simulation for every single brush. This will outshine virtually all brushes! Each brush has the optimal combination of hair to maximize its performance. This yields a uniform brush response and color-holding ability. Oasis brushes are extremely thirsty and can hold a large amount of water and paint compared to other brushes. After working with these brushes, you will be amazed by how well they perform. Move Over Kolinsky! Oasis is the Best Brush for Watercolor and Design Why: Oasis Brushes outperform and hold more color than Kolinsky. Designed and optimized with cutting edge technology Key Features: * Designed and optimized with advanced 3D imaging tech * Hair Type: Over 30 types of synthetic hair blended to accurately imitate natural hair * Absorbent synthetic filaments hold a large amount of liquid * Superior split-proof point * Designed to outperform natural hair * Vegan (no animal by-products) * Ergonomically shaped birch wood handle * High-quality anthracite colored ferrule * Hand-made by skilled artisans in Germany Perfect For: * Animal-friendly artists * Use with watercolor, gouache, ink, and acrylics * Painting fine details or bold washes of color * Controlled painting techniques that require a sharp edge * Professionals, art enthusiasts, and students Don't be alarmed if your Oasis brush is still wet after a day! The brush is designed to retain water for a very long time. It's best to dry Oasis brushes with the bristle pointing down. Drying the brush this way will help maintain the brush shape and allow any remaining water to drip out. The Set of 3 Includes: Travel Round sizes 2, 4, and 8. Mot's Favorites Set of 5 Includes: Round sizes 2 and 12, one French Quill size 10, a 3/4" Flat, and a 1/4" Oval Wash The Set of 5 Includes: Round sizes 0, 4, 8, and 12, and a Script Liner size 6. The Set of 7 Includes: Round sizes 0, 4, 6, 10, and 16, Script Liner size 6, and a 3/4" Oval Wash. The Set of 8 Includes: Round sizes 00, 2, 4, 8, and 12, Flat size 3/4, liner size 2, and a 50mm Mottler. Contents in the set may be substituted without notice. Innovation & The Technology Behind Oasis Synthetic Watercolor Brushes Read Article See More
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Masters Choice Watercolor Block 140 lb Rough 4.92x7.09 in 20-SheetSave Up to36%Off listWhite Strong, robust paper for all watercolor techniques! Master's Choice Artists' watercolor paper and blocks by Baohung was painstakingly developed over three years by world-renowned artists and the small family-owned Baohong mill. Initially released in Australia, Baohong watercolor paper has a rabid fan base led by famous watercolorists such as David Taylor. Made with 100% natural cotton and sized internally and externally with traditional gelatin, the 140 lb. (300 gsm) paper is available in hot press, cold press, and rough textures in both sheets and blocks. The Masters Choice by Baohong watercolor paper blocks are glued on all four sides, eliminating the need to stretch the paper before painting, as the glue prevents the sheet from buckling during painting. Reasonably priced Master's Choice Watercolor Papers are durable and perform well against the top watercolor papers on the market. Whether you are painting with watercolors or drawing with ink, Master's Choice Artists' Watercolor sheets and blocks provide an extraordinary surface for creative expression. Key Features: * Acid-free 100% cotton paper * Chlorine-free, pH-neutral, and archival * 140 lb. (300 gsm) paper * Available rough, cold, and hot press * Natural gelatine sizing * Unrivaled workability * Durable paper less likely to curl or warp * Natural White, no optical bleaches * Compare with other named brand watercolor papers * Full sheets are deckled on all four sides * Watermarked sheets * Block contains 20 sheets * Blocks are glued on all four sides Perfect For: * Watercolor artists * Watercolors, gouache, acrylics, and ink * Wet and dry watercolor techniques * Repeated erasing and painting * Creating professional artwork * Sketching, printmaking or drawing * Blocks eliminate the need to stretch paper * Traveling or spontaneous creativity * Portable painting surface * Plein air artists! See More -
Sennelier Egg Tempera - Ivory Black, 34ml TubeSave Up to35%Off listBlack A highly pigmented, professional tempera medium Sennelier Egg Tempera paint is a semi-opaque, water-soluble and permanent painting medium used for fine art painting and restoration (and can even be used as an underpainting for oil paints). Unlike oils, egg tempera does not age or yellow, due to being egg emulsion-based instead of oil based. Varnished egg tempera paintings are difficult to distinguish from oils due to their vibrancy and brilliance in how the pigment suspends in the emulsion. It is a popular medium with oil painters who seek a health alternative to the harsh and dangerous solvents involved with oil colors, as it requires nothing more than soap and water cleanup. Like their other paint lines, Sennelier Egg Tempera paints are professional quality pigments with the highest pigment loads possible. Key Features:* Classical painting medium* Water soluble, no need for solvents* Highly archival* Rich satin-matte finish* Highly pigmented paints* Authentic egg tempera made in the traditional manner* Use varnish over egg tempera paintings for an oil painting like appearance Perfect For:* Fine art painting, restoration, and icon painting* Underpainting for oil painters* Restoration Work * Icon Painting* Technical illustrative painting styles Intro Set of 5- Contains five 21 ml tubes including: Titanium White, Lemon Yellow, Rose Madder Lake, Ultramarine Blue, and Ivory Black Light Wooden Box Set Of 15 - Contains: One 34 ml tube of Titanium White, one 60 ml jar of Egg Tempera Binding Medium, a wooden palette, one metal palette cup, two brushes, a Flat #4 and a Round #5, 15, 21 ml tubes of Egg Tempera: Burnt Sienna, Cadmium Yellow Deep Genuine, Carmine, Cobalt Violet Hue, Emerald Green, Ivory Black, Lemon Yellow, Naples Yellow, Permanent Intense Red, Prussian Blue, Raw Umber, Ultramarine Blue, Vermilion, Viridian, and Yellow Ochre. Capable of creating detailed and complex effects, the medium of egg tempera can be traced back as early as ancient Greece. During the early Italian Renaissance, egg tempera reached its’ zenith, and was the predominant medium for religious icon panel paintings done between the 12th and 15th centuries. Even with the rise in popularity of oils beginning in the 15th century, Renaissance masters such as Michelangelo and Botticelli continued to prefer the deep luminosity of the medium. Even with the decline of the medium in favor to oils, artists like Marc Chagall (who exclusively used Sennelier) in the early 1900’s led to the medium’s revival, and it became more popular with the use by American painters such as Andrew Wyeth and Thomas Hart Benton. In 1892, chemist and fine arts purveyor Gustave Sennelier created his own line of Sennelier Egg Tempera paints, after extensive research into classical, authentic Renaissance formulas. Egg Tempera is a semi-opaque, water-soluble and permanent painting medium used for fine art painting and restoration (and can even be used as an underpainting for oil paints). Unlike oils, egg tempera does not age or yellow, due to being egg emulsion-based instead of oil based. The egg emulsion recipe binder produces a satin-matte finish that is water resistant when dry, and is thinned with water or egg tempera medium when painting. Varnished egg tempera paintings are difficult to distinguish from oils due to their vibrancy and brilliance in how the pigment suspends in the emulsion. It is a popular medium with oil painters who seek a health alternative to the harsh and dangerous solvents involved with oil colors, as it requires nothing more than soap and water cleanup. Like their other paint lines, Sennelier Egg Tempera paints are professional quality pigments with the highest pigment loads possible. Unlike oil paint, egg emulsion binder is stiffer and more brittle, so it does not lend well to impasto painting techniques. Traditionally, due to the brittle nature, egg tempera is best used on wood or canvas panels, or heavy primed paper that has been mounted on a hard surface. Note: Sennelier recommends artists give their finished egg tempera works a coating of charcoal or pastel fixative before applying a final oil paint picture varnish, to seal and protect the work. See More
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