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Da Vinci Kolinsky Red Sable Series 1815 sz. 28 FilbertSave Up to30%Off listPure Kolinsky Grade Red Sable Brushes! Crafted from Kolinsky-grade pure Red Sable hair, these brushes hold a generous amount of color and impart a soft feel with a natural springiness. da Vinci Kolinsky Red Sable Oil Brushes lay down even precise strokes. The rounds come to an excellent point, and… Pure Kolinsky Grade Red Sable Brushes! Crafted from Kolinsky-grade pure Red Sable hair, these brushes hold a generous amount of color and impart a soft feel with a natural springiness. da Vinci Kolinsky Red Sable Oil Brushes lay down even precise strokes. The rounds come to an excellent point, and the brights have a flawless chisel edge that resists splitting. Fat Filberts offer triple the thickness of other Sable brushes with a shorter hair length compared to standard filberts. Chock-full of hair, the extra full-body makes maneuvering thick-bodied paint a breeze and handles delicate glazes with precision. Handmade da Vinci Kolinsky Red Sable Oil Brushes are excellent for both water-soluble and traditional oils. Each brush is hand-cupped and tied before the bundle is glued and crimped into a nickel-plated, seamless ferrule. Before leaving the brush workshop, each handmade brush is examined to make sure that the brush-head is flawless, and that the ferrule is firmly attached to the handle. The family-owned da Vinci brush company has designed quality brushes for three generations in Germany. Utilizing the latest innovations, they produce brushes of unsurpassed quality, elegance, and durability. Key Features: * Pure Kolinsky Red Sable hair * Long lacquered handle * Sustainable European wood * Nickel-plated seamless ferrule * Extra full-bodied brushes * Unsurpassed color-holding capacity * Made in Germany Perfect For: * Traditional or water-soluble oil * Linework and design * Artist's seeking kolinsky red sable * Students, teachers, professionals * Creating precise linear strokes * Maneuvering heavy paint with skill * Painting delicate glazes with ease See More
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Speedball Fluid 100 Watercolor Paper Block - 140lb Cold Press, 6"x12" (15 Sheets)Save Up to51%Off list…gelatin sizing * Easy Blocks have 2 glued edges * Each watercolor block has 10 or 15 sheets glued on two edges * Each watercolor pochette has 10 sheets Perfect For: * Watercolor paints and watercolor pencils * Artists looking for a variety of paper formats * Practicing your watercolor painting 100% Cotton Watercolor Paper Sheets, Pads, Blocks & Pochettes Fluid 100 Watercolor Paper is made using traditional paper milling techniques used by the old European masters coupled with modern technology to create a fine 100% cotton watercolor paper. The natural white paper is available in both hot-pressed and cold-pressed and can be purchased as sheets, blocks, rolls, books, pads, or pochettes. Gelatin sizing makes the paper perfect for wet and dry media. Key Features: * 100% cotton, natural white surface * Acid-free, archival quality * External gelatin sizing * Easy Blocks have 2 glued edges * Each watercolor block has 10 or 15 sheets glued on two edges * Each watercolor pochette has 10 sheets Perfect For: * Watercolor paints and watercolor pencils * Artists looking for a variety of paper formats * Practicing your watercolor painting See More
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New York Central Double-Primed Alumacomp Panel - White - 6X12"Save Up to55%Off listWhite New York Central® brings premium gesso priming to AlumaComp Panels! Professionally Gessoed on our Famous AlumaComp (Aluminum) Panels - A High Quality Professional Panel for Oils & AcrylicsNew York Central® has taken the wildly popular AlumaComp brand artists aluminum panel and created a made-to-order gessoed surface for the fine artist who prefers primed panels! AlumaComp's unique composition of two aluminum sides with a 1/8" polyethylene core makes them lightweight, archival, dimensionally stable and strong. Panels will never rot and are not affected by weather humidity changes or temperature fluctuations, even in transport. The light weight and slim profile is ideal for shipping, stocking pochade boxes, plein air painting, and for studio use. Featuring a professional quality, proprietary acid-free and archival acrylic gesso, New York Central® Gesso AlumaComp Panels are meticulously hand primed by our own in-house, skilled craftsmen in our custom framing department when the order is placed. White is available with double or quadruple priming, and Rose Earth and Neutral Grey are offered double primed. Double primed panels have a slightly textured, consistent surface, making them ideal for all types of media. Quadruple primed white gesso finished panels offers a smoother, whiter appearance, making them perfect for any media where a smoother surface is desired. Key Features: * The Professionals Panel for Oils & Acrylics * AlumaComp panel foundation * Lightweight for shipping & transport * Archival & dimensionally strong * Proprietary acid-free acrylic priming * Available in 3 primed gesso colors, 4 surfaces * White gesso primed available in: Double or Quadruple primed * Hand primed by our own in-house, skilled craftsmen * Toned grounds: Rose Earth & Neutral Grey * Two aluminum sides with a 1/8" polyethylene core Perfect For: * Oils, Acrylics, Alkyds * Accepts traditional drawing media * Mixed medial applications * Oil sticks & pastels of all types * Heavy textured mediums * Artists of all skill levels The Professionals Panel for Oils & Acrylics - New York Central® Gesso Panels provide a surface that is ideal for oils, alkyds, acrylics, and other media that quickly build up weight that would slack stretched canvas, and bend or warp tempered or canvas covered painting panels. Brittle media like Egg Tempera and Acrylic Gouache is ideally suited for these panels, as they are the stiffest panel offered in such a slim depth. Perfect for mixed media applications, collage works, and heavy coats of acrylic texturing mediums. The gessoed surface works wonderfully with drawing media and charcoals,oil painting sticks, oil pastels, and crayon. Rose Earth and Neutral Grey primed colors have been carefully formulated under the guidance of professional painters, designed to match traditional, classically colored grounds. Featuring complete color consistency from batch to batch, the tone can be depended on for easily seeing values when painting. Perfect for chiaroscuro techniques, landscapes, portraits, still life, and more. Please Note: The panels are made to order, so it may take longer to ship your panel. Please take this extra processing time into account when placing your order. Feel free to call customer service if you have any questions about timing! See More
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Fluid Watercolor Paper Easy Block - 140 lb. Cold Press 6x12"Save Up to35%Off listEasy-Block High quality watercolor paper in uniquely-bound blocks Fluid Easy-Block Watercolor Paper is acid-free, 140 lb. / 300 gsm soft white watercolor paper blocks with a unique new take on traditional paper blocks! There is no need to wet and stretch the paper before painting, but since… Easy-Block High quality watercolor paper in uniquely-bound blocks Fluid Easy-Block Watercolor Paper is acid-free, 140 lb. / 300 gsm soft white watercolor paper blocks with a unique new take on traditional paper blocks! There is no need to wet and stretch the paper before painting, but since Easy-Blocks are only glued on 2 sides (instead of the traditional 4) it's also remarkably simple to remove your painting from the block once finished by simply slipping a knife or letter opener around the glued sides. Made by slow milling in small batches, Fluid Easy-Block Watercolor Paper is remarkably strong and is available in an even, low tooth cold press finish or new super-smooth hot press. Perfect not only for watercolors, but for colored pencil, pastel, acrylic washes, multimedia and more! Available in multiple sizes ideal for any subject; 15 sheets per block, bound on two edges. Easy-Block Watercolor Paper Blocks are taped on just two sides, which makes it much easier to remove the top sheet without damaging the sheets below - thus the name: "Easy-blocks"! * Acid-free 15 sheets per block, bound on two edges* Archival, Acid-Free* CCP -Certified Permanent Paper* 140 lb. / 300 gsm* Highest Quality Alpha Cellulose* Also available in packs of 6 loose 22x30" sheets* Cold or hot pressed, soft white paper* Perfect not only for watercolors, but for colored pencil, pastel, acrylic washes, multimedia and more!* The glue along the two long edges will hold the sheet flat as you paint. See More
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Strathmore 400 Series 140 lb Watercolor Paper Pads Cold Press Spiral 6" x 12" Landscape (12 Sheets)Save Up to40%Off listAcid-free Natural white color and traditional cold press surfaces Strathmore 400 Series Watercolor Paper Pads are an intermediate grade watercolor paper is popular with watercolorists of all levels because of the fine and even washes that can be achieved using this sheet. It also has a strong… Acid-free Natural white color and traditional cold press surfaces Strathmore 400 Series Watercolor Paper Pads are an intermediate grade watercolor paper is popular with watercolorists of all levels because of the fine and even washes that can be achieved using this sheet. It also has a strong surface that will allow lifting and scraping applications Acid-free. Sizes 5.5x8.5" and 12x12" are tape bound on one side; sizes 6x12" and 6x18" are spiral bound The natural white color and traditional cold press surface make it an ideal sheet for mastering watercolor techniques or for finished artwork. Sheet stock has two deckle edges. Weight: 140 lb. (22"x30" 500 sheets) 300 g/m2 Surface: Cold Press 140 lb. (22"x30" 500 sheets) 300 g/m2 Surface: Cold Press Pad Features: Wire bound sheets are Actual Size when removed at the wire binding.* 5.5"x 8.5" Cold Press - 8.5" Tape Bound - 12 Sheets* 6"x12" Cold Press - 6" Wire Bound - 12 Sheets* 6"x18" Cold Press - 6" Wire Bound - 12 Sheets* 12"x12" Cold Press - 12" Tape Bound - 12 Sheets See More
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New York Central Professional Watercolor Panels Arches 140lb Natural White Hot Press 7/8" Panel 6x12"Save Up to46%Off listWhite Hand-mounted 100% Cotton Acid-Free Watercolor Paper Your favorite watercolor paper mounted to the finest Birch wood panel with acid-free and waterproof adhesive. The mounted paper won't buckle or warp when wet because it's glued to the panel. New York Central Professional Watercolor Panels provide a fresh, modern way to present your artwork without a frame. Each panel is hand-mounted with your choice of paper! Choose from these 100% cotton watercolor papers: * New York Central Bright White: Hot Press, Cold Press or Rough * Arches Natural White: Hot Press, Cold Press or Rough * Arches Bright White: Hot Press, Cold Press or Rough * Fabriano Artistico Bright White: Hot Press, Cold Press, Soft Press or Rough * Stonehenge Aqua: Hot Press or Cold Press To choose your preferred paper brand see the buttons below Finished work can be framed under glass or sprayed with an acrylic polymer for frameless presentation. Golden polymer coatings are available in gloss, matte, or satin finishes and help protect your artwork. For a resin finish, we recommend Pebeo Glazing Resin. Hang Without A Frame For A Fresh Modern Look Key Features: * Birch wood panels * 7/8" or 1-5/8" profile * Archival waterproof adhesive * 140lb 100% cotton, acid-free papers and surfaces * Available in eight sizes from 6" x 8" - 18" x 24" * Warp-resistant birch with kiln-dried New Zealand pine cradles * Paper mounted by skilled artisans Perfect For: * Artists seeking a museum-quality, archival surface * Artists looking for a sturdy, non-buckling watercolor surface * Mixed Media applications * Frameless presentation * Permanent works of art Please note: We carefully make each order by hand. As a result, it may take longer for your order to ship. See More
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Global Art Quattro Journals Grid 4-1/2" x 5-1/2"Save Up to44%Off listQuattro Journals are paper with a purpose! Quattro encourages you to customize your jotting experience. Lots of sizes in your choice of gridded, lined or artist blank. All acid-free. We also have the Quattro Leather Pad Holders, available in Black, Neutral or Saddle. Quattro Journals are paper with a purpose! Quattro encourages you to customize your jotting experience. Lots of sizes in your choice of gridded, lined or artist blank. All acid-free. We also have the Quattro Leather Pad Holders, available in Black, Neutral or Saddle. See More
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Lefranc & Bourgeois Flashe Vinyl Paint - White, 169 ml JarSave Up to30%Off listWhite Highly Pigmented Opaque Vinyl Paint On All Supports Lefranc & Bourgeois's FLASHE is a vinyl-based opaque paint that dries to a uniform, velvety matte finish. Vinyl paint is like acrylic in that you can use it on different surfaces, but FLASHE has a velvety matt finish and can be painted on glass and plastic without a primer, unlike acrylic. Special properties in the paint allow you to apply the same color to different surfaces without any big color shift, and you can dilute the paint with water to create wash effects. The paint adheres well and is resistant to weather, which makes it perfect for painting theatre decorations, faux finishes, frescos, and more. All FLASHE colours have a distinctive matt finish, except the iridescent colours, which have a luminous, satin finish due to their pearlescent pigmentation. Key Features: * Highly pigmented opaque vinyl paint * Radiant colour, matt finish, and exceptional durability * High-quality pigments specially selected for fine art * Identical color finish on all surfaces * It can be heavily diluted without breaking the film * Guaranteed to be 100% stable over time * Most surfaces do not need to be primed Perfect For: * Artists and illustrators * Non-oily painting surfaces, canvas, wood, fabric, leather, metal, paper, plastic, glass, and polystyrene * Creating transparent wash effects and patinas * Use as an undercoat for oil or acrylic murals * Transferring artwork from analog to digital * Spontaneous painting in the studio or outdoors * Fresco and wall painting, faux finishes, theater decorations, and more * Brush, sponge, spray gun, or an airbrush application FLASHE Colours have a uniform 30-minute drying time, and once dry, they are water-resistant. You can only remove the paint with alcohol-based solvents. Apply opaque colours with a single application, semi-opaque colours with two applications, and transparent colours with three to four applications. Watercolour: To create washes and patinas, dilute with between 1/3 and 2/3 water as desired. Varnish: Matt varnish can be applied on top to maintain the vibrancy of the colour without altering the shade. Gloss varnish will make shades a tone deeper and more vivid. Varnish is recommended for all outside applications. See More
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