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Old Holland Classic Pigment Titanium White 110gSave Up to40%Off listWhite Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Sennelier Artist Dry Pigments Gold Ochre 110 gramsSave Up to37%Off listGold An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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New York Central Double-Primed Alumacomp Panel - Rose Earth - 10X10"Save Up to47%Off list…in-house, skilled craftsmen in our custom framing department when the order is placed. White is available with double or quadruple priming, and Rose Earth and Neutral Grey are offered double primed. Double primed panels have a slightly textured, consistent surface, making them ideal for all types… New York Central® brings premium gesso priming to AlumaComp Panels! Professionally Gessoed on our Famous AlumaComp (Aluminum) Panels - A High Quality Professional Panel for Oils & AcrylicsNew York Central® has taken the wildly popular AlumaComp brand artists aluminum panel and created a made-to-order gessoed surface for the fine artist who prefers primed panels! AlumaComp's unique composition of two aluminum sides with a 1/8" polyethylene core makes them lightweight, archival, dimensionally stable and strong. Panels will never rot and are not affected by weather humidity changes or temperature fluctuations, even in transport. The light weight and slim profile is ideal for shipping, stocking pochade boxes, plein air painting, and for studio use. Featuring a professional quality, proprietary acid-free and archival acrylic gesso, New York Central® Gesso AlumaComp Panels are meticulously hand primed by our own in-house, skilled craftsmen in our custom framing department when the order is placed. White is available with double or quadruple priming, and Rose Earth and Neutral Grey are offered double primed. Double primed panels have a slightly textured, consistent surface, making them ideal for all types of media. Quadruple primed white gesso finished panels offers a smoother, whiter appearance, making them perfect for any media where a smoother surface is desired. Key Features: * The Professionals Panel for Oils & Acrylics * AlumaComp panel foundation * Lightweight for shipping & transport * Archival & dimensionally strong * Proprietary acid-free acrylic priming * Available in 3 primed gesso colors, 4 surfaces * White gesso primed available in: Double or Quadruple primed * Hand primed by our own in-house, skilled craftsmen * Toned grounds: Rose Earth & Neutral Grey * Two aluminum sides with a 1/8" polyethylene core Perfect For: * Oils, Acrylics, Alkyds * Accepts traditional drawing media * Mixed medial applications * Oil sticks & pastels of all types * Heavy textured mediums * Artists of all skill levels The Professionals Panel for Oils & Acrylics - New York Central® Gesso Panels provide a surface that is ideal for oils, alkyds, acrylics, and other media that quickly build up weight that would slack stretched canvas, and bend or warp tempered or canvas covered painting panels. Brittle media like Egg Tempera and Acrylic Gouache is ideally suited for these panels, as they are the stiffest panel offered in such a slim depth. Perfect for mixed media applications, collage works, and heavy coats of acrylic texturing mediums. The gessoed surface works wonderfully with drawing media and charcoals,oil painting sticks, oil pastels, and crayon. Rose Earth and Neutral Grey primed colors have been carefully formulated under the guidance of professional painters, designed to match traditional, classically colored grounds. Featuring complete color consistency from batch to batch, the tone can be depended on for easily seeing values when painting. Perfect for chiaroscuro techniques, landscapes, portraits, still life, and more. Please Note: The panels are made to order, so it may take longer to ship your panel. Please take this extra processing time into account when placing your order. Feel free to call customer service if you have any questions about timing! See More
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Stonehenge Aqua Watercolor Block 10"x10" - 140lb, Cold-Press Block (15 Sheets)Save Up to38%Off listWhite Stonehenge Aqua is everything an expensive paper is without the expense. Stonehenge Aqua Professional Watercolor Blocks and Papers are as finely crafted as it is affordable. Performing way beyond its price point, it has been tested to its limits, and as it turns out, it has no limits. Wet-on-wet or wet-on-dry, it has a wonderful crispness that anchors beautiful work across every task and technique. With Stonehenge Aqua, blending is effortless, and lifting is no longer a chore. It welcomes masking while never relinquishing the control you both demand and desire. Bright colors dry bright. Blocks or sheets it’s flat paper that dries flat. Making possibilities a reality is why Stonehenge Aqua Watercolor Papers came to be. Watercolor is all about possibilities. Because it’s not just about beautiful paint. There’s another factor: a wonderfully whimsical element – water. Together, they allow for form and flow, chaos and connection, beauty and structure. Key Features: * Professional watercolor papers (140lb & 300lb) * Blocks, pads, sheets, and rolls * Cold Press and Hot Press * 100% cotton - acid, chlorine, OBA, and Lignin-Free * Neutral pH * Same surface on both sides * Buckle-resistant, dries flat * Sized for watercolor * Superior quality Perfect For: * Wet-on-wet or wet-on-dry techniques * Lifting and scrubbing color * It’s flat paper that dries flat * Multiple layers of wet media * Effortless Blending * Bright colors dry bright See More
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Arches Natural White En-Tout Cas Watercolor Roll,134lb - 52" x 10ydSave Up to40%Off list100% Cotton Strong Character, Rich in Texture Watercolor 10yd. Paper Rolls Arches watercolor rolls come in 10 yard rolls are acid-free, 100% cotton paper ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing and airbrushing. The 10 yard rolls are offered in a… 100% Cotton Strong Character, Rich in Texture Watercolor 10yd. Paper Rolls Arches watercolor rolls come in 10 yard rolls are acid-free, 100% cotton paper ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing and airbrushing. The 10 yard rolls are offered in a variety of weights and textures. Two deckle edges run along the outside of each roll. Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Sized to the core with natural gelatin: a process exclusive to ARCHES®. Available Surfaces: * Hot Pressed * Cold Pressed * Rough Available Roll Styles * D-Arches 51" - 156lb (356 gsm) * D-Arches 44" - 140lb (300 gsm) * En-Tout-Cas 52" - 134lb (280 gsm) 51” Wide 156 lb wt. - Extra wide rolls of D’Arches 100% rag watercolor paper that is approximately 11% heavier than conventional 140 lb (300 gsm) weight paper. Available in all three popular surfaces. 2 deckle edges run along the outside of the roll. En-Tout-Cas 52”, 134lb wt. - An impressive sheet with 2 deckle edges. This gelatin sized, 134 lb (280 gsm) weight, mould made sheet has a dual surface character. On one side it’s cold pressed for watercolor painting, on the other side, it is rough for ink and drawing. Plus it is 25% cotton. See More
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Arches Natural White En-Tout Cas Watercolor Roll,134lb - 52" x 10ydSave Up to40%Off list…Strength and Longevity The Artists' Choice For Watercolor Papers Since 1492! Mould-made in France, Arches Natural White Watercolor Paper is 100% cotton rag watercolor paper. Considered the most popular in the world, each gelatin-sized Arches watercolor paper sheet has four deckle edges and may be… Natural White 100% Cotton Paper, Lasting Whiteness with Strength and Longevity The Artists' Choice For Watercolor Papers Since 1492! Mould-made in France, Arches Natural White Watercolor Paper is 100% cotton rag watercolor paper. Considered the most popular in the world, each gelatin-sized Arches watercolor paper sheet has four deckle edges and may be repeatedly erased and over-painted while still maintaining its beautiful surface quality and integrity. Arches natural white watercolor paper is available in all three popular watercolor paper finishes, hot press, cold press and rough grain Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Arches natural white watercolor paper has been a favorite among artists for over 500 years, and it's easy to see why! Made from 100% cotton linters and both internally and externally gelatin sized, acid-free Aquarelle watercolor paper is one of the finest art papers in the world. Sized to the core with natural gelatin, a process exclusive to ARCHES®. Even if it is soaked for a long time, the paper will still retain enough gelatin not to become too absorbent. Arches Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Cold Pressed surface is a particular favorite of illustrators, watercolorists, and airbrush artists. For a bolder, more robust surface, Arches Rough provides just enough texture allowing for easy working, and is strong enough to maintain its character even after reworking. The Rough texture is also used by watercolorists, airbrush artists, and acrylic painters. 260 lb. is approximately the same weight as 140 lb. paper but in double elephant (available in larger sizes than 22x30"). Key Features:* 100% long rag cotton* Mould-made in France* Available in hot press, cold press and rough grain!* Two natural deckle edges, two torn deckle edges* Acid-free, no optical brightening agents* Natural color* Sized to the core with natural gelatin Perfect For:* Watercolorists* Maintaining the integrity of the paper after repeated erasing and painting* Finished artwork* Wet techniques such as ink, gouache, and acrylic Arches Watercolor Paper, Natural White Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould Uses: ideal for watercolor painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from penetrating into the thickness of the paper. See More
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SoHo Select Stretched Watercolor Paper 5/8" Deep 140lb Hot Press 10"x10" (Box of 6)Save Up to55%Off listWhite It's Not Canvas, It's Stretched Cotton Watercolor Paper! SoHo Select Stretched 100% Cotton Watercolor Paper offers an exciting new way to display artwork on paper. The strong, durable paper is stapled to a wooden stretcher frame, just like a traditional canvas. Internal and external sizing prevents over-absorption and helps vibrant colors stand out on the surface. The grain of the paper softens when wet and tightens as it dries on the frame. Mixed media effects can be achieved by allowing wet media to dry before adding each layer. Best of all, the stretcher frame makes it easy to showcase your art without worrying about matting and framing. However, any ready-made frame (with or without glass) can also be used to enhance your artwork even more. You could even use a floater frame with your watercolor art! Key Features: * 140 lb. (300 gsm) Hot Press * Acid-free, 100% cotton watercolor paper * 5/8" stretcher frame depth * Back stapled construction * Internally and externally sized * Tightens on the frame as it dries * Versatile paper for a variety of media Perfect For: * Watercolor, acrylic, colored pencil, and charcoal * Dry media, pen & ink, and more * Mixed media collage * Artists of all skill levels * Saving money on framing * Painting parties and workshops Artist Tip: Use watercolor fixative on top of dried layers to keep them from re-wetting. If no glass is used for framing, you may want to protect your watercolor artwork with a varnish. See More
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Stonehenge Aqua Watercolor Paper 140lb Cold Press Pad - Black, 10"x10" (15 Sheets)Save Up to38%Off listBlack BLACK is 100% cotton paper sized for watercolor Black paper is not a new thing, but Black 100% cotton paper sized for watercolor is. Utilizing their vast experience producing new papers for emerging markets, Legion was able to work directly with artists to create something totally new and desirable. And with recent introductions of new metallic and pearlescent watercolor paints, pencils, pens, markers and inks, the timing couldn’t be better for Stonehenge Aqua Coldpress Black to bring these media to life. Black paper is an exciting, new world. Instead of building up shadows, one builds up light. It’s a place where negative space is transformed into positive. And while it may be dark, it’s a chance for those who live and breathe watercolors to bring a new breed of creativity to light. Key Features: * 100% cotton, CP 140lb or 300lb * Acid-free, Neutral pH, Chlorine-free * Same surface on both sides * Professional 'crisp' feel * Buckle-Resistant, dries flat * Perfect For: * Many kinds of mediums * Blending of colors (paint mixes well and does not dry up quickly) * Lifting techniques See More
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Jacquard Pearl Ex Powdered Pigment - Sunset Gold .75ozSave Up to41%Off listMetallic Use with oils, acrylics, watercolors, fabric paint and more! Pearl-Ex pigment colors can be mixed into any media and applied to any surface! And the variety of finishes Pearl Ex can produce is nearly endless—from metallic sheens to pearlescent shimmers to all manner of faux finishes. Pearl Ex creates a metallic look without being a metal. The particles are flat platelets with two surfaces, therefore it lays down beautifully like a thin coating of metal. The different particle sizes produce different looks from a fine, smooth, pearly luster to a highly metallic sheen. It is a safe, non-toxic, inert powdered pigment with a neutral pH. It is extremely color fast and stable. These colors will not tarnish or fade and is therefore ideal for archival applications. Add Pearl-Ex pigments to any viscous medium such as acrylic, gouache, oils, varnish, wax, paper pulp and clay. Great for faux finishing, mixed media art and more. Pearl Ex powdered pigment colors can be mixed into any media and applied to any surface Key Features:* Can be mixed into any media* Applied to any surface* Creates a metallic look without being a metal* Lays down beautifully like a thin coating of metal* Produce different looks from a fine, smooth, pearly luster to a highly metallic sheen* Safe, non-toxic, inert powdered pigment with a neutral pH* Extremely color fast and stable* Archival, colors will not tarnish or fade* Available in: .75oz/22ml jars 32 Color set - 32, 0.1 oz (3 g) bottles - 3 gram jars of each color of Pearl Ex Pigments Series 1 Set of 12 - Micro Pearl, Macro Pearl, Super Russet, Super Copper, Brilliant Gold, Sparkle Gold, Silver, Super Bronze, Sunset Gold, Interference Violet, Interference Gold, and Duo Red-Blue. Series 2 Set of 12 - Includes: Aztec Gold Antique Copper Antique Silver Duo Green-Yellow, Bright Yellow, Flamingo Pink, Spring Green, Turquoise, True Blue, Misty Lavender, Blue Russet, and Sparkling Copper. Series 3 Set of 12 - Includes: Carbon Black, Pumpkin Orange, Salmon Pink, Pink Gold, Reflex Violet, Grey Lavender, Mink, Sky Blue, Pearl White, Antique Bronze, and Duo Blue-Green. NOTE: Click on Yellow Icon Next To Products For Full Color Contents Pearl-Ex Powdered Pigment Details: Pearl Ex Powdered Pigments may be used any time a metallic or pearlescent effect is desired: mix them into acrylics, oils, printing inks, encaustics, alcohol inks, epoxy, glues, casting resins, clay, varnishes...the list goes on! Try it mixed with Gum Arabic for a DIY metallic calligraphy ink or watercolor, in the Pearl Ex Varnish for working on non-porous surfaces Fabric/Fiber/Surfaces polymer clay, encaustics, paper, shrink plastic, leather, glass, canvas, wood, and more! Mix with a binder to use on natural and synthetic fibers See More
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