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Old Holland Classic Pigment Titanium White 110gSave Up to25%Off listWhite Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Sennelier Artist Dry Pigments Gold Ochre 110 gramsSave Up to37%Off listGold An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Silver Brush Atelier Golden Taklon Quill Brush #120Save Up to35%Off listCreate your next masterpiece with this series of premium brushes for artists working with oils, watercolors and acrylics! Silver Brush Atelier Brushes are a series of premium paint brushes that are available in three different styles. The Mottler series is a 72 brush assortment that has extra long… Create your next masterpiece with this series of premium brushes for artists working with oils, watercolors and acrylics! Silver Brush Atelier Brushes are a series of premium paint brushes that are available in three different styles. The Mottler series is a 72 brush assortment that has extra long handles with bristle brushes in angle and oval shapes for varnishing, graining, transparent painting and priming and badger blend brushes in flat shapes for softening edges and blending. The dressed goat hair of the Hake series, in an assortment of 62 brushes, is ideal for washes and backgrounds in watercolors and acrylics, and for softening brush strokes in oils. Quill Series brushes are made with white goat hair, golden taklon, or a blend of black squirrel and synthetic hair. This assortment of 54 quill brushes is perfect for detail work, washes, and blending with oils, acrylics or watercolor. Key Features: * Series of high-quality paintbrushes in 3 styles * The Mottler Series has extra long handles & bristle or badgers brush heads * The goat hair of the Hake series is great for washes and backgrounds * The Quill series are made of squirrel blend, white goat hair or golden taklon Perfect For: * Portrait artists * Watercolor artwork * Working in oils * Acrylic artwork See More
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Princeton Catalyst Polytip Bristle Short Handle Mottler #75Save Up to40%Off listStiffness Watercolors Acrylics Oils A First For Artist Brushes! -- The Perfect Short Handle Brush For Heavy Body Acrylics And Oil Colors! Princeton Catalyst 6450 Polytip Bristle Short Handle Synthetic Brushes are another Princeton breakthrough that advances the science of synthetic hair. Catalyst… Stiffness Watercolors Acrylics Oils A First For Artist Brushes! -- The Perfect Short Handle Brush For Heavy Body Acrylics And Oil Colors! Princeton Catalyst 6450 Polytip Bristle Short Handle Synthetic Brushes are another Princeton breakthrough that advances the science of synthetic hair. Catalyst Polytip Bristle Synthetic Short Handle Brushes are super stiff yet still extremely responsive. Unlike natural hog bristle, Catalyst has real integrity in water. Natural bristles can be rendered useless when they are water-soaked. The true advance in Catalyst is the Polytip feature. For the first time, the tip of each individual hair has been split to replicate the natural flags on the finest natural bristle. By giving each individual hair 2 to 3 distinct tips, Catalyst is able to hold a higher volume of paint while providing a smoother application. Designed for use with medium to heavy-bodied acrylics and oil paints, Catalyst pushes even heavy gel mediums with assurance. Catalyst Polytip Bristle brushes truly are tools that move paint. Key Features:* Stiff and responsive synthetic bristles* High paint load* Even application* Seamless ferrule Perfect For:* Medium to heavy bodied acrylics* Heavy gel mediums and oil color application* Unaltered results when soaked in water* Artists of any skill level See More
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Global Arts Handbook Journal 5-1/2 x 5-1/2" Square - Vermilion RedSave Up to44%Off listRed Attractive and functional Journal! Global Art Handbook Journals feature attractive book cloth hand-bound covers with just the right amount of flexibility. Each journal contains 128 pages of heavyweight, 130 gsm, acid-free, buff drawing paper. Excellent for pen and ink, pencil, and markers. The lightly toothed paper accepts light watercolor washes. A resilient elastic closure keeps the journal closed, and a useful, clear plastic envelope on the inside back cover is perfect for notes or business cards. Key Features: * Book cloth hand-bound cover * 128 pages * Heavyweight, 130 gsm paper * Acid-free * Buff drawing paper * Resilient elastic closure * Clear plastic envelope on the inside back cover Perfect For: * Pen and ink * Pencil and markers * Uncomplicated, spontaneous creativity * Light watercolor washes * Journal or sketchbook * Use in classes, studios, or outdoors! See More
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Guild-Gold Imitation Gold Leaf Book of 50 (Loose)Save Up to68%Off listGold Add dazzling magical accents to your art with imitation gold and silver leaf! Available in: Champagne, Rose Gold, Gold & Silver Leaf, Guild-Gold Leaf Books are known by suppliers worldwide for consistent quality and reliable purity. The thin sheets of imitation leaf are created by hammering and stretching metal to its limit. Guild-Gold Metal Leaf is used for accenting artwork or objects with an ultra-thin layer of metal foil leaf. Traditionally used to decorate frames and paintings, gold leaf is now widely used for a wide range of decorative projects. You can apply Guild-Gold Metal Leaf to ceramic, metal, stone, glass, wood, plastic, and leather surfaces through the gilding process. The leaves are arranged in paper booklets, loosely inset in compartments, one for each leaf. You can use a gilder's tip brush to pick up and place the loose leaf on the prepared surface. Key Features: * Imitation Champagne, Rose Gold, Gold, and Silver leaf * Champagne Gold, Champagne Silver leaf: Available in books of 50 sheets * Rose Gold leaf: Available in books of 50 sheets * Gold and Silver leaf: Available in books of 100 sheets * Leaves measure 140 mm × 140 mm (5.51" × 5.51") * Perfect For: * Water gilding or adhesive gilding * Jewelry design and Keum-Boo * Ceramic, metal, stone, glass, wood, plastic, and leather surfaces * Paintings on canvas or board * Gilding frames or sculptures * Icon paintings and mixed media work Keum-Boo (attached gold) is an ancient Korean jewelry technique. This method uses heat to fuse gold leaf to sterling silver or other metals. Agate burnishers are used to buff and brighten the resulting jewelry pieces. How to Apply Guild-Gold Metal Leaf: * Make sure that the surface you plan to leaf is clean and free of dust. Cotton gloves are recommended when working directly with metal leaves (gold leaf will stick to the oils in your fingers). * Apply a thin layer of metal leaf adhesive size to the area you want to cover. Let the adhesive set until tacky (be sure to follow instructions on your adhesive). * Pick up the leaf with statically charged wax paper or a gilding brush. You can achieve a static charge by gently rubbing on fabric, like your shirt, for example. * Carefully lay each leaf onto the tacky adhesive areas. A soft brush will help guide each leaf into crevices or textured surfaces. * Overlap leaves as you go until you have covered the entire tacky area. * Gently dust away loose flakes. Larger pieces can be saved for future use. * Ensure good adhesion by patting all over with a soft cloth. Use gentle pressure and avoid rubbing. * Varnish your finished work to prevent tarnishing. See More
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Sennelier Egg Tempera - Ivory Black, 34ml TubeSave Up to35%Off listBlack A highly pigmented, professional tempera medium Sennelier Egg Tempera paint is a semi-opaque, water-soluble and permanent painting medium used for fine art painting and restoration (and can even be used as an underpainting for oil paints). Unlike oils, egg tempera does not age or yellow, due to being egg emulsion-based instead of oil based. Varnished egg tempera paintings are difficult to distinguish from oils due to their vibrancy and brilliance in how the pigment suspends in the emulsion. It is a popular medium with oil painters who seek a health alternative to the harsh and dangerous solvents involved with oil colors, as it requires nothing more than soap and water cleanup. Like their other paint lines, Sennelier Egg Tempera paints are professional quality pigments with the highest pigment loads possible. Key Features:* Classical painting medium* Water soluble, no need for solvents* Highly archival* Rich satin-matte finish* Highly pigmented paints* Authentic egg tempera made in the traditional manner* Use varnish over egg tempera paintings for an oil painting like appearance Perfect For:* Fine art painting, restoration, and icon painting* Underpainting for oil painters* Restoration Work * Icon Painting* Technical illustrative painting styles Intro Set of 5- Contains five 21 ml tubes including: Titanium White, Lemon Yellow, Rose Madder Lake, Ultramarine Blue, and Ivory Black Light Wooden Box Set Of 15 - Contains: One 34 ml tube of Titanium White, one 60 ml jar of Egg Tempera Binding Medium, a wooden palette, one metal palette cup, two brushes, a Flat #4 and a Round #5, 15, 21 ml tubes of Egg Tempera: Burnt Sienna, Cadmium Yellow Deep Genuine, Carmine, Cobalt Violet Hue, Emerald Green, Ivory Black, Lemon Yellow, Naples Yellow, Permanent Intense Red, Prussian Blue, Raw Umber, Ultramarine Blue, Vermilion, Viridian, and Yellow Ochre. Capable of creating detailed and complex effects, the medium of egg tempera can be traced back as early as ancient Greece. During the early Italian Renaissance, egg tempera reached its’ zenith, and was the predominant medium for religious icon panel paintings done between the 12th and 15th centuries. Even with the rise in popularity of oils beginning in the 15th century, Renaissance masters such as Michelangelo and Botticelli continued to prefer the deep luminosity of the medium. Even with the decline of the medium in favor to oils, artists like Marc Chagall (who exclusively used Sennelier) in the early 1900’s led to the medium’s revival, and it became more popular with the use by American painters such as Andrew Wyeth and Thomas Hart Benton. In 1892, chemist and fine arts purveyor Gustave Sennelier created his own line of Sennelier Egg Tempera paints, after extensive research into classical, authentic Renaissance formulas. Egg Tempera is a semi-opaque, water-soluble and permanent painting medium used for fine art painting and restoration (and can even be used as an underpainting for oil paints). Unlike oils, egg tempera does not age or yellow, due to being egg emulsion-based instead of oil based. The egg emulsion recipe binder produces a satin-matte finish that is water resistant when dry, and is thinned with water or egg tempera medium when painting. Varnished egg tempera paintings are difficult to distinguish from oils due to their vibrancy and brilliance in how the pigment suspends in the emulsion. It is a popular medium with oil painters who seek a health alternative to the harsh and dangerous solvents involved with oil colors, as it requires nothing more than soap and water cleanup. Like their other paint lines, Sennelier Egg Tempera paints are professional quality pigments with the highest pigment loads possible. Unlike oil paint, egg emulsion binder is stiffer and more brittle, so it does not lend well to impasto painting techniques. Traditionally, due to the brittle nature, egg tempera is best used on wood or canvas panels, or heavy primed paper that has been mounted on a hard surface. Note: Sennelier recommends artists give their finished egg tempera works a coating of charcoal or pastel fixative before applying a final oil paint picture varnish, to seal and protect the work. See More
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