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Sennelier Artist Dry Pigments Gold Ochre 110 gramsSave Up to37%Off listGold An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Old Holland Classic Pigment Titanium White 110gSave Up to25%Off listWhite Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Strathmore 400 Series Softcover Watercolor Art Journal 5-1/2x8" (48 pg) - WhiteSave Up to40%Off listWhite Fine art paper in finely crafted journals! Strathmore 400 & 500 Series Softcover Art Journals give artists the choice of high quality sketch, toned sketch, drawing, watercolor and mixed media papers. The velvety soft, flexible cover is a rich, dark brown color, and the durable Smyth-sewn binding allows pages to lay flatter. These beautiful lightweight journals are available in convenient, portable sizes -- making them perfect for artists on-the-go! * 400 Series Watercolor Softcover Art Journal- 140lb. 300 gsm, / 48 pages - This intermediate grade watercolor paper has a strong surface that is ideal for watercolor, gouache and acrylic. The natural white color and traditional cold press surface allows for fine and even washes, as well as lifting and scraping applications. Acid free. * 500 Series Mixed Media Softcover Art Journal- 90 lb. 190 g/m / 64 pages - This professional quality paper is internally sized for wet media with durable vellum finish for drawing techniques. It is comprised of 100% cotton fiber, and is acid free, 90lb., lignin free, and archival. Ideal for watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel and collage. * Eco-Friendly 400 Series Toned Sketch Softcover Art Journal- Toned Gray & Tan Journals - 80 lb. 118 gsm / 112 pages - This medium surface, 80lb. sketch paper is ideal for use with graphite, chalk, charcoal, sketching sticks, markers, china markers, colored pencils, pens and white gel pens. A unique quality of this sketch paper is that it is 100% recycled and contains 30% post-consumer fiber -- making it an eco-friendly product! Available in Warm Tan and Cool Gray. Acid free. * 400 Series Toned Sketch Softcover Art Journal - 60 lb. 89 gsm / 160 pages - This general purpose, white, medium surface, 60lb., heavy weight sketch paper is intended for practice of techniques or quick studies with any dry media. It is ideally used with graphite pencil, colored pencil, charcoal, sketching stick, soft pastel and oil pastel. Acid Free. * 400 Series Drawing Softcover Art Journal - 80 lb. 130 gsm / 96 pages - This cream colored, medium surface, 80lb., drawing paper is ideal for sketching and finished work. This paper was engineered to work best with mediums such as graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel and oil pastel. Acid free. * Jerry's Strathmore Sketching Gift Set - This Gift Set from Strathmore, out right in time for the holidays includes everything you need to start sketching better today! This set includes a Softcover 400 Toned Gray Journal, a 12 pack of SoHo Compressed Charcoal (Midnight Black), a Creative Mark 12x16" Mesh bag and two 3-packs of SoHo Sketch Squares. See More
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Art Alternatives Gummed Paper Tape, 2" x 25 Yard Roll
Starting At: 4.79
Kraft paper with water adhesive. Ideal for stretching wet watercolor paper onto drawing boards. 2" × 25 yard rolls. Kraft paper with water adhesive. Ideal for stretching wet watercolor paper onto drawing boards. 2" × 25 yard rolls. See More -
New York Central Unprimed Linen, J , 85" x 2.5yd Canvas BlanketSave Up to60%Off listBrown Museum Quality Unprimed Belgian Linen Canvas Blankets The excellent soil quality and moderate climate of the Belgian region is ideal for growing the linen flax plant. Local expertise, combined with centuries of flax spinning and weaving knowledge, guarantee the craftsmanship of New York Central® Unprimed Belgian Linen Blankets. Far more desirable than cotton, linen retains its natural oils, which preserves the material's inherent flexibility and strength. Additionally, this retention of natural oils gives linen the unique ability to resist mold and mildew, unlike cotton. Linen can be thinner and lighter than cotton while maintaining a higher weight load, increasing its durability under heavy-handed painters. Linen will not become slack over time, as cotton is prone to do. Our New York Central® Unprimed Belgian Linen is made from the absolute highest quality flax fibers and is a beautiful, pure product that maintains a natural weave. The perfect surface can be found for any painting with these unprimed blankets, with multiple textures from extra-fine to medium rough. New York Central® Unprimed Belgian Linen gives you the freedom to customize a custom canvas to your priming specifications, making it perfect for every type of painting genre and technique. Shipping Notice: These fine quality linens may take a bit longer to ship, they are custom cut for each order. The canvas is carefully and professionally handled by our in house specialists ensuring you get the best service and quality. Key Features: * Woven in Belgium * 100% linen flax * Available as folded blankets in 2.5 yards, 5 yards, and 10 yards * Made in a carbon-neutral facility * Flax is a highly sustainable, no-waste plant * Grown in the Belgium region between Caen and Amsterdam * Durable natural weave * Lint-free and non-allergenic * Resistant to mold and mildew, unlike cotton * Will not become slack over time * Unprimed, no sizings, glues, or primers * Each blanket has a natural flax color Perfect For: * Professional Painters of all types * Custom canvas stretching * Priming to suit your painting needs! * Oil, alkyd, or acrylic paint * Rich color absorption * Conservation Specialists * Portraits, landscapes, and more * Teachers and students * Aspiring students and amateurs * Hollow flax fiber absorbs paint very well * Provides a beautiful depth of color L Linen – 5.9 oz (200 gsm): Featuring an extra-fine, tightly woven texture with a smooth surface. Ideal for painting genres like portraits and Trompe-l' Å“il that require the smoothest surface for detailed works. Available in 85" width. M Linen – 6.49 oz (220 gsm): Features a fine, tightly woven texture ideal for most painting genres and general painting techniques. Available in 88" width. J Linen – 9.53 oz (323 gsm): Tightly woven featuring a medium-fine texture with a medium weight. Perfect for most painting genres and general painting techniques, with a good weight for larger-scale works. Available in 85" width Y Linen – 9 oz (305 gsm): Very tight weave with a medium texture and medium weight. Ideal for most painting techniques and perfect for large-scale and mural paintings. Available in 120" width. See More
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