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Grumbacher Max Artists' Water Mixable Oil ColorsSave Up to50%Off list…white* Beautiful colors* Texture is consistent* Cleans up easily Perfect For:* Eco-Friendly Art Studios* Smooth, buttery painting* Painting with synthetic brushes* Painting without any harsh chemicals* Quick drying oils* No toxic chemicals needed for cleaning* Very smooth and easy to work with Maximum Performance with Water! These oils have a rich buttery consistency with the same feel and performance as conventional oils. The difference is they may be thinned and cleaned with water. Due to their modern formulation, MAX colors provide you with a permanent non-yellowing white. You can mix traditional oils into these colors in small amounts and still retain its "water friendliness." Use with virtually any type of brush, with any oil medium, on any type of surface. Sacrifice nothing without having to deal with caustic solvents. Excellent for people with sensitive skin, those prone to rashes and for classroom use. Key Features:* Professional quality* High-quality lightfast pigments* Dries Fast! In less than 1 day* Can be mixed with Water (no need for harsh solvents)* Available in 37ml and 150ml Titanium white* Beautiful colors* Texture is consistent* Cleans up easily Perfect For:* Eco-Friendly Art Studios* Smooth, buttery painting* Painting with synthetic brushes* Painting without any harsh chemicals* Quick drying oils* No toxic chemicals needed for cleaning* Very smooth and easy to work with See More
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Grumbacher Non-Toxic Miskit Liquid FrisketSave Up to27%Off list…Frisket- Ideal For Masking! Grumbacher Miskit Liquid Frisket 559 is a colored frisket, for use on hard-sized watercolor papers, photos, and other media, to mask areas that are meant to be painted once the dried frisket is removed. It washes out of pens and brushes with soap and water. This product… Grumbacher Miskit Liquid Frisket- Ideal For Masking! Grumbacher Miskit Liquid Frisket 559 is a colored frisket, for use on hard-sized watercolor papers, photos, and other media, to mask areas that are meant to be painted once the dried frisket is removed. It washes out of pens and brushes with soap and water. This product contains latex. Made in the USA. It washes out of pens and brushes with soap and water. 1.2 oz (35 ml) glass jar. Special latex based, easy to apply and easy to remove masking frisket used where accurate frisketing is required to seal out water. Non-Toxic frisket can be applied easily with a brush and rubs off effortlessly revealing the natural of the paper. Key Features:* 1.2 oz (35 ml) glass jar* To mask areas that are meant to be painted* Once dried frisket is removed* Easy to apply and remove* Washes out of pens and brushes with soap and water* Contains latex* Made in the USA* High quality material yet economical in value Note: To assure longevity of this product, Grumbacher recommends storing the jar upside-down, with the cap securely closed. This product contains latex. See More
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Grumbacher Academy Oil Paint & SetsSave Up to49%Off list…Academy® Oil Paints - Made in the USA Grumbacher® has continued to produce quality oil paint in the tradition of the old masters. Superior quality pigments are combined with highly refined oils in their perfected paint formulas. Grumbacher® is one of the only brands of oil paint to be produced… Grumbacher Academy® Oil Paints - Made in the USA Grumbacher® has continued to produce quality oil paint in the tradition of the old masters. Superior quality pigments are combined with highly refined oils in their perfected paint formulas. Grumbacher® is one of the only brands of oil paint to be produced within the United States. Their highly controlled facilities allow them to personally test paints for a plethora of attributes such as purity and brilliance. With a wide range of rich, vibrant colors, Grumbacher's® line of Academy® oil paints have been popular with artists generation after generation. This time tested brand of oil color allows painters to experiment with the comfort of knowing that their pieces will leave a legacy. Grumbacher Academy® oil colors offer a quality line of 47 colors at an affordable price. Only finely ground pigments are used in making this smooth, rich paint. An improved line of 47 colors including metallic paints that are highly pigmented and have superior tinting strength at a single student price. All colors have an ASTM lightfast rating of 1-Excellent. The colors in the Academy® Oil student line correlate to the Pre-tested® professional line*, allowing students to graduate to a professional grade paint with ease. Made in the USA. Key Features:* 47 colors* Metallics* Highly pigmented* Rich, vibrant colors* Superior tinting strength* Highly refined oils* Made in the USA Perfect For:* Affordable Oil Paint* Colors that are lightfast* Students to professionals* Lightfast colors Academy Oil Bonus Set of 7: - Six 24ml tubes of oil colors, One 24ml tube of Titanium White & Mixing guide See More
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Grumbacher Oil Mediums & VarnishesSave Up to43%Off list…Perfect For: * Oil paint * Grumbacher Permalba Oil Colors * Creating a variety of oil painting effects. LiquiGlaze - is a resin-based glazing and mixing medium similar to Liquin. Matvar 53® - A matte finish varnish for oil color, watercolor, and tempera painting. This colorless,… Grumbacher Mediums enhance and heighten oil colors Since 1853, Grumbacher has been providing artists with excellent quality artist materials and good old fashioned value. The oldest and one of the biggest producers of art supplies in the United States, Grumbacher contributes a variety of mediums for use with professional-quality oil paints. Grumbacher Oil Painting Mediums are wonderful for extending oil paints, stimulating drying time, building transparency, or producing a range of oil painting effects. Key Features: * Extending oil paints * Accelerating drying time * Increasing transparency Perfect For: * Oil paint * Grumbacher Permalba Oil Colors * Creating a variety of oil painting effects. LiquiGlaze - is a resin-based glazing and mixing medium similar to Liquin. Matvar 53® - A matte finish varnish for oil color, watercolor, and tempera painting. This colorless, acrylic resin varnish provides the artist with a non-yellowing, flexible, transparent matte film when dry. When used for an overall matte finish on varnished and unvarnished work it will not dull tonal values and may be painted over. Quick drying and ready for use, it contains no wax and will not mar or smudge through handling. Resists cracking, peeling, blush and bloom. Thin and clean up with turpentine. Res-n-Gel® - This colorless mixing medium provides a buttery consistency. Res-n-Gel prevents colors from running, retains brush stroke and holds sharply defined lines. Adds luminosity and brilliance and accelerates drying. Synvar® Varnish - is an acrylic gloss varnish for use with oils or acrylics. "Oil Mediums and Their Uses" DVD - This DVD features fine artist Johnnie Liliedahl. She demos each of Grumbacher's Oil Mediums; discusses what The Masters used and why; how to mix your own mediums; what cannot be mixed; plus the uses and results of all and more! Some items in this category are considered Hazardous Materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Grumbacher Academy Artists' WatercolorsSave Up to25%Off list…pigments are used in making this smooth, rich paint Made in the USA, Grumbacher Academy Artists' Watercolors are a collegiate line of 60 watercolor paints at an affordable price. Only finely ground pigments are used in making this smooth, rich paint. Either straight from the tube or when mixed with… Only finely ground pigments are used in making this smooth, rich paint Made in the USA, Grumbacher Academy Artists' Watercolors are a collegiate line of 60 watercolor paints at an affordable price. Only finely ground pigments are used in making this smooth, rich paint. Either straight from the tube or when mixed with white, strokes and washes are vibrant and luminescent. All colors conform to ASTM D 4236 and are labeled AP. Made in the USA. Academy is an amazing watercolor at an affordable price using only the finest pigments, finely ground and evenly dispersed for vibrant washes and gradations. Easily rewettable with water cutting down on waste and perfect for making your own semi-moist colors for outdoors. Grumbacher® shares in this tradition as one of the only paint manufacturers in the world to produce its watercolors in America. The Academy® line of watercolor paint offers value and superior quality to artists of all levels. Key Features:* Quality line of 60 colors* Traditional ingredients* Finely ground pigments* Easily rewettable with water* Made in the USA* Available in 7-1/2ml tubes* All colors conform to ASTM D 4236 and are labeled AP* Perfect For:* Quality that it is often used by professionals* Vibrant washes* Quality at affordable prices* Outdoor painting* Students and Professionals Grumbacher Academy Watercolors offer a quality line of 60 color paints at an affordable price. Only finely ground pigments are used in making this smooth, rich paint. Either straight from the tube or when mixed with white, strokes and washes are vibrant and luminescent. See More
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Grumbacher Fixative Sprays - Final & Workable
Starting At: 15.09
…media. To prevent your paint from beading up on a non-porous surface like acetate, you can prepare the surface with workable fixative. Workable Fixative was initially developed for gouache paint users. The matte fixing spray allowed artists to fix dried gouache and paint over it without reawakening… Fix And Protect Dry Media From Smudging! Grumbacher Final Fixatives are used to fix and protect dry media such as pastels, charcoal, pastel pencils, and graphite from smudging or rubbing off and come in glossy and matte finishes. Colorless, flexible, and non-yellowing, Final Fixative is fast-drying and is appropriate for use on paper, photographs, printed materials, and ceramics. Grumbacher Workable Fixative is a matte spray used to fix traditional dry media or dried designers gouache for additional layers of media. To prevent your paint from beading up on a non-porous surface like acetate, you can prepare the surface with workable fixative. Workable Fixative was initially developed for gouache paint users. The matte fixing spray allowed artists to fix dried gouache and paint over it without reawakening the original layer of paint. Now working fixative is primarily used with dry media. Grumbacher Final Fixative Matte Spray & Gloss Spray 11.75oz Can: Final Fixative is a workable fixative for charcoal, pastels, and pencil work, appropriate for use on paper, photographs, printed materials, and ceramics. Colorless, flexible, and non-yellowing, Final Fixative is fast-drying and can be reworked when dry. Do not over apply as it will cause a more dramatic color shift or even cause pastels to dissolve in the fixative. Grumbacher Workable Fixative Matte Spray 11.75oz Can: Workable fixative and surface preparation for use on paper, acetate, foil, and glass that allows non-porous surfaces to accept water-based media without beading up. It dries to a non-glossy finish. Allow fixative to dry completely before painting, drawing, or touching the work. Do not over apply as it will cause a more dramatic color shift or even cause pastels to dissolve in the fixative. Key Features: * 11.75oz Can, glossy or matte finish * Colorless, flexible, and non-yellowing * Fast-drying and can be reworked when dry * Protect dry media from smudging * Fix dry media * Workable Fixative allows non-porous surfaces to accept water-based media without beading up * Do not over apply Perfect For: * Protecting dry media * Adding lost tooth back to a drawing * Pastels, charcoal, pastel pencils, and graphite * Traditional designers gouache * Use on a wide range of artist papers * Professionals, teachers, students * Surface preparation for paper, acetate, foil, and glass * Paper, photographs, printed materials, and ceramics * Non-porous surface preparation for water-based media See More -
Grumbacher Acrylic MediumsSave Up to45%Off list…acrylic paints. Key Features: * Highest quality acrylic resins * Create complex ground structures * Retarders for open time and wet-on-wet painting * Mediums & pastes to create different effects * For information click on yellow technote icon Perfect For: * Making custom painting mediums *… Improve your Acrylics with Grumbacher Acrylic Mediums Grumbacher manufactures a wide variety of acrylic painting mediums to help the painter create different effects. Grumbacher has even developed a retarder to extend open time and enable the painter to produce more wet-on-wet techniques, traditionally reserved for oil painters. Grumbacher's extensive collection of pastes, gels, mediums, and varnishes pair well with Grumbacher acrylic paints. Key Features: * Highest quality acrylic resins * Create complex ground structures * Retarders for open time and wet-on-wet painting * Mediums & pastes to create different effects * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Maintaining consistency * Creating different effects * Preserving degree of gloss * Acrylic painters * Discerning students & amateurs Gel 531 Acrylic Transparentizer - Grumbacher 531 Acrylic Transparentizer Gel is a full-bodied acrylic painting medium designed to increase the transparency of semi-transparent and transparent acrylic colors while maintaining the consistency of tube colors. It's ideal for creating transparent impasto effects and textured glazes. Mix it directly with acrylic paints or use it alone for transparent surface effects. It dries absolutely clear. Acrylic Matte Medium & Varnish - Excellent for mixed media applications, the acrylic gloss medium and varnish has myriad uses. Traditionally this medium is mixed with acrylic paint for smoother brush strokes and a uniform gloss finish, or as a final gloss varnish. This medium thins with water and can also be used for glazing, as an adhesive, in thick applications in molds or armatures for a flexible, plastic-like effect, and in papier mache projects. This is the ideal primer for oil painting on vellum. Dries clear, is flexible and water resistant when dry. Made in the USA. Acrylic Medium Gesso - Non-yellowing, ready-to-use, prepared painting ground made with acrylic emulsion and Titanium White. Dries rapidly. Application to any clean, nonoily surface can be made with a brush, knife or roller. Accepts oil colors, acrylic colors, pastels, charcoal, pencil, and crayons and is specially formulated to have both tooth and absorbency. Acrylic Medium Modeling Paste - A ready-to-use paste made with acrylic emulsion and ground marble. Has excellent adhesive qualities. Can be shaped and textured when wet; cut, carved and sanded when dry. Dries rapidly, becoming hard, resilient, durable and water resistant. Acrylic Retarder - A colorless acrylic medium that slows drying time. Can be mixed into acrylic paint or brushed directly onto the support and painted over. Ideal for detailed blending work. Made in the USA. See More
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Grumbacher Pre-Tested Professional Oil Paints & SetsSave Up to50%Off listGood Color Variety That Glides Smoothly! America's favorite oil paints since 1905! Pre-Tested® is Grumbacher's flagship oil color for artists. Grumbacher's time-proven formulas are finely tuned through independent laboratory tests as well as hands-on trials by professional artists. Only the highest… Good Color Variety That Glides Smoothly! America's favorite oil paints since 1905! Pre-Tested® is Grumbacher's flagship oil color for artists. Grumbacher's time-proven formulas are finely tuned through independent laboratory tests as well as hands-on trials by professional artists. Only the highest the best ingredients available, putting each color through a rigorous selection process. Grumbacher Pre-Tested Oil Paints provide high chroma, superior tinting strength, and excellent adhesion for the professional artist. Pre-Tested offers the finest pigments milled in select alkali-refined linseed oil. Key Features:* Optimal color development* Excellent lightfastness ratings * Reformulated cadmium for purer and stronger colors* Superior adhesion and outstanding tinting strength* Outstanding working properties* Milled in select alkali-refined linseed oil* Mainly single pigment colors* Made in the U.S.A. Perfect For:* Practicing your painting* Smooth application* Great color variety* A modern palette color palette * Archival permanence* Portraitists and landscape painters* Artists of all skill levels Titanium White (Original) - A permanent, heavy-bodied, versatile, opaque, pure white that is neutral in hue. Ideal for all applications where great opacity is required. This is the strongest tinting white. Titanium White (Soft) - This pigment is permanent, soft-bodied, opaque, non-yellowing and ground in poppy seed and sunflower oils. Also recommended for fluid wet-in-wet techniques. Zinc White - A permanent, heavy-bodied, semi-opaque, cool, crisp white. Designed especially for brilliant clear tints with all oil colors and excellent for glazing. Pre-Tested Oil Color Set of 10: This set contains ten 24ml tubes in the following colors: Cadmium Barium Red Light, Cadmium Barium Yellow Medium, Thalo Blue, Thalo Green (Blue Shade), Thio Violet, Burnt Sienna, Burnt Umber, Ivory Black, Titanium White, and Yellow Ochre. See More
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Grumbacher Academy Acrylics & SetsSave Up to60%Off list…Made in the USA. Academy acrylic colors provide the artist with a versatile option for painting and crafting. Thinned with water, the paint can be applied in delicate, translucent layers much like watercolor. Straight from the tube, or thickened with a medium, these colors can be applied to a canvas… Medium Bodied Highly Pigmented Acrylic Paint Made in the USA Creators of Art Materials Since 1905, Grumbacher Academy® Acrylics, a line of 48 brilliant process colors, sets, metallic and iridescent colors, as well as the most sought-after traditional colors comprise the improved line of Grumbacher Academy® acrylics. All colors have an ASTM lightfast rating of 1- Excellent. Academy Acrylics are a medium-bodied acrylic paint, highly pigmented, and have superior tinting strength, but at a single student price. Available in 90 ml metal tubes. Made in the USA. Academy acrylic colors provide the artist with a versatile option for painting and crafting. Thinned with water, the paint can be applied in delicate, translucent layers much like watercolor. Straight from the tube, or thickened with a medium, these colors can be applied to a canvas with the same techniques used for oil color. Academy acrylics can also be thinly applied to layers of paper for a decoupage effect. The possibilities are as limitless as the artist's imagination. Academy Acrylics create cleaner mixes and more accurate color matching without sacrificing tinting strength, opacity, or lightfastness Key Features: * 48 brilliant colors * Medium bodied * Great pigment load * Metallic and iridescent colors * Highly pigmented * Superior tinting strength * 90ml metal tubes * Strong adhesion * Made in the USA Perfect For: * Artist grade paint * Genuine and pure pigments * Pure cadmiums * Colors are lightfast * All colors have an ASTM lightfast rating of 1- Excellent and are labeled AP Acrylic paint is a relatively new medium in the pantheon of artistic media. Developed in the mid part of the 20th century as a house paint, acrylics were first used in the art realm by muralists. It covered large areas fairly quickly and had a much faster drying speed than oil based paints. Grumbacher® Academy® Acrylics follow that chain of artistic evolution See More
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Grumbacher Professional Spray VarnishesSave Up to43%Off listVarnish sprays for both acrylic and oil paintings Find Grumbacher Professional Varnish Sprays for varnishing pictures and paintings. Great for a final varnish for both oil and acrylic paintings. Available in either Gloss or Matte, Grumbacher spray varnishes come in convenient spray cans to final… Varnish sprays for both acrylic and oil paintings Find Grumbacher Professional Varnish Sprays for varnishing pictures and paintings. Great for a final varnish for both oil and acrylic paintings. Available in either Gloss or Matte, Grumbacher spray varnishes come in convenient spray cans to final varnish your works of art! With all varnishes, make sure paintings are completely dry. Allow 3 to 5 days for acrylic works and 6 to 12 months for oils. Dry time may very and depends on thickness of paint application as well as environmental humidity * Picture & Painting Varnish Spray - is a non-yellowing, easily removable final varnish for both oil and acrylic paintings. When used on wet or semi-dry works, the use of spray varnishes may damage artwork; varnish may not be removable at this point. See More
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Paasche Air Eraser Kit And AccessoriesSave Up to11%Off listAir Eraser Kit - Operates like a small sand blaster capable of a great deal of accuracy. Operates on pressure ranges from 30-45 PSI. Sold with hardened stainless steel tip, cup assembly cover, hanger, wrench, one jar of AEX-6 Fast Cutting compound, 4 ft air hose with moisture trap and 5 disposable… Air Eraser Kit - Operates like a small sand blaster capable of a great deal of accuracy. Operates on pressure ranges from 30-45 PSI. Sold with hardened stainless steel tip, cup assembly cover, hanger, wrench, one jar of AEX-6 Fast Cutting compound, 4 ft air hose with moisture trap and 5 disposable respirators in box. Cutting Compounds - This Alluminum oxide compound is recommended for all air erasers and the abrasive gun. See More
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Paasche Airbrush SetsSave Up to31%Off listAll Paasche® Sets include all nozzles, bottles and color cups, hanger, wrench and airhose. "H" Set - Single-action bottom feed Airbrush—our best selling set! "V" Set - With "V" Double-action Airbrush "VLS" Set - With VLS Double-Action Airbrush with swivel action. Allows greater movement when… All Paasche® Sets include all nozzles, bottles and color cups, hanger, wrench and airhose. "H" Set - Single-action bottom feed Airbrush—our best selling set! "V" Set - With "V" Double-action Airbrush "VLS" Set - With VLS Double-Action Airbrush with swivel action. Allows greater movement when working. "VL" Set - Includes One VL#3Double-Action Airbrush, size 1 & 5 spray heads, Head ProtectingCap, one Metal Color Cup, two Bottle Assemblies, one Bottle and CoverAssembly, Hanger, Wrench, one 6 Air Hose, 22 Airbrush Lessons Bookletand Parts. See More
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SpectraFix InstagritSave Up to15%Off list…on most papers, panels, and canvas. Use it for adding last-minute details and corrections. You can even create a toned background by adding watercolor paint to Instagrit. You can also use Instagrit to create darker blacks with traditional graphite pencils. Key Features: * Non-toxic and natural grit… Invisible traction precisely where you need it! Instagrit gives you TRACTION when you need it most! You know that dreaded moment when you can't add any more detail to a drawing because the surface is too slippery? Spetrafix has developed Instagrit so you can add grit where you need it for traction and deep layering of color pencil, oil pastel, wax crayon, and graphite. You can apply Instagrit by brush to areas in your drawings that have become slick. It dries clear and magically picks up color as soon as you pass your pencil over it. Instagrit works well on most papers, panels, and canvas. Use it for adding last-minute details and corrections. You can even create a toned background by adding watercolor paint to Instagrit. You can also use Instagrit to create darker blacks with traditional graphite pencils. Key Features: * Non-toxic and natural grit additive * ASTM D4236 certified * Odor-free * Fully archival * Not intended for use by children * Made in the USA Perfect For: * Adding traction to slippery sections of drawings * Creating colored grounds * Colored pencil, soft and oil pastels * Charcoal, graphite, and much more * Most papers, panels, and canvas * All drawing media Directions: * Stir very well before using. * Apply with a brush over slick areas. * Allow to dry and gently apply your next layers of color. * Repeat as desired. See More
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Grumbacher Professional Oil MediumsSave Up to42%Off list…arts oil paintings. Add to oil painting medium in drops as opposed to adding directly to oil paint. Cobalt Drier is a powerful additive for oil paints and should be used sparingly. Test medium before applying it to an oil painting. Overuse may cause cracking of paint film when drying. Copal Painting… Designed to achieve various techniques! Grumbacher painting mediums guarantee that paint attributes are not compromised but enhanced. These mediums thicken or thin without harming the color's adhesive, binding, or film-forming qualities. Myriad effects such as increased flow and open time or rapid drying of color are all possible. Grumbacher has selected oils, resins, and solvents to guard against yellowing and cracking, and the ingredients have proven themselves over many generations of use. Key Features: * Accelerate or slow drying time * Increases gloss & translucency * Outstanding working properties * Made in the USA * Perfect For: * Traditional or alkyd oil paints * Enhancing paint characteristics * Dry transparent or translucent * Maintaining consistency * Preserving gloss Alkyd Painting Medium: Speeds drying time and gives a nice painterly consistency to alkyd and oil colors. Alkyd Medium enhances transparency and clarity of the paint. The color appears rich and intense. Cobalt Drier: The recommended drier for fine arts oil paintings. Add to oil painting medium in drops as opposed to adding directly to oil paint. Cobalt Drier is a powerful additive for oil paints and should be used sparingly. Test medium before applying it to an oil painting. Overuse may cause cracking of paint film when drying. Copal Painting Medium: has a resinous consistency perfect for glazing and wet-on-wet techniques. Copal painting medium is an oil paint additive that speeds drying time. This medium increases paint flow and imparts a high gloss and hardness when dried. Copal painting medium may cause yellowing or darkening of colors over long periods. Only dilute with turpentine or Grumtine as petroleum-based solvents, and odorless thinners are not compatible with this product. Damar Varnish: A final varnish for oil painting that imparts a high gloss finish. Processed with pure gum damar, Damar Varnish protects oil paintings from dirt and scuffing. Japan Drier: A solid alkyd resin-based liquid drier for artists' oil colors. Japan Drier is used primarily for oil gilding. It is an alkali based drier that may cause yellowing or darkening of colors over time. Odorless Thinner: is a clear, organic solvent for thinning oil colors, cleaning brushes, and painting accessories. Oil Painting Medium No. 1: Use when a matte finish is desired, especially on absorbent gesso grounds. Made from poppy seed oil, copaiba, balsam, and solvent. Oil Painting Medium No. 2: For use with oils to retard drying time. It contains poppy seed oil, mastic resin, alkyd resin, and grumtine. Oil Painting Medium No. 3: Accelerates drying time. It contains copaiba, balsam, stand oil, mastic resin, alkyd resin, cobalt, and manganese driers. Pale Drying Oil: Accelerates drying time of oil colors. Consists of linseed oil and manganese drier. Poppy Seed Oil: An excellent quality, slow drying, purified oil that retards drying time. It provides superior color retention and resistance to yellowing. PreTested Linseed Oil: Linseed oil has several uses in oil painting. It can be used as a paint binder ingredient when mixing colors from powdered pigments, in oil painting medium recipes, and added directly to oil paints to make colors glossy and fluid. This oil is made from the finest quality purified alkali-refined linseed oil. Retouch Varnish: For brightening uneven areas of oil paintings. An excellent varnish for protecting pictures until the final varnishing. Stand Oil: A flexible, very heavy-bodied purified oil for use in preparing mediums—excellent resistance to yellowing. Sun-Thickened Linseed Oil: Sun-thickened linseed oil is heavier in body and can be appplied directly to paint or used in glaze mediums, clear varnishes and emulsions. It is an extremely flexible medium derived from purified oil and can be pre-diluted with turpentine, Grumtine or Pre-tested odorless thinner. The linseed oil lends an enamel-like quality to oil color. See More
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SpectraFix FinalFix Advanced FixativeSave Up to15%Off list…Degas fixative or throughout your painting process. The spray is scuff-resistant. You can even clean the surface with a damp cloth once dry. FinalFix should not be used as a final layer on top of acrylics or oil paint. You can use FianalFix on acrylics and oil paint as long as you apply a final… No more framing under glass! FinalFix adds a lovely matte finish to your pastel and charcoal drawings. The non-yellowing archival formula is all-natural with no fumes and is completely workable. Spray a layer of FinalFix after SpectraFix Degas fixative or throughout your painting process. The spray is scuff-resistant. You can even clean the surface with a damp cloth once dry. FinalFix should not be used as a final layer on top of acrylics or oil paint. You can use FianalFix on acrylics and oil paint as long as you apply a final layer of acrylic or oil varnish. FinalFix absorbs moisture in the air, unlike acrylics and oils; as a result, it may separate from the paint if a final layer of varnish is not applied. Key Features: * Provides a lovely matte finish * All natural with no fumes * Workable and archival * Non-yellowing formula * Can combine with all media Perfect For: * Pastel and charcoal * A variety of media * Use throughout the painting process See More
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SpectraFix Natural Glass VarnishSave Up to21%Off list…colors * Easy to clean varnished surface * You can paint over it Perfect For: * Pastel and watercolor varnish * Protecting work from damage * Varnish or medium for all painting and drawing media * Traditional glass alternative * Pouring paintings * Canvas, paper, Yupo, and ceramic * Stone, glass,… Natural Glass makes shipping and hanging an art show easy! Natural Glass is a revolutionary water-based BioPolymer varnish and painting medium. It dries fast to a water-resistant, semi-gloss film. You can use Natural Glass on canvas, paper, Yupo, ceramic, stone, glass, leather, fabric (not washable), and more. It can be re-worked, painted over, layered, or used as a pouring medium. Natural Glass works well as a glass substitute for pastel and watercolor works. No more annoying reflections and glare or worrying about breakage. Natural Glass makes shipping and hanging a show easy because it can't break. The semi-gloss finish adds depth to your work while protecting it from the elements. You won't lose your highlights or dull your colors. Varnished colors become more luminous under Natural Glass. Like all SpectraFix products, Natural Glass washes up with water, is completely non-toxic, and has no irritating fumes. Key Features: * Water-based BioPolymer varnish and medium * Made from natural ingredients * You can spray it indoors * Non-toxic with no irritating fumes * The semi-gloss finish adds depth to your work * It does not dull colors * Easy to clean varnished surface * You can paint over it Perfect For: * Pastel and watercolor varnish * Protecting work from damage * Varnish or medium for all painting and drawing media * Traditional glass alternative * Pouring paintings * Canvas, paper, Yupo, and ceramic * Stone, glass, leather, and fabric (not washable) See More
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Spectrafix Degas Pastel FixativesSave Up to19%Off list…Non-yellowing * It does not dull colors * You can paint over it Perfect For: * Spraying indoors * Working with deep layers * Soft pastel, pan pastel and oil pastel * Colored pencil, graphite, charcoal, and chalk * Protecting watercolor paintings * All pastel papers (except LaCarte) * Primed and… SpectraFix Fixative Is The Natural Choice! Degas SpectraFix Non-toxic Fixative contains casein, water, and alcohol. The formula is an update on a recipe used by French Impressionist Edgar Degas. It seals and protects your artwork while leaving colors brilliant! Degas Fixative is perfect for chemically sensitive people. You can spray it indoors and keep on working because the fixative does not release toxic fumes or odors. The spray dries to a hard, water-resistant, matte finish; and provides the traction you need to apply extra layers of dry media. There are no toxic fumes or odors You may spray the fixative on all papers (except LaCarte), primed and unprimed canvas, wood panels, unglazed ceramic, stone, leather, and glass. SpectraFix it the ideal fixative for soft pastel, Pan Pastel and oil pastel, colored pencil, graphite, charcoal, and chalk. You can even use the fixative to layer other media into Encaustic. Use it under Oil or Acrylic paints to stop underdrawings from smudging. Casein bonds forever with the covering layer of paint. Like egg tempera, artists have used casein for centuries to protect underpaintings. Easily refill one of our Aerosol Spray Bottles to spray a fine mist on your work! Please note: Not for use as a final topcoat over acrylic or oil paint. Key Features: * Seals and protects artwork * Rapid drying pastel fixative * Contains casein, water, and alcohol * Protects fragile dry media * Prevents underpainting from smudging * No toxic fumes * 100% Archival * Non-yellowing * It does not dull colors * You can paint over it Perfect For: * Spraying indoors * Working with deep layers * Soft pastel, pan pastel and oil pastel * Colored pencil, graphite, charcoal, and chalk * Protecting watercolor paintings * All pastel papers (except LaCarte) * Primed and unprimed canvas * Wood panels, unglazed ceramic, stone, leather, and glass * Classrooms Dries quickly to an invisible matte finish and allows deep layering as well as providing extra traction on thickly layered, slippery media such as color pencil or oil pastel. Combines well with almost all media, and dries to a hard, water-resistant finish. Should not be used as a final top coat over acrylic or oil paint. Use with Soft Pastel, Pan Pastel and Oil Pastel, Colored Pencil, Graphite, Charcoal, Chalk or in combination with Watercolor, Gouache, Casein, Ink or to layer other media into Encaustic. Perfect for crafts, it holds a wide variety of media without dulling their sheen or brilliance. Use under Oil or Acrylic paints to prevent underdrawings from smudging. Casein actually bonds permanently with the covering layer of oil paint, and similar to egg tempera, has been used for centuries for grisaille or colorful underpainting which can then be glazed with oil. Remember, it is not recommended as a final top coating for acrylic or oils See More
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Paasche Airbrushes and AccessoriesSave Up to33%Off list…with a .66mm head and can achieve detail down to 1/32 inch and up to 1 inch. Achieve patterns from 1/64 to 1 inch. * VLST Pro Airbrush - This is the ultimate Painting machine! The VLST Pro is a significant upgrade to the classic VL With features that Airbrushers of all levels will appreciate. "Been using a Paasche airbrush for many many years and won't recommend any other. Completely satisfied"-- Fred, an Airbrush Artist of Duck, NC* VL #3 Airbrush - This VL airbrush is made in the USA and includes the following: VL#3 airbrush only and manual. Achieve patterns of 1/32 inch to 1-1/2 inch. Installed with head size (.7mm). * VL #3L Airbrush - The VL airbrush is Paasche's most versatile Airbrush and a perfect choice for most airbrush application. Achieve patterns of 1/32 inch to 1-1/2 inch. .Installed with head size (.7mm). * VL #5 Airbrush - This VL airbrush is made in the USA and includes the following: VL#5 airbrush only and manual. Achieve patterns of 1/32 inch to 1-1/2 inch. Installed with head size (1mm). * VJR #1 Airbrush - This VJR airbrush is made in the USA and includes the following: VJR#1, hanger, wrench, lessons booklet and manual. Achieve patterns from 1/64 to 1 inch. * VJR #2 Airbrush - The VJR#2 model is a gravity feed detail airbrush. It is made in the USA and includes the following:  VJR#2, hanger, wrench, lessons booklet and manual. The VJR#2 comes installed with a .66mm head and can achieve detail down to 1/32 inch and up to 1 inch. Achieve patterns from 1/64 to 1 inch. * VLST Pro Airbrush - This is the ultimate Painting machine! The VLST Pro is a significant upgrade to the classic VL With features that Airbrushers of all levels will appreciate. See More
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