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Pebeo Gedeo Crystal Resin Kit, 300mlSave Up to27%Off listPerfectly imitate the look of stained glass with the durability of resin! Pébéo Gédéo Resin makes it easy to create the look of colored glass and maintain the sturdiness of resin over time. They come in a variety of colors including crystal clear that can be intermixed with Fantasy Prisme and Moon… Perfectly imitate the look of stained glass with the durability of resin! Pébéo Gédéo Resin makes it easy to create the look of colored glass and maintain the sturdiness of resin over time. They come in a variety of colors including crystal clear that can be intermixed with Fantasy Prisme and Moon colors, Vitrail, Ceramic, and Studio Acrylics colors and mediums to create a wide range of beautiful effects such as precious stones, marbling, and much more.Please note: Make sure to follow the manufacturer’s instructions. Use only the recommended amount. Do not mix all of the resin at once because the reaction will cause the product to overheat and yellow. It dries completely in approximately 24 hours, depending on the thickness of the application. It can also be used as a protective coating on most surfaces or poured over Fantasy, Vitrail, and Ceramic colors. Wait a minimum of 7 days before adding a coat of resin over completely dry colors to add depth and brilliance to your creations. You can tint the Crystal Resin with up to 10% Vitrail or Ceramic color.* Gedeo Crystal Resin -Low-odor crystal clear resin that you can mix together or with Gédéo Crystal and Pearl Resins to create infinite shades and effects. Perfect for casting in silicone molds, stained glass effects, resin jewelry, layered art, and mixed media applications. It dries completely in 24 hours, depending on thickness of the application.* Gedeo Pearl Resin -Low-odor pearl resin that comes in three opaque, luminous colors: Pearl white, Gold, and Vermeil. Perfect for casting in silicone molds, making frames, layered art, and mixed media applications. For layered effects, apply a first thin layer ; allow to cure, and then pour a second layer. To add suspended objects, pour a thin layer of resin first, allow to cure, add objects, and pour a second layer to fix them in place. It dries completely in 24 hours, depending on thickness of the application. Key Features:* Low-odor, liquid consistency resin* Easy-to-use, two-component epoxy resin system (resin and hardener)* High-gloss finish with no shrinking when dry* Can be mixed together or with Gédéo Crystal and Pearl Resins to create infinite shades and effects Perfect For:* Stained glass effects* Resin jewelry* Mixed media applications See More
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Pebeo Gedeo Bio Based Glazing Resin 300mlSave Up to20%Off list…for glazing or adding depth to paintings. The shorter curing time provides better control over the resin by pouring or when working with a dropper. Pro Resin is Bio-based at more than 50% and imitates the look of glass, yet offers the sturdiness of resin. It has a liquid texture and is ideal for… Transparent, bubble-free, non-yellowing resin! The Gedeo Bio-Based Resins offer high-gloss and transparent, bubble-free, non-yellowing resin that is ideal for all artists. The two-part resin and hardener are mixed to form a non-yellowing solid resin that is transparent. The low aroma and easy to use, Bio-Based Resins are respectful of the environment and safer to use. Pebeo Gedeo Bio-Based Resins can be used to create high-gloss coatings on finished works of various mediums. Crystal Resin is 50% Bio-based and has a smooth texture ideal for molds and inclusions (including natural details, such as dried leaves). Bio-based at more than 40% Glazing Resin can be applied to any flat surface without it spilling over the edges. Its semi-liquid composition is excellent for glazing or adding depth to paintings. The shorter curing time provides better control over the resin by pouring or when working with a dropper. Pro Resin is Bio-based at more than 50% and imitates the look of glass, yet offers the sturdiness of resin. It has a liquid texture and is ideal for professional artists pouring on large surfaces. Key Features: * Bio-Based Resins * Two components — resin and hardener * Bubble-free non-yellowing finish * High-gloss coatings * Low odor and easy to use * Semi-liquid texture * Bio-based at more than 40-50% * Imitates the look of glass * Shorter curing time Perfect For: * Enhancing and protecting your work * Glazing or adding depth to paintings * Mixed media applications * Acrylic paintings * Sculpture and silicone molds * Inclusions * Other found objects * Liquid Art Panels * Canvas, cardboard, wood & metal * Professional artists pouring on large surfaces See More
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Canson Infinity Art Photo Paper Rolls BFK Rives 24" x 50'Save Up to25%Off listMuseum Quality Ink Jet Photo Papers These premium artist photo papers offer exceptional beauty and character to create black & white and color photographs and fine art reproductions. Using the purest natural materials without chemical substances that contribute to premature deterioration, Canson… Museum Quality Ink Jet Photo Papers These premium artist photo papers offer exceptional beauty and character to create black & white and color photographs and fine art reproductions. Using the purest natural materials without chemical substances that contribute to premature deterioration, Canson Infinity photo papers bring the beauty of fine art and traditional photography to the world of digital printing. Key Features: * Premium artist photo papers * Available in sheets and rolls Perfect For: * Digital printing * Fine art reproductions Arches Aquarelle Rag (310gsm) - 100% rag watercolor paper possesses the unique structure, surface texture, and warm white tone demanding artists expect from a traditional Fine Art digital photo art paper. This paper complies with the highest archival standards and is age-resistant. It gives a unique and unrivaled character to the Fine Art reproduction of traditional artwork and photographs. PhotoGloss Premium RC (270gsm) - An alpha cellulose acid-free digital art photo paper coated with polyethylene and a microporous color receiver layer. Gloss finish. PhotoSatin Premium RC (270gsm) is an alpha-cellulose, acid-free, digital art photo paper coated with a structured polyethylene and a microporous receiver layer. Satin finish. Platine Fibre Rag (310gsm) is a 100% cotton rag art paper with a pure white tone and no OBAs. Superior microporous coating brings this traditional darkroom paper to the digital era. Ideal for both color and black & white prints. Arches Velin Museum Rag (315gsm) - This 100% cotton, mould-made fine art paper is naturally age-resistant, has a smooth, fine-grain surface, and offers a pure white tone without OBAs. Rag Photographique (310gsm & 210gsm) - 100% cotton, museum grade Fine Art, and photo paper with a smooth white tone that offers a unique extra smooth surface and exceptionally high Dmax. Artist Canvas Professional Gloss (390gsm) is a premium glossy, polyblend canvas coated with a specially formulated inkjet receptive emulsion designed to accept the latest high technology pigmented inks. It is OBA-free and will not yellow, crack, or curl. It has an exceptional resolution, superior gloss, and extremely vivid color. Artist Canvas Water Resistant Matte (390gsm Artist Grade) is a premium, water-resistant, acid-free canvas with a pure white tone that stretches and mounts with ease. This OBA-free archival canvas can produce extremely precise, high-resolution images. BFK Rives (310gsm) - 100% Cotton, Mould made Fine Art paper. BFK Rives® has a unique pure white tone obtained without using OBAs and a very smooth and velvety texture. See More
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Awagami Papers Mulberry (45GSM) Pack of 25Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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