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COPIC Color Swatch CardsSave Up to10%Off list…boxes, the ink may bleed through to the backside of the card. Be sure to place the underlay (plain card) beneath the swatch card to protect surfaces. Key Features: * COPIC color swatch cards * Fourteen blank chart cards * One underlay (plain card) * One plastic carrying case * Instructions included… Create your own COPIC color swatches! With hundreds of COPIC marker colors available, choosing the right color can be challenging. The COPIC Color Swatch Card is designed to help you select the correct marker for each project. Arranged left to right in order of color number; the swatch grid allows you to create a color gradient for each marker by layering the corresponding COPIC marker. Each card is made of COPIC Premium Bond paper, an excellent surface for color blending. You can store all 14 swatch cards in the included plastic carrying case for safe travel. Caution: When coloring the swatch boxes, the ink may bleed through to the backside of the card. Be sure to place the underlay (plain card) beneath the swatch card to protect surfaces. Key Features: * COPIC color swatch cards * Fourteen blank chart cards * One underlay (plain card) * One plastic carrying case * Instructions included * Printed on COPIC Premium Bond paper * Color numbers are indicated on the swatch boxes * Cards measure 4.3" x 8.1" (110mm x 205mm) Perfect For: * Use with 358 COPIC colors * Selecting a COPIC color for your project * Color guide tool for artists and crafters * Creating swatches * Showing off the color gradient of COPIC colors * Layer the same color in three steps * Students and teachers * Travel See More
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Stonehenge Fine Drawing & Printmaking Paper Pads by LegionSave Up to43%Off listStonehenge fine drawing and printmaking paper: now available in convenient pads! Available in: White & Warm White & Colors Drawing & Printmaking Pad! For over 30 years, Stonehenge paper has been beloved by artists of all techniques. The 100% cotton, acid free, calcium carbonate-buffered paper is… Stonehenge fine drawing and printmaking paper: now available in convenient pads! Available in: White & Warm White & Colors Drawing & Printmaking Pad! For over 30 years, Stonehenge paper has been beloved by artists of all techniques. The 100% cotton, acid free, calcium carbonate-buffered paper is strong and durable, and the flawless vellum finish is the perfect surface for any variety of media. Now this popular art paper is available in pads convenient for traveling or for small works! Perfect for all your graphite, charcoal, colored pencil, silverpoint, pastel, printmaking, pen and ink, and even watercolor works: take Stonehenge drawing paper pads with you into the field and experience the lush surface and incredible responsiveness of some of America's finest art paper! Key Features: * Available in: White & Warm, White & Colors Drawing & Printmaking Pad!* 15 sheet pad* 100% Cotton* Vellum finish* Acid Free * Neutral PH * Made in USA Specs: * 250 gsm* 90 lb* Pencil* Charcoal* Watercolor* Pen and Ink Perfect For: * Colored Pencil* Graphite Pencil* Pencil* Charcoal* Watercolor* Pen and Ink Stonehenge paper is ideal for etching, screen printing, embossing, drawing, and painting with a variety of media, including colored pencils, pastels, pen-and-ink, pencils, charcoal, acrylics, and watercolors. * Stonehenge White Paper Pads – Containing 15 sheets of White Stonehenge paper ideal for artwork in a wide variety of media! Tape-bound pads feature a strong chipboard backing for support while working, and are available in 5 sizes. * Stonehenge Colors - Multi Color Pads – The Stonehenge Multi Pads contain three sheets each of five Stonehenge colors, including Warm White, Natural, Cream, Fawn, and Pearl Gray, so artists can flip to the desired color as needed. Tape-bound pads feature a strong chipboard backing for support while working, and are available in 3 sizes.  See More
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Stonehenge Printmaking & Drawing Paper Sheets And Rolls by LegionSave Up to52%Off list…Use it for watercolor, printmaking, pen-and-ink, pencil, or pastel.* Smooth, flawless surface* Machine-made in the United States* 100% cotton fibers, Acid-Free* Each sheet has two deckle edges* Sold In: Packs(10,25,100) & Rolls It is a favorite not only with printmakers but with artists that… An American-made Drawing & Printmaking Classic! Stonehenge by Legion, a traditional fine art paper! This machine made sheet has a slight, even texture that compliments many artistic pursuits. It combines a 250gsm beefy weight, 2 deckle edges, strong surface, excellent acceptance of ink and wet media and pleasant feel. Internally sized, made of 100% cotton. * 22 × 30" Sheets 250 Gr/M2 weight. - 90lb.* Use it for watercolor, printmaking, pen-and-ink, pencil, or pastel.* Smooth, flawless surface* Machine-made in the United States* 100% cotton fibers, Acid-Free* Each sheet has two deckle edges* Sold In: Packs(10,25,100) & Rolls It is a favorite not only with printmakers but with artists that specialize in drawing and painting techniques in a variety of media including graphite, artist crayons, pastels, watercolor and colored pencils, inks, and light gouache. Stonehenge continues to be made in the USA as a high quality affordable paper that never compromises fiber composition, archival properties or its suitability for multiple mediums. Stonhenge papers are the "paper of choice" by the Colored Pencil Society of America See More
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Sennelier La Carte Pastel Card Paper PadsSave Up to47%Off list…developed La Carte Pastel Paper Pads, especially for pastel painting. It's easy to work with the 200 lb. cards because they are stiff and hard to damage or crease. The surface of each pastel card is covered with a finely ground blend of cork and vegetable flakes. This unique surface offers a uniform… Work on a uniform texture that grabs and holds color Sennelier developed La Carte Pastel Paper Pads, especially for pastel painting. It's easy to work with the 200 lb. cards because they are stiff and hard to damage or crease. The surface of each pastel card is covered with a finely ground blend of cork and vegetable flakes. This unique surface offers a uniform texture that grabs and holds the most delicate soft and oil pastels. You'll be amazed at how well the surface accepts pastel, charcoal, and pencil. Each pad contains 12 sheets, two each of six colors. 12 sheets per pad, 2 of each color: Naples Yellow, Natural Sienna, Burnt Sienna, Light Blue, Light Gray, and Anthracite Black. Key Features: * 200 lb Card weight * Each pad contains 12 sheets * The velvety texture holds pastel layers well * A layer of microfibrous cork and vegetable flakes * Ph neutral pure wood cardboard * Acid-free and lightfast * The card is hard to fold or puncture * Glue-bound for easy sheet removal * The surface can hold up to 25 layers of soft pastel Perfect For: * Oil and soft pastels * Charcoal and graphite * Pastellists and colored pencil artists * Illustrators, designers, fine arts * Conte' crayons See More
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Charbonnel Lithographic CrayonsSave Up to20%Off listWax Crayons Perfect for Drawing on Stone Charbonnel Lithographic Crayons are perfect for drawing out designs on a lithographic stone. Each crayon is made from high-quality bee’s wax, which can be thinned and sharpened. Charbonnel's hard crayons are great for drawing light, controlled lines, while… Wax Crayons Perfect for Drawing on Stone Charbonnel Lithographic Crayons are perfect for drawing out designs on a lithographic stone. Each crayon is made from high-quality bee’s wax, which can be thinned and sharpened. Charbonnel's hard crayons are great for drawing light, controlled lines, while the softer wax is better for expressive mark-making. Key Features: * Bee's wax lithography crayons * Available in a range of hardnesses * Water-resistant Perfect For: * Lithography * Creating detailed or expressive lines * Drawing on stone or paper Copal Crayons deliver fine, light, and easily controlled lines. No1 Crayons produce finer, lighter, and more easily controlled lines than their softer counterparts. No2 Crayons deliver fine, light, and easily controlled lines. No3 Crayons balance the finer, more easily controlled lines of our hardest crayons with our softer crayons' rich, smoky black lines. No4 Crayons deliver rich, expressive black lines. No5 Crayons deliver rich, expressive black lines. See More
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Gamblin Etching InksSave Up to15%Off list…* Mezzotints * Strong lines & Medium plate tones Gamblin Printmaking Inks are made with the same respect for traditional materials that have made Gamblin Artists Oil Colors the choice for many of Americas finest painters Printmakers can count on a high pigment load and rich saturated colors in… Strong reliable inks for edition printing Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of color mixing potential. Because of their high pigment load, Gamblin Etching Inks are a much better value than lower priced etching inks which are full of extenders. Inks are available in 1 lb. (300 ml) cans. Gamblin Etching Inks are all bound in the highest quality Burnt Plate Oil Key Features: * Inks are available in 1 lb. (300 ml) cans * High pigment load * Reliable inks for edition printing * Excellent working properties * Incredible sensitivity to the printmaker’s marks * Only the finest quality Burnt Plate Oil and lightfast pigments are used * Handcrafted in small batches at Gamblin’s factory in Portland, Oregon Perfect For: * Edition printing * Deep rich blacks * Engravers * Mezzotints * Strong lines & Medium plate tones Gamblin Printmaking Inks are made with the same respect for traditional materials that have made Gamblin Artists Oil Colors the choice for many of Americas finest painters Printmakers can count on a high pigment load and rich saturated colors in their prints. Gamblin Inks print with unparalleled intensity and sensitivity to printmakers most finely detailed marks. See More
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Lenox 100 Cotton Drawing Pads & Papers by LegionSave Up to44%Off list100% cotton, medium-texture fine art paper Legion Lenox 100 Cotton Drawing Pad is a 100% cotton, medium-texture fine art paper that is ideal for a variety of drawing and printing techniques with colored pencils, graphite, pastels, and charcoal. The smooth white surface also works well for… 100% cotton, medium-texture fine art paper Legion Lenox 100 Cotton Drawing Pad is a 100% cotton, medium-texture fine art paper that is ideal for a variety of drawing and printing techniques with colored pencils, graphite, pastels, and charcoal. The smooth white surface also works well for silkscreening, offset lithography, etching, and embossing. Key Features:* 100% Cotton paper* Produced by an American mill* Soft textured finish* Acid-free* Pads: Tapebound/Top -92 lb / 15 sheets, 250 Gr/M2 weight* Papers are Neutral pH, no deckles 250 gsm weight Perfect For:* Graphite* Pastels* Colored pencils* Charcoal* Drawing with pastels* Silkscreening* Offset lithography* Etching and embossing See More
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Akua Intaglio InksSave Up to11%Off list…clean up makes it a printmaker's dream come true! This line of water and soy-based ink contains absolutely no dryers, is packed with brilliant, lightfast pigments, and can be effortlessly applied to plastic, wood, linoleum, or metal plate. Use Akua Intaglio Inks for printmaking techniques such as… Akua Intaglio Inks have Endless Open Time! Akua Intaglio Ink's endless open time, permanency, thick consistency, and easy clean up makes it a printmaker's dream come true! This line of water and soy-based ink contains absolutely no dryers, is packed with brilliant, lightfast pigments, and can be effortlessly applied to plastic, wood, linoleum, or metal plate. Use Akua Intaglio Inks for printmaking techniques such as monotype, relief, collagraph, and intaglio. Prints can be re-soaked immediately after printing, however, once the print is dried, Akua Intaglio is permanent. With Akua Intaglio Inks, artists have the choice of printing on damp or dry paper. Due to its endless open time, this printmaking ink will never skin or harden in the jar or on printmaking equipment. Clean up is safe and easy, as it requires only soap and water - No Solvents Necessary! Key Features: * Soy and water-based formula * Artist quality inks * Thick consistency with minimal water content * Highly pigmented, brilliant colors * Developed by a professional printmaking artist * Endless open time * Non-toxic Ink * Will not skin in a jar or dry on equipment * Dries through absorption into paper fibers * Cleanly wipes off from etching plates Perfect For: * Artists of all skill levels * Intaglio/Etching, Monotype, Relief and Collagraph * Printing on damp or dry paper * Extended open times * Printing on plastic, wood, linoleum, and metal plate * Blending colors * Re-soaking prints (immediately after printing) * Safe and easy clean up with soap and water * See More
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Charbonnel Aqua Wash Etching InksSave Up to20%Off listVivid, permanent, non-toxic inks for intaglio, lithography, and more! Charbonnel Aqua Wash Etching Inks are made with extra-fine lightfast pigments and an innovative oil binder that makes clean-up a breeze! The oil emulsion inside the ink allows you to use it like any other traditional solvent-based… Vivid, permanent, non-toxic inks for intaglio, lithography, and more! Charbonnel Aqua Wash Etching Inks are made with extra-fine lightfast pigments and an innovative oil binder that makes clean-up a breeze! The oil emulsion inside the ink allows you to use it like any other traditional solvent-based ink. Charbonnel Aqua Wash Inks clean up with soap and water and are non-toxic. No water is used within the inks, so your printing plates and tools will not rust. Key Features: * Water-washable etching inks * Odorless and non-toxic * Extra-fine lightfast pigments * Cleans up easily with soap and water! * Slow drying time similar to traditional inks * Will not rust tools or plates * Stable and long-lasting inks Perfect For: * Intaglio, lithography, monotype, and more! * Artists that prefer not to use toxic solvents * Studio and classroom use * No-hassle, everyday studio use * Easy clean-up with soap and water * Working in large groups * Studio and classroom use * Student artists See More
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Awagami Japanese Handmade PapersSave Up to24%Off list…itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long… Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Charbonnel Etching InksSave Up to20%Off list…Key Features: * High-quality printmaking ink * 100% natural and non-toxic * Highly pigmented * Linseed oil-based binder * Additive-free intaglio inks * Wash up with oil or solvent * Inks absorb oxygen to dry * Made in France Perfect For: * Etching * Printmaking * Monotypes and monoprints * Intaglio… Intaglio Inks, 100% natural, Trusted by Artists Throughout Time Charbonnel Etching Inks are 100% natural and non-toxic. Every color is highly pigmented and delivers impressive covering power even after dilution. The inks feature pigments chosen for their low acidity and exceptional lightfastness. Like oil paints, Charbonnel etching inks dry through oxidation. Depending on the color, the drying time can vary between 2 and 3 weeks. You can easily lighten the highly pigmented Charbonnel Etching Ink with transparency medium to create a range of tones. Key Features: * High-quality printmaking ink * 100% natural and non-toxic * Highly pigmented * Linseed oil-based binder * Additive-free intaglio inks * Wash up with oil or solvent * Inks absorb oxygen to dry * Made in France Perfect For: * Etching * Printmaking * Monotypes and monoprints * Intaglio printing * Professional artists See More
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Derwent Pastel Pencils & SetsSave Up to40%Off listThe Beauty Of Pastels, Without The Mess! Richly pigmented Derwent Pastel Pencils have the softness and blendability of traditional pastels without the mess. The pastel core of the pencil is encased in a painted wooden barrel, thus eliminating the mess of conventional pastels while allowing for easy… The Beauty Of Pastels, Without The Mess! Richly pigmented Derwent Pastel Pencils have the softness and blendability of traditional pastels without the mess. The pastel core of the pencil is encased in a painted wooden barrel, thus eliminating the mess of conventional pastels while allowing for easy sharpening and detail work. Use the pencils alone or with traditional pastels to create beautifully detailed drawings. Highly pigmented and naturally water-soluble Derwent Pastel Pencils are ideal for drawing crisp sketches, portraits, still lifes, and landscapes! Key Features: * Artist-grade pastel pencils * Easy to sharpen * Highly pigmented and naturally water-soluble * Smooth application and easy blending * Available in sets and individually Perfect For: * Pastel and mixed media artists * Tighter detailed renderings * Underdrawings for pastel work * Creating harder edges on pastel paintings * Drawings, sketches, portraitures, and life studies See More
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