Oil Varnish at Jerry's Artarama

Krylon Gesso Spray, 11oz Can

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White Fine Art Sprays to Varnish or Fix Any Media! Krylon Artist Sprays are quality fixatives, general sprays for sealing, and quality varnishes for acrylics, alkyds, and oil paintings. Key Features: * Varnishes and fixatives * Archival, seals and protects * Available in 6oz, 10.25oz, and 11oz can sizes Perfect For: * Fixing charcoal and drawing medias * Varnishing paintings * Artists of all skill levels Acrylic Crystal Clear - This sturdy, clear finish does not yellow with age. Dries in minutes enhances and protects color with a moisture-resistant finish. Easy-Tack™ - Easy-Tack creates a smooth, flexible, temporary hold. Rearrange work until the perfect design is achieved. Easy-Tack never becomes permanent, yet will not lose its gentle grip! This acid-free spray is safe for photos, scrapbooks, and more! Excellent for stenciling or temporary placement since it leaves no residue. Gesso Spray - Spend more time artistically and less time preparing your surface! Easy, the one-step application requires no mixing—shake, point, and spray. Will not yellow, resists chipping, dries to the touch within 15 minutes, ready to work in 30 minutes. High Strength Spray Adhesive - This fast-acting adhesive has a variable volume controlled web spray pattern that offers high contact strength. Superior, permanent bond; High contact strength; Bonds heavy-duty materials like wood, metal, plastic, glass, laminate, and more. Kamar® Varnish - Keep your oil, acrylic, or watercolor paintings looking like a masterpiece! This varnish is free from impurities and protects against yellowing while allowing for easy reworking. Kamar Varnish dries to a high gloss finish. Low Odor Clear Sprays This permanent, latex enamel spray is excellent for preservation, can be used indoors and cleans up easily with soap and water! Preserve It! - Protection is easy with Preserve It!® Digital photos, greeting cards, address labels, scrapbook materials, and more last twice as long once you add this layer of protection. Without it, moisture, fading, early aging, ink runs, and damage from smudges can ruin your most precious valuables. Satin Finish Spray - Clear, protective spray finish for all kinds of arts, crafts, and home décor projects. Permanent, protective gloss finish, non-yellowing, moisture-resistant. Spray Adhesive - This high-performance spray exhibits an extended open-tack time so projects can be easily adjusted before drying completely. This acid-free formula is safe for photos, scrapbook pages, and other lightweight memorabilia. Provides an even spray pattern, is non-wrinkling with no bleed through. Super Quick Grip Spray Adhesive - Adheres lightweight surfaces in seconds and dries secure and permanent. The adhesive creates a smooth, flexible, non-wrinkling bond. Fast tack, dries quickly; strong, permanent bond in seconds; smooth, non-wrinkling adhesion; acid-free. Triple-Thick Crystal Clear Glaze - This bright, clear acrylic coating gives a glass-like illusion of depth. Its glaze equals three coats of other clear aerosols — superior high-gloss coating with a shiny, durable finish. UV-Resistant Clear Coatings - This tough finish does not yellow with age and protects arts, crafts, and valuables from harmful light rays. Moisture- and chip-resistant, smudge-proof, and dries in minutes. Available in gloss or matte. Workable Fixatif - This re-workable spray eliminates smudging and wrinkling while protecting pencil, charcoals, pastels, chalk, tempera, Conte, crayon, watercolor, India ink, and more! Easy to erase, Acid-free, and archival safe. See More

Gamblin Ground & Gesso 5" Blade

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White Makes Gesso Application & Clean-up A Breeze Gamblin Ground and Gesso Blades get the job done right in a fraction of the time with less mess and no waste. You can use the blade to easily prime panels and canvases with acrylic gesso. The clean blade-edge promotes even application from edge-to-edge, even on the sides of your canvas or panel. The blades are an absolute joy to use. They save you time, help create a better surface, and dramatically reduce the environmental impact of preparing surfaces. On the back of the packaging, you will find a QR code that links to a video on how to use the blade and additional helpful tips on preparing substrates. Key Features: * Made of 100% recycled material * 4" and 5" blade available * Ergonomic design * Easy to clean * Made in USA Perfect For: * Ground and gesso application * Shaping gesso texture * Smooth edge-to-edge application * Making clean-up a breeze * A more sustainable option See More

Bob Ross Liquid White Oil Medium 8oz (237ml) Jar

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White Wet-on-wet oil painting mediums & basecoats The goal of Bob Ross, one of America's most beloved artists, was to open the world of art to people who otherwise would never be able to enjoy the excitement of painting. His products have been developed to successfully achieve results with his wet-on-wet technique, which is a basic process of painting over layers of wet paint to achieve relatively fast and effective results. Bob Ross Oil Painting Mediums are designed especially for use in the wet-on-wet techniques demonstrated in Bob Ross's books and video programs. Key Features: * Non-toxic acrylic base coats * Liquid oil mediums for Bob's wet-on-wet technique * Unlimited creative possibilities Perfect For: * The Bob Ross Wet-on-Wet Technique * Excellent dry base coat * Oil painting   Acrylic Base Coat- Smooth brushing and even-leveling, they create an ideal base for wildlife painting. Glazing Medium- This medium produces the details characteristic of animal fur. Dries quickly, resists yellowing and provides a long lasting quality paint film. Liquid Mediums- Available in white, black or clear. Bob's unique secret formula of base coats aid in the painting's foundation and keep the canvas wet, the most fundamental step in Bob's wet-on-wet technique. Smooth and slow drying, they allow blending and mixing right on the canvas! Non-Toxic. Liquid Opal Medium - For soft oil colors. This pearlescent medium adds a deep richness to floral paintings and yields an affect that is reminiscent of opal gems. See More

Silver Mop White Goat Hair Short Handle sz. 1/2in Oval Brush

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White Ultra-soft Natural goat hair and synthetic filament mops! Silver Brush Goat Hair Brushes are made of incredibly soft goat hair that is perfect for softening and blending value transitions. Ultra-soft white goat hair bristles stay soft when wet and are perfect for blending and softening oils or acrylics. The black goat hair stiffens when wet allowing for rougher treatment or creating texture when blending color. The ultra-soft goat hair bristles are ideal for oil and acrylic paint but can also be used to create sky washes with watercolor. Conservators favor the goat hair and the mop shape for dusting archival items. Silver Brush Goat Hair Fans and Mops are perfect for artists that work with acrylics, watercolors, and oils. A treat for any multi-media artist! You can use the mop brush shape to develop backgrounds and sky washes with watercolors. Soft synthetic filaments within the Ultimate Varnish Mop Brush spread water-based color or varnish on any surface without leaving bubbles behind. Each varnish brush is made with soft synthetic hair perfect for varnishing furniture or a finished painting. Key Features: * Ultra-soft white or black goat hair * Bristles stay soft when wet * Very soft hair stiffness * Natural goat hair mop brushes * Unique synthetic varnish brush filament * Mop shape in oval or round * Spread color and varnish on any surface without leaving bubbles * Short handle Perfect For: * Oils, acrylics, or watercolor * Creating background color or sky washes * Blending or softening color * Conservators * Water-based varnish and paints * Varnish application * Even gradation of brush strokes * Multi-media artists   Artist Goat Mop Set: Our set includes a full size 1" oval and size 10 and 14 round ultra-soft white goat hair mop brush. Each brush is impeccably fashioned within seamless nickel-plated brass ferrules attached to dark red polished wood handles. Ultimate Goat Mop Set: Our set of mops includes four round mops in sizes #12, #14, #16, and #20, plus two oval mops in sizes 1/2" and 3/4". White goat hair stays soft when wet while black goat hair stiffens and adds a delicate texture to your work. Each brush is impeccably fashioned within seamless nickel-plated brass ferrules attached to dark red or black polished wood handles. Short Handle Goat Hair Mop Set of 4: Our set of mops includes Size #10 White Round, 1" White Oval, #16 Black Round, and 3/4" Black Sky Wash. Ultra-soft goat hair bristles are perfect for blending and softening color with oils or acrylics. You can also use these brushes to create backgrounds and washes with watercolors. Ultimate Varnish Mop: Soft synthetic filament. Ideal for finishing furniture and varnishing paintings. Soft and lustrous, the varnish brush will spread color and varnish on any surface without leaving any bubbles behind. This brush is perfect for use with water-based varnish and paints. See More

Michael Harding Non-Absorbent Acrylic Primer - White, 500ml

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White Tired of dull flat oil paints? You need a non-absorbent ground! Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface. The primer is made with non-toxic, non-absorbing acrylic resin; that's why it produces such a strong, flexible ground. You can apply Michael Harding's Non-Absorbent Acrylic Primer to linen, cotton canvas, wood, and MDF. Key Features: * Non-absorbent acrylic primer * Formulated to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish Perfect For: * Oil and acrylic painters * A uniform painting surface * Beginner and professional artists * Preparing canvas, wood, or MDF for paint * Everyday studio use   Instructions: The primer is best used in 2 coats; You may dilute the first coat with water (no more than 1 part water to 3 parts primer). This first coat will be touch dry within a couple of hours, and then you can apply the second coat. You should not apply the primer over Rabbit Skin Glue or unstable supports. See More

Gamblin Oil Painting Ground 32oz Can

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White Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More

Great White Oil Color (5oz) + Studiosolv™ Oil Thinning Medium (16.9oz) Mixing & Thinning Set

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White Purified Odor-Free Artist Solvent For Thinning Oils Tusc & Pine StudioSolv™ is a purified, odor-free oil-thinning medium. It's designed to thin oils and mediums while maintaining the integrity of your color. Experiment with different ratios of StudioSolv™ and linseed oil to create a custom lean medium. Although aromatic solvents have been extracted to remove odor, adequate ventilation should be practiced for safety. The Purest Odorless Thinner You Can Buy! No solvent odors, only the wonderful smell of oil paint! Learn More Key Features: * Professional grade oil thinner * Made to the highest standards * Purified and odor free * Aromatic solvents removed (No solvent odors, only the wonderful smell of oil colors) * Higher safer flashpoint rating (flashpoint of 144°F) * Made in the USA * Conforms to ASTM D 4236 * Available in 3.2 oz, 8.4 oz, 16.9 oz, and 33.8 oz bottles Perfect For: * Thinning stiff, heavy-bodied oils * Modifying painting mediums * Minimizing brush strokes * Oil painters of all skill levels * Creating lean mediums * Removing varnish from canvas * Studio and classroom use * Airplane travel     Safe For Travel By Air! StudioSolv™ has a flashpoint of 144°F which classifies it as a combustible liquid by DOT regulations, however, it is considered safer than solvents with lower flashpoints and faster evaporation rates. StudioSolv™ also conforms to FAA and TSA guidelines and can be safely transported by airplane, making it a convenient option for artists who travel. The 3.4 oz bottle is the perfect carry-on size, while larger sizes can be packed in your checked bag. Printable Travel Guidelines StudioSolv™ SDS   While StudioSolv™ is currently allowed by FAA guidelines, we recommend always checking current regulations before traveling. To ensure a smooth and hassle-free experience, please bring a printed copy of the SDS and travel guidelines to show at baggage check. If the flight is international, please check the policy of your destination country. Solvents should be stored in an airtight container out of reach of children. Replacing the lid during painting sessions can help reduce VOC levels in the air. Always work in a well-ventilated area. Wash your hands after painting and before eating. StudioSolv™ is not recommended for use with gum resin mediums like dammar, copal, and mastic. Gum resins pair well with traditional turpentine.     Deluxe Bundle Sets Available with Exclusive Extras! Click on the item number to view the contents of each bundle set. SoHo Artist Disposable Studio Wipes: SoHo Urban Artist Wipes are the ultimate cleaner for varnish, acrylic, and oil brushes. The wipes are also an effective and gentle cleanser for hands, brushes, tools, and more. Silicoil Brush Cleaning Tank: The clear glass brush cleaning tank can hold up to 12 oz of water, solvent, or brush cleaning fluid. The spring-like coil provides flexibility to aid in the cleaning of your brushes. Air-Tight Deluxe Brush Washer: Perfect for travel and studio use, the stainless steel brush washer can hold over a pint of liquid! The lid has a built-in gasket that forms an air-tight, leak-proof seal, preventing harsh fumes from escaping. Da Vinci Air Tight Brush Washer: The brush washer is designed to hold over a pint of solvent. A specially outfitted gasket on the lid maintains an air-tight seal no matter what. Latches ensure the lid stays shut while traveling. Petite Air Tight Brush Washer: The Petite Air Tight Brush Washer measures a maximum diameter size of just 3" and a height of just 3-5/8". It holds about 10 oz of fluid. The washer has two locking clamps for an air-tight seal and a removable strainer.   See More

Grumbacher Pre-Tested MG Underpainting White, 150 ml Tube

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White Designed to achieve various techniques! Grumbacher painting mediums guarantee that paint attributes are not compromised but enhanced. These mediums thicken or thin without harming the color's adhesive, binding, or film-forming qualities. Myriad effects such as increased flow and open time or rapid drying of color are all possible. Grumbacher has selected oils, resins, and solvents to guard against yellowing and cracking, and the ingredients have proven themselves over many generations of use. Key Features: * Accelerate or slow drying time * Increases gloss & translucency * Outstanding working properties * Made in the USA * Perfect For: * Traditional or alkyd oil paints * Enhancing paint characteristics * Dry transparent or translucent * Maintaining consistency * Preserving gloss Alkyd Painting Medium: Speeds drying time and gives a nice painterly consistency to alkyd and oil colors. Alkyd Medium enhances transparency and clarity of the paint. The color appears rich and intense. Cobalt Drier: The recommended drier for fine arts oil paintings. Add to oil painting medium in drops as opposed to adding directly to oil paint. Cobalt Drier is a powerful additive for oil paints and should be used sparingly. Test medium before applying it to an oil painting. Overuse may cause cracking of paint film when drying. Copal Painting Medium: has a resinous consistency perfect for glazing and wet-on-wet techniques. Copal painting medium is an oil paint additive that speeds drying time. This medium increases paint flow and imparts a high gloss and hardness when dried. Copal painting medium may cause yellowing or darkening of colors over long periods. Only dilute with turpentine or Grumtine as petroleum-based solvents, and odorless thinners are not compatible with this product. Damar Varnish: A final varnish for oil painting that imparts a high gloss finish. Processed with pure gum damar, Damar Varnish protects oil paintings from dirt and scuffing. Japan Drier: A solid alkyd resin-based liquid drier for artists' oil colors. Japan Drier is used primarily for oil gilding. It is an alkali based drier that may cause yellowing or darkening of colors over time. Odorless Thinner: is a clear, organic solvent for thinning oil colors, cleaning brushes, and painting accessories. Oil Painting Medium No. 1: Use when a matte finish is desired, especially on absorbent gesso grounds. Made from poppy seed oil, copaiba, balsam, and solvent. Oil Painting Medium No. 2: For use with oils to retard drying time. It contains poppy seed oil, mastic resin, alkyd resin, and grumtine. Oil Painting Medium No. 3: Accelerates drying time. It contains copaiba, balsam, stand oil, mastic resin, alkyd resin, cobalt, and manganese driers. Pale Drying Oil: Accelerates drying time of oil colors. Consists of linseed oil and manganese drier. Poppy Seed Oil: An excellent quality, slow drying, purified oil that retards drying time. It provides superior color retention and resistance to yellowing. PreTested Linseed Oil: Linseed oil has several uses in oil painting. It can be used as a paint binder ingredient when mixing colors from powdered pigments, in oil painting medium recipes, and added directly to oil paints to make colors glossy and fluid. This oil is made from the finest quality purified alkali-refined linseed oil. Retouch Varnish: For brightening uneven areas of oil paintings. An excellent varnish for protecting pictures until the final varnishing. Stand Oil: A flexible, very heavy-bodied purified oil for use in preparing mediums—excellent resistance to yellowing. Sun-Thickened Linseed Oil: Sun-thickened linseed oil is heavier in body and can be appplied directly to paint or used in glaze mediums, clear varnishes and emulsions. It is an extremely flexible medium derived from purified oil and can be pre-diluted with turpentine, Grumtine or Pre-tested odorless thinner. The linseed oil lends an enamel-like quality to oil color. See More

Gamblin PVA Sizing 33.8oz, Artists' Oil Painting Medium

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White True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark-making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "Galkyd Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd-based resin painting medium that thins oil paints and maintains a strong, flexible paint film. Galkyd speeds the drying rate and is excellent for glazing, providing an enamel-like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. 3-in-1 Oil MediumGamblin 3-in-1 Oil Medium is an all-around lean and thin painting medium that you can think of as a thinner version of Galkyd Lite. 3-in-1 Oil Medium can be used to seal panels and is great for oiling out before varnishing. First, it's a terrific all-around lean and thin painting medium. Second, It's ideal for oiling out a painting before deciding if the painting is ready to varnished or if there's more painting to be done. And finally, it's the perfect tool for preparing wood panels for painting and before priming them with Gamblin Ground. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted, you may want to purchase the larger size. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide, and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% volume of poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases the flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture, and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Medium gives oil colors more flow and transparency. It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum-bodied heavy oil, which can be used in painting and glazing mediums. Dries to an enamel-like finish. See More

Gamblin Oil Painting Ground 8oz Can

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True To Historic Working Properties. Safer. More Permanent. For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. * 8 oz Can True To Historic Working Properties. Safer. More Permanent. For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. * 8 oz Can See More

Gamblin Oil Painting Ground 32oz Can

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True To Historic Working Properties. Safer. More Permanent. For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. * 32 oz Can True To Historic Working Properties. Safer. More Permanent. For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. * 32 oz Can See More

Winsor & Newton Oil Painting Primer, 1 Liter Can

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White Ready-to-use primer in a non-yellowing oil-modified alkyd resin medium Winsor & Newton Oil Painting Primer is a ready-to-use primer in a non-yellowing oil-modified alkyd resin medium. No thinning or stirring is required. Oil Painting Primer can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper) with virtually no sinking in. A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colours easily and without chalkiness or absorbency.Key Features:* Size: 500ml & 1000ml cans* Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium* Can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper)* Used to prepare a surface before painting* A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming   Oil painting primer imparts a traditional oil base. Some artists prefer this and may find a slight increase in gloss and smoothness. Oil primed canvases may slacken off less than acrylic primed canvases. A coat of warm glue size is required first. As a result of their formulation, Winsor & Newton acrylic primers are also suitable for oil painting. They are popular because they dry quickly and do not require any sizing underneath. See More

Gamblin PVA Size 8.5oz, Artists' Oil Painting Medium

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True To Historic Working Properties. Safer. More Permanent. Gamblin PVA Sizing 8.5oz, Artists' Oil Painting Mediums. Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. * 8 oz bottle True To Historic Working Properties. Safer. More Permanent. Gamblin PVA Sizing 8.5oz, Artists' Oil Painting Mediums. Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. * 8 oz bottle See More

Gamblin PVA Sizing 33.8oz, Artists' Oil Painting Medium

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True To Historic Working Properties. Safer. More Permanent. Gamblin PVA Size 33.8oz, Artists' Oil Painting Medium. Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. * 32 oz bottle True To Historic Working Properties. Safer. More Permanent. Gamblin PVA Size 33.8oz, Artists' Oil Painting Medium. Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. * 32 oz bottle See More

Bob Ross Liquid White Oil Medium 8oz (237ml) Jar

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…canvas! It is non-toxic. * Brand: Bob Ross * Liquid White Oil Medium 8oz (237ml) Jar * The Liquid White can also be used to thin other colors for application over thicker paints * Non-toxic acrylic primers * Designed for use with Bob Ross Oil Paints * Unlimited creative possibilities * Unique secret… Bob Ross Liquid White Oil Medium 8oz (237ml) Jar Liquid White is one of three Bob Ross Liquid Basecoats essential to the Bob Ross Wet-on-Wet Technique. These basecoats allow us to actually blend and mix colors right on the canvas rather than working ourselves to death on the palette. The Liquid White can also be used to thin other colors for application over thicker paints. The idea that a thin paint will stick to a thick paint is the basis for this entire technique. Liquid white medium - Bob's unique secret formula of base coats aid in the painting's foundation and keep the canvas wet, the most fundamental step in Bob's wet-on-wet technique. Smooth and slow drying, it will allow blending and mixing right on the canvas! It is non-toxic. * Brand: Bob Ross * Liquid White Oil Medium 8oz (237ml) Jar * The Liquid White can also be used to thin other colors for application over thicker paints * Non-toxic acrylic primers * Designed for use with Bob Ross Oil Paints * Unlimited creative possibilities * Unique secret formula of base coats aid in the painting's foundation See More

Bob Ross Liquid White Oil Paint Medium 16oz (473ml) Jar

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…Bob's wet-on-wet technique. Smooth and slow drying, it will allow blending and mixing right on the canvas! It is non-toxic. * Brand: Bob Ross * Liquid White Oil Paint Medium, 16oz (473ml) Jar * Non-toxic acrylic primers * Designed for use with Bob Ross Oil Paints * Unlimited creative possibilities Bob Ross Liquid White Oil Paint Medium 16oz (473ml) Jar Liquid white medium-Bob's unique secret formula of base coats aid in the painting's foundation and keep the canvas wet, the most fundamental step in Bob's wet-on-wet technique. Smooth and slow drying, it will allow blending and mixing right on the canvas! It is non-toxic. * Brand: Bob Ross * Liquid White Oil Paint Medium, 16oz (473ml) Jar * Non-toxic acrylic primers * Designed for use with Bob Ross Oil Paints * Unlimited creative possibilities See More

Winsor & Newton Oil Painting Primer, 500ml Can

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…Non-Yellowing Oil-Modified Alkyd Resin Medium! A small amount of oil color can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colors easily and without chalkiness or absorbency. * Oil Painting Primer - 500 ml * Ready-to-use primer * Non-yellowing… Ready-To-Use Primer In A Non-Yellowing Oil-Modified Alkyd Resin Medium! A small amount of oil color can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colors easily and without chalkiness or absorbency. * Oil Painting Primer - 500 ml * Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium * Can be applied directly to metal or porous surfaces * Used to prepare a surface before painting * A small amount of oil color can be mixed into the Oil Painting Primer for tinted priming See More

Winsor & Newton Oil Painting Primer, 1 Liter Can

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…Non-Yellowing Oil-Modified Alkyd Resin Medium! A small amount of oil color can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colors easily and without chalkiness or absorbency. * Oil Painting Primer - 1 Liter * Ready-to-use primer * Non-yellowing… Ready-To-Use Primer In A Non-Yellowing Oil-Modified Alkyd Resin Medium! A small amount of oil color can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colors easily and without chalkiness or absorbency. * Oil Painting Primer - 1 Liter * Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium * Can be applied directly to metal or porous surfaces * Used to prepare a surface before painting * A small amount of oil color can be mixed into the Oil Painting Primer for tinted priming See More

Grumbacher Pre-Tested MG Underpainting White, 150 ml Tube

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Designed To Achieve Various Techniques! This permanent, fast-drying Titanium White oil paint is designed for use in underpainting or in wet-on-wet (alla prima) painting. Specifically formulated to create a lean, dry paint film, MG Underpainting White has enough tooth to readily accept glazes. Other… Designed To Achieve Various Techniques! This permanent, fast-drying Titanium White oil paint is designed for use in underpainting or in wet-on-wet (alla prima) painting. Specifically formulated to create a lean, dry paint film, MG Underpainting White has enough tooth to readily accept glazes. Other uses include creating surface textures and impasto techniques. In normal applications, MG Underpainting White dries to the touch in 4 to 6 hours and may be painted over immediately. * 150 ml Tube * Accelerate or slow drying time * Increases gloss and translucency * Outstanding working properties * Made in the USA See More

Bob Ross Liquid Acrylic White Basecoat 4oz (100ml) Bottle

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…White Basecoat 4oz (100ml) Bottle - Smooth brushing and even-leveling, they create an ideal base for wildlife painting. * Brand: Bob Ross * Liquid Acrylic White Basecoat * 4oz (100ml) Bottle * Non-toxic acrylic primers * Designed for use with Bob Ross Oil Paints * Unlimited creative possibilities Bob Ross Liquid Acrylic White Basecoat 4oz (100ml) Bottle Bob Ross Liquid Acrylic White Basecoat 4oz (100ml) Bottle - Smooth brushing and even-leveling, they create an ideal base for wildlife painting. * Brand: Bob Ross * Liquid Acrylic White Basecoat * 4oz (100ml) Bottle * Non-toxic acrylic primers * Designed for use with Bob Ross Oil Paints * Unlimited creative possibilities See More

Gamblin PVA Sizing 33.8oz, Artists' Oil Painting Medium

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White PVA Size - Poly Vinyl Acetate- Contemporary size for fabric support Gamblin PVA Size- Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible - won't yellow, shrink or swell. PVA Size is made from PVA that has a neutral pH and does not yellow. Retains its flexibility and does not emit harmful volatiles. Key Features:* Sizes: Sizes: 8.5 Oz, 33.8 Oz* Use neutral pH PVA size on linen and canvas instead of rabbit skin glue* Does not swell and shrink like rabbit skin glue does* Seals the fabric but does not re-absorb atmospheric moisture* Neutral pH and does not yellow* Retains its flexibility* Does not emit harmful volatiles Diluted with distilled water, PVA size (Poly Vinyl Acetate) is a contemporary size for fabric support. Conservation scientists recommend painters use neutral pH PVA size on linen and canvas instead of rabbit skin glue. Gamblin PVA provides a good size layer that seals the fabric but does not re-absorb atmospheric moisture, swell and shrink like rabbit skin glue does. There are hundreds of different formulae of PVA. We acknowledge and appreciate the research of the Canadian Conservation Institute that helps painters and conservators identify the best PVA to use. PVA Size is made from PVA that has a neutral pH and does not yellow. It also retains its flexibility and does not emit harmful volatiles. See More

Pebeo Studio Acrylics Mediums - Sand Textured Gel (White), 250ml

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White Unlimited opportunities for experimenting with creative inspiration Pébéo Mixed Media Studio Mediums offer an extensive line of acrylic mediums for creating an array of textures and dimensional effects. Ideal for mixed media applications, these mediums—once dry—can be used beneath acrylics as well as resins, solvent-based paints, ceramic paints, and more! Key Features: * Thick, richly pigmented acrylic mediums * Retain brush and painting knife strokes * Easily mixable with great light-fastness * Available in iridescent Dyna Perfect For: * Uncomplicated, spontaneous creativity! * Mixed media applications * Adding texture to portraits * Pebeo Liquid Art Panels * Canvas, cardboard, wood & metal * Children, students, and professionals Studio Acrylics Gloss Gel –non-yellowing acrylic gloss gel with translucent gloss finish. Studio Acrylics Matt Gel –non-yellowing acrylic gel with translucent matte finish. Studio Acrylics Bindex –non-yellowing fluid acrylic binder—dries translucent with a satin finish. Studio Acrylics Dyna Bindex –non-yellowing fluid acrylic binder with interference pigments for reflective, color-changing effects--available in blue, violet and green. Studio Acrylics Modeling Paste –highly textured, opaque white modeling paste used for creating impastos and dimension—may be used alone or mixed with colors—retains tool imprints, keeps volume and dries to a matte finish. Studio Acrylics Modeling Paste High Density -highly textured, opaque white modeling paste formulated with fine grain used for creating impastos and dimension—may be used alone or mixed with colors—retains tool imprints, keeps volume and dries to a white-gray porous surface. Studio Acrylics Crackling Effect Modeling Paste –opaque white paste used to create impastos with crackle effect—may be used alone or mixed with colors (75% modeling paste / 25% color)—to increase adherence and enhance the crackling effect, recommended to prime the surface at least 1 hour prior to applying the modeling paste. Studio Acrylics Sand Textured Gels –acrylic polymer with colored sand-based gel available in black, white, red, and yellow—apply with a painting knife and dilute with water or Bindex as needed. See More