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Gamblin Artists' Oil Painting Mediums Neo-Megilp 8.5 ozSave Up to48%Off list…is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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Gamblin PVA Sizing 8.5oz, Artists' Oil Painting MediumSave Up to25%Off listWhite PVA Size - Poly Vinyl Acetate- Contemporary size for fabric support Gamblin PVA Size- Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible - won't yellow, shrink or swell. PVA Size is made from PVA that has a neutral pH and does not yellow. Retains its flexibility and does not emit harmful volatiles. Key Features:* Sizes: Sizes: 8.5 Oz, 33.8 Oz* Use neutral pH PVA size on linen and canvas instead of rabbit skin glue* Does not swell and shrink like rabbit skin glue does* Seals the fabric but does not re-absorb atmospheric moisture* Neutral pH and does not yellow* Retains its flexibility* Does not emit harmful volatiles Diluted with distilled water, PVA size (Poly Vinyl Acetate) is a contemporary size for fabric support. Conservation scientists recommend painters use neutral pH PVA size on linen and canvas instead of rabbit skin glue. Gamblin PVA provides a good size layer that seals the fabric but does not re-absorb atmospheric moisture, swell and shrink like rabbit skin glue does. There are hundreds of different formulae of PVA. We acknowledge and appreciate the research of the Canadian Conservation Institute that helps painters and conservators identify the best PVA to use. PVA Size is made from PVA that has a neutral pH and does not yellow. It also retains its flexibility and does not emit harmful volatiles. See More
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Gamblin Solvent-Free Fluid Oil Medium 8.5oz BottleSave Up to25%Off list…Oil is a pale, slow-drying oil. When used as a painting medium, Safflower Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium. To paint solvent-free, we recommend Gamblin Safflower Oil… Gamblin Solvent-Free Painting Mediums Solvent-Free Gel and Solvent-Free Fluid are painting mediums made from safflower oil and alkyd resin with no solvent. Why safflower? We chose safflower for these mediums because of its paler color. The alkyd resin, which is essentially a highly polymerized oil, accounts for the faster drying rate of these materials, compared to either linseed or safflower oils used alone. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation Solvent-free-Mediums:* Gamblin Solvent-Free Gel gives colors more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates.Solvent-Free Gel is available in the following size: 37 ml, 150 ml * Gamblin Solvent-Free Fluid painting medium gives oil colors more flow and transparency. It has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Fluid is non-toxic and contains no Gamsol or petroleum distillates. To ensure proper drying and prevent beading-up of paint layers, Solvent-Free Fluid should be used in moderation with oil colors – no more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Fluid and oil colors thinly. For underpainting, we recommend adding Gamsol to Solvent-Free Fluid. Solvent-Free Fluid is available in the following sizes: 4.2oz, 8.5 oz & 16.9 oz. * Gamblin Safflower Oil is a pale, slow-drying oil. When used as a painting medium, Safflower Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium. To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. Solvent-Free Safflower Oil is available in the following sizes: 8.5 oz & 16.9 oz. The biggest difference between the Solvent-Free Fluid and the Gel is their consistency. The Fluid medium more significantly increases the flow of oil colors off of the brush. In terms of its working properties, it is similar to either straight linseed or safflower, though faster-drying. Brush-marks will be slightly leveled, or “rounded” when using the Fluid. Drying Time: In regards to their drying, these mediums have a “moderately fast” drying rate – meaning that thin layers will dry to the touch in approximately 36 – 48 hours. Because they rely solely on oxidation to dry, they have a longer working time compared to our Galkyd mediums, which begin to tack up as their Gamsol content evaporates from paint layers. See More
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Centurion Deluxe Oil Primed 30"x30" Linen Canvas .67" Deep (Box of 6)Save Up to64%Off listWhite Master Quality Archival Deluxe Stretched Canvas! Superb Performance And Color Retention! Exclusive OP Enhanced Oil Priming! As an oil painter, it is important to work on oil primed surfaces. First, oil on oil will provide the best chemical bond for the paint layers that go on, afterwards. Secondly, gesso are acrylic based, and either repel oil if they have too high of a resin base, or absorb the oil too much if it is too matte, making color sink and look dull and lifeless. Oil priming allows the color to sit cleanly and brightly on the surface, with refraction of the white from below. Centurion’s affordable (OP DLX) oil primed canvas is a great way to start painting with not only an oil primer, but the luxurious texture and archival tradition of linen! Exclusive OP enhanced oil priming! Oil Primed Linen, Deluxe Professional Stretched Canvas (OP DLX) Back stapled to allow for easy re-keying or re-stretching, Centurion Canvases have 4 paintable edges for frameless or floater frame presentation. The stretchers are kiln-dried, all pine bars for strength and durability. Centurion Linen is a master-quality, 11oz. weight linen with a lovely medium texture and weave, that’s archival nature will last hundreds of years. Centurion Deluxe Oil Primed Linen Canvases come in convenient 0.67" and 0.87" depths for ease of specific framing needs. Centurion Deluxe Oil Primed Linen also comes in rolls for custom stretching onto custom sizes or deeper gallery stretchers, and is also sold in Panels for studies, plein air, or to take up less space for traveling. Key Features:* Exclusive OP enhanced oil priming* Master quality 11oz. weight linen canvas for archival longevity* Deluxe Oil-primed linen* Medium weight and texture* Kiln-dried Pine Stretchers* Back stapled for clean edges* Easy re-keying or re-stretching* Convenient 0.67" and 0.87" depths for ease of specific framing needs* Superb performance and color retention* Non-absorbent, enhanced oil primer allows for brilliant results* Perfect For:* Oil and Alkyd Painting* Archival Longevity* Students to Professional Artists* Commissions and Final Paintings* Superb receptive surface There is no canvas like this canvas! Exclusive OP Enhanced Oil Priming! Centurion Deluxe Professional Oil Primed Linen Stretched Canvas, specifically designed for oil painters. Superb receptive surface accepts even the thinnest oil color lay down without fragmenting on the surface and is a permanent surface as colors adhere better on it then any other oil primed canvas on the market today! See More
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NYC Gigante Long Handle #30 Domed Sash Round Bristle BrushSave Up to70%Off list…you will love and enjoy to paint with these premium high quality brushes! Use for acrylic and oil colors, Acryla Gouache as well as all sorts of decorative paints. High End Bristle Brushes Handmade by skilled artisans in Germany - Designed for all artists painting large scale Key Features:* Handmade… Stiffness Watercolors Acrylics Oils Premium brushes designed for all artists painting large scale - Handmade in Germany Handmade by skilled artisans in Germany the Gigante range of high quality hog bristle brushes compliments all your other high end bristle brushes. The basic assumption of the line is that most artists use regular size bristle brushes for most of their needs and that would include painting on a grand scale. They are not made just to be big but are made to work flawlessly. The long handle makes them a favorite of artists in the world all over. you will love and enjoy to paint with these premium high quality brushes! Use for acrylic and oil colors, Acryla Gouache as well as all sorts of decorative paints. High End Bristle Brushes Handmade by skilled artisans in Germany - Designed for all artists painting large scale Key Features:* Handmade by skilled artisans in Germany* High quality hog bristle brushes* Available in 4 shapes* Angular, oval, flat mottlers & Domed sash round* Made to work flawlessly* Long handle professional brushes* Varnished beech wood handles* Nickel plated ferrule, a rust proof tin coating* Exceptional quality for the price* Note: Click on Yellow Icon Next to each product for more details* Perfect For:* Use for acrylic and oil colors, Acryla Gouache as well as all sorts of decorative paints* Endless possibilities* All artists painting large scale* Complimenting all your other high end bristle brushes* Long handle makes them a favorite of artists* Covering a lot of area* Excellent control of your paint* FLAT MOTTLERS: Priming to painting to varnishing* OVAL MOTTLERS: Cutting in backgrounds, general painting, varnishing and large scale glazing There are four shapes to the Premium Gigante Brush line: ANGULAR MOTTLERS Sometimes artists look at this brush as if it is a specialty brush but it is not. It is used by some of the most famous artists of our time and a real tool for professional house and industrial painting. As you glance at the brush you will see one end has a hair length of 1.57" it then angles to 2" on the 2" wide brush and to 2.17" on the 3" wide brush. The shape allows artists and painters to curve their strokes. This is especially useful for cutting in basic shapes and to run the brush along a circular area. These brushes hold a lot of color and the tip of the brush is most useful for reaching smaller areas without having to switch brushes. You can cover a lot of area with this brush like all flat brushes. 2" brush is 13" long and the 3" is 13.6" long. The handle is made of varnished beech wood and the ferrule is nickel plated with a rust proof tin coating. OVAL MOTTLERS You'll immediately appreciate the natural flagged ends of these brushes that provide an excellent control of your paint. The oval shape is like an artists' filbert brush. Its intention is to allow for clean controlled strokes without flaring of the hair through the stroke. You can use this brush for cutting in backgrounds, general painting, varnishing and large scale glazing. FLAT MOTTLERS This brush is a workhorse of epic proportions and is one of the most beloved of all brushes used by artists that work large in scale. It has superior quality bristle hair with natural flagged ends to grip and release color with superb precision. It can be used flat or on its sides for various needs. The endless uses of this brush can't all be listed however it is ideal for almost all stages of a painting from priming to painting to varnishing. Use it with all your favorite media. Available in 2" wide with 2" long hair and a 12.7" length or 3" wide with 2" hair length and a 13.4" length. The handle is made of varnished beech wood and the ferrule is nickel plated with a rust proof tin coating. DOMED SASH ROUND BRUSHES The bushy round shape of the brush make it perfect for loading and creating long continuous soft edged linear strokes. The natural flagged ends and fullness of the hair allows it to cover large areas with ease. The brush works in unison with the other three shapes in this series and is a vital tool for a myriad of uses. This brush style has a history dating back to birth of artist brushes and has been the go to brush ever since. These brushes feature a long length which is instrumental to working large. It will be a brush you won't want to stop using. Available in 3 diameters: 20mm (.787") with a hair length of 43mm (1.7") and a total length with handle of 10.8", 25mm (1") with a hair length of 48mm (1.9") and a total length with handle of 11.2" and 30mm (1.18") with a hair length of 53mm (2.1") and a total length with handle of 11.8". With special nickel, encapsulated ferrule and long varnished beech wood handles. Clean and Care Recommendation: These brushes are made to be professional tools. For cleaning oil colors from brushes, we recommend Chelsea Classical Studios Lavender or Citrus brush cleaners. They not only will thoroughly clean the paint out of your brush but also will condition them to work flawlessly each time See More
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Gamblin Gamvar Satin Varnish 8.5oz BottleSave Up to25%Off listClear Transparent Enhance and protect your oil paint masterpieces with this professional quality satin finish picture varnish! Gamblin's Gamvar Satin Picture Varnish saturates the colors in your oil paintings and gives your work a unified, satin finish protective surface. Developed in collaboration with the National Gallery of Art, Gamvar Satin is practically odorless, goes on and remains water-clear and can be safely removed with Gamsol Mineral Spirits. This superior quality satin picture varnish dries to a lower gloss level compared to original Gamvar and enhances the depth of color in your paintings. The easiest way to make your painting look better! Key Features: * Provides a satin finish protective surface * Deepens color values of your paintings * Applies water clear and is practically odorless * Easily and safely removed with Gamsol Mineral Spirits * Terrific for both oil and acrylic paintings* Saturates color and adds depth of color* Protects your painting* Unifies surface quality* Odorless and easily removable* Dries in 24 hours* No need to wait 6 months to varnish Perfect For: * Protecting oil paintings * Portrait and fine artists * Unifying uneven surfaces of paintings * Boosting color saturation See More
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Gamblin Artists' Oil Painting Mediums Neo-Megilp 8.5 ozSave Up to25%Off listWhen mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. See More
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Gamblin Galkyd Medium Lite No.2 8 oz BottleSave Up to25%Off list…a painting is completed, all of the thought, effort and emotion that went into it are reflected in the artist’s marks. Choosing the appropriate painting medium can be an essential part of making oil painting your own. With a painting medium that fits your needs, you can get into the flow of painting… True to historic working properties. Safer. More Permanent Gamblin Galkyd Mediums are Contemporary Painting Mediums!. Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube - from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors - from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. When a painting is completed, all of the thought, effort and emotion that went into it are reflected in the artist’s marks. Choosing the appropriate painting medium can be an essential part of making oil painting your own. With a painting medium that fits your needs, you can get into the flow of painting faster and stay there longer. Gamblin Galkyd Gel - "G-Gel" Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brushmarks and dries more quickly. Galkyd Gel increases transparency of oil colors and creates impasto. Gamblin Galkyd Painitng Medium - Galkyd thins oil colors and increases transparency and gloss. When used in greater proportions with oil color, Galkyd will level brush-strokes, creating an enamel-like surface. Galkyd is our fastest-drying painting medium. Thin layers will be touch-dry in approximately 24 hours. Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Painting Medium Lite No.2 - Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours. This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Slow Drying Medium - Galkyd Slow Dry thins oil colors and extends working time. Galkyd Slow Dry is more fluid and less glossy than Galkyd Lite. Use one part Galkyd Slow Dry to one part oil colors to paint wet-into-wet for at least a day.. Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. What is Gamblin Galkyd? Gamblin Galkyd thins oil colors and increases transparency and gloss. Galkyd Medium - An alkyd resin painting medium that increases the fluidity of oil colors and speeds their drying time See More
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Gamblin Gamvar Matte Varnish 8.5oz BottleSave Up to25%Off listClear Transparent Enhance and protect your oil paint masterpieces with this matte finish picture varnish! Gamblin's Gamvar Matte Picture Varnish saturates the colors in your oil paintings and gives your work a unified, matte protective surface. Developed in collaboration with the National Gallery of Art, Gamvar Matte is practically odorless, goes on and remains water-clear and can be safely removed with Gamsol Mineral Spirits. This professional quality matte picture varnish reduces surface sheen and enhances the depth of color in your paintings. Key Features: * Provides a matte protective surface * Deepens color values of your paintings * Applies water clear and is practically odorless * Easily and safely removed with Gamsol Mineral Spirits* Terrific for both oil and acrylic paintings* Saturates color and adds depth of color* Protects your painting* Unifies surface quality* Odorless and easily removable* Dries in 24 hours* No need to wait 6 months to varnish Perfect For: * Protecting oil paintings * Portrait and fine artists * Unifying uneven surfaces of paintings * Boosting color saturation See More
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Gamblin Gamvar Gloss Picture Varnish 8.5oz BottleSave Up to25%Off list…paint and varnish your paintings with Gamblin's conservation quality resin varnish for oil, acrylic and alkyd paints! Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamsol relaxes stiff oil… Gamvar Gloss Picture Varnish - The Perfect Picture Varnish You can confidently paint and varnish your paintings with Gamblin's conservation quality resin varnish for oil, acrylic and alkyd paints! Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamsol relaxes stiff oil paints and is the best solvent for cleaning brushes and palette knives because it is odorless and non-hazardous! When your oil painting is completely dry and paint is firm to the touch, preserve and protect it by brushing a thin layer of semi-gloss Gamvar on top. You will instantly notice that your colors have more depth and that Gamvar is virtually odorless! The easiest way to make your painting look better! Key Features: * Terrific for both oil and acrylic paintings * Saturates color and adds depth of color * Protects your painting * Unifies surface quality * Odorless and easily removable * Dries in 24 hours * No need to wait 6 months to varnish * Available in Gloss, Satin, & Matte Perfect For: * Varnishing oils, alkyds, and egg tempera * Portrait and fine artists * Unifying uneven surfaces of paintings * Boosting color saturation * Altering paint sheen * Use in the studio or school Gamvar Gloss: saturates colors in your painting and gives your work a unified and protective gloss surface. Gamvar Gloss is the original Gamvar formula. See More
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Creative Mark Muscle Long Handle Brush, Round #30Save Up to80%Off list…angular, oval, and round * Perfect For: * Anything from fluid acrylics to heavy impasto oils or acrylics * Oil and acrylic paints as well as acrylic gouache and decorative paints * Covering large areas * Painting on all surfaces from smooth to very rough such as brick * Painting outdoors * Murals Stiffness Watercolors Acrylics Oils Brushes that pack a punch! The Muscle Brushes are a line that stays true to their name. These brushes are perfect for painting large areas on a variety of surfaces. The very fine, high-quality synthetic filament allows the artist to work on smooth surfaces to very rough surfaces like brick with excellent shape retention. They come in a variety of shapes to accommodate many different painting styles. You can use the Muscle Brushes with anything from fluid acrylics to heavy impasto oils or acrylics. Key Features: * High-Quality 0.16mm PBT tapered filament * Nickel-plated ferrule * Long varnished beechwood handles * Handmade by skilled artisans in Germany * Excellent shape retention * Work on smooth surfaces to very rough surface * Available in 4 shapes: flat, angular, oval, and round * Perfect For: * Anything from fluid acrylics to heavy impasto oils or acrylics * Oil and acrylic paints as well as acrylic gouache and decorative paints * Covering large areas * Painting on all surfaces from smooth to very rough such as brick * Painting outdoors * Murals See More
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Creative Mark Mural Large Brush Synthetic Golden Taklon Flat #30Save Up to87%Off list…Wide variety of shapes & sizes * Painting very large abstracts* Available in: Synthetic Golden Taklon, synthetic white filament, and natural hog bristle Perfect For: * Large scale & Mural Painters * Excellent for acrylics & watercolors * Traditional & water mixable oils * Classrooms and workshops *… When Size DOES Matter! These seriously large brushes were designed by Michi Toscano for achieving a wide range of large scale painting and mural techniques. They feature balanced, solid wood, matte teal handles and nickel-plated brass ferrules, and an exceptional variety of brush shape styles in synthetic Golden Taklon, synthetic white filament, and natural hog bristle. Create fast and spontaneous, huge abstract expressionist works, large scale paintings and murals, or large scale staining wash techniques with acrylics or watercolors. White synthetic filament brush handles are tipped in red; Golden Taklon handles have white tips; hog bristle brushes feature black dipped tips. Mural Flats and Filberts Sizing: Size 30 = 1 3/8"; Size 40 = 1 5/8"; Size 50 = 1 15/16". Mural Rounds Sizing: Size 30 = 9/16"; Size 40 = 3/4"; Size 50 = 15/16". Key Features: * Designed by Michi Toscano * Ideal for large scale painting * Seamless nickel-plated ferrules * Comfortable to use and great control * Durable and resilient bristles * Wide variety of shapes & sizes * Painting very large abstracts* Available in: Synthetic Golden Taklon, synthetic white filament, and natural hog bristle Perfect For: * Large scale & Mural Painters * Excellent for acrylics & watercolors * Traditional & water mixable oils * Classrooms and workshops * Outfitting professional muralists * Painting very large abstracts * Artist Testimonial "I enjoy these brushes immensely, his is the second pair i have bough in a year. the first pair were misplaced so i had to buy another pair. they allow me to cover a lot of canvas in a short period of time. The construction and quality of these brushes is superb!!!" See More
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