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Wilson Bickford Background Color 500ml Bottle - Shaded WoodSave Up to51%Off list
Starting At: 9.99
Brown Expand your painting experience with Wilson Bickford grounds and mediums! Now you can paint along with master artist Wilson Bickford from the ground up! This specially-selected line of grounds and mediums were developed by Wilson to enhance his signature wet-in-wet oil painting style — and now you can benefit from his years of experience! From creating a solid ground or tonal grisaille, to blending colors into a base coat and crafting delicate, luminous oil color glazes, these gessoes and mediums are your surefire ticket for "fun and fast" painting with professional artist and instructor Wilson Bickford!* Gesso – Made from pure Titanium White or black pigment blended with an acrylic copolymer emulsion. It yields an excellent flexible film with a fine tooth surface, ideal as a base for paintings in acrylics, oils, alkyds, tempera, inks and more. Available in White or Black; 16 oz. bottles.* New! Background Color -- Gesso formulated to provide artists with fast drying, beautiful, toned backgrounds. Achieve dramatic effects in your underpainting by creating a flexible film base which can be painted over with oils, acrylics, alkyds and even tempera.* FastFlo Base Coat Medium – This alkyd-based medium is the perfect base coat for wet-in-wet oil painting techniques, and provides a smooth, white, quick-drying ground on which to start a painting. Available in 4 oz. and 8 oz. bottles.* Clear Glazing Medium – Mix with oil or alkyd colors to speed the drying time, to add translucency and to extend color. Ideal for creating glazes as well as detailed effects. Can be thinned and cleaned up with turpentine or odorless mineral spirits. Available in 8 oz. or 16 oz. bottles. * See More Wilson Bickford Signature Series Art Supplies See More -
Sennelier Artists' Oil Paints-Extra-Fine 500 ml Can - Titanium WhiteSave Up to45%Off list
Starting At: 11.12
White A New Generation of Oils! Only the finest natural and inorganic pigments . Sennelier Artist's Oil Paints have been the standard of quality for over 100 years. Sennelier's passion for colour chemistry and focused pigment research led to the development of a distinctive oil colour manufacturing process that has been employed for generations. Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture, a consistency originally developed for the expressive style of the Impressionist painters who frequented the Sennelier store in the 19th century. Non-Yellowing Safflower Oil - highest possible tinting strength and a lustrous satin finish Sennelier's meticulous work, his vast knowledge of pigments, his talents as a colourist, and collaboration with Cezanne and other Masters gave rise to a palette of oil colours that quickly became the standard of quality. Favoured by some of the greatest artists (Monet, Gauguin, Matisse, Picasso, Bonnard, Modigliani, Chagall, Ernst, Hockney), Sennelier oils hang in the world's most prestigious museums. Today, Sennelier's classic palette is expanding with 50 new, original shades that encompass contemporary trends and tastes. These colours, still as smooth and luminous as ever, offer an updated texture with firmer body to accommodate the requirements of 21st century artists. Key Features: * 40ml & 200ml Tubes (500ml Titanium White) * 21ml and 40ml set sizes * Improved 'buttery' consistency * 145 luminous colors / Sets * Uses non-yellowing Safflower Oil Perfect For: * Better value at a lower cost * Canvas, panels, boards * Working with texture effects * Artists of all levels Today, Sennelier's classic palette is expanding with 50 new, original shades that encompass contemporary trends and tastes. These colours, still as smooth and luminous as ever, offer an updated texture with firmer body to accommodate the requirements of 21st century artists.Utilizing the time-honoured, exacting methods perfected for over one hundred years, the new paints are produced under the watchful eye of Dominique Sennelier. At Sennelier, tradition meets the needs of today's artists and the innovations of modern chemistry. Sennelier proudly introduces the next generation of oils, a collection of professional, extra-fine colours that reinvents your palette and redefines quality Landscape Plein Air Set - A color palette selected by award-winning Plein Air artists! Set includes eight 40 ml tubes of Sennelier Oil Color, Isabey # 6 Bristle Brush, a plein air field guide to color mixing, and 10 tips for better plein air painting! Wood Box 40ml Tube Set of 12- This set includes a luxury quality wood box with twelve 40 ml tubes of Sennelier Oil colors, 2 empty glass jars ideal for storing your favorite oil mediums, one painting knife, one artists quality brush, one double metal palette cup, one deluxe wooden palette and assorted charcoal. Artist Oil Set with Black Wooden Box- This black wooden box contains a beautiful set of 10, 21ml oil tubes. The box also includes an assortment of accessories used to aid your artist's adventures. Including a sennelier cloth, charcoals, a green for oil medium, along with Precision brushes 8504 size 4, and 8534 size 12, as well as honey soap. Oil Color Set of 10 - This Artist Oils set features 10 tubes of 21ml extra-fine artist quality oil paint. Made using pigments of the highest quality, this set provides maximum pigment load and color intensity. The pure safflower oil carrier creates resistance to yellowing and provides a unique satin sheen. Colors in the set include #116 Titanium White, #511 Bright Yellow, #675 Red Vermillion, #619 Permanent Intense Red, #315 Ultramarine Deep, #326 Phthalocyanine Blue, #805 Chromium Green Light, #252 Yellow Ochre, #211 Burnt Sienna, #755 Ivory Black. *Actual colors will vary due to Manufacturer availability See More -
LUKAS Studio Oil Color - Titanium White, 500ml TinSave Up to67%Off list
Starting At: 4.69
White High-quality, artists' oil paint at a great value! Working with over 145 years of tradition and advancement, LUKAS has created a high quality yet economical oil paint for the discerning artist! LUKAS Studio Artist Oils are made with the same high-quality pigments and exclusive blend of linseed oil, sunflower oil, and beeswax as their master line of 1862 oil paints. All toxic, caustic, and expensive pigments have been eliminated from the line, leaving you with a well-balanced but affordable spectrum of brilliant colors. Loaded with pigment, LUKAS Studio Artist Oil Paints have exceptional covering power, and the high-quality linseed oil, sunflower oil, and beeswax binder make for even drying and a strong paint film. Dry to the touch in 2 to 4 days and available in 37ml and generous 200ml tubes mean that you can work large and quickly while not breaking the bank! With a range of 48 vibrant colors all at the same price, LUKAS Studio Artist Oils are higher quality artist oil paint at an affordable cost. Create beautiful works of art! Great quality artist oil paints and amazing consistency at amazing prices! Key Features:* Heavy pigment load* Excellent lightfastness* 48 colors 37ml & 200ml tubes* Dry to the touch in 2 to 4 days* Exclusive blend of linseed oil, sunflower oil, and beeswax* Great quality, affordable paints* Perfect For:* Well-balanced range of color* Smooth, buttery consistency* High-quality pigments* Strong paint film* Paint at an affordable cost* Excellent feel with the brush, or palette knife* Painting more, worry about cost less!* All artists looking for great quality "As a test, I laid down my current stock of colors from W & N next to the same Lukas colors and noticed right away there was a difference in both consistency and color intensity. Every one of the Lukas colors was more pure and covered the canvas paper better. one of the colors I ordered was the cobalt violet. This is not a color I've seen anywhere else and I have to say, it's lovely. I much prefer it to dioxazine purple." See More -
Creative Inspirations Acrylic White Gesso 500Ml JarSave Up to50%Off list
Starting At: 8.49
…to pump out the perfect amount of gesso for their priming needs. Creative Inspirations White Gesso is ideal for adding additional primer to dry, thinly primed student-grade or hobby quality canvases, to provide a smoother, better bonding surface for acrylic or oils. For priming raw canvas or heavier… Exceptional Value Gesso in both 500ml and 1.8L Jugs Creative Inspirations White Gesso is designed with the bulk user in mind, but does not sacrifice quality for quantity! Perfect for artists, venues, schools, instructors, and art leagues this smoothly applying white acrylic gesso bonds to the substrate well. Like more expensive primers, Creative Inspirations White Gesso sands easily between applications, to create the perfect desired texture for painting mediums. The 1.8L jug accepts any standard pump dispenser, making it ideal for multiple users to pump out the perfect amount of gesso for their priming needs. Creative Inspirations White Gesso is ideal for adding additional primer to dry, thinly primed student-grade or hobby quality canvases, to provide a smoother, better bonding surface for acrylic or oils. For priming raw canvas or heavier paper surfaces, three coats of primer are recommended to properly seal the material and give a consistent white surface texture for painting. Creative Inspirations White Gesso is the perfect priming foundation. It is an ideal primer for use with Art Journaling, due to its smooth application and clean white color. Key Features:* Smooth application* Clean white color* Value sizing for cost savings* Non-Toxic* Available in 500ml jar & 1.8L jug* Smooth applying white acrylic gesso * Sands easily between applications* Excellent coverage Perfect For:* Ideal for adding additional primer to dry* Classrooms, Universities, Art Leagues* Painting Party venues* Artists priming large canvases* Art Journaling* Better bonding surface for acrylic or oils* See More -
Sennelier Extra Fine Artist Acrylic Gesso - White, 500ml JarSave Up to33%Off list
Starting At: 23.56
White High quality grounds for your acrylic and oil paintings! Master color makers Sennelier have expanded their Acrylique artists' acrylic line to include these new exceptional gessoes! Whether you're painting in acrylics, traditional or water-soluble oils, Sennelier Acrylique Gesso provides a stable base with a good tooth on virtually any oil-free, absorbent surface. Superior quality gesso for superb paintings! White Gesso – This bright white universal primer is excellent for use on non-oily painting surfaces like canvas, wood, paper, board, and more. Penetrates surfaces and allows for good paint adhesion and provides an excellent base for paintings in acrylics and oils. Can be thinned with water up to 20%, and tinted with Sennelier acrylics. A layer of sizing is recommended before applying gesso to canvas. Tinted Gesso – With the same working characteristics of traditional white gesso, but providing a matte color surface ideal for tonal works. Available in Black, Light Grey, Red Ochre, and Yellow Ochre. Semi-Absorbent Gesso – When dry, this gesso forms a porous surface which improves color penetration and diffusion, but with a greater resistance to water than paper. Can be used as a primer for acrylics, watercolors, gouache, and oils (lends a matte touch). See More -
Winsor & Newton Oil Painting Primer, 500ml CanSave Up to43%Off list
Starting At: 25.81
White Ready-to-use primer in a non-yellowing oil-modified alkyd resin medium Winsor & Newton Oil Painting Primer is a ready-to-use primer in a non-yellowing oil-modified alkyd resin medium. No thinning or stirring is required. Oil Painting Primer can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper) with virtually no sinking in. A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colours easily and without chalkiness or absorbency.Key Features:* Size: 500ml & 1000ml cans* Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium* Can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper)* Used to prepare a surface before painting* A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming Oil painting primer imparts a traditional oil base. Some artists prefer this and may find a slight increase in gloss and smoothness. Oil primed canvases may slacken off less than acrylic primed canvases. A coat of warm glue size is required first. As a result of their formulation, Winsor & Newton acrylic primers are also suitable for oil painting. They are popular because they dry quickly and do not require any sizing underneath. See More -
Winsor & Newton Linseed Stand Oil Medium, 500ml BottleSave Up to43%Off list
Starting At: 5.12
…Oil - A low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. Bleached Linseed Oil - A refined pale oil… The Perfect Accompaniment To Oil Paints! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. Drying oils control color, prevent over-thinning when mixed with solvents, and help maintain the flexibility of paint film. Key Features: * Accelerates the drying time * Increases gloss & translucency of colors * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Accelerating the drying of oil colors * Professional oil painters * Maintaining consistency * Preserving gloss Cold Pressed Linseed Oil - An oil extracted without the use of heat. Cold Pressed Linseed Oil makes oil colour "fatter". It reduces viscosity for better flow while adding transparency and gloss. Drying Poppy Oil - Extracted from the seeds of the poppy plant. Drying Poppy Oil makes oil colour "fatter" and has a pale character. The fast drying oil stabilizes a colour’s film. Dries more slowly than linseed oil and preserves good, clear colours even in the spectrum of light colours. Drying Linseed Oil - Fastest drying linseed oil, increases gloss, transparency, and reduces consistency. It decreases the consistency and transparency of the oil paint. Add to other oils to accelerate drying times. Linseed Stand Oil - For glazing and as an alternative for Refined Linseed Oil, due to its pale colour and excellent levelling. Linseed Stand Oil makes oil colour "fatter". It's a pale viscous oil that slows drying while imparting a smooth, tough enamel finish with no brush marks. Refined Linseed Oil - A low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. Bleached Linseed Oil - A refined pale oil which will improve the flow of colour and dries slightly faster than Refined Linseed Oil. Use with pale colours and white. Thickened Linseed Oil - Amber coloured, partially oxidised oil. Makes oil colour "fatter". A faster drying viscose oil. Can be used in combination with Sansodor to accelerate drying rates further. Safflower Oil - Extracted from the seeds of the safflower plant. Makes oil colour "fatter" and has a pale character. It's a slow drying oil that stabilizes paint film. Use with whites, pale and bright colours. The pale colour preserves the brightness of pigments. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More -
Maimeri Oil Painting Mediums - Walnut Oil, 500ml BottleSave Up to22%Off list
Starting At: 12.43
…It has similar properties to linseed oil, but it won't yellow as much. Good drying power. Walnut Oil Similar properties to linseed oil, but it does not yellow. Good drying power, increases the brightness of colors. Walnut Oil:* Similar properties to linseed oil* but it does not yellow* Good drying… Increases the brightness of colors. Good drying power! Maimeri Walnut Oil Painting Medium uses only the purest ingredients for the best guarantee of brilliance and vibrancy Maimeri uses only the purest ingredients for the best guarantee of brilliance and vibrancy. Most Maimeri oil mediums are housed in a glass bottle with a twist-off cap. Increases the brightness of colors. It has similar properties to linseed oil, but it won't yellow as much. Good drying power. Walnut Oil Similar properties to linseed oil, but it does not yellow. Good drying power, increases the brightness of colors. Walnut Oil:* Similar properties to linseed oil* but it does not yellow* Good drying power* Increases the brightness of colors* Available in: 75ML, 250ML, 500ML glass bottles See More -
Schmincke Oil Mediums 500ml Schmincke Primer 1 JarSave Up to10%Off list
Starting At: 13.85
Magnificent mediums for oil paints Schmincke Oil Mediums allow you to create fluid glazes or thick Impasto effects. You can even transform traditional oils into water-mixable oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing… Magnificent mediums for oil paints Schmincke Oil Mediums allow you to create fluid glazes or thick Impasto effects. You can even transform traditional oils into water-mixable oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing drying time. Key Features: * Accelerate or slow drying * Improve transparency and gloss * Outstanding working properties * Extend oil paints and use less paint * Perfect For: * Traditional oil paints * Blending and glazing * Changing the paint texture * Adding to oils undiluted Schmincke Mussini Drying Accelerator: is an especially fast-drying, Jelly-like painting medium for oil colors. The paste preserves the consistency and degree of gloss of oil colors. To avoid weakening of binding properties, use dosage of 10 to max of 30%. The product is ready to use and should be added to oil colours undiluted. After use clean tools as soon as possible with turpentine or brush cleaner. The Schmincke Mussini drying accelerator contains: siccative, stand oil, resin solution, mineral spirit. Impasto Medium (Megilp): Schmincke Meglip Impasto Medium is an oil painting medium designed for painting thickly. The medium preserves the buttery character of oil paint while accelerating the drying process. When you are applying paint in a thick style with a palette knife you should include some Impasto Medium to support the drying process between layers of paint. Contains: alkyd resin, stand oil, and fillers. Medium L: The Jelly-like medium improves oil paint flow while reducing brush strokes, accelerating drying time, and increasing gloss and transparency. Shake well and stir before use. Close immediately after use. The recommended dosage for medium L is 10 - 20 %. The product is ready to use out of the bottle, but you can dilute it with turpentine substitute 50019. Medium W: Schmincke Medium W is a low-odor oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. You should shake the bottle before use. Mix 2 parts of oil color and 1 part of Medium W on your palette, then add water to thin. Add more Medium W to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W may appear lighter or "milky" when wet, but the color will return as the paint dries. Medium W Gel: Schmincke Medium W Gel is a jelly-like oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. Mix 2 parts of oil color and 1 part of Medium W Gel on your palette, then add water to thin. Add more Medium W Gel to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W Gel may appear lighter or "milky" when wet, but the color will return as the paint dries. Refined Linseed Oil: Refined Linseed Oil is winterized and bleached. Many artists use it as a medium when painting. It slows down the drying time of your paint, which can be very useful when painting in layers. Please note: The natural yellowing tendency of linseed oil cannot be stopped by bleaching! Schmincke Primer 1: Schmincke Primer 1 is a pure white, semi-opaque, light-resistant, and nonaging primer for oil and acrylic colors. The primer has a strong absorbent character and forms an elastic, matt film once dry. Schmincke Primer 1 is ready to use straight out of the bottle, or for a thinner consistency, you can thin it with water. For max dilution, mix with 30% water See More -
Old Holland Bleached Linseed Oil 500 ml BottleSave Up to25%Off list
Starting At: 14.70
…With oils pressed by a windmill, they still manufacture drying oils, stand oils, and varnishes to the highest standard of quality in the most traditional methods feasible. Key Features:* Bleached Linseed Oil, Refined Poppy Oil* Stand Oil, Cold Pressed Linseed Oil* Master quality drying oils* Oils to… Professional Master's Quality Oil Painting Mediums from Old Holland! Since 1664, Old Holland has been manufacturing the most professional quality pigments, painting oils, and varnishes for artists like Vermeer and the Dutch Masters. With oils pressed by a windmill, they still manufacture drying oils, stand oils, and varnishes to the highest standard of quality in the most traditional methods feasible. Key Features:* Bleached Linseed Oil, Refined Poppy Oil* Stand Oil, Cold Pressed Linseed Oil* Master quality drying oils* Oils to create custom mediums Perfect For:* Glazing and thinning oils* Creating custom painting mediums* Increasing fluidity, makes it possible to remove the brushstroke* Increases the gloss, lengthens the drying time Cold Pressed Linseed Oil - Cold pressed linseed oil from ground Flax Seeds, which are pressed by Old Holland in their tradition of using a windmill. Enhances the fluidity of paint and enables brush strokes to be removed. Enhances gloss but lengthens the drying time, dries to a flexible, durable paint film. Used as an ingredient in custom painting mediums. Can be thinned with turpentine or white spirit. Bleached Linseed Oil - Cold pressed linseed oil which has been bleached to lighten the oil color, making it yellow less than traditional linseed oil, but dries slower, as well. Enhances the fluidity of paint and enables brushstrokes to be removed. Enhances gloss of paint film. Can be thinned with turpentine or white spirit. Stand Oil - Boiled polymerized linseed oil, thick to a honey-like consistency. A popular additive in painting mediums, especially for glazing mediums. Yellows less than linseed oil as has already begun the oxidation process. Dries more slowly than regular linseed oil, to a flexible and durable paint film. Refined Poppy Oil - Obtained from the first pressing of poppy seeds. Maintains many of the qualities of linseed oil, but yellows less when mixed with light colors and dries much more slowly. Use conservatively as Poppy Oil paint film dries more brittle than linseed oil. See More -
Old Holland Oil Painting Varnishes - Mastic Picture Varnish, 500ml BottleSave Up to25%Off list
Starting At: 14.70
High Quality Oil Painting Picture Varnishes Old Holland Oil Painting Medium thins oil paints, increases fluidity, and enhances flow. Made from a mixture of linseed oil, turpentine oil, and white spirit, it contains no resin or dryers. It reduces gloss and ensures that brush strokes remain visible,… High Quality Oil Painting Picture Varnishes Old Holland Oil Painting Medium thins oil paints, increases fluidity, and enhances flow. Made from a mixture of linseed oil, turpentine oil, and white spirit, it contains no resin or dryers. It reduces gloss and ensures that brush strokes remain visible, but does not affect the drying time. Retouching Varnish - Useful for reviving sunken (dull) areas on the painting while in process, bringing everything up to an even sheen. Can be used over drier paint to help bond new fresh painting layers. Dries within hours and is made with a ketone resin base. Used most popularly as a temporary varnish while the painting continues to oxidize, offering protection from dust and dirt until a final varnish can be applied. Mastic Picture Varnish - Hard Varnish that often turns slightly milky. Gives a high gloss, but will yellow slightly later. Made from pure mastic resin dissolved in white spirit. Must not be applied before painting is thoroughly dry- a minimum of 12 months (longer depending on paint film thickness). Dammar Picture Varnish - Use as a final varnish for a lovely gloss finish. Produces an even, high gloss, yellows slightly later. Made from pure dammar resin dissolved in white spirit. Must not be applied before painting is thoroughly dry- a minimum of 12 months (longer depending on paint film thickness). See More -
Raphaël Oleo Oil Colour Flat Wash Brush #30Save Up to45%Off list
Starting At: 9.49
…their finesse. Key Features: * Treated hog bristle brushes * Finer and more precise brushstrokes than traditional hog's bristle * Excellent longevity and elasticity Perfect For: * Use with oil, gouache, gesso and varnishes * Heavy-handed artists Washes and broad strokes * Artists of any skill level The perfect brush for applying large amounts of oil colour! Raphaël Oleo brushes feature carefully selected hog bristles. Oleo brush bristles are of high quality, more elastic and more resistant than traditional hog's bristles, thus providing better control in use. These bristles are whitened, heat treated for two hours and specially conditioned. They are renowned for their finesse. Key Features: * Treated hog bristle brushes * Finer and more precise brushstrokes than traditional hog's bristle * Excellent longevity and elasticity Perfect For: * Use with oil, gouache, gesso and varnishes * Heavy-handed artists Washes and broad strokes * Artists of any skill level See More -
Winsor & Newton Oil Color Solvents - White Spirit, 500ml BottleSave Up to43%Off list
Starting At: 4.44
…varnish Picture Cleaner - A natural resin/oil emulsion containing ammonia, designed for cleaning varnished paintings. Dissolves linseed oil oxidation and removes surface dirt. English Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived… Professional Grade Artist Solvents Artists use solvents to clean brushes and palettes after painting. Winsor & Newton solvents are made specifically for artists’ use and are fully volatile, meaning they leave no residual matter once evaporated. Key Features: * Artists' Picture Cleaner * English Distilled Turpentine * Sansodor * White Spirit Perfect For: * Cleaning palettes and brushes * Removing dried paint * Removing varnish Picture Cleaner - A natural resin/oil emulsion containing ammonia, designed for cleaning varnished paintings. Dissolves linseed oil oxidation and removes surface dirt. English Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived from pine trees and is the most traditional solvent. You can use it to clean brushes. Sansodor - For creating your own painting mediums. Sansodor™ performs like turpentine, but its low odor makes it the least hazardous solvent. Leading art schools recommend it, and it is often the only solvent permitted in their studios. Also good for diluting paint and cleaning brushes. It evaporates slowly and increases blending time. White Spirit - Can be used to create your own painting mediums. Artists’ White Spirit is a petroleum distillate. It makes a leaner mixture with the colour and evaporates quickly. It can be used to clean brushes. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More -
Winsor & Newton Oil Color Varnishes - Artists' Gloss Varnish, 500ml BottleSave Up to43%Off list
Starting At: 6.37
…* Dried oil paintings * Protecting paintings from dirt and grease Artists' Gloss Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Matt Varnish - maintains oil… Professional Grade Artist Varnishes Varnishes protect thoroughly dried paintings from dirt and grease build-up over time. Winsor & Newton Varnishes are available in various finishes for different purposes. Key Features: * Gloss, matt, and satin varnishes * Retouching varnish Perfect For: * Dried oil paintings * Protecting paintings from dirt and grease Artists' Gloss Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Matt Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Retouching Varnish - preserves the artwork until the painting is fully cured and ready for its final varnish. Retouch varnish allows the paint film to cure through the varnish. Can be overpainted. Dammar Varnish - High gloss finishing treatment for paintings. Dammar Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with Distilled Turpentine. Satin Varnish - Satin finishing treatment for paintings. Artist's Satin Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More -
Raphaël Mixacryl Oil/Acrylic Brush Flat Wash #30Save Up to45%Off list
Starting At: 13.72
…heavy body acrylics and gives an excellent response on the canvas. Key Features:* Synthetic and natural fibers * Nickel plated ferrules* Spring and durability* Excellent paint load Perfect For:* Acrylic, oil and gesso* Artists of all skill levels* Easy to cleaning* Excellent response on the canvas Versatile Paint Brushes For Discerning Artists! Combining the strength and retention of a natural bristle with the spring and durability of synthetic fibers. The inclusion of synthetic fibers is perfect for impastos and relief effects with the color retention you expect from natural bristles. The interlocked assembly is perfect for heavy body acrylics and gives an excellent response on the canvas. Key Features:* Synthetic and natural fibers * Nickel plated ferrules* Spring and durability* Excellent paint load Perfect For:* Acrylic, oil and gesso* Artists of all skill levels* Easy to cleaning* Excellent response on the canvas See More -
Michael Harding Medium Non-Absorbent Acrylic Primer White 500mlSave Up to25%Off list
Starting At: 21.84
White Tired of dull flat oil paints? You need a non-absorbent ground! Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface. The primer is made with non-toxic, non-absorbing acrylic resin; that's why it produces such a strong, flexible ground. You can apply Michael Harding's Non-Absorbent Acrylic Primer to linen, cotton canvas, wood, and MDF. Key Features: * Non-absorbent acrylic primer * Formulated to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish Perfect For: * Oil and acrylic painters * A uniform painting surface * Beginner and professional artists * Preparing canvas, wood, or MDF for paint * Everyday studio use Instructions: The primer is best used in 2 coats; You may dilute the first coat with water (no more than 1 part water to 3 parts primer). This first coat will be touch dry within a couple of hours, and then you can apply the second coat. You should not apply the primer over Rabbit Skin Glue or unstable supports. See More -
Sennelier Acrylic Medium Gel Binder 17ozSave Up to33%Off list
Starting At: 5.52
White Premium quality acrylic mediums now available in a easy to use, easy to store pouches! Sennelier Acrylic Mediums pouches are a new addition to a 130 year legacy of combining the traditions of the old masters with the innovations of modern chemistry. These versatile, professional quality mediums can be used with abstract and Sennelier Artist Acrylics Mediums and are available in 120ml and 500ml pouches. * Gesso is a universal primer with great coverage for non-oil surfaces. It can be tinted by mixing with Sennelier Acrylics and is ideal for use with acrylic, oil & egg tempera paints. * Gloss Varnish enhances the luminosity, depth and adherence as a glossy medium and creates a glossy, UV protective film when applied with a dry brush. Permanent when dry, it can also improve the adhesion of paint. * Modeling Paste is a thick, white paste used to achieve textures and carved effects. This water-soluble modeling paste can be tinted by mixing with Sennelier Acrylics and is water-resistant when dry. * Water Gloss Gel has a similar consistency to acrylics and improves transparency, depth, and vibrancy of colors. It is also a great adhesive for use in mixed media art work. * Acrylic Binding Gel Medium is ideal for use as a binder with pigments to customize paints and as an adhesive for mixed media techniques. It produces a smooth, permanent satin finish and can be used to seal slick and porous surfaces. Key Features: * Acrylic mediums come in convenient 120ml & 500ml pouches * Can be mixed with abstracts and Sennelier Artist Acrylics * Available in Gesso, Gloss Varnish & Modeling Paste mediums * Water Gloss Gel & Acrylic Binding Gel can also be used as adhesives Perfect For: * Studio & classroom use * A variety of surfaces * Mixed media artists * Mixing with acrylics for custom tints See More -
Winsor & Newton Galeria Acrylic Mediums - Matt Medium, 500mlSave Up to30%Off list
Starting At: 9.79
…White Gesso Primer - made from high quality acrylic resin with a good level of pigment strength, can be used straight from the container and provides excellent tooth for adhesion. To reduce absorbency and boost film integrity of the film a minimum of two coats is required if working with oils. Key… Push the performance of Galeria Acrylics further with Galeria Acrylic Mediums! Winsor & Newton’s Galeria Acrylic Mediums are designed to work with their Galeria line, allowing you to explore the full range of acrylic property possibilities, from thinned fluid media effects with Flow Improver to heavy, carvable paste that can be tinted and built up. Slow drying time with Retarder, thin and extend acrylic color, and even Varnish Galeria works for final shine and protection. Galeria Extender - A highly economical medium, Galeria Extender increases volume of paint and maintains opacity. Color will dry to a matte finish. A great product for those on a limited budget. Galeria Flow Improver - Additive that loosens the surface tension of water within the acrylic paint, increasing the flow and allowing the application of areas of flat color evenly without changing the color strength. Increased flow is ideal for masking application, flowing gestural watercolor-like techniques, and “staining" applications. Should be used only in the amount needed to achieve the desired effect. Galeria Fluid Retarder - and additive for extending the drying and working time of acrylic colors. Small amounts (a few drops) will allow for extended blending and manipulation. Fluid Retarder does not contain sufficient acrylic resin to act as an additional “binder" and should be used only in the amount needed to achieve the desired effect. Galeria Gloss Medium - high clarity and even flow, Gloss Medium boosts the brilliance and transparency of the color as well as improving adhesion and durability. Ideal for glazing or applying thick, highly transparent layers of brilliant color for depth and “stained-glass" effect. Galeria Gloss Varnish - A unique, removable gloss varnish of the protection of finished acrylic works. Can be mixed with Galeria Matte Varnish to vary the final varnish. Galeria Heavy Carvable Modeling Paste - Tough and fully carvable, it remains flexible on a variety of surfaces and is suitable for multiple layers. Formulated to have the least effect on color shift from wet to dry. May be overpainted. Acrylic color may be added directly into paste during application (note it will become lighter and ‘chalky’ and the resulting paste will have reduced body). Galeria Iridescent Medium - Developed to provide pearlescent effects when added to color. Most effective when used with transparent colors over dark under layers. Galeria Matte Medium - Creates a flat, even finish. Maintains brilliance of color while boosting transparency, adhesion and durability. Galeria Matte Varnish - a uniquely removable matte varnish which may be mixed with Galeria Gloss Varnish to vary the final finish. Galeria Satin Varnish - A uniquely removable satin varnish for the protection of finished acrylic paintings. Galeria Modeling Paste - a lighter weight, flexible modeling paste for use on canvas (to minimize sagging). Finely textured with a soft sculptural consistency. Suitable for building multiple layers. May be overpainted, color may be added directly to paste (will become lighter and more ‘chalky’, and give paste a reduced body). Matte finish. Galeria White Gesso Primer - made from high quality acrylic resin with a good level of pigment strength, can be used straight from the container and provides excellent tooth for adhesion. To reduce absorbency and boost film integrity of the film a minimum of two coats is required if working with oils. Key Features: * Retarder for Wet-in-Wet * Flow improver for fluid techniques * Mediums to improve flow * Economical Mediums Perfect For: * Students and budgeting artists * slowing drying with retarder * Thin and maintain paint integrity * Extending paint with mediums See More -
LUKAS Painting Butter Impasto Oil Medium 500ml CanSave Up to60%Off list
Starting At: 6.29
…completely and evenly.* An indispensable medium for the oil artist fond of impasto and palette knife painting techniques! Helps maintain brushstrokes and speeds the drying rate of oil colors Key Features: * Alkyd base speeds up drying time of oil paint * Dries at the same rate! * Dries evenly… Paint in heavy impasto techniques without wasting valuable pigment! Layers will dry without shrinking, cracking, or wrinkling! Paint in heavy impasto techniques without wasting valuable pigment with this quick drying, elastic, alkyd resin-based Painting Butter medium from LUKAS! Formulated with special drying agents and thickeners, this impasto medium helps keep the thick constitution of heavy paint application with no leveling, ensuring that your paint structure remains. Layers will dry without shrinking, cracking or wrinkling! LUKAS Painting Butter Impasto Medium is a transparent, slightly amber-tinted mixture of alkyds, thickeners, and driers and is the same consistency as straight oil paint: * Mixing it with your paint will thin the color somewhat, but allows you to paint in heavy impasto layers while not wasting pigment.* Ensures the layer dries completely and evenly.* An indispensable medium for the oil artist fond of impasto and palette knife painting techniques! Helps maintain brushstrokes and speeds the drying rate of oil colors Key Features: * Alkyd base speeds up drying time of oil paint * Dries at the same rate! * Dries evenly without wrinkling or cracking * Special drying agents and thickeners * Paint in impasto layers up to an inch thick! * No need to add a lot of paint to it to get the color you want * Not only dries faster but can double your colored pigment! * Mixes easily with the oils and dries very quickly, allowing additional coats of paint to be applied without smearing * If you like texture in your oil painting, you'll love this product * Available in 37ml and 200ml tubes Perfect For: * Oil Painting Medium used to mix with oil paints for impasto techniques * Will thin the color somewhat but allows you to paint in heavy impasto layers * Ensures the layer dries completely and evenly * Impasto and palette knife painting techniques * Quick drying - special drying agents and thickeners * Ability to put paint over paint with ease * Thickens the paint and makes it so much easier to use a palette knife. * Colors stay vibrant, Extend oil paints without making them weak or runny * Excellent consistency of the butter, ability to spread smoothly* "I LOVE This Stuff! I love Lukas Painting Butter, both for my own work and in my workshops. Its heavy texture and FAST drying time are "just the ticket" for my "knife paintings." I have turned many of my students onto it, too! It's now a staple of my "must-have" supplies." Paint in heavy impasto techniques – LUKAS Painting Butter Impasto Medium Read Blog Article -> Thicken Your Oil Paints with Impasto Medium for Oil Paints – LUKAS Painting Butter See More -
Winsor & Newton Artists' Painting Medium 500ml BottleSave Up to43%Off list
Starting At: 8.88
Non-yellowing medium reduces oil paint viscosity Winsor & Newton Artists' Painting Medium is a slow-drying, gloss medium ideal for glazing and smoothing blended areas. The medium reduces brush strokes and improves flow, boosting the durability of the paint film. Add more oil or solvent to the… Non-yellowing medium reduces oil paint viscosity Winsor & Newton Artists' Painting Medium is a slow-drying, gloss medium ideal for glazing and smoothing blended areas. The medium reduces brush strokes and improves flow, boosting the durability of the paint film. Add more oil or solvent to the mix to change the consistency of your paint. Key Features: * Slows down the drying process * Reduces viscosity and improves flow * Non-yellowing * Dries to a flexible film * Less likely to yellow, wrinkle, or crack Perfect For: * Oils and alkyds * Reducing brush strokes * Oiling out and enriching dull patches * Glazing and blending techniques * Painting fine details Painting tip – Wipe the neck of the bottle after use to ensure the safety cap remains secure. See More -
Winsor & Newton Liquin Original Medium 500ml BottleSave Up to43%Off list
Starting At: 6.37
…Liquin Winsor and Newton Liquin™ Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin, and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula, but they are all related to the original Liquin… Accelerate Drying Time With Liquin Winsor and Newton Liquin™ Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin, and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula, but they are all related to the original Liquin recipe. Key Features: * Speeds up the drying process * Adds transparency and gloss * Non-yellowing Perfect For: * Oils and alkyds * Reducing brush strokes * Glazing and blending techniques Liquin™ Original - halves the drying time of oil colour and reduces brush stroke retention. Creates a smooth, gel-like paint film that is easier to work with. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Light Gel - halves the drying time of oil colour and produces a smooth gel. Creates low-viscosity, gel-like paint film that is easier to work with and reduces brush stroke retention. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Fine Detail - The most fluid medium within the Liquin™ family. Add to colour to produce a low-viscosity mixture. Increases fluidity and reduces brushstroke retention. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Impasto - A paste-like, semi-gloss version of Liquin™ that halves the drying time of oil and produces a crisp texture. Adds viscosity to your paint that retains marks from brushes or palette knives. It allows the paint to dry faster and makes working with multiple layers easier. Speeds drying (touch dry in 1-6 days, depending on paint thickness). Resists yellowing. Not suitable as a varnish or final coat. Liquin™ Oleopasto - A paste-like, semi-matte version of Liquin™ that halves the drying time of oil. Creates a viscous paint that holds many marks from brushes or palette knives. Keeps the oily texture of pure oil paint. Allows the paint to dry faster and makes working with multiple layers easier. (touch dry in 1-6 days, depending on colour paint thickness). Suitable for impasto & texture work. Resists yellowing. Not suitable as a varnish or final coat. Blending & Glazing Medium - Adjusts oil paint's viscosity and drying behavior for seamless colour blends and even glazes. Improves transparency. PLEASE NOTE: All products in this category are hazardous materials: They cannot ship by Air/Next Day Services. Ground Only. See More -
Raphaël Sepia Acrylic Flat Wash Brush #30Save Up to45%Off list
Starting At: 16.36
…Features: * Synthetic interlocked bristles * Fine and precise brushstrokes * Stainless steel ferrule * Short handle * Click on the yellow circle icon for brush dimensions Perfect For: * Acrylic and gesso application * Backgrounds and varnishes * Washes and broad strokes * Artists of any skill level Precise, responsive, professional. Raphaël Sepia brushes feature synthetic, interlocked fibers, a short handle and a stainless steel ferrule. The arched shape and responsiveness of these fibers ensure an excellent response on the canvas and a more precise brushstroke, while at the same time respecting the gesture of acrylics. When using these brushes to establish painting backgrounds or to apply varnishes, you will immediately notice a professional feel and superior results to that of other acrylic brushes. Key Features: * Synthetic interlocked bristles * Fine and precise brushstrokes * Stainless steel ferrule * Short handle * Click on the yellow circle icon for brush dimensions Perfect For: * Acrylic and gesso application * Backgrounds and varnishes * Washes and broad strokes * Artists of any skill level See More -
Raphael Textura Acrylic Brush Flat Wash Brush #30Save Up to45%Off list
Starting At: 5.53
Brushes Made Specifically For Impasto! The Raphael Textura brushes feature short, extra-stiff, 100% synthetic fibers. Perfect for heavy-body acrylics and textured gel, these brushes are made for the impasto technique. Brush fibers have a noticeable springiness and strength during color application.… Brushes Made Specifically For Impasto! The Raphael Textura brushes feature short, extra-stiff, 100% synthetic fibers. Perfect for heavy-body acrylics and textured gel, these brushes are made for the impasto technique. Brush fibers have a noticeable springiness and strength during color application. Excitingly, Raphael has added a new brush shape to the Textura line. The new brush, named for its "D" shaped ferrule, has multiple uses. The convex side of the brush is soft and flexible, with a soft curve, while the flat side is firmer for a more responsive stroke. You can use the flat side of the brush to apply color and lay down your initial sketch. Once those shapes and lines are ready, you can use the soft domed side of the brush to blend and soften colors. With double-crimped ferrules, these brushes are durable and ideal for acrylic painting. Key Features: * Extra-stiff synthetic fibers * Abundant springiness and strength * D-Brush, 2 brushes in 1 * Flat side firm and responsive * Rounded side soft and flexible * Interlocked, extra-white hog bristles * Naturally flagged ends hold paint well * Good shape retention and stiffness Perfect For: * Heavy-body acrylic, impasto, and textured gel * Artists of any skill level * Laying down blocks of color * Initial sketching and impasto techniques * Softening edges and blending colors * Smoothing brush marks See More -
Daler Rowney Simply Simmons XL Stiff Synthetic Brush Flat sz30Save Up to30%Off list
Starting At: 15.41
…ensuring a secure fit that won’t loosen with repeated use. Available in Filbert, Flat and Round brush heads, these brushes are ideal for acrylic and oil colors, large-area washes, and smooth surfaces. Key Features: * Mix of synthetic & natural Chungking bristle * Black, seamless aluminum & brass… Create beautiful large form artwork with these oversized premium paint brushes! Daler Rowney Simply Simmons XL Brushes are larger versions of Simply Simmons best-selling paint brushes. Handmade in the Robert Simmons factory in the Dominican Republic, these brushes feature a mix of synthetic hair and natural Chungking bristle. Seamless aluminum and brass ferrules are resin bonded to kiln-dried, lacquer dipped birchwood handles, ensuring a secure fit that won’t loosen with repeated use. Available in Filbert, Flat and Round brush heads, these brushes are ideal for acrylic and oil colors, large-area washes, and smooth surfaces. Key Features: * Mix of synthetic & natural Chungking bristle * Black, seamless aluminum & brass ferrules * Pearlescent, lacquer dipped, kiln-dried birchwood handles * Available in Filbert, Flat and Round brush heads * Resin bonded ferrules help brushes withstand repeated use Perfect For: * Muralists * Oil & acrylic paints * Large area washes * Smooth surfaces * Large format fine artists See More -
The Art Sherpa Long Handle White Synthetic Bright Size 30Save Up to59%Off list
Starting At: 1.99
Silver Brush Limited® presents The Art Sherpa Brush Collection! The Art Sherpa™ has produced more content (over 400 videos) for beginning acrylic painting than any other artist online. Her followers, dubbed “Sherpettes,” are hungry for her products. These brushes are personally selected by The Art… Silver Brush Limited® presents The Art Sherpa Brush Collection! The Art Sherpa™ has produced more content (over 400 videos) for beginning acrylic painting than any other artist online. Her followers, dubbed “Sherpettes,” are hungry for her products. These brushes are personally selected by The Art Sherpa™ YouTube artist, Cinnamon Cooney known as The Art Sherpa. Designed to accompany Cinnamon Cooney's The Art Sherpa painting series, Silver Brush Art Sherpa Brush Sets accommodate heavy body acrylic paints as well as fluid and soft body media. Choose the set that's right for you for creating backgrounds, blends, clouds, stars, fine lines, details, and much more. Several of the sets in the Silver Brush Art Sherpa line include trademarked Sherpa Brushes. Made from stiff, durable filament, these brushes hold a sharp knife edge and needle sharp points, for painting with authority! Key Features:* A variety of handpicked sets* Unique blend of filaments* Tested for superb use with acrylic paint* Easily accommodate heavy body acrylic paint* Fluid and soft body media* Feature amazing paint and tip control. * YouTube artist, Cinnamon Cooney, also known as The Art Sherpa* Click on the Yellow "T" icon next to product for more details V27578 - Beginning & End Set. 3 Brush set for Acrylic Painting. Contains a 2" Blending Brush, 1" Varnish Brush and Ruby Satin Monogram Liner Size 1. Best for Background painting, smooth varnish experience and sign with confidence. V27579 - The Beginner Painting Set. 6 Black Pearl brushes for Acrylic Painting. Contains Round #4, Bright #2, #4, #6, #8 & #10. Everything you need to start painting with The Art Sherpa. Perfect with soft & heavy body acrylic colors, ideal for blending and control, great value & quality. V27580 - Professional/Explorer Set (Multi Media). 6 professional Quality Silver brushes. Favorites personally selected by The Art Sherpa™. Contains Bristlon® Bright #10, Cambridge™ Bright #4 & #8, Ultra Mini® Shader #10/0, Ruby Satin® Bright #2 & #6. Professional fine art brushes for every technique. Ideal with soft & heavy body acrylic colors. V27581 - Portrait Set. 4 Black Pearl™ brushes for Acrylic painting. Contains Round #0, Filbert #2, #4, & #8. It's about the face - with 3 perfect filberts and a responsive round for fine lines. Strong for heavy body paint with spring for soft blends. V27582 - Detail Set. 6 Sterling Studio™ Detail brushes. Contains Round #3/0, #0 & #1, Bright #0 & #2, Liner #2/0. Perfect for fine lines and details. Makes grass, twigs, fur & hair easy. The secret weapon of beginner realism. V27583 - Galaxy Brush Set (Multi Media). 4 Unique Art Sherpa™ tools. Contains 2 Splatter Brushes, Silver Brush® Crystal™ Round #0 & Double End Dot Tool. The only brush set for galaxy stars, sand effects and water spray. Create amazing expressive effects. Dotting tool so you can paint the stars. The best tools for dispersed random splatter. V27584 - Cloud Set - MOST POPULAR (Multi Media). 3 Art Sherpa™ Cloud Brushes. Contains sizes #4, #6 & #8. Unique shape for easy beginner clouds. Extra firm filament for heavy body paint. Dream scumbling and rough texture brushing. V27585 - Art Sherpa™ Stencil Mini Set. Contains 3 Silver® Stencil Mini™ brushes #2, #4 & #6. Creates stencil, scumble, softening and blur effects. See More -
Escoda Clasico Natural Chungking Series 8155 Brush Extra-Long Pipe Over-Grainer #30Save Up to38%Off list
Starting At: 15.35
…fresco painting * Manufactured in Spain by skilled artisans Perfect For: * Fresco painters and mural painters * Decorative and faux techniques * Oil and acrylic paint * Artists painting large-scale works 7500 Series: Dome Shaped Round Natural Chungking Bristle Brushes are a more rounded… Superior quality construction! Escoda’s Natural Chungking Bristle Brushes are expertly made by hand to manage a full load of paint for glazing applications, decorative applications, faux-finish techniques, and even heavy fresco work! Each natural-colored wood handle is drilled, making for easy hanging or storage between painting sessions. Key Features: * Natural premium Chungking hog bristle brushes * Durable ferrules * Styled for decorative painting, large-scale glazing, and fresco painting * Manufactured in Spain by skilled artisans Perfect For: * Fresco painters and mural painters * Decorative and faux techniques * Oil and acrylic paint * Artists painting large-scale works 7500 Series: Dome Shaped Round Natural Chungking Bristle Brushes are a more rounded off, blunt sash-style brush. Preferred brush style of decorative and faux finish painters, fresco painters, and muralists. Unvarnished, ergonomic wood handles are complimented nicely with a stainless steel ferrule. 7600 Series: Oval Shaped Round Natural Chungking Bristle Brushes, typically referred to as “Sash Brushes", are a style favored by muralists, fresco painters, and for large-scale glazing. The longer oval brush head design covers areas efficiently with paint or glazes while offering better control and a longer, softer stroke than the 7500 Round. Unvarnished, ergonomic wood handles are complimented nicely with a stainless steel ferrule. 7700 Series: Round Square Natural Chungking Bristle Brushes are a popular style with decorative painters and for faux finish painting. Its’ square edged tip design allows for a harder-edged stroke or flatter stipple when used on end. Unvarnished, ergonomic wood handles are complimented nicely with a stainless steel ferrule. 8348 Series: Triple-thick Natural Chungking Bristle Brushes are a full 11mm thick (in sizes 18 and 24) or 15mm thick (in sizes 30 and 36), making glazing large scale wash applications or faux-finish work a breeze with their thick, thirsty brush heads. Matte varnished wooden handles with nickel-plated ferrules. 8155 Series: Extra Long Over-Grainer Natural Chungking Bristle Brushes are an extra-long bristle brush for making glazing or large scale wash applications. Exceptional for faux-finish work requiring long brush strokes for wood grain, etc. Matte varnished wooden handles with nickel-plated ferrules. Series 8155: Pipe Over-Grainer brush has extra long bristles and a flat matt varnished handle. The longer hog hair is great for blending areas of color or applying expressive brush marks. Its natural firmness responds perfectly to oil and acrylic painting techniques. See More -
NYC Gigante Long Handle #30 Domed Sash Round Bristle BrushSave Up to64%Off list
Starting At: 44.49
Stiffness Watercolors Acrylics Oils Premium brushes designed for all artists painting large scale - Handmade in Germany Handmade by skilled artisans in Germany the Gigante range of high quality hog bristle brushes compliments all your other high end bristle brushes. The basic assumption of the line… Stiffness Watercolors Acrylics Oils Premium brushes designed for all artists painting large scale - Handmade in Germany Handmade by skilled artisans in Germany the Gigante range of high quality hog bristle brushes compliments all your other high end bristle brushes. The basic assumption of the line is that most artists use regular size bristle brushes for most of their needs and that would include painting on a grand scale. They are not made just to be big but are made to work flawlessly. The long handle makes them a favorite of artists in the world all over. you will love and enjoy to paint with these premium high quality brushes! Use for acrylic and oil colors, Acryla Gouache as well as all sorts of decorative paints. High End Bristle Brushes Handmade by skilled artisans in Germany - Designed for all artists painting large scale Key Features:* Handmade by skilled artisans in Germany* High quality hog bristle brushes* Available in 4 shapes* Angular, oval, flat mottlers & Domed sash round* Made to work flawlessly* Long handle professional brushes* Varnished beech wood handles* Nickel plated ferrule, a rust proof tin coating* Exceptional quality for the price* Note: Click on Yellow Icon Next to each product for more details* Perfect For:* Use for acrylic and oil colors, Acryla Gouache as well as all sorts of decorative paints* Endless possibilities* All artists painting large scale* Complimenting all your other high end bristle brushes* Long handle makes them a favorite of artists* Covering a lot of area* Excellent control of your paint* FLAT MOTTLERS: Priming to painting to varnishing* OVAL MOTTLERS: Cutting in backgrounds, general painting, varnishing and large scale glazing There are four shapes to the Premium Gigante Brush line: ANGULAR MOTTLERS Sometimes artists look at this brush as if it is a specialty brush but it is not. It is used by some of the most famous artists of our time and a real tool for professional house and industrial painting. As you glance at the brush you will see one end has a hair length of 1.57" it then angles to 2" on the 2" wide brush and to 2.17" on the 3" wide brush. The shape allows artists and painters to curve their strokes. This is especially useful for cutting in basic shapes and to run the brush along a circular area. These brushes hold a lot of color and the tip of the brush is most useful for reaching smaller areas without having to switch brushes. You can cover a lot of area with this brush like all flat brushes. 2" brush is 13" long and the 3" is 13.6" long. The handle is made of varnished beech wood and the ferrule is nickel plated with a rust proof tin coating. OVAL MOTTLERS You'll immediately appreciate the natural flagged ends of these brushes that provide an excellent control of your paint. The oval shape is like an artists' filbert brush. Its intention is to allow for clean controlled strokes without flaring of the hair through the stroke. You can use this brush for cutting in backgrounds, general painting, varnishing and large scale glazing. FLAT MOTTLERS This brush is a workhorse of epic proportions and is one of the most beloved of all brushes used by artists that work large in scale. It has superior quality bristle hair with natural flagged ends to grip and release color with superb precision. It can be used flat or on its sides for various needs. The endless uses of this brush can't all be listed however it is ideal for almost all stages of a painting from priming to painting to varnishing. Use it with all your favorite media. Available in 2" wide with 2" long hair and a 12.7" length or 3" wide with 2" hair length and a 13.4" length. The handle is made of varnished beech wood and the ferrule is nickel plated with a rust proof tin coating. DOMED SASH ROUND BRUSHES The bushy round shape of the brush make it perfect for loading and creating long continuous soft edged linear strokes. The natural flagged ends and fullness of the hair allows it to cover large areas with ease. The brush works in unison with the other three shapes in this series and is a vital tool for a myriad of uses. This brush style has a history dating back to birth of artist brushes and has been the go to brush ever since. These brushes feature a long length which is instrumental to working large. It will be a brush you won't want to stop using. Available in 3 diameters: 20mm (.787") with a hair length of 43mm (1.7") and a total length with handle of 10.8", 25mm (1") with a hair length of 48mm (1.9") and a total length with handle of 11.2" and 30mm (1.18") with a hair length of 53mm (2.1") and a total length with handle of 11.8". With special nickel, encapsulated ferrule and long varnished beech wood handles. Clean and Care Recommendation: These brushes are made to be professional tools. For cleaning oil colors from brushes, we recommend Chelsea Classical Studios Lavender or Citrus brush cleaners. They not only will thoroughly clean the paint out of your brush but also will condition them to work flawlessly each time See More -
Da Vinci Petit Gris Mix Series 991 Mixed Squirrel sz. 30 FlatSave Up to30%Off list
Starting At: 9.24
The Ultimate Synthetic Squirrel Watercolor Brush! da Vinci Petit Gris Synthetic Squirrel Watercolor Brushes are full-bodied for different wash techniques yet come to a controlled point adding precision to any line. The Synthetic Squirrel Petit Gris brushes have a fantastic capacity for holding water… The Ultimate Synthetic Squirrel Watercolor Brush! da Vinci Petit Gris Synthetic Squirrel Watercolor Brushes are full-bodied for different wash techniques yet come to a controlled point adding precision to any line. The Synthetic Squirrel Petit Gris brushes have a fantastic capacity for holding water and are excellent for creating continuous lines. Each brush has a nickel-plated seamless ferrule that is rust-resistant. Before leaving the brush workshop, each brush is examined to make sure that the brush-head is flawless, and that the ferrule is firmly attached to the naturally lacquered handle. The family-owned da Vinci brush company has designed quality brushes for three generations in Germany. Utilizing the latest innovations, they produce brushes of unsurpassed quality, elegance, and durability. Key Features: * Synthetic Squirrel Fiber * Round shape with tapered hair * Rust-resistant seamless ferrule * Unsurpassed water-holding capacity * Made in Germany * Innovative high-quality synthetic hair blend mimics squirrel & Kolinsky sable Perfect For: * Watercolorists and artists of all skill levels * Watercolors, gouache, acrylics * Superb brush response & control * Students, teachers, professionals * Animal-friendly artists See More -
Creative Mark Muscle Long Handle Brush, Round #30Save Up to70%Off list
Starting At: 21.72
…very rough surface * Available in 4 shapes: flat, angular, oval, and round * Perfect For: * Anything from fluid acrylics to heavy impasto oils or acrylics * Oil and acrylic paints as well as acrylic gouache and decorative paints * Covering large areas * Painting on all surfaces from smooth to very… Stiffness Watercolors Acrylics Oils Brushes that pack a punch! The Muscle Brushes are a line that stays true to their name. These brushes are perfect for painting large areas on a variety of surfaces. The very fine, high-quality synthetic filament allows the artist to work on smooth surfaces to very rough surfaces like brick with excellent shape retention. They come in a variety of shapes to accommodate many different painting styles. You can use the Muscle Brushes with anything from fluid acrylics to heavy impasto oils or acrylics. Key Features: * High-Quality 0.16mm PBT tapered filament * Nickel-plated ferrule * Long varnished beechwood handles * Handmade by skilled artisans in Germany * Excellent shape retention * Work on smooth surfaces to very rough surface * Available in 4 shapes: flat, angular, oval, and round * Perfect For: * Anything from fluid acrylics to heavy impasto oils or acrylics * Oil and acrylic paints as well as acrylic gouache and decorative paints * Covering large areas * Painting on all surfaces from smooth to very rough such as brick * Painting outdoors * Murals See More -
Creative Mark Mural Large Brush Synthetic Golden Taklon Flat #30Save Up to67%Off list
Starting At: 13.39
…filament, and natural hog bristle Perfect For: * Large scale & Mural Painters * Excellent for acrylics & watercolors * Traditional & water mixable oils * Classrooms and workshops * Outfitting professional muralists * Painting very large abstracts * Artist Testimonial "I enjoy these brushes… When Size DOES Matter! These seriously large brushes were designed by Michi Toscano for achieving a wide range of large scale painting and mural techniques. They feature balanced, solid wood, matte teal handles and nickel-plated brass ferrules, and an exceptional variety of brush shape styles in synthetic Golden Taklon, synthetic white filament, and natural hog bristle. Create fast and spontaneous, huge abstract expressionist works, large scale paintings and murals, or large scale staining wash techniques with acrylics or watercolors. White synthetic filament brush handles are tipped in red; Golden Taklon handles have white tips; hog bristle brushes feature black dipped tips. Mural Flats and Filberts Sizing: Size 30 = 1 3/8"; Size 40 = 1 5/8"; Size 50 = 1 15/16". Mural Rounds Sizing: Size 30 = 9/16"; Size 40 = 3/4"; Size 50 = 15/16". Key Features: * Designed by Michi Toscano * Ideal for large scale painting * Seamless nickel-plated ferrules * Comfortable to use and great control * Durable and resilient bristles * Wide variety of shapes & sizes * Painting very large abstracts* Available in: Synthetic Golden Taklon, synthetic white filament, and natural hog bristle Perfect For: * Large scale & Mural Painters * Excellent for acrylics & watercolors * Traditional & water mixable oils * Classrooms and workshops * Outfitting professional muralists * Painting very large abstracts * Artist Testimonial "I enjoy these brushes immensely, his is the second pair i have bough in a year. the first pair were misplaced so i had to buy another pair. they allow me to cover a lot of canvas in a short period of time. The construction and quality of these brushes is superb!!!" See More -
Raphaël Softacryl Acrylic Brush 280 Multimedia Flat Brush #30Save Up to60%Off list
Starting At: 4.46
Soft, flexible, and a high paint load. The perfect brushes for acrylic applications! Raphaël SoftAcryl brushes feature soft, responsive synthetic bristles and stainless steel ferrules. Ideal for acrylics and gouache, these thick brushes capture a high paint load and allow for even application.… Soft, flexible, and a high paint load. The perfect brushes for acrylic applications! Raphaël SoftAcryl brushes feature soft, responsive synthetic bristles and stainless steel ferrules. Ideal for acrylics and gouache, these thick brushes capture a high paint load and allow for even application. You will immediately notice a professional feel and superior results to that of other acrylic brushes. Available in Round, Flat, XL Flat, Angular, Filbert and Multimedia Flat Wash brush types. SoftAcryl 861 Round Brushes - Feature short, synthetic bristles. Perfect for detail or line work and contouring. SoftAcryl 871 Flat Brushes - Feature responsive synthetic bristles. Perfect for background work and layering SoftAcryl 8713 XL Flat Brushes - Feature double length, responsive synthetic bristles. Perfect for textures and special effects SoftAcryl 8711 Angular Brushes - Feature responsive synthetic bristles. Perfect for downstroke and upstroke work, as well as decorative details SoftAcryl 8712 Filbert Brushes - Feature responsive synthetic bristles. Perfect for glazes, formation and finishing SoftAcryl 280 Multimedia Flat Brushes - Feature soft, responsive synthetic bristles. Perfect for washes, backgrounds and use with fluid acrylics, gouache and varnishes Key Features: * Soft, flexible, synthetic bristles * High paint load * Even application * Stainless steel ferrule Perfect For: * Fluid acrylics, gouache and varnish or glaze applications * Artists seeking responsive, supple synthetic brushes * Artists of any skill level See More -
Raphaël Kaerell Acrylic Brush Series 291 Flat #30Save Up to45%Off list
Starting At: 6.63
… Watercolors Acrylics Oils The Soft Synthetic Golden Hair Brush For Super Control This breakthrough brush gives the… Stiffness Watercolors Acrylics Oils The Soft Synthetic Golden Hair Brush For Super Control This breakthrough brush gives the softness and controlled strokes you desire with great responsiveness providing perfect "bounce-back" after each stroke. Kaërell brushes have an excellent touch so you can feel the stroke even with high viscosity acrylics. Fine fibre for minimal brush stroke, it is the closest thing to a natural hair brush we've found at an economical price. Set in seamless nickel plated ferrules attached to long orange polished handles with brown tips. Extremely versatile brush for many techniques and media! Key Features:* Soft, synthetic fibers* Fine and flexible* Excellent paint load Perfect For:* Acrylic & Oil paint* Fluid paint, washes, and varnishes* Works of art of any size Kaerell Brush Pro Set - Includes sizes #2, #8, and #12 Rounds, sizes #2, #8, and #16 Flats and sizes #2, #8, and #14 Filberts fitted in bamboo brush roll-up. See More -
Da Vinci Fitch Black Sable Series 1840 sz. 30 BrightSave Up to30%Off list
Starting At: 10.01
…and handles delicate glazes with precision. Handmade da Vinci Fitch Black Sable Brushes are excellent for both water-soluble and traditional oils. Each brush is hand-cupped and tied before the bundle is glued and crimped into a nickel-plated, seamless ferrule. Before leaving the brush workshop,… Pure Russian Grade Black Sable Brushes! Excellent for delicate blending and softening edges da Vinci Fitch Black Sable Brushes are a favorite among portrait and landscape painters. Russian black sable, also identified as Russian Fitch is stiffer than red sable yet has a silky composition that leaves scarcely any stroke impression. The stiffness allows for broad brushstrokes that are smooth and subtle. Chock-full of hair, the double-thick filbert makes maneuvering heavy-bodied paint a breeze and handles delicate glazes with precision. Handmade da Vinci Fitch Black Sable Brushes are excellent for both water-soluble and traditional oils. Each brush is hand-cupped and tied before the bundle is glued and crimped into a nickel-plated, seamless ferrule. Before leaving the brush workshop, each handmade brush is examined to make sure that the brush-head is flawless, and that the ferrule is firmly attached to the handle. The family-owned da Vinci brush company has designed quality brushes for three generations in Germany. Utilizing the latest innovations, they produce brushes of unsurpassed quality, elegance, and durability. Key Features: * Pure Russian black sable * Stiff and soft bristle * Extra full-bodied hair * Nickel-plated seamless ferrule * Long marron lacquered handle * Unsurpassed color-holding capacity * Made in Germany Perfect For: * Traditional or water-soluble oil * Linework and design * Artist's seeking Russian Fitch sable * Students, teachers, professionals * Maneuvering heavy paint with skill * Painting delicate glazes with ease See More -
Da Vinci Cosmotop Mix B Series 5530 Sable/Squirrel sz. 30 RoundSave Up to30%Off list
Starting At: 15.33
Perfect Natural hair combination! da Vinci Cosmotop Mix B Sable Brushes for watercolor and gouache are a blend of Kolinsky Red Sable, Russian Blue Squirrel, Russian Fitch, and a small amount of synthetic hair. The bristle holds all of the benefits of natural watercolor hair, including the sharpness… Perfect Natural hair combination! da Vinci Cosmotop Mix B Sable Brushes for watercolor and gouache are a blend of Kolinsky Red Sable, Russian Blue Squirrel, Russian Fitch, and a small amount of synthetic hair. The bristle holds all of the benefits of natural watercolor hair, including the sharpness of sable, the stiffness of fitch, and the water retention of squirrel hair. Each brush has a nickel-plated seamless ferrule that is rust-resistant. Before leaving the brush workshop, each brush is examined to make sure that the brush-head is flawless, and that the ferrule is firmly attached to the handle. da Vinci Cosmotop Brushes are available in popular shapes and sizes including Round, Flat Wash, Quill Wash, and Filbert! Key Features: * Natural hair blend * Red Sable, Russian Blue Squirrel, and Russian Fitch * A small amount of synthetic hair * Rust-resistant seamless ferrule * Extra-sharp point for control * Unsurpassed water-holding capacity * Made in Germany Perfect For: * Watercolor and gouache * Linework and design * Area work and washes * Travel and en plein air painting * Students, teachers, professionals * Superb brush response and control See More -
Da Vinci Kolinsky Red Sable Series 1815 sz. 30 FilbertSave Up to30%Off list
Starting At: 11.44
…thick-bodied paint a breeze and handles delicate glazes with precision. Handmade da Vinci Kolinsky Red Sable Oil Brushes are excellent for both water-soluble and traditional oils. Each brush is hand-cupped and tied before the bundle is glued and crimped into a nickel-plated, seamless ferrule.… Pure Kolinsky Grade Red Sable Brushes! Crafted from Kolinsky-grade pure Red Sable hair, these brushes hold a generous amount of color and impart a soft feel with a natural springiness. da Vinci Kolinsky Red Sable Oil Brushes lay down even precise strokes. The rounds come to an excellent point, and the brights have a flawless chisel edge that resists splitting. Fat Filberts offer triple the thickness of other Sable brushes with a shorter hair length compared to standard filberts. Chock-full of hair, the extra full-body makes maneuvering thick-bodied paint a breeze and handles delicate glazes with precision. Handmade da Vinci Kolinsky Red Sable Oil Brushes are excellent for both water-soluble and traditional oils. Each brush is hand-cupped and tied before the bundle is glued and crimped into a nickel-plated, seamless ferrule. Before leaving the brush workshop, each handmade brush is examined to make sure that the brush-head is flawless, and that the ferrule is firmly attached to the handle. The family-owned da Vinci brush company has designed quality brushes for three generations in Germany. Utilizing the latest innovations, they produce brushes of unsurpassed quality, elegance, and durability. Key Features: * Pure Kolinsky Red Sable hair * Long lacquered handle * Sustainable European wood * Nickel-plated seamless ferrule * Extra full-bodied brushes * Unsurpassed color-holding capacity * Made in Germany Perfect For: * Traditional or water-soluble oil * Linework and design * Artist's seeking kolinsky red sable * Students, teachers, professionals * Creating precise linear strokes * Maneuvering heavy paint with skill * Painting delicate glazes with ease See More -
Da Vinci Maestro 2 Series 5423 Bristle sz. 30 Short FilbertSave Up to30%Off list
Starting At: 6.93
…for impasto oil painting techniques as well as a variety of acrylic methods. Key Features:* Double-boiled hog bristle* Interlocked for shape retention* Flags at the bristle tip* Long Hardwood Handles* Seamless ferrules* Superior paint carrying capacity* Made in Germany Perfect For:* Oil and acrylic… Double-boiled Hog bristles have a long lifespan! da Vinci Maestro 2 Hog Bristle Brushes are specially assembled to not only look beautiful but perform to the highest standards. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Stiffer, thicker hairs have been removed to ensure more reliable flags at the bristle tip. Painstakingly constructed to guarantee durability, color absorption, and elasticity, these brushes are excellent for impasto oil painting techniques as well as a variety of acrylic methods. Key Features:* Double-boiled hog bristle* Interlocked for shape retention* Flags at the bristle tip* Long Hardwood Handles* Seamless ferrules* Superior paint carrying capacity* Made in Germany Perfect For:* Oil and acrylic paint* Traditional or water-soluble oils* Students, amateurs, professionals* Glazing to heavy impasto techniques* Fine control with heavy acrylics* Moving paint with ease on the canvas See More
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