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Gamblin Cold Wax Medium 1 GallonSave Up to25%Off list…Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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Bristle Magic Brush Cleaner & Conditioner Gallon BagSave Up to20%Off list…cleansers when cleaning their valuable paint brushes. Bristle Magic is a non-toxic brush cleaner and reconditioner perfect for cleaning both wet oil paint and wet or dried acrylics from artists' paint brushes! Made from 89% post-consumer recycled materials, it is eco-friendly, non-flammable,… Eco-friendly, non-toxic cleaner restores brushes — like magic! Now painters no longer have to worry about hazardous fumes and toxic cleansers when cleaning their valuable paint brushes. Bristle Magic is a non-toxic brush cleaner and reconditioner perfect for cleaning both wet oil paint and wet or dried acrylics from artists' paint brushes! Made from 89% post-consumer recycled materials, it is eco-friendly, non-flammable, petroleum free, and has low VOC. Simply wipe wet paint from brushes and gently swish in a container of Bristle Magic, then reshape the bristles — or allow dried acrylic to soak until loosened. For cleaner, more conditioned brushes and a safer studio environment, Bristle Magic is the ideal choice! Key Features: * Environmentally friendly * Non-toxic, biodegradable * Made from recycled materials * No fumes, low VOC, petroleum-free Perfect For: * Cleaning wet or dry oils & acrylics * Conditioning brushes * Creating a safer studio * Any health-conscious painter! Artist Endorsements: * Lisa Bell, Professional Artist, Art by Lisabelle * Diane Clapp Bartz, Professional Artist See More
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R&F Handmade Paints - Encaustic Gesso, GallonSave Up to20%Off list…paintings or make your own mediums to your specifications with this selection of fantastic ingredients. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Medium - Increases transparency and extends… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Medium - Increases transparency and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets) - Eco-friendly cleaning wax. See More
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Weber Odorless Turpenoid 1 Gallon, 128oz JugSave Up to43%Off list…Dry is a great medium for thinning artist oil colors, plus cleaning artist brushes, painting knives, and palettes. Turpenoid Slow Dry is a highly refined mixture of odorless mineral spirits. It is used for thinning artist oil colors, for modifying oil painting mediums. Safer Studio. It meets… The most popular artists' oil paint thinners and cleaners! Odorless Turpenoid - An odorless substitute for traditional turpentine that retains the same painting properties and drying time as the original. Odorless Turpenoid works well for thinning oil or alkyd colors, creating mediums and cleaning brushes, and is perfect for artists working in small (but well-ventilated) spaces or for those who are allergic to or are affected by the strong odor of conventional turpentines and solvents.* Odorless formula should not aggravate allergies* Excellent paint thinner and brush cleaner* Flammable; store carefully Turpenoid Natural - A certified AP non-toxic and environmentally friendly brush cleaner and conditioner, Turpenoid Natural is made from citrus essences and other natural products. It is not flammable, does not emit harmful vapors, and will not irritate skin or eyes, making it an excellent oil paint thinner for artists seeking safer painting alternatives for themselves or their children. Turpenoid Natural can also work well as an oil or alkyd medium, though it should not be used for washes, glazes, or to "wet" a canvas prior to painting.* Natural, non-toxic and eco-friendly* Safe for artists of all ages* Excellent brush cleaner and conditioner Turpenoid Gel - Fast drying gel medium designed for use with oil and alkyd paints. Turpenoid Gel is clear and semi-soft, making it ideal for impasto techniques while also ensuring the paint layer dries completely. Gel will increase color translucence and decrease drying time of oil paints, rinses out with plain water, and dries to a stable and flexible film.* Fast drying medium body gel for oils and alkyds* Excellent for impasto techniques* Dries to a stable, flexible film Turpenoid Slow Dry - (Formally called Turpenoid Light) Similar to Original Odorless Turpenoid, a mild solvent, but with a much higher 200°F/93 °C degrees Flash Point, and more open work time when combined with other mediums. Turpenoid Slow Dry is a great medium for thinning artist oil colors, plus cleaning artist brushes, painting knives, and palettes. Turpenoid Slow Dry is a highly refined mixture of odorless mineral spirits. It is used for thinning artist oil colors, for modifying oil painting mediums. Safer Studio. It meets California Air Resources Board (CARB) exemption for consumer products. Very slow and complete evaporation, allowing more open time when combining with other mediums.* 200 degree °F flash point* Complete evaporation* Odorless See More
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Gamblin Cold Wax Medium 1 GallonSave Up to25%Off list…hardens to the density of a beeswax candle. Unlike other Gamblin painting mediums, which increase the flow and gloss of oil colors to varying degrees, Cold Wax Medium makes oil colors thicker and more matte. It has a “short” characteristic and gives a clean break off of the brush or knife, retaining… Makes oil colors thicker and more matte Gamblin Cold Wax Medium a mixture of natural beeswax (wax pastilles), Gamsol and a small amount of alkyd resin. The term “cold” in Cold Wax Medium and Cold Wax Painting refers to the fact that heat is not required for working with this wax medium – as it dries by solvent evaporation (Gamsol), rather than the cooling of the wax, as in encaustic painting. As the Gamsol evaporates out of the medium, the soft wax hardens to the density of a beeswax candle. Unlike other Gamblin painting mediums, which increase the flow and gloss of oil colors to varying degrees, Cold Wax Medium makes oil colors thicker and more matte. It has a “short” characteristic and gives a clean break off of the brush or knife, retaining the sharp peaks of impasto. These working properties allow for expressive brushmarks and the ability to carve into paint layers with palette knives. Cold Wax also gives oil colors a beautiful translucent quality, similar to the seductive surfaces of encaustic paintings. * Cold Wax - Made from natural white unbleached beeswax.* Mix directly into colors* Cold Wax creates an ultra-thick, matte impasto* For greater shine and flexibility mix with Galkyd medium* Excellent in creating a variety of textures within a painting What is Cold Wax Painting? Cold Wax Painting is any type of painting that heavily utilizes Cold Wax Medium into oil colors. In its own way, Cold Wax Painting blurs the line between oil painting and encaustic painting. Cold Wax Painting It’s a rare occurrence for one specific painting medium to have a whole genre of painting associated with it, but Cold Wax Medium is one such medium. Cold Wax Painting is not defined by subject matter nor the degree of realism or abstraction, Cold Wax Painting is unified by artists’ shared interest in experimentation, texture and the physicality of paint layers. See More
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Dorland's Wax Medium - Gallon JarSave Up to20%Off listThe choice of professionals worldwide! When mixed into oil colors, this non-yellowing wax and resin mixture strengthens the paint film against shrinkage and cracking, sealing out dirt, air, and moisture. Dorland's Wax Medium by Jacquard improves luminosity and clarity of all colors with no chance of… The choice of professionals worldwide! When mixed into oil colors, this non-yellowing wax and resin mixture strengthens the paint film against shrinkage and cracking, sealing out dirt, air, and moisture. Dorland's Wax Medium by Jacquard improves luminosity and clarity of all colors with no chance of muddiness of tone. For brush painting mix 1 part medium to 3 parts color, knife painting mix in equal ratios and for encaustic results reverse brush painting ratios. Key Features: * Non-yellowing wax and resin mixture * Strengthens the paint film against shrinkage * Improves luminosity and clarity of all colors * No chance of muddiness of tone * Thin to achieve glazing consistency * Museum-quality * Matte finish protective coating * Unsurpassed for cleaning and preserving * Made in the USA Perfect For: * Oil paint and powdered pigment * Brush or knife painting * Wax coating paintings * Final picture varnish * Cleaning wax paintings * Photo sealing * Mixed media embedded objects * Woodcarvings, bronze, plastics, and other items worth protecting * Discerning students and amateurs See More
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New York Central Acrylic White Gesso, GallonSave Up to55%Off listWhite Professional grade gesso for archival results New York Central® Gesso is a professional grade acrylic ground. It’s perfect for a variety of surfaces, from canvas to metal. You can apply the gesso with a palette knife to create a rough texture or sand between coats to achieve a smooth result. Once dry, New York Central® Gesso makes a sturdy base for graphite, charcoal, oil pastels, acrylic, and oil paints. You can even mix it with acrylic paint to create a toned background. Key Features: * Professional grade acrylic gesso * Matte white, opaque finish * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Optimal absorbency rate for paints Perfect For: * Priming raw canvas, panels, or paper * Acrylic and oil paints * Preparing wood and metal surfaces * Charcoal, pencil, and oil pastel * Creating a smooth or textured foundation * Adding a high level of tooth to a surface Acrylic Gesso Instructions: * Use at full strength or thin with up to 25% water. When thinning more than 25%, create an equal mix of water and matte medium. * Sand slick surfaces first. Apply a thin coat with a flat brush and let dry for 24 hours before painting. * To create a smoother base, sand the dried gesso and reapply. * Acrylic painters should apply at least two coats. * Oil painters should apply 2-4 coats and sand between applications. * To create a colored background, gradually add acrylic paint to the gesso until you reach your desired tone. Stir until thoroughly blended. Apply as normal. See More
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R&F Handmade Paints - Encaustic Gesso, GallonSave Up to20%Off list…paintings or make your own mediums to your specifications with this selection of fantastic ingredients. * Encaustic Gesso - This water-based ground is a modern version of the traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. * Encaustic Gesso - This water-based ground is a modern version of the traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for encaustics. * Encaustic Medium - Perhaps the most essential encaustic supply, Encaustic Medium is a blend of beeswax and damar resin, and is used to increase transparency and extend encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto Modeling Wax - This heavy body wax medium is made from a mix of microcrystalline wax and beeswax. It is excellent for thick structural application, casting, carving, layering, and modeling. As Impasto Wax has a higher melting point than Encaustic Medium, you can apply standard encaustics over it without easily blunting sculptural shapes. Use for thick encaustic paint application and sculptural styles. * Damar Resin Crystals - A hard, clear resin from deciduous trees, Damar Resin Crystals are used to create encaustic mediums and paints. When mixed with beeswax, damar resin creates an encaustic binder that is stronger and more durable than beeswax alone, and also serves to raise the melting point of the wax. Damar is also used to create traditional oil painting mediums and varnishes. * White Beeswax (Pellets) - This natural beeswax has been whitened by mechanical filtration, instead of standard chemical bleaching, which can lead to negative pigment reactions and break wax down. Use White Beeswax as an ingredient in creating encaustic mediums and paints, along with Damar Resin, or as an initial priming layer for paper or board. Note that beeswax used alone in encaustics (without damar) is not as stable and is apt to bloom (become foggy). Use with damar resin to create encaustic paints and mediums. * Soy Wax (Pellets) - Made from partially hydrogenated soybean oil, Soy Wax is an environmentally friendly choice for cleaning encaustic brushes and tools. Unlike paraffin wax, which is made from petroleum products, Soy Wax is non-toxic, biodegradable, and made from an easily renewable resource. Use melted Soy Wax to remove color from painting materials, then wash tools or brushes in soapy water. Eco-friendly cleaning wax. See More
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New York Central Acrylic Matte Medium, GallonSave Up to55%Off listProfessional grade mediums for archival results by New York Central® New York Central® Professional Acrylic Mediums are perfect for thinning and extending acrylic paint. Many misinformed artists use water to thin their acrylic paint, but using too much water can weaken the paint bond… Professional grade mediums for archival results by New York Central® New York Central® Professional Acrylic Mediums are perfect for thinning and extending acrylic paint. Many misinformed artists use water to thin their acrylic paint, but using too much water can weaken the paint bond and cause long-term issues. New York Central® mediums support and maintain the structure of your paint while adding a gloss or matte effect. You can thin and extend your heavy body paints with acrylic medium. The more you add, the thinner and more transparent the paint will become. You can also use New York Central® Acrylic Medium as a collage adhesive or as a fixative for dry media. Key Features: * Professional grade acrylic medium * Matte or gloss finish * Mediums are semi-opaque when wet, transparent when dry * Extends colors without damaging paint structure * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Perfect For: * Increasing color depth and transparency * Thinning heavy body paints * Collage, mixed media, and photo transfers * Use as a collage adhesive or as a fixative for dry media * Professional artists and students * Everyday studio use Acrylic Medium Instructions: * Always stir gently. If bubbles appear, let the mixture sit for about ten minutes or until the bubbles dissipate, then resume use. * For use as an extender, mix the medium with acrylic paint. The more you add, the thinner and more transparent the paint will become. * To fix chalk pastels or graphite, mix 1 part medium to 1 part distilled water and apply with an airbrush or atomizer. * To use as a collage adhesive, apply at full strength with a brush or sponge. See More
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Mona Lisa Odorless Thinner, 1 Gallon BottleSave Up to26%Off list…include a Brush cleaner tank and cleaning solutions, Odorless thinners for painting, and Omni-Gel Image Transfer medium. Key Features:* Studio essentials* Cleaning and conditioning paint brushes* No odors Perfect For:* Oil painters* Broad mix of techniques* Cleaning greasy stains Studio Essentials for a Diverse Range of Techniques! Speedball's rich history of manufacturing fine art materials began in Camden, NJ, in 1899. Since that time, Speedball's offerings have grown and evolved, but our dedication to providing our customers with superior products and services at an affordable price remains the same. Speedball studio essentials has a broad mix of high-quality necessities your workspace requires. The Studio essentials include a Brush cleaner tank and cleaning solutions, Odorless thinners for painting, and Omni-Gel Image Transfer medium. Key Features:* Studio essentials* Cleaning and conditioning paint brushes* No odors Perfect For:* Oil painters* Broad mix of techniques* Cleaning greasy stains See More
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Charvin Professional Oil Paint Extra-Fine, Golden Ochre - 60mlSave Up to61%Off listYellow LUXURY THAT INSPIRES! Luxury Artist Oils from the French Riviera, perfect for Plein air painting! Based on over 175 years of experience, Charvin has created high-quality oil paint at an extremely reasonable price point. Charvin Extra Fine Professional Oil Paints use a combination of the finest in traditional and modern pigments, bound with a blend of linseed and non-yellowing poppy oils, for a smooth, creamy consistency and vibrant color. Charvin Maison de Haute Couleur ("House of High Color") has been meticulously creating fine artists' oil colors, serving artists like Cezanne, Bonnard, and Ambrogiani. Using only the highest-grade pigments that are triple-milled to the finest particle size, Charvin Extra Fine Oil Colors span a naturally progressing color range from the subtlest shades to brilliant hues. The main binding ingredient in Charvin Extra Fine oils is poppy oil, which dries slower than linseed oil (but without its tendency to yellow over time), and provides a rich creaminess to the paint. Permanent and light-fast, Charvin Extra Fine Oils are designed to accurately reflect the hues of nature, making them ideal for Plein air painting. The smooth and creamy texture lends itself perfectly to Alla prima painting, yet the high pigment concentration also allows the paint to be thinned down to the most subtle and luminous glazes (as with any Poppy Oil-based paint, remember to follow the fat over-lean method of painting). Largest color range in the world! The Charvin Extra Fine palette is available in 20ml, 60ml, or 150ml tubes. From the palettes of the masters to your own paint box: bring the experience of centuries and the brilliance of the Riviera to your own paintings with Charvin Extra Fine Oil Colors! Key Features:* Highest grade pigments* Triple-milled for smoothness* Poppy and Linseed oil binder to prevent yellowing* Rich creamy texture* Wide range of colors: 20ml, 60ml or 150ml tubes* Luxury Professional Oils* Permanent and light-fast* Small Batch, Handmade Paints* Largest color range in the world* Perfect For:* Professional Oil Paints* Plein Air Artists* Alla Prima Painting* Vibrant Portraits* Pochade box tubes (20ml)* Vast color range* Accurately reflecting the hues of nature Artist Testimonial "As a professional, full-time artist for 19 years, I can say I have experimented with just about every type of oil paint that is out there. And believe me, they are not created equal! After using only Charvin oil paints for my most recent painting, I must say I was thoroughly impressed. The richness of the colors combined with the density yet fluidity of these oils was superb. I most certainly will continue to paint with Charvin!" Lauri Blank, Professional Artist Please note: color names may appear different due to a French translation or printing error. The pigment in the tube has not changed. The manufacturer may change color names without notice See More
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Charvin Professional Oil Paint Extra Fine, Wooden Box Set of 11 60ml Tubes - Assorted ColorsSave Up to71%Off listAssorted Colors Luxury, Vibrant sets of the French Riviera's finest artists' oil paints! Charvin Maison de Haute Couleur ("House of High Color") has been meticulously creating fine artists' oil colors for over 175 years, serving artists like Cezanne, Bonnard, and Ambrogiani. Using only the highest-grade pigments that are triple-milled to the finest particle size, Charvin Extra Fine Oil Colors span a naturally progressing color range from the subtlest shades to brilliant hues. The main binding ingredient in Charvin Extra Fine oils is poppy oil, which dries slower than linseed oil (but without its tendency to yellow over time), and provides a rich creaminess to the paint. Permanent and lightfast, Charvin Extra Fine Oils are designed to accurately reflect the hues of nature, making them ideal for plein aire painting. The smooth and creamy texture lends itself perfectly to alla prima painting, yet the high pigment concentration also allows the paint to be thinned down to the most subtle and luminous glazes (as with any Poppy Oil based paint, remember to follow the fat over lean method of painting). Now you can try luxurious Charvin Extra Fine Oil Colors in these convenient and lavish sets! Charvin Extra Fine Oils are available in cardboard sets of 20ml or 60ml tubes, Wooden Box Sets with palettes and brushes that are ready to paint, or The Deluxe Oil Painting Set with Chest that can outfit an oil painting studio from the ground up (you just need an easel and canvas!). These sets feature color ranges that are well-balanced and perfect for learning color mixing, for setting up a deluxe oil painting studio, or for taking on the road while plein air painting! They also make an ideal and opulent gift — for yourself or a friend! Key Features:* Luxury Professional Oils* Highest grade pigments* Triple milled for smoothness* Permanent and light-fast* Poppy and Linseed oil binder to prevent yellowing* Small Batch, Handmade Paints Perfect For:* Plein Air artists* Alla Prima painting* Sampling brilliant color ranges* Luxury oil painter gifts!* PLEASE NOTE: The mediums included in these sets are considered hazardous materials. Sets including mediums cannot be shipped by Air/Next Day Services. Ground only. Colors in the set may change at times due to manufacturer set adjustments, the items in the set are not guaranteed See More
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Jack Richeson Shiva Signature Linseed Oil, 1 Gallon CanSave Up to35%Off list…speeds the drying time of oils. Damar Varnish - This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. Linseed Oil - This lead and acid-free oil thins the consistency of oil paints and improves brush… Copal Painting Medium - This synthetic medium improves the flow and speeds the drying time of oils. Damar Varnish - This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. Linseed Oil - This lead and acid-free oil thins the consistency of oil paints and improves brush strokes. Thinner than stand oil, but since it may yellow with age, use primarily with darker colors. Rectified Turpentine - This double-distilled and highly refined turpentine reduces the consistency and improves the flow of artist's oil colors. Stand Oil - is a thick, heavy oil that produces paint with good flowing qualities for fine detail and glazing work. Imparts an enamel-like quality. Imitation Venice Turpentine - Venice Turpentine is a luxurious, regal oil painting medium. When added to color, it increases the paint's adhesive quality to the canvas and will impart an enamel-like gloss to colors when dry. New 3.75 oz bottle has a wide spill-proof bottom. All other sizes come in metal cans. Click here for Richeson Artist Oils - The Shiva Series See More
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GOLDEN Gesso Black 1 gallonSave Up to30%Off listBlack A variety of ways to prepare materials for acrylic paintings GOLDEN Acrylic Gesso in Black, White & Sandable offer artists a variety of ways to prepare materials for acrylic paintings or other art media such as oil, alkyds, charcoal, pastels and even watercolor! GOLDEN Gesso is designed to penetrate supports and provide a surface to which paint can adhere. Proper preparation with GOLDEN Gesso increases the life span of artwork. GOLDEN's Gesso is formulated to be flexible and is highly pigmented for greater opacity. White Gesso (Semi-Opaque Acrylic Primer) and Black Gesso (Opaque Acrylic Primer) The gesso is rich, opaque, and creates an excellent surface on which to paint! * GOLDEN White and Black Gesso: White Gesso (Semi-Opaque Acrylic Primer) and Black Gesso (Opaque Acrylic Primer) are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers to conform to a variety to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds. GOLDEN White Gesso* GOLDEN Sandable Hard Gesso: GOLDEN Sandable Hard Gesso (Semi-Opaque Acrylic Primer) is formulated with 100% acrylic dispersion polymer and can be sanded to provide surfaces that are smoother and more even than those created using regular gesso. GOLDEN Sandable Hard Gesso is formulated with 100% acrylic polymer emulsion. It contains high levels of titanium dioxide, calcium carbonate and talc to produce an easily sanded surface. NOTE: This product is designed for rigid substrates only and is NOT to be used on flexible materials, as cracking may occur. See More
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Daler-Rowney Acrylic Gesso Primer 1 gallonSave Up to34%Off listWhite Gesso Primer That Dries quickly leaving a white matt surface Daler Rowney Gesso has been specifically formulated as a "value" Gesso Primer for use as a ground for both acrylic and oil painting. Daler Rowney Gesso provides great coverage at a fantastic price and comes in a convenient stackable rectangular container.* Gesso Primers in 32oz & 128oz* May be applied with a brush or a roller without diluting* Can be used on any non-oily surface i.e. plywood, canvas, cardboard, plaster* Dries quickly leaving a white matt surface* Can be tinted with any Daler-Rowney Acrylic colors (except metallic colors)* In sturdy rectangular tubs with handles See More
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PrIma Economy Acrylic Gesso White 1 gallon
Starting At: 49.83
White Excellent covering power for an economical price! Prima® White Gesso has excellent covering power for an economical price. Prima Gesso contains pure Titanium White pigment in an acrylic 100% polymer emulsion. They provide an excellent flexible film and fine-tooth surface to canvases and non-oily surfaces for acrylic, oil, watercolor, tempera, gouache, etc. Ideal for professional artists, hobbyists, decorative, and beginner painters. Available in 16 oz. and a gallon jug. The gallon size has a built-in carrying handle and a stay-tight lid. The pint-size (473ml) comes in a flexible squeeze bottle container with a flip-top lid perfect for smaller projects. Key Features:* Pure Titanium White pigment* 100% polymer emulsion* Flexible film with fine tooth Perfect For:* For acrylic, oil, watercolor, gouache* Professional artists* Decorative and hobby use See More -
Liquitex Basics Acrylic Gesso, 1 GallonSave Up to35%Off listWhite Opaque, Matte, White Acrylic Gesso! Liquitex Basics Acrylic Gesso is made of an excellent student-quality formula that is ideal when you're starting out on a budget or when you're experimenting. This white priming ground can be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Can be tinted with acrylic colors before application for brilliant colored grounds. Key Features: * Opaque, matte finish * Titanium White Acrylic Gesso * Improves adhesion & durability of canvas * Non-yellowing * Dries within minutes Perfect For: * Traditional or colored ground * Artists, crafters, students * Acrylic, oil, tempera, or casein * People on a budget * Application on a variety of absorbent surfaces See More
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Liquitex Acrylic Gesso Surface Prep White Gesso 1 gallonSave Up to39%Off listWhite Create the perfect absorbency, texture and archival ground Liquitex Gesso is an acrylic-based gesso that provides excellent "tooth" and adhesion to a wide variety of supports and surfaces such as canvas, wood, paper, and metal. Liquitex professional gessoes usually take just one coat and are the perfect surface preparation for oil or acrylic paint. You can thin the gesso with up to 25% water depending on your thickness preferences. Compatible with Liquitex High Viscosity and Medium Viscosity Acrylics, you can create a custom-colored ground. With Liquitex Gesso, you can prime your substrates with an archival ground and create the perfect level of absorbency and texture at the same time. Key Features: * Primes surfaces and adds a high level of tooth * Stiffens canvases * Optimum absorbency for paint application * Professional archival base * Will last generations * Fully mixable with all Liquitex products * Use undiluted or thin with up to 25% water * If using as a base for oils, apply 2-4 coats and sand between applications Perfect For: * Acrylic and oil painters * Creating a surface for preliminary charcoal or pencil drawings * Dry ground for oils * Custom colored grounds * A uniform painting surface * Artwork in acrylics, oils & alkyds * Professional artists Clear Gesso - Use for masking under-paintings and unique grounds in presentation for over-paintings. Ideal high tooth surface for pastel, oil pastel, graphite, and charcoal. Flexible and non-yellowing when dry Super Heavy Gesso - An innovative Titanium White gesso that holds structural shape until dry. It has all the attributes of traditional acrylic gesso and is ideal for thick and sculptural applications. AP non-toxic. White Gesso - A white priming ground to be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Tint with acrylic colors before application for toned grounds. Black Gesso - This Colored Gesso usually covers in one coat and is flexible, non-cracking, and non-yellowing. It provides the right amount of tooth and adhesion to a variety of surfaces. Use it alone or dilute with up to 25% water. Neutral Gray Gesso - This colored gesso contains a blend of pigments that produce a matte grey opaque finish, which allows you to build depth from a neutral grey base. Usually covers in one coat and is flexible, non-yellowing, and non-cracking. Use it alone or dilute with up to 25% water. Liquitex Colored Gesso is hue balanced and can be tinted with Soft or Heavy Body Acrylics. See More
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Schmincke Oil Mediums 60ml Refined Linseed OilSave Up to10%Off listMagnificent mediums for oil paints Schmincke Oil Mediums allow you to create fluid glazes or thick Impasto effects. You can even transform traditional oils into water-mixable oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing… Magnificent mediums for oil paints Schmincke Oil Mediums allow you to create fluid glazes or thick Impasto effects. You can even transform traditional oils into water-mixable oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing drying time. Key Features: * Accelerate or slow drying * Improve transparency and gloss * Outstanding working properties * Extend oil paints and use less paint * Perfect For: * Traditional oil paints * Blending and glazing * Changing the paint texture * Adding to oils undiluted Schmincke Mussini Drying Accelerator: is an especially fast-drying, Jelly-like painting medium for oil colors. The paste preserves the consistency and degree of gloss of oil colors. To avoid weakening of binding properties, use dosage of 10 to max of 30%. The product is ready to use and should be added to oil colours undiluted. After use clean tools as soon as possible with turpentine or brush cleaner. The Schmincke Mussini drying accelerator contains: siccative, stand oil, resin solution, mineral spirit. Impasto Medium (Megilp): Schmincke Meglip Impasto Medium is an oil painting medium designed for painting thickly. The medium preserves the buttery character of oil paint while accelerating the drying process. When you are applying paint in a thick style with a palette knife you should include some Impasto Medium to support the drying process between layers of paint. Contains: alkyd resin, stand oil, and fillers. Medium L: The Jelly-like medium improves oil paint flow while reducing brush strokes, accelerating drying time, and increasing gloss and transparency. Shake well and stir before use. Close immediately after use. The recommended dosage for medium L is 10 - 20 %. The product is ready to use out of the bottle, but you can dilute it with turpentine substitute 50019. Medium W: Schmincke Medium W is a low-odor oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. You should shake the bottle before use. Mix 2 parts of oil color and 1 part of Medium W on your palette, then add water to thin. Add more Medium W to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W may appear lighter or "milky" when wet, but the color will return as the paint dries. Medium W Gel: Schmincke Medium W Gel is a jelly-like oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. Mix 2 parts of oil color and 1 part of Medium W Gel on your palette, then add water to thin. Add more Medium W Gel to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W Gel may appear lighter or "milky" when wet, but the color will return as the paint dries. Refined Linseed Oil: Refined Linseed Oil is winterized and bleached. Many artists use it as a medium when painting. It slows down the drying time of your paint, which can be very useful when painting in layers. Please note: The natural yellowing tendency of linseed oil cannot be stopped by bleaching! Schmincke Primer 1: Schmincke Primer 1 is a pure white, semi-opaque, light-resistant, and nonaging primer for oil and acrylic colors. The primer has a strong absorbent character and forms an elastic, matt film once dry. Schmincke Primer 1 is ready to use straight out of the bottle, or for a thinner consistency, you can thin it with water. For max dilution, mix with 30% water See More
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Blockx Oil Color 60 ml Tube - Zinc WhiteSave Up to65%Off listWhite Finest Quality Artists' Oil Colors Made and processed by the Blockx family in Belgium, still handground in the Blockx tradition with slowly rotating stone mills, our extra-fine artists' colors are made from the finest selection of pigments and oil. Only pure pigment is used for maximum lightfastness, buttery consistency and easy mixing on the canvas itself. All colors have a minimum lightfast rating 7 out of 8 on the blue wool scale. So they all can be considered perfectly lightfast. Iron oxides, earths and blacks are ground with linseed oil. All other pigments are ground with poppyseed oil which is well-known for its lack of yellowing and the non-forming of wrinkles at the time of the drying. As an oil colorist you deserve the very best colors to paint with. Blockx has been made in the same way in Belgium by family members for over 140 years. Today, Blockx is the oldest artist paint manufacturer continuously run and operated by a family. The story began when Jacques Blockx, a noted chemist, was asked by his artist friends to make reliable oil colors that would be permanent and extremely expressive. His formulas for permanent and lightfast colors are legendary and carefully guarded by the Blockx family today, who still test each batch of color to personally insure absolute quality and satisfaction. Key Features:* Slowly stone ground in pure Poppy Seed Oil* 84 colors available in 35ml & 200ml tubes* The preferred color of Rene Magritte, Salvador Dali and Frank Stella* All colors have a minimum lightfast rating 7 out of 8* Made from the finest selection of pigments and oil* Maximum lightfastness, buttery consistency and easy mixing on the canvas* Iron oxides, earths and blacks are ground with linseed oil* Other pigments are ground with poppyseed oil* Lack of yellowing and the non-forming of wrinkles at the time of the drying* Colors produced in maximum color concentration Perfect For:* Colors in still life that deliver consistent results* Fine quality paint that moves beautifully* Beginner to Professional artists* Amazing pigment load* Color that holds it's tone beautifully when mixed with titanium white* Use in studios or professional classrooms New: historical pigments handground with poppyseed oil; Vermillon, Naples yellow light, Naples yellow dark, Lapis Lazuli How Blockx Oils Are Made Using Blockx oils is a tactile experience—they are creamy yet firm, and allow the artist to feel the color with brush or painting knife. Indeed Blockx is a bit expensive, but these paints are worth every penny. An investment in Blockx is an investment in your art and truly one that will pay dividends in the future. Mixing: Pigments, oil, generally poppyseed oil, and specific ingredients are pre-mixed according to their particular nature to achieve the best paste for milling. Grounding: The paste is ground on a three roll mill made of stone rolls, to preserve the purity of paints, rotating at low speed to avoid heating. This operation is conducted 3 or 4 times-each time reducing the size of particles-allowing us to fill the tube immediately to preserve all the qualities of the paint. Test: Besides the long experience of the craftsman, numerous checks are made of particle size, consistency, drying time, density, and so more. A sample of each batch is carefully kept for years. See More
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Maimeri Classico Oil Color 60 ml Tube - Venetian RedSave Up to22%Off listRed Exceptional quality and pigment concentration, at a single price point! Known for their exceptional professional paints, Italian paint maker Maimeri designed Classico Oil Paints to provide all painters the highest quality, most pigmented oils, even going as far to use real cadmiums and cobalts. Manufactured using the finest linseed oil, the superior line of Classico Oils are produced without waxes, fillers, or adulterants that even lower end, popular “professional” oil brands are full of! The finely ground, heavily loaded colors have a fantastic thick body and short tack for the ultimate painting experience. Like Their Puro counterparts, Classico whites are blended with non-yellowing oils (safflower oil) to retain their brightness and purity. Unlike other manufacturers that boast “real” cadmiums and cobalts (which can be as low as only a few percent), Classico’s authentic cadmium pigments are in a concentration between 20% and 25%. This perfect combination of modern and traditional pigments excels with color mixing and learning color theory, rather than using cheap, poor quality student brands full of fillers and little pigment. Perfect for discriminating students and amateur painters, Classico also has remarkable appeal for the professional oil painter, especially those working large scale that go through large amounts of paint. Classico’s high pigment load extends further than other comparably priced brands, making it a great value for painters needing larger tube sizes. With a range of 77 colors, Classico comes in large 60ml and 200ml tubes at a single price point for each size. Of the 77 colors, an amazing 73 have the highest degree of light stability, allowing you to paint with confidence, knowing the archival nature of your painting materials. Key Features: * Made in Italy * Highest quality to price ratio oil * Superior performance, high pigment concentration * Consistent and buttery texture * No waxes or fillers * Real cadmiums and cobalts * 77 colors, 60ml and 200ml tubes * 73 colors have the highest degree of light stability Perfect For: * Loving to paint with beautiful oil colors * Student to Professional Painters * Professionals painting large scale * Affording real Cadmiums and Cobalts * Color mixing and color theory * Classrooms, workshops, plein air See More
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Cobra Water-Mixable Oil Painting Paste, 60ml TubeSave Up to40%Off list…the paint fatter. Safflower Oil - Safflower oil boosts paint flow and transparency. The oil doesn't yellow over time and dries slower than linseed oil, making it ideal for initial and final paint layers. Linseed Oil - improves paint flow and transparency. This linseed oil dries relatively fast and… Expand your painting possibilities with these water-mixable oil mediums! Using these specially designed water-mixable mediums and auxiliaries can increase the range of effects achievable with your Cobra paints! Just like Cobra colors, these mediums mix cleanly with water and are great additives for techniques from glazing and layering to alla prima and impasto. Enhance all your water-mixable oil paintings with these great mediums from Royal Talens! Key Features: * Water-mixable oil paint mediums * Water-mixable cleaning auxiliaries Perfect For: * Modifying oil paint * Lengthening drying time Click on the white paper icon for more information about each Cobra product. Painting Medium - This viscous medium makes Cobra oils smoother and fatter, eliminating brushstrokes without lengthening the drying time of the paint film. It also adds a universal sheen and increases color transparency. Perfect for use in layering and alla prima (wet-on-wet) techniques. Glazing Medium – improves the flow of Cobra oil paints and increases their transparency, making it perfect for luminous glazing techniques. As this medium has a high oil content, it should only be used in the final few layers of a painting, following the "fat over lean" rule. Painting Paste – Perfect for adding bulk in impasto techniques or decreasing color intensity for alla prima painting. Can be mixed with Cobra oil colors in any ratio, but the more Painting Medium added, the lower the color intensity will become. Quick Dry Medium (Solvent-Free) - This medium reduces the drying time of Cobra paints. It also increases the flow and transparency of the paint while making the paint fatter. Safflower Oil - Safflower oil boosts paint flow and transparency. The oil doesn't yellow over time and dries slower than linseed oil, making it ideal for initial and final paint layers. Linseed Oil - improves paint flow and transparency. This linseed oil dries relatively fast and can be used for the initial layers of your painting. While linseed oil may yellow slightly over time, it offers a more stable paint film. Paint Thinner (Solvent-Free) - This solvent-free thinner enhances paint fluidity, making it leaner and aiding quicker drying times. It's particularly ideal for applying the initial layers of your painting. Brush Cleaner (Solvent-Free) - Makes brushes easier to clean. Also cleans brushes with oil colours that are not mixable with water Medium Mix - Cobra created this Medium Mix to help artists transition from traditional to water-mixable oil paints. Add this medium to your leftover traditional oil paints to make them water-mixable, so you can mix and thin your paint using just water! See More
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Maimeri Classico Colossal 60ml Set of 40 TubesSave Up to35%Off listAssorted Colors An exquisite treat for professional or student artists! Maimeri Classico oil colors contain no waxes or fillers and dry with a beautiful uniform rich satin glow. The finely ground, heavily loaded pigments are suspended in the most refined linseed oil and have a thick buttery consistency and short tack for the ultimate painting experience. Whites are blended with non-yellowing safflower oil to retain their brightness. Key Features: * Sets of 60ml tubes * Highest quality to price ratio oil * Superior performance * No waxes or fillers * Real cadmium and cobalt Perfect For: * Students and beginners * Large scale oil paintings * Amateur and experienced artists * Color mixing and color theory * Classrooms and workshops * Artists in search of an unbeatable value Introductory Set of Nine 60 ml Tubes: The perfect introduction to Classico Oils! Includes one 60 ml tube each of Titanium White, Permanent Yellow Lemon, Yellow Ochre, Cadmium Red Medium, Burnt Sienna, Phthalo Green, Ultramarine Blue, Sky Blue, and Burnt Umber. Maimeri Classico Colossal 60ml Set of 40 Tubes: Colors include Titanium White, Zinc White, Brilliant Yellow Light, Cadmium Yellow Orange, Cadmium Yellow Light, Cadmium Yellow Lemon, Naples Yellow Deep, Primary Yellow, Yellow Ochre, Raw Sienna, Permanent Carmine, Permanent Madder Deep, Quinacridone Red, Cadmium Red Light, Cadmium Red Medium, Cadmium Red Deep, Permanent Red Orange, Permanent Red Light, Primary Red, Venetian Red, Burnt Sienna, Green Lake, Green Earth, Cadmium Green, Phthalo Green, Permanent Green Light, Sap Green, Cerulean Blue, Ultramarine Light, Ultramarine Deep, Primary Blue Cyan, Prussian Blue, Turquoise Blue, Phthalo Blue Green, Sky Blue, Cobalt Violet Hue, Vandyke Brown, Burnt Umber, Raw Umber, and Ivory Black. Please note contents of the set may be substituted without warning See More
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StudioSolv™ Artist Oil Thinning Medium, 1 GallonSave Up to69%Off list…Artist Solvent For Thinning Oils Tusc & Pine StudioSolv™ is a purified, odor-free oil-thinning medium. It's designed to thin oils and mediums while maintaining the integrity of your color. Experiment with different ratios of StudioSolv™ and linseed oil to create a custom lean… Purified Odor-Free Artist Solvent For Thinning Oils Tusc & Pine StudioSolv™ is a purified, odor-free oil-thinning medium. It's designed to thin oils and mediums while maintaining the integrity of your color. Experiment with different ratios of StudioSolv™ and linseed oil to create a custom lean medium. Although aromatic solvents have been extracted to remove odor, adequate ventilation should be practiced for safety. The Purist Odorless Thinner You Can Buy! No solvent odors, only the wonderful smell of oil paint! Key Features: * Professional grade oil thinner * Made to the highest standards * Purified and odor free * Aromatic solvents removed (No solvent odors, only the wonderful smell of oil colors) * Higher safer flashpoint rating (flashpoint of 144°F) * Made in the USA * Conforms to ASTM D 4236 * Available in 3.2 oz, 8.4 oz, 16.9 oz, and 33.8 oz bottles Perfect For: * Thinning stiff, heavy-bodied oils * Modifying painting mediums * Minimizing brush strokes * Oil painters of all skill levels * Creating lean mediums * Removing varnish from canvas * Studio and classroom use * Airplane travel Safe For Travel By Air! StudioSolv™ has a flashpoint of 144°F which classifies it as a combustible liquid by DOT regulations, however, it is considered safer than solvents with lower flashpoints and faster evaporation rates. StudioSolv™ also conforms to FAA and TSA guidelines and can be safely transported by airplane, making it a convenient option for artists who travel. The 3.4 oz bottle is the perfect carry-on size, while larger sizes can be packed in your checked bag. Printable Travel Guidelines StudioSolv™ SDS While StudioSolv™ is currently allowed by FAA guidelines, we recommend always checking current regulations before traveling. To ensure a smooth and hassle-free experience, please bring a printed copy of the SDS and travel guidelines to show at baggage check. If the flight is international, please check the policy of your destination country. Solvents should be stored in an airtight container out of reach of children. Replacing the lid during painting sessions can help reduce VOC levels in the air. Always work in a well-ventilated area. Wash your hands after painting and before eating. StudioSolv™ is not recommended for use with gum resin mediums like dammar, copal, and mastic. Gum resins pair well with traditional turpentine. Deluxe Bundle Sets Available with Exclusive Extras! Click on the item number to view the contents of each bundle set. SoHo Artist Disposable Studio Wipes: SoHo Urban Artist Wipes are the ultimate cleaner for varnish, acrylic, and oil brushes. The wipes are also an effective and gentle cleanser for hands, brushes, tools, and more. Silicoil Brush Cleaning Tank: The clear glass brush cleaning tank can hold up to 12 oz of water, solvent, or brush cleaning fluid. The spring-like coil provides flexibility to aid in the cleaning of your brushes. Air-Tight Deluxe Brush Washer: Perfect for travel and studio use, the stainless steel brush washer can hold over a pint of liquid! The lid has a built-in gasket that forms an air-tight, leak-proof seal, preventing harsh fumes from escaping. Da Vinci Air Tight Brush Washer: The brush washer is designed to hold over a pint of solvent. A specially outfitted gasket on the lid maintains an air-tight seal no matter what. Latches ensure the lid stays shut while traveling. Petite Air Tight Brush Washer: The Petite Air Tight Brush Washer measures a maximum diameter size of just 3" and a height of just 3-5/8". It holds about 10 oz of fluid. The washer has two locking clamps for an air-tight seal and a removable strainer. See More
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Maimeri Italia Natural Earth Oil Antique Green Earth from Verona, 60mlSave Up to23%Off listBrown Natural Earth Oil Colors, The warm tones of Italy’s earth! TERRE GREZZE D'ITALIA OILS (RAW LANDS OF ITALY) Italian Natural Earth Colours by Maimeri are 11 natural shades in the Italian Natural Earths line producing harmony and warmth of Italian earth tones. These colours derive from the ancient pigments always used to create the colours characteristic of the various Italian schools of painting. The colours of Roman villas, of Venetian palaces, of the towns of Umbria and Tuscany. The grain size of the pigment is larger than in traditional oil colours. The paste is thicker, the appearance more opaque for a different refraction of the light. These colours can be mixed with any oil paint devoid of organically synthesized colourants. Only a few decades ago, Italy was the main producer of earth pigments for use by industry and artisans. Key Features:* 11 natural shades* Italian Natural Earths* Ancient formulation* Grain size of the dispersed pigment is larger* Denser paste* More opaque due to a different light refraction* More natural tone* Applied paint coat is thicker than traditional oil paints* Contains No additional colorants* Can be mixed with other oil paints* Made In Italy* Colors may vary from tube to tube See More
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Winsor & Newton Artisan Water-Mixable Oil Medium - Impasto Medium, 60ml BottleSave Up to40%Off list…oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of water-mixable oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and… Everythings Better with Help from Artisan Painting Mediums! Professional water mixable oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of water-mixable oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums and varnishes to enhance your oil painting experience. Artisan Water Mixable Oil Painting Mediums are specially formulated to control, enhance, and protect artworks created with Artisan Water Mixable Oils. Key Features: * Accelerates drying time * Increases gloss & translucency of colors * For information click on yellow technote icon Perfect For: * Water mixable oil paint * Maintaining consistency * Preserving gloss Fast Drying Medium - This is a very popular medium as it speeds the drying of oil color by about 50%, allowing further layers to be applied more quickly. Gloss Varnish - This water-based varnish contains no hazardous solvents. Protects finished paintings and provides a uniform glossiness. If dirty, the varnish can be removed with Artisan Varnish Remover. Impasto Medium - This water-mixable impasto and texturing medium helps maintain the consistency of the color and speeds drying by 50%. For thick impasto, build the texture in several layers, allowing each layer to dry first, mixing the Impasto thoroughly into the color before use. Linseed Oil - This water-mixable oil is the main binder in Artisan colors. When mixed with color, it reduces their consistency for better flow. Combine with water or Thinner to maintain the structure of the paint film. Matt Varnish - This water-based varnish contains no hazardous solvents. Provides protection for finished paintings and provides a uniform matte finish. If dirty, the varnish can be removed with Artisan Varnish Remover. Oil Painting Medium - This stand oil-based medium is ready to use from the bottle. The medium thins the consistency of Artisan colors and aids fine detail work. Safflower Oil - This oil should be used with pale pigments to help maintain their brightness. It also increases gloss and transparency. Satin Varnish - This water-based varnish contains no hazardous solvents. Provides protection for finished paintings and provides a uniform satin finish. If dirty, the varnish can be removed with Artisan Varnish Remover. Stand Oil - This highly durable linseed oil is partly polymerized by being heated in the absence of oxygen. This stand oil joins the molecules together, leaving less space for oxygen and hence a longer drying time. Thinner - Although water is suitable as a diluent for the color, its speedy evaporation can make the color thicken upon the palette much quicker than conventional oil color would when used with turpentine. Varnish Remover - Artisan Gloss, Matt, and Satin varnishes can be removed with Artisan Varnish Remover when dirty. NOTE: Please do not use with traditional oil paints. Please use a traditional oil painting medium See More
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Norma Blue Water-Mixable Oil Color Transparent/Gloss Medium, 60mlSave Up to36%Off list…used with traditional oil paints. Contains: modified linseed oil and siccative. Linseed Oil Blue: Modified linseed oil, water-dilutable, and used as an additional binder for water-mixable oil colors. It can also be used for traditional oil paints. Contains: modified linseed oil. Transparent/Gloss… Water-Mixable, Environmentally Conscious, Vegan Oil Paint NORMA Blue Water-Mixable Oils by Schmincke are ideal for painting without solvents in the studio or classroom. The high-quality line comprises 48 brilliant colors guaranteed to ignite your passion for oil painting. The oils can be used pure, diluted with water, or combined with the NORMA Blue mediums. You can easily clean any used brushes or tools with soap and water. Enhance your artwork further with Schmincke's collection of five NORMA Blue mediums, designed to simplify your painting experience. Some of the mediums have an accelerating or retarding effect on the drying time, while others can be used to increase gloss. A special linseed oil completes the range of the NORMA Blue mediums. Key Features: * Low-odor water-mixable oils * Buttery consistency * Highly pigmented and lightfast * Low yellowing * Vegan and eco-friendly * Formulated from high-quality vegetable oils * No cobalt, cadmium, or zinc oxide pigments used * Allergy-friendly: no preservatives * Cleans up with water Perfect For: * Alla prima and traditional oil techniques * Environmentally conscious artists * Painting without any harsh chemicals * Sampling brilliant color ranges * Indoor painting and classroom use * Plein air painters Painting Medium Blue: 1:1 Lean painting medium, watery, oil-free, and low odor. This medium supports the traditional oil paint consistency and makes the oil paint smoother. Please note you should not use this medium with traditional oil paints. Medium 2 Blue: Fat painting medium for water-mixable oil colors. Water thinnable, retards drying, and allows for longer wet-on-wet painting time. The high oil content increases gloss and forms a soft elastic film. Medium 2 can also be used with traditional oil paints. Dosage: Do not exceed a mixture of 1:1 if possible. Contains: modified safflower oil, poppy oil, and siccative. Medium 3 Blue: Is a painting medium with oil content for water-mixable oil colors. You can dilute it with water. The medium accelerates drying, increases gloss, and makes paint layers more resistant. Medium 3 can also be used with traditional oil paints. Contains: modified linseed oil and siccative. Linseed Oil Blue: Modified linseed oil, water-dilutable, and used as an additional binder for water-mixable oil colors. It can also be used for traditional oil paints. Contains: modified linseed oil. Transparent/Gloss Medium Blue: Is a very fat painting medium for water-mixable oil colors. You can dilute it with water. The medium increases transparency enhances gloss, and softens brush marks. Use it only on the upper layers of paint. Transparent/Gloss Medium can also be used with traditional oil paints. Shake before use. Contains: modified linseed oil, safflower oil, and siccative. See More
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GOLDEN Gesso Pastel Ground 1 gallonSave Up to30%Off list…Pastels* Colored Pencils* Pastel Pencils* Wax Crayons* Watercolor Pencils* Acrylic Paints Oil-based Media: * Oil Pastels* Oil Sticks* Paint Sticks* Ink Sticks* Pigment Sticks* Oil Paints GOLDEN Pastel Ground Application Thinning Due to the weight of the solids in Ground for Pastels, it is… Acrylic preparation for pastels on canvas and other supports GOLDEN Pastel Ground is an acrylic preparation for pastels on canvas and other supports. It creates a toothy surface similar to papers used with pastel and chalk. For an even rougher texture, Fine or Coarse Pumice Gel can be added. GOLDEN Pastel Ground for Pastel can also be tinted with acrylic colors for colored grounds. (Golden acrylics). GOLDEN Pastel Ground is a 100% acrylic medium designed to prepare surfaces for the application of pastels, charcoal and other art media where a coarse tooth is desired. It contains finely ground sand (silica) in a pure acrylic emulsion. Pastel Ground can be applied to paper, canvas, wood or any primed support. This allows almost limitless applications for media typically confined to standard papers. Key Features:* Sizes: 8oz, 32oz & 1 Gallon* Creates toothy surface similar to papers* Acrylic preparation for pastels* Fine or Coarse Pumice Gel can be added* Can also be tinted with acrylic colors Pastel Ground can be used as a toothy, gritty ground for many different media, including: Dry Media:* Soft Pastels* Graphite Pencils* Colored Chalks* Charcoal* Powdered Charcoal Water-based Media: * Water-Soluble Pastels* Colored Pencils* Pastel Pencils* Wax Crayons* Watercolor Pencils* Acrylic Paints Oil-based Media: * Oil Pastels* Oil Sticks* Paint Sticks* Ink Sticks* Pigment Sticks* Oil Paints GOLDEN Pastel Ground Application Thinning Due to the weight of the solids in Ground for Pastels, it is produced very thick, and does not come ready to brush-apply. Thin 20-40% with water to desired consistency. Application Apply with brush, paint-roller, spray equipment, squeegee or palette knife. Mix up only as much as is needed for one day"s work, as the solids will settle rapidly and be extremely difficult to mix back into suspension. Surface Preparation Non-absorbent surfaces should be abraded for increased adhesion. Prime with GOLDEN Gesso or other suitable primers (depending on substrate). Apply one or more coats of GOLDEN Pastel Ground to achieve the desired tooth. On paper, use heavier weight stock to avoid buckling. Allow ground to fully dry before applying media. Color Additions Pastel Ground can be blended with GOLDEN Acrylic Paints to achieve colored grounds. However, add minimal amounts of color since all additions of paint to Ground will decrease the tooth. GOLDEN High Flow Acrylics and Fluid Acrylics blend easily into the ground without thickening the product. High Load Acrylics have the highest pigment load and therefore provide the most color in the least amount of paint. Unless transparency is desired, select paints that are inherently opaque, such as the Pyrroles or earth colors. This will allow lower additions as well. Airbrushing thin layers of color after the ground has dried will give the strongest saturation of color to the ground without affecting the gritty surface. See More
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Jacquard Permanent Dyeset Concentrate, 1 GallonSave Up to30%Off listWater Based Clear Resist - Jacquard has developed a superior water based resist, is used like a frisket to impede the flow of dye. It will completely wash out of fabric with warm water, even after steaming. It holds a crisp line without spreading and does not shrink or pucker when dry. It can be… Water Based Clear Resist - Jacquard has developed a superior water based resist, is used like a frisket to impede the flow of dye. It will completely wash out of fabric with warm water, even after steaming. It holds a crisp line without spreading and does not shrink or pucker when dry. It can be colored with any water based dye and is screenable, odorless, alcohol free and non-toxic. Water Based Permanent Metallic Resists - Use in the same way as Clear Resist but the color is permanent when washed or dry cleaned. Available in black, copper, gold and silver, these resists hold fine, crisp lines that do not spread. The consistency is perfect for production silkscreening or squeeze bottle application. Permanent Dyeset Concentrate - This concentrate is used to set Jacquard Silk Colors (Green Label) Dye. It also can be an alternative to steam setting. See More
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GOLDEN Absorbent Ground Gallon, 128oz BucketSave Up to30%Off listWhite Create a porous, paper-like surface on many different substrates GOLDEN Absorbent Ground is an acrylic liquid surfacing medium that can be used to create a porous, paper-like surface on many different substrates. Applied over gessoed canvas, the Absorbent Ground allows for raw canvas-like staining on a protected substrate. It also allows watercolors to be used on canvas. It is uniquely formulated for unsurpassed absorbent action when dry. Key Features:* Sizes: 8oz, 16oz, 32oz & 1 Gallon* Create a porous, paper-like surface on many different substrates* Applied over gessoed canvas* Lightfast, permanent, and flexible* Allows watercolors to be used on canvas* Unsurpassed absorbent action when dry* Opaque acrylic primer for water media See More
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Eco-House Extra Mild Citrus Thinner, Gallon CanSave Up to15%Off list…thinner has low-toxicity and is made from a combination of cosmetic grade mineral oil, food quality orange oil and herbal essential oils. It has a fresh orange fragrance and is an effective thinner and solvent for oil paints, mediums, waxes, resins and gums. * Dries slower than turpentine, but… This thinner does not make ridiculous claims of non-toxicity. In essence, since any solvent will dissolve fat, all solvents are toxic to humans. This thinner has low-toxicity and is made from a combination of cosmetic grade mineral oil, food quality orange oil and herbal essential oils. It has a fresh orange fragrance and is an effective thinner and solvent for oil paints, mediums, waxes, resins and gums. * Dries slower than turpentine, but faster than water. * For optimal health compatibility. All products in this category are considered Hazardous Materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Gamblin Gamsol 1 Gallon, Odorless Mineral SpiritsSave Up to25%Off listThe safest solvent that allows oil painters to utilize all traditional painting techniques without compromise Quality solvent and medium and for general oil painting: Thinning oil colors, Modifying painting mediums. Gamblin Gamsol is also an excellent studio and brush cleaner. Odorless Mineral… The safest solvent that allows oil painters to utilize all traditional painting techniques without compromise Quality solvent and medium and for general oil painting: Thinning oil colors, Modifying painting mediums. Gamblin Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits - Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Primary Uses for Gamsol:* Thinning oil colors. A little goes a long way; stiff oil colors relax immediately when a little Gamsol is added. Be careful not to thin oil colors too much with solvent alone, this can compromise the ability of the paint to form a paint film.* Modifying painting mediums. Our Galkyd line of painting mediums are formulated with Gamsol, so they readily accept Gamsol as a thinning agent. Note: Gamsol should not be added to painting mediums made with natural resins (dammar, copal, mastic). They require strong solvents such as turpentine.* Studio clean-up: brushes, palettes, palette knives, etc.* Odorless* Available in the following sizes: 4.2 oz,16.9 oz, 33.8 oz, 128 oz* No solvent odors, only the wonderful smell of oil colors* Widely used in oil painting classrooms* Flash point: 62.2 °C / 144.0 °F (See SDS Sheet) How does Gamsol achieve this level of performance and safety? Most solvents available to artists come from the industrial paint industry where solvent power and cheapness is prized. Gamsol is special: it is made for products and processes that come into more intimate contact with the body such as cosmetics, hand cleaners, and cleaning food service equipment. Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Aromatic solvents are the most harmful types of petroleum solvents. The Gamsol SDS shows that it has an Exposure Limit Value higher than most solvents available to artists. In addition, Gamsol’s flash point allows it to ship via air cargo as a non-hazardous material. All of these factors have lead to Gamsol being used widely in oil painting classrooms; in those classes, there are no solvent odors, only the wonderful smell of oil colors See More
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GOLDEN MSA Varnish w/ UVLS, Satin 128oz (Gallon)Save Up to30%Off list…acrylic, oil, alkyd, egg tempera, watercolor, and casein. As a topcoat for acrylics, it provides a harder, lower tack surface that is much less susceptible to dirt and is more mar resistant. GOLDEN MSA - available in Matte, Satin, and Gloss finishes. A mineral spirit based acrylic resin… Varnishes for acrylic, oil, alkyd, egg tempera, watercolor, and casein GOLDEN MSA (Mineral Spirit Acrylic) Varnish with UVLS (Ultra Violet Light Stabilizers) dry to a tough, yet flexible protective finish and contain ultraviolet light filters and stabilizers (UVLS). The UVLS system provides increased resistance to the harmful effects of ultraviolet radiation, making the product suitable for exterior as well as interior application. MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein. As a topcoat for acrylics, it provides a harder, lower tack surface that is much less susceptible to dirt and is more mar resistant. GOLDEN MSA - available in Matte, Satin, and Gloss finishes. A mineral spirit based acrylic resin system that forms a tougher, less permeable film than waterborne acrylic varnishes. Can be applied to acrylic, oil, and alkyd painted surfaces. Reduces dirt penetration and surface marring, offering an extremely level film with less foam and fewer pinholes. Removable with mineral spirits after drying; recommended for interior or exterior use. Not for use by children. Thins with MSA Varnish Solvent. MSA Varnish Solvent - the ideal solvent for thinning GOLDEN MSA Varnishes, which must be thinned before use. MSA Solvent assures clear, clean, even application. Can be used to remove MSA Varnish at a later time for restoration purposes. * Protects against dirt and dust* Provides moisture resistance* MSA UVLS: Ultraviolet Light Stabilizers (UVLS)* MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein* As a topcoat for acrylics For restoration purposes, the varnish may be removed with MSA Solvent, full strength commercial mineral spirits ( i. e. : paint thinner or white spirits ), or distilled or rectified turpentine. MSA Varnish (Gloss) dries to a highly reflective finish. MSA Varnish (Satin) offers moderate reflection, similar to most matte varnishes. MSA Varnish (Matte) finish is exceptionally flat. The different finishes can be intermixed to achieve the desired sheen. Note that the matte and satin MSA varnishes will lighten dark value colors, which is typical of reduced sheen varnishes. Please note: Upon arrival, labeling may be different than pictured due to a packaging change by the manufacturer. See More
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Chelsea Classical Studio Nuovo Brush Metal Medallions Pack of 5Save Up to61%Off listStiffness Watercolors Acrylics Oils A momentous change to brush design in 300 years! Imagine eliminating the various problems associated with the current modern brush. A brush that provides better control, convenience, balance, and function. One that is so unique that its introduction… Stiffness Watercolors Acrylics Oils A momentous change to brush design in 300 years! Imagine eliminating the various problems associated with the current modern brush. A brush that provides better control, convenience, balance, and function. One that is so unique that its introduction represents a new birth of superior painting brushes. Nuovo Long Handle Professional Brushes have three patented changes that make them feel lighter, not front heavy, so holding at their farthest end will be comfortable, allowing for a controlled stroke and smooth transitioning long stroke. The handles do not taper, and the diameter of the handle is consistent throughout, which makes the most comfortable area to hold the brush more towards the back. These patented changes apply to the standard 300mm brush handle and the handle extensions, making them 400mm long. The exclusively patented brush ferrules have both side support and a domed cut-out so that the brushes with long hair put the force of your stroke at the tip. The bristles will hold more paint and ensure no bristle hairs will splay. A little past the center of the handle is the fulcrum balance point. The Nuovo brush is balanced, so you can easily hold it with one finger. Painting at or just past the fulcrum point feels natural, allowing for perfect control of the brush with or without the handle extension. Holding the handle at the rear allows for superb control. Finally, the standard brush and the handle extension feature a magnetic end, which can be attached to any easel or surface by attaching our metal mounting discs (available separately), which are perfect for hanging and storing brushes on your easel between uses. Another benefit of hanging your brushes when not in use is it forces the paint and solvent towards the front of the bristles. Any excess will gather at the tip, and you can quickly wipe it away. Now your brushes will always be in the ready position! Key Features:* 5 sizes (click the paper icon for more details)* Long filbert natural hog bristle hairs* They hold more color than any other brush* Maximum controlled strokes without splaying* Flattened, non-staining, non-rusting ferrule* Patented side supports plus domed cut-out to retain brush shape* Balanced non-tapered handle* Brushes are light and comfortable to handle at their end* Less strain on your wrist, zero fatigue, more working time* Each handle is 13 inches long with a magnetic end* Removable 3-inch counterweight magnetic extensions sold separately* Total 16-inch handle when using counterweight magnetic extension* Brushes can attach with metal mounting disks* Self-adhesive metal alloy medallions (5 Pack, sold separately) * Perfect For:* Portrait artists see subject matter better* Professional oil painters* Muralists and plein aire* Easel painters* Hanging to the underside of the easel (magnetic ends, medallions)* Attaching to a wall or any flat surface (magnetic ends, medallions)* Precise painting, blending, and expressive movement* Artists wanting the best experience* Working at an easel with controlled, even strokes* Superior control* Long smooth transitional strokes and line control* Ultimate tools of the trade for any oil color painter!* Limited storage space* No-hassle, everyday studio use Why Nuovo Brushes - Multiple Patents, Tremendous Control! * The breakthrough in brush design in 300 years* Longer hair holds more color than any other brush today* Greater precision and defined points* Tremendous controlled lines and long smooth transitional strokes* Held from their farthest end comfortably* Better weight distribution, zero hand fatigue* Maximum controlled strokes without splaying* Non rusting, non-staining ferrule Jerry's Exclusive - Best Seller! Bristles hold more color than ANY other brush, plus greater precision with ZERO hand fatigue! A brush that is so unique that its introduction represents a new birth of superior painting brushes! The current modern easel brush has a long 12-inch tapered handle and a seamless, flattened ferrule that allows artists to stand away from the easel. This design has remained unchanged for 300 years because it was the universally accepted way to make a brush. However, this design has several problems. The first problem is balance. A balanced brush experience is when a brush is gripped a few inches from the ferrule, defeating the purpose of an easel brush. Instead of finding yourself taking advantage of the handle length, you find yourself holding the handle near the ferrule, where it is comfortable and at its widest diameter. When clasping at the tip of the handle, the brush tends to flop, which leads to loss of control, plus the squeezing causes hand fatigue.* Chelsea Nuovo brushes have a balanced feel even when held from their farthest end. They have better weight distribution and zero hand fatigue. The second problem is the flat metal ferrule, which holds the bristle hair. Most brush shapes we used today have a flattened ferrule, with which the force of your stroke causes an outward pushing of the brush hairs. This push can make them less supple and often takes the paint off the canvas when painting. Brights get stiff as dried paint builds up where the hair and ferrule meet. Short bright brushes need constant cleaning, and full-size flats encourage shorter strokes as you paint. With longer hair brushes, such as extra-long filberts, stroke control is an issue, and the brush head cannot hold much color. If you paint with any long hair brush, from flats to filberts, the horizontal force across the entire ferrule causes hair to splay, leading to distorted shapes and loss of control.* Chelsea Nuovo brushes have a patented brush ferrule with side support and domed cut-out so that the force of your stroke is at the tip. The bristles will hold more paint and keep their shape. The third problem is well known to any artist using multiple brushes. You have to deal with the issue of brush storage when switching between them. Color transference between the brush heads can happen if you hold them in your hand. Putting them down on a flat surface can get paint not only on the handles but the surface, and the brush heads can touch, rendering them useless. Some artists use a brush vase to stand the brushes up, but ultimately some will contact. * Chelsea Nuovo brush handles feature a magnetic end, which can be attached to any easel or surface using the metal mounting discs. Perfect for hanging and storing brushes between uses. See More
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NYC Gigante Long Handle Bristle Brush, Value Set Of 4Save Up to64%Off listStiffness Watercolors Acrylics Oils Premium brushes designed for all artists painting large scale - Handmade in Germany Handmade by skilled artisans in Germany the Gigante range of high quality hog bristle brushes compliments all your other high end bristle brushes. The basic assumption of the line… Stiffness Watercolors Acrylics Oils Premium brushes designed for all artists painting large scale - Handmade in Germany Handmade by skilled artisans in Germany the Gigante range of high quality hog bristle brushes compliments all your other high end bristle brushes. The basic assumption of the line is that most artists use regular size bristle brushes for most of their needs and that would include painting on a grand scale. They are not made just to be big but are made to work flawlessly. The long handle makes them a favorite of artists in the world all over. you will love and enjoy to paint with these premium high quality brushes! Use for acrylic and oil colors, Acryla Gouache as well as all sorts of decorative paints. High End Bristle Brushes Handmade by skilled artisans in Germany - Designed for all artists painting large scale Key Features:* Handmade by skilled artisans in Germany* High quality hog bristle brushes* Available in 4 shapes* Angular, oval, flat mottlers & Domed sash round* Made to work flawlessly* Long handle professional brushes* Varnished beech wood handles* Nickel plated ferrule, a rust proof tin coating* Exceptional quality for the price* Note: Click on Yellow Icon Next to each product for more details* Perfect For:* Use for acrylic and oil colors, Acryla Gouache as well as all sorts of decorative paints* Endless possibilities* All artists painting large scale* Complimenting all your other high end bristle brushes* Long handle makes them a favorite of artists* Covering a lot of area* Excellent control of your paint* FLAT MOTTLERS: Priming to painting to varnishing* OVAL MOTTLERS: Cutting in backgrounds, general painting, varnishing and large scale glazing There are four shapes to the Premium Gigante Brush line: ANGULAR MOTTLERS Sometimes artists look at this brush as if it is a specialty brush but it is not. It is used by some of the most famous artists of our time and a real tool for professional house and industrial painting. As you glance at the brush you will see one end has a hair length of 1.57" it then angles to 2" on the 2" wide brush and to 2.17" on the 3" wide brush. The shape allows artists and painters to curve their strokes. This is especially useful for cutting in basic shapes and to run the brush along a circular area. These brushes hold a lot of color and the tip of the brush is most useful for reaching smaller areas without having to switch brushes. You can cover a lot of area with this brush like all flat brushes. 2" brush is 13" long and the 3" is 13.6" long. The handle is made of varnished beech wood and the ferrule is nickel plated with a rust proof tin coating. OVAL MOTTLERS You'll immediately appreciate the natural flagged ends of these brushes that provide an excellent control of your paint. The oval shape is like an artists' filbert brush. Its intention is to allow for clean controlled strokes without flaring of the hair through the stroke. You can use this brush for cutting in backgrounds, general painting, varnishing and large scale glazing. FLAT MOTTLERS This brush is a workhorse of epic proportions and is one of the most beloved of all brushes used by artists that work large in scale. It has superior quality bristle hair with natural flagged ends to grip and release color with superb precision. It can be used flat or on its sides for various needs. The endless uses of this brush can't all be listed however it is ideal for almost all stages of a painting from priming to painting to varnishing. Use it with all your favorite media. Available in 2" wide with 2" long hair and a 12.7" length or 3" wide with 2" hair length and a 13.4" length. The handle is made of varnished beech wood and the ferrule is nickel plated with a rust proof tin coating. DOMED SASH ROUND BRUSHES The bushy round shape of the brush make it perfect for loading and creating long continuous soft edged linear strokes. The natural flagged ends and fullness of the hair allows it to cover large areas with ease. The brush works in unison with the other three shapes in this series and is a vital tool for a myriad of uses. This brush style has a history dating back to birth of artist brushes and has been the go to brush ever since. These brushes feature a long length which is instrumental to working large. It will be a brush you won't want to stop using. Available in 3 diameters: 20mm (.787") with a hair length of 43mm (1.7") and a total length with handle of 10.8", 25mm (1") with a hair length of 48mm (1.9") and a total length with handle of 11.2" and 30mm (1.18") with a hair length of 53mm (2.1") and a total length with handle of 11.8". With special nickel, encapsulated ferrule and long varnished beech wood handles. Clean and Care Recommendation: These brushes are made to be professional tools. For cleaning oil colors from brushes, we recommend Chelsea Classical Studios Lavender or Citrus brush cleaners. They not only will thoroughly clean the paint out of your brush but also will condition them to work flawlessly each time See More
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Da Vinci Cosmotop Mix B Series 5830 Sable/Squirrel sz. 16 Flat WashSave Up to30%Off listPerfect Natural hair combination! da Vinci Cosmotop Mix B Sable Brushes for watercolor and gouache are a blend of Kolinsky Red Sable, Russian Blue Squirrel, Russian Fitch, and a small amount of synthetic hair. The bristle holds all of the benefits of natural watercolor hair, including the sharpness… Perfect Natural hair combination! da Vinci Cosmotop Mix B Sable Brushes for watercolor and gouache are a blend of Kolinsky Red Sable, Russian Blue Squirrel, Russian Fitch, and a small amount of synthetic hair. The bristle holds all of the benefits of natural watercolor hair, including the sharpness of sable, the stiffness of fitch, and the water retention of squirrel hair. Each brush has a nickel-plated seamless ferrule that is rust-resistant. Before leaving the brush workshop, each brush is examined to make sure that the brush-head is flawless, and that the ferrule is firmly attached to the handle. da Vinci Cosmotop Brushes are available in popular shapes and sizes including Round, Flat Wash, Quill Wash, and Filbert! Key Features: * Natural hair blend * Red Sable, Russian Blue Squirrel, and Russian Fitch * A small amount of synthetic hair * Rust-resistant seamless ferrule * Extra-sharp point for control * Unsurpassed water-holding capacity * Made in Germany Perfect For: * Watercolor and gouache * Linework and design * Area work and washes * Travel and en plein air painting * Students, teachers, professionals * Superb brush response and control See More
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