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Da Vinci Pro Ultra Smooth Panel 4"x4", 2" Deep (Box of 12)Save Up to75%Off listWhite Ultra Smooth, white acrylic polymer gesso! Superbly crafted for permanent works of art! Tested by artists, these silky smooth panels are perfect for artists with painting techniques requiring a smooth, consistent, archival surface. For artists requiring an extremely smooth surface for technical illustrations, drawings, trompe l’oeil, oil or acrylic paint, Ultra Smooth Panels are ideal. The buffed finish readily accepts technical drawing pens, graphite and colored pencils, conte’, charcoal, oil, acrylic gouaches, and more. Seal with an archival spray fixative appropriate for your individual medium (or varnish for paintings) for a dramatic, frame-less presentation of your artwork. Seal with an archival spray fixative appropriate for your individual medium (or varnish for paintings) for a dramatic, frame-less presentation of your artwork. Key Features: * Ultra Smooth, white acrylic polymer gesso * 3/4" and 2" cradle depths for dramatic presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Perfect for high-detailed portraiture or trompe l’oeil * Wide range of sizes * Cradles easily accept paint, stain, or clearcoat for finishing * Painting techniques requiring a smooth, consistent, archival surface Perfect For: * Portrait artists and detail painters * All painting and drawing techniques * Brittle media * Technical drawing pens, graphite and colored pencils, charcoal * Oil, acrylic gouaches, and more * Frameless presentation of artwork in any media * Archival art that will last a lifetime * See More
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Da Vinci Pro Resist-Grip Panel 4"x4", 3/4" Deep (Box of 12)Save Up to76%Off listWhite Superbly Crafted For Permanent Works Of Art- Resist-Grip Panels If you paint with acrylics or encaustics, Da Vinci Pro Resist-Grip Textured Gesso Panels are the very best primed surface ever created for your medium. The coarse texture grips heavy bodied acrylics extremely well and allows for an endless array of layering without any problems, whether with thin glazes or heavy impasto layers. For encaustics, the toothy primer grabs hold firmly to lower layers, providing a strong firm support for subsequent layers to adhere to. It is also the very first panel surface that offers a real tooth for grabbing hold of pastels and colored pencils, allowing layering and blending with ease. Just carefully seal with several light coats of archival spray for pastels, and you won't have to place your pastel or colored pencil art under glass. For other works, seal with the appropriate fixative for your medium (or varnish for paintings), for a frameless, dramatic presentation of your artwork. Key Features: * Coarse Textured, white acrylic polymer gesso with quartz sand * ¾” and 2” cradle depths for dramatic presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Seal work easily with archival spray (appropriate to media) for frameless display * Wide range of sizes * Cradles easily accept paint, stain, or clearcoat for finishing Perfect For: * Acrylics, encaustics, oils, colored pencils, and oil pastels, and soft pastels * Building layers of media without peeling off * Large scale drawings without the need or cost of framing * Archival art that will last a lifetime * Students, teachers, professionals * See More
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Da Vinci Pro Medium Textured Panel 4"x4", 1-5/8" DeepSave Up to75%Off listWhite Superbly crafted for permanent works of art! Tested by artists, Da Vinci Pro Medium Textured Gesso Panels offer a slight textured surface for artists seeking a panel that grabs media like canvas. Works well with oils, the surface is easily adaptable to oil pastel and other drawing sticks, crayons, graphite and colored pencils, hard and soft pastels, acrylics and acrylic gouaches, and mixed media. Seal with an archival spray fixative appropriate to your individual medium for a dramatic, frameless presentation of your artwork. Key Features: * Medium textured, white acrylic polymer gesso with quartz sand * 7/8” and 1 5/8” cradle depths for frameless presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Wide range of sizes for any artist’s needs * Cradles easily accept paint, stain, or clearcoat for finishing Perfect For: * Acrylics, oils, drawing sticks, crayons, pencils, colored pencils, and all types of pastels * Large scale drawings without the need or cost of framing * Frameless presentation of artwork in any media * Archival art that will last a lifetime * Students, teachers, professionals * See More
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Centurion Deluxe Oil Primed 10"x30" Linen Canvas .67" Deep (Box of 6)Save Up to64%Off listWhite Master Quality Archival Deluxe Stretched Canvas! Superb Performance And Color Retention! Exclusive OP Enhanced Oil Priming! As an oil painter, it is important to work on oil primed surfaces. First, oil on oil will provide the best chemical bond for the paint layers that go on, afterwards. Secondly, gesso are acrylic based, and either repel oil if they have too high of a resin base, or absorb the oil too much if it is too matte, making color sink and look dull and lifeless. Oil priming allows the color to sit cleanly and brightly on the surface, with refraction of the white from below. Centurion’s affordable (OP DLX) oil primed canvas is a great way to start painting with not only an oil primer, but the luxurious texture and archival tradition of linen! Exclusive OP enhanced oil priming! Oil Primed Linen, Deluxe Professional Stretched Canvas (OP DLX) Back stapled to allow for easy re-keying or re-stretching, Centurion Canvases have 4 paintable edges for frameless or floater frame presentation. The stretchers are kiln-dried, all pine bars for strength and durability. Centurion Linen is a master-quality, 11oz. weight linen with a lovely medium texture and weave, that’s archival nature will last hundreds of years. Centurion Deluxe Oil Primed Linen Canvases come in convenient 0.67" and 0.87" depths for ease of specific framing needs. Centurion Deluxe Oil Primed Linen also comes in rolls for custom stretching onto custom sizes or deeper gallery stretchers, and is also sold in Panels for studies, plein air, or to take up less space for traveling. Key Features:* Exclusive OP enhanced oil priming* Master quality 11oz. weight linen canvas for archival longevity* Deluxe Oil-primed linen* Medium weight and texture* Kiln-dried Pine Stretchers* Back stapled for clean edges* Easy re-keying or re-stretching* Convenient 0.67" and 0.87" depths for ease of specific framing needs* Superb performance and color retention* Non-absorbent, enhanced oil primer allows for brilliant results* Perfect For:* Oil and Alkyd Painting* Archival Longevity* Students to Professional Artists* Commissions and Final Paintings* Superb receptive surface There is no canvas like this canvas! Exclusive OP Enhanced Oil Priming! Centurion Deluxe Professional Oil Primed Linen Stretched Canvas, specifically designed for oil painters. Superb receptive surface accepts even the thinnest oil color lay down without fragmenting on the surface and is a permanent surface as colors adhere better on it then any other oil primed canvas on the market today! See More
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Jack Richeson 1/8" Toned Gesso Hardboard Canvas Panels - Umber, 4"x4"Save Up to12%Off listWhite Professional, tempered hardboard panels coated with high quality gesso! These premium panels from Jack Richeson are the ideal surface for any artist working in acrylics, alkyds or even caesin! Made from Richeson's superior grade hardboard with a solid fiber core, these tempered panels are extremely strong and warp-resistant. Premium Toned Gessoed Panels have been double-coated with a high quality toned gesso resulting in a beautifully even, lightly-toothed surface that bonds perfectly with the hardboard panel and will not separate. Whether you are working in acrylics, alkyds, traditional or water-soluble oil paints, Richeson's 1/8" deep Premium Gessoed Hardboard Panels are the perfect painting surface that is ready to paint! With beautifully beveled edges, these warp-resistant tempered panels are covered with a high-quality toned gesso and are produced with a double coat waterfall system for a perfect lightly toothy surface. Perfect for portraitists, they are a time and energy-saver, ideal for both pros and students. Perfect for use with oils, alkyds, acrylics, caseins, and other water-based paints. Key Features:* Mid-Tone Grey & Umber Wash Toned* Warp-resistant tempered high-density hardboard panel* Solid fiber core* Premium quality surface* Professional acrylic gesso surface* Evenly coated with toned professional gesso* Beautifully beveled edges* Tempered High Density Fiberboard* Made in the USA Perfect For:* Artists of all skill levels* Oils, alkyds, acrylic and casein* Creating fine details* Smooth applications of paint* Painting immediately, no extra priming necessary Mid-Tone Grey Toned - Gessoed 1/8" Hardboard / Umber Wash Toned Gessoed 1/8" Hardboard - See Listing Below See More
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New York Central Professional Control Oil Color Brush Hog Bristle Short Almond Filbert (117) sz 3Save Up to77%Off listThe Ultimate In Luxury Brushes! Legendary Brushes For Any Oil Color Painter These Professional Oil Color Brushes offer the legendary quality that has come to be associated with the trusted name of New York Central®. Handmade in Germany, these brushes feature impeccably fashioned, balanced… The Ultimate In Luxury Brushes! Legendary Brushes For Any Oil Color Painter These Professional Oil Color Brushes offer the legendary quality that has come to be associated with the trusted name of New York Central®. Handmade in Germany, these brushes feature impeccably fashioned, balanced wood handles, silver nickel-plated seamless ferrules, and superior crimping for long-term use without wear! Available in three types of brush hair: Proprietary SP Mix, Kolinsky Red Sable, and Hog Bristle. Choose the brush that’s right for you, or purchase one of our carefully curated brush sets! Key Features:* Available in 3 types of brush hair: SP Mix, Kolinsky Red Sable and Hog Bristle* Well-balanced, handmade wood handles* The very best silver nickel-plated seamless ferrules* Quality crimping assures long use* Handmade in Germany* Legendary New York Central® Quality* All Brushes Specifications Chart - Click Here > Perfect For:* Artists Who Want The Very Best* Superior control* The feeling of quality and luxury in your hand SP MIX CONTROL ALMOND FILBERTS (115) Stiffness Watercolors Acrylics Oils SP MIX is a proprietary blend of soft hairs that feels like Fitch but holds more color. SP MIX is great for glazing, painting exact strokes, and adding fine details to small areas. The hair has a semi-coarse feel. These almond filberts will surely be the workhorse for much of your painting. The hair mix provides an excellent controlled feel with the proper heft and tapered shape to work even in the smallest areas. The hair holds an abundance of color, so you will find it more often than not to be your go-to brush. They are wonderful for building loose details. SP Mix Control Almond Filberts (115) Set of 5 with Brush Easel Case Includes: One each of sz 0, sz 4, sz 6, sz 12 and sz 18—plus a Brush Easel Case KOLINSKY SABLE ALMOND FILBERTS (116) Stiffness Watercolors Acrylics Oils KOLINSKY SABLE ALMOND FILBERTS are made of only the finest Kolinsky hair. Natural sable hair is not as full and springy as it used to be because of climate change. New York Central® used Kolinsky hair from the vault to make these brushes so that you can experience what it is like to paint with real sable. You will immediately notice that hair is very absorbent, super soft, and ideal for detailed areas. They have the wonderful springy character of Kolinsky and a thick and bushy construction so that you can use them for expressive painting and classical techniques. Kolinsky Sable Almond Filberts (116) Set of 5 with Brush Easel Case Includes: One each of sz 0, sz 2, sz 4, sz 6 and sz 12—plus a Brush Easel Case HOG BRISTLE SHORT ALMOND FILBERTS (117) Stiffness Watercolors Acrylics Oils Not all bristle hair is created equal. This hair is the very finest available on earth. It is treated to be soft to stop hairs from breaking while painting and provide the most control possible. The bristles have a coarse feel. Short, subtle, and resilient, these bristle brushes are impeccably fashioned, with natural flagged ends to grip color. They provide fantastic control and allow you to draw an underpainting and block in elements with precision. Hog Bristle Short Almond Filberts (117) Set of 6 with Brush Easel Case Includes: One each of sz 1, sz 2, sz 4, sz 6, sz 8 and sz 12—plus a Brush Easel Case Hog Bristle Super Short Flats (118) Set of 5 with Brush Easel Case Includes: One each of sz 2, sz 6, sz 12, sz 18 and sz 24—plus a Brush Easel Case NEW YORK CENTRAL® ULTIMATE 19 CONTROL BRUSH COLLECTION - This set is a complete collection of this quality range of brushes in a handmade leather brush case. The set includes 19 total brushes, including SP Mix sizes 6, 12, 18, and 22, Kolinsky sizes 0, 2, 4, and 12, Short Filberts sizes 1, 2, 4, 6, 8, and twelve and Extra Short Flats sizes 2, 8, 12, 20 and 28. See More
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Liquitex Basics Acrylic Gesso, 250 mlSave Up to35%Off listWhite Opaque, Matte, White Acrylic Gesso! Liquitex Basics Acrylic Gesso is made of an excellent student-quality formula that is ideal when you're starting out on a budget or when you're experimenting. This white priming ground can be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Can be tinted with acrylic colors before application for brilliant colored grounds. Key Features: * Opaque, matte finish * Titanium White Acrylic Gesso * Improves adhesion & durability of canvas * Non-yellowing * Dries within minutes Perfect For: * Traditional or colored ground * Artists, crafters, students * Acrylic, oil, tempera, or casein * People on a budget * Application on a variety of absorbent surfaces See More
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Winsor & Newton Linseed Stand Oil Medium, 250ml BottleSave Up to43%Off list…Oil - A low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. Bleached Linseed Oil - A refined pale oil… The Perfect Accompaniment To Oil Paints! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. Drying oils control color, prevent over-thinning when mixed with solvents, and help maintain the flexibility of paint film. Key Features: * Accelerates the drying time * Increases gloss & translucency of colors * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Accelerating the drying of oil colors * Professional oil painters * Maintaining consistency * Preserving gloss Cold Pressed Linseed Oil - An oil extracted without the use of heat. Cold Pressed Linseed Oil makes oil colour "fatter". It reduces viscosity for better flow while adding transparency and gloss. Drying Poppy Oil - Extracted from the seeds of the poppy plant. Drying Poppy Oil makes oil colour "fatter" and has a pale character. The fast drying oil stabilizes a colour’s film. Dries more slowly than linseed oil and preserves good, clear colours even in the spectrum of light colours. Drying Linseed Oil - Fastest drying linseed oil, increases gloss, transparency, and reduces consistency. It decreases the consistency and transparency of the oil paint. Add to other oils to accelerate drying times. Linseed Stand Oil - For glazing and as an alternative for Refined Linseed Oil, due to its pale colour and excellent levelling. Linseed Stand Oil makes oil colour "fatter". It's a pale viscous oil that slows drying while imparting a smooth, tough enamel finish with no brush marks. Refined Linseed Oil - A low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. Bleached Linseed Oil - A refined pale oil which will improve the flow of colour and dries slightly faster than Refined Linseed Oil. Use with pale colours and white. Thickened Linseed Oil - Amber coloured, partially oxidised oil. Makes oil colour "fatter". A faster drying viscose oil. Can be used in combination with Sansodor to accelerate drying rates further. Safflower Oil - Extracted from the seeds of the safflower plant. Makes oil colour "fatter" and has a pale character. It's a slow drying oil that stabilizes paint film. Use with whites, pale and bright colours. The pale colour preserves the brightness of pigments. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Maimeri Oil Painting Mediums - Walnut Oil, 250ml BottleSave Up to22%Off list…It has similar properties to linseed oil, but it won't yellow as much. Good drying power. Walnut Oil Similar properties to linseed oil, but it does not yellow. Good drying power, increases the brightness of colors. Walnut Oil:* Similar properties to linseed oil* but it does not yellow* Good drying… Increases the brightness of colors. Good drying power! Maimeri Walnut Oil Painting Medium uses only the purest ingredients for the best guarantee of brilliance and vibrancy Maimeri uses only the purest ingredients for the best guarantee of brilliance and vibrancy. Most Maimeri oil mediums are housed in a glass bottle with a twist-off cap. Increases the brightness of colors. It has similar properties to linseed oil, but it won't yellow as much. Good drying power. Walnut Oil Similar properties to linseed oil, but it does not yellow. Good drying power, increases the brightness of colors. Walnut Oil:* Similar properties to linseed oil* but it does not yellow* Good drying power* Increases the brightness of colors* Available in: 75ML, 250ML, 500ML glass bottles See More
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Sennelier Safflower Oil, 250ml BottleSave Up to37%Off list…the working characteristics of oil paint to suit your artistic need Sennelier Oil Mediums are composed of natural resins, beeswax, dammar gum, and other solvents. The different oil mediums in the Sennelier line allow professionals to change the texture of their oil paints while also uniting their… Alter the working characteristics of oil paint to suit your artistic need Sennelier Oil Mediums are composed of natural resins, beeswax, dammar gum, and other solvents. The different oil mediums in the Sennelier line allow professionals to change the texture of their oil paints while also uniting their composition with uniform effects. Sennelier Oil Mediums are ideal for alla prima painting techniques and painting en Plein air. Sennelier additives allow painters to follow their creative impulses by empowering them to alter the working characteristics of oil paint to suit their artistic needs. Key Features:* Composed of natural resins* Increase gloss and transparency* Modify drying time* Reinforces cohesion of the brushstroke* Accentuates gloss* Made in France Perfect For:* Maximum degree of transparency* Oil painting* Artists seeking a quality oil medium* Alla prima paintings or studies* Painting en Plein air* Improves transparency, fluidity Turner Transparent Glazing Medium: is perfect for glazing and finishing paintings. The transparent medium conserves the natural silky finish of oil paint. Add 10% maximum to the total paint mixture. You can dilute the medium with turpentine. Safflower Oil: Clarified vegetable oil, a good drier with low acidity. Characterized by resistance to yellowing and excellent compatibility with pigments. Mix with oil colors to accentuate their fluidity, transparency and gloss without altering the hue's brilliance during drying. Veronese Paste Medium: is a medium that provides a uniform matte finish and rapid drying time. Covers quickly as it melds adjacent brush strokes. Veronese is ideal for large “alla prima” paintings or studies due to its plasticity and rapid drying characteristics. The medium may need to be thinned with petroleum spirits or turpentine. Gel 'N Dry Medium: Gel form of Flow 'N Dry. Speeds drying, improves fluidity and gloss. Suitable for impasto techniques. Universal Medium: is a liquid, colorless gloss medium that shortens drying time, improves fluidity, and increases gloss and transparency while leaving a uniform surface. Non-yellowing. Turner Painting Medium: Based on dammar gum. Reinforces cohesion of the brushstroke and accentuates gloss. You can thin this medium with mineral spirits or turpentine. See More
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Cobra Water-Mixable Oil Glazing Medium, 250ml BottleSave Up to40%Off list…the paint fatter. Safflower Oil - Safflower oil boosts paint flow and transparency. The oil doesn't yellow over time and dries slower than linseed oil, making it ideal for initial and final paint layers. Linseed Oil - improves paint flow and transparency. This linseed oil dries relatively fast and… Expand your painting possibilities with these water-mixable oil mediums! Using these specially designed water-mixable mediums and auxiliaries can increase the range of effects achievable with your Cobra paints! Just like Cobra colors, these mediums mix cleanly with water and are great additives for techniques from glazing and layering to alla prima and impasto. Enhance all your water-mixable oil paintings with these great mediums from Royal Talens! Key Features: * Water-mixable oil paint mediums * Water-mixable cleaning auxiliaries Perfect For: * Modifying oil paint * Lengthening drying time Click on the white paper icon for more information about each Cobra product. Painting Medium - This viscous medium makes Cobra oils smoother and fatter, eliminating brushstrokes without lengthening the drying time of the paint film. It also adds a universal sheen and increases color transparency. Perfect for use in layering and alla prima (wet-on-wet) techniques. Glazing Medium – improves the flow of Cobra oil paints and increases their transparency, making it perfect for luminous glazing techniques. As this medium has a high oil content, it should only be used in the final few layers of a painting, following the "fat over lean" rule. Painting Paste – Perfect for adding bulk in impasto techniques or decreasing color intensity for alla prima painting. Can be mixed with Cobra oil colors in any ratio, but the more Painting Medium added, the lower the color intensity will become. Quick Dry Medium (Solvent-Free) - This medium reduces the drying time of Cobra paints. It also increases the flow and transparency of the paint while making the paint fatter. Safflower Oil - Safflower oil boosts paint flow and transparency. The oil doesn't yellow over time and dries slower than linseed oil, making it ideal for initial and final paint layers. Linseed Oil - improves paint flow and transparency. This linseed oil dries relatively fast and can be used for the initial layers of your painting. While linseed oil may yellow slightly over time, it offers a more stable paint film. Paint Thinner (Solvent-Free) - This solvent-free thinner enhances paint fluidity, making it leaner and aiding quicker drying times. It's particularly ideal for applying the initial layers of your painting. Brush Cleaner (Solvent-Free) - Makes brushes easier to clean. Also cleans brushes with oil colours that are not mixable with water Medium Mix - Cobra created this Medium Mix to help artists transition from traditional to water-mixable oil paints. Add this medium to your leftover traditional oil paints to make them water-mixable, so you can mix and thin your paint using just water! See More
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Sennelier #Green for Oil Mediums - Solvent-Free Brush Cleaner, 250mlSave Up to35%Off list…petroleum based additives * Artists that work with oil paints * Sennelier Artists’ Oils & Rive Gauche * Safe for elderly, pregnant & allergy prone artists * Can be brought on a plane Sennelier #Green - Non-Toxic Additives For Oil Paints All Green for Oil products are bio solvent based… Non-Toxic Additives for Oil Paints with these eco-friendly alternatives to traditional solvents! Sennelier Green For Oil is a range of non-toxic, biodegradable additives for oil paint. These bio solvent based additives are created from sustainable, raw materials such as vegetable oils and grain. 100% safe and easily disposable, they are odorless and safe enough to bring onto a plane. Sennelier Green For Oil products are just as effective as traditional solvents and work wonderfully with both the Sennelier Artists’ Oils and Rive Gauche. Be aware that they cannot be used with solvent based mediums and it is important to abide by the slightly longer drying time. Brush Cleaner: This non-toxic liquid cleaner is perfect for deep cleaning of all types of brushes, knives, palettes and other containers before next use. Matte Varnish: This clear & quick drying varnish protects your finished work with a non-reflective, matte finish. It can be mixed with gloss varnish for a satin finish. Gloss Varnish: This gloss varnish will enhance the brightest and most vibrant colors in your painting with a glossy finish. This quick and clear drying varnish can be mixed with matte varnish for a satin finish. Thinner: This bio-solvent thinner replaces petroleum distillate to thin your oil paints. Mix the product with your paint to make it more fluid and more suitable for the first drafts of your painting. Universal Medium: A perfect substitute for universal medium, this medium will enable you to improve the consistency of your paste, create glazes and the other effects such as impasto. Also invaluable if working in cold temperatures and speeds up drying time & adds shine to your finished work! Gel Medium: This Carthame oil-based formula has been designed for artists work with thick paints to build up depth. It preserves the consistency of oil paints without making the product too fluid, enabling artists to superpose colors without diluting the bottom layers of color. This medium also speeds up drying time! Key Features: * Non-toxic, biodegradable, eco-friendly additive * Just as effective as traditional solvents * The product range includes Thinner, Gel Medium, Universal Medium, Gloss & Matte Varnishes * 100% safe & easily disposable Perfect For: * Replacing petroleum based additives * Artists that work with oil paints * Sennelier Artists’ Oils & Rive Gauche * Safe for elderly, pregnant & allergy prone artists * Can be brought on a plane Sennelier #Green - Non-Toxic Additives For Oil Paints All Green for Oil products are bio solvent based (meaning from sustainable raw materials such as vegetable oils and grain) and are biodegradable. 100% safe and easily disposable, they can be brought into a plane. Great packaging and remarkable capabilities. See More
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Winsor & Newton Oil Color Solvents - Sansodor, 250ml BottleSave Up to43%Off list…varnish Picture Cleaner - A natural resin/oil emulsion containing ammonia, designed for cleaning varnished paintings. Dissolves linseed oil oxidation and removes surface dirt. English Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived… Professional Grade Artist Solvents Artists use solvents to clean brushes and palettes after painting. Winsor & Newton solvents are made specifically for artists’ use and are fully volatile, meaning they leave no residual matter once evaporated. Key Features: * Artists' Picture Cleaner * English Distilled Turpentine * Sansodor * White Spirit Perfect For: * Cleaning palettes and brushes * Removing dried paint * Removing varnish Picture Cleaner - A natural resin/oil emulsion containing ammonia, designed for cleaning varnished paintings. Dissolves linseed oil oxidation and removes surface dirt. English Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived from pine trees and is the most traditional solvent. You can use it to clean brushes. Sansodor - For creating your own painting mediums. Sansodor™ performs like turpentine, but its low odor makes it the least hazardous solvent. Leading art schools recommend it, and it is often the only solvent permitted in their studios. Also good for diluting paint and cleaning brushes. It evaporates slowly and increases blending time. White Spirit - Can be used to create your own painting mediums. Artists’ White Spirit is a petroleum distillate. It makes a leaner mixture with the colour and evaporates quickly. It can be used to clean brushes. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Winsor & Newton Oil Color Varnishes - Artists' Matte Varnish, 250ml BottleSave Up to43%Off list…* Dried oil paintings * Protecting paintings from dirt and grease Artists' Gloss Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Matt Varnish - maintains oil… Professional Grade Artist Varnishes Varnishes protect thoroughly dried paintings from dirt and grease build-up over time. Winsor & Newton Varnishes are available in various finishes for different purposes. Key Features: * Gloss, matt, and satin varnishes * Retouching varnish Perfect For: * Dried oil paintings * Protecting paintings from dirt and grease Artists' Gloss Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Matt Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Retouching Varnish - preserves the artwork until the painting is fully cured and ready for its final varnish. Retouch varnish allows the paint film to cure through the varnish. Can be overpainted. Dammar Varnish - High gloss finishing treatment for paintings. Dammar Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with Distilled Turpentine. Satin Varnish - Satin finishing treatment for paintings. Artist's Satin Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Grumbacher Gainsborough Oil and Acrylic Brush Round #3Save Up to40%Off list…Paint Brushes Made By The Finest Paint Manufacturer! Grumbacher's Gainsborough Oil and Acrylic Brushes are professional quality tools handmade from interlocked Chungking hog bristles. These brushes handle thick oil and acrylics beautifully, and the healthy Chungking hair provides a controlled,… Professional Paint Brushes Made By The Finest Paint Manufacturer! Grumbacher's Gainsborough Oil and Acrylic Brushes are professional quality tools handmade from interlocked Chungking hog bristles. These brushes handle thick oil and acrylics beautifully, and the healthy Chungking hair provides a controlled, smooth stroke since the interlocking bristles preserve the natural curve of the bristle. Adorned with long handles and nickel plated ferrules, Grumbacher's Gainsborough Oil and Acrylic Brushes are sure to please any serious artist. Key Features: * Chunking bristle * Long wooden handles * Round, Flat, Bright, Filbert & Fan * Nickel ferrule * Retains precise brush shape * Manages thicker paints with ease Perfect For: * Oil and acrylic paint * Artists of all levels * Classrooms and workshops * Firm but flexible experience * Large format fine artists * Shape retention See More
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Bob Ross Oil Painting Fan Blender Brush #3Save Up to27%Off list…natural bristle brushes * Well balanced palette knives * Made in Germany Perfect For: * Wet on wet painting * Achieving predictable effects * Oil painting * Everyday studio use Background Brush - Similar to the landscape brush but twice as wide for faster coverage for background… Paint with the tools made famous by Bob Ross! These special brushes are made from natural bristles and shaped according to Bob's precise specifications. The balanced painting knives are perfect for painting mountains, cutting in horizon lines, and mixing colors. Bob's Wildlife Series Brushes are great for capturing small details like eyes, fur, and whiskers. Key Features: * Designed by Bob Ross * Top-quality, natural bristle brushes * Well balanced palette knives * Made in Germany Perfect For: * Wet on wet painting * Achieving predictable effects * Oil painting * Everyday studio use Background Brush - Similar to the landscape brush but twice as wide for faster coverage for background work. Made of natural hog hair. Blender Brush - With soft white sheep hair for extra delicate blending and smoothing. With a white paddle handle and seamless plated ferrule. Fan Blenders - Hog hair bristle with plated ferrule and long white wood handle. Good for painting and highlighting evergreens and adding subtle background mountains. Available in sizes 3 and 6. Filbert Brush - Bristle hair brush with platted ferrule with long white wood handle. Great for rocks, stones, highlights, and more! Landscape Brush - Made of natural hog hair bristles, with easy-to-hold long paddle handle and long flat hair. Oval Brush - Pure white bristle hair in an oval shape. It has plated ferrule and easy to hold handle. Palette Knives - Larger and firmer than conventional palette knives with a straight edge designed to make them easy to load with color. Round Foliage Brushes - With special easy to hold wood handle and natural hog hair bristle in a Whole or Half Size diameter. Great for painting trees, foothills, and scenery of all kinds. Script Liner - For finer details, signatures, and sweeping strokes. Features long hair that can hold a large volume of paint. Wildlife Series Brushes - This special brush series was designed to help facilitate the painting of wildlife, including all the intricate details such as the eyes and fur. Floral Mop - The Bob Ross Floral Mop Brush helps you paint soft, flowing strokes and organic petal shapes. The mop brush is also perfect for painting the most delicate animal fur textures. See More
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Winsor & Newton Artists Oil Chungking Brush Flat #3Save Up to75%Off list…Chungking Bristle - Naturally Interlocked With Perfect Flags This is what happens when you stand your ground on quality! Winsor & Newton Artists' Oil Brushes are made of the world's finest Chungking bristle, hand-dressed for perfect flags and a naturally interlocked head. The natural curve of… World's Finest Chungking Bristle - Naturally Interlocked With Perfect Flags This is what happens when you stand your ground on quality! Winsor & Newton Artists' Oil Brushes are made of the world's finest Chungking bristle, hand-dressed for perfect flags and a naturally interlocked head. The natural curve of the hair provides excellent spring and is highly resilient, retaining its shape far longer than other brushes. The brushes are stiff, the bristles flagged (i.e. split at the ends), allowing large amounts of colour to be applied evenly to the surface. The uniquely shaped ergonomic handle offers exceptional balance and control. And the satin matte finish of the ferrule and handle minimizes light reflection when painting outdoors. Because with Winsor & Newton - compromise isn't an option. Key Features: * Chungking hog bristle brushes * Flagged split ends for picking up color * Stiff interlocked construction * Ergonomically balanced handles * Satin finish on handle and ferrule Perfect For: * Oil and acrylic painters * Moving paint with ease * Holding large amounts of color * Plein Air painting * Comfortably holding your brush for a long time See More
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Winsor & Newton Artisan Water-Mixable Oil Medium - Satin Varnish, 250ml BottleSave Up to40%Off list…oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of water-mixable oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and… Everythings Better with Help from Artisan Painting Mediums! Professional water mixable oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of water-mixable oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums and varnishes to enhance your oil painting experience. Artisan Water Mixable Oil Painting Mediums are specially formulated to control, enhance, and protect artworks created with Artisan Water Mixable Oils. Key Features: * Accelerates drying time * Increases gloss & translucency of colors * For information click on yellow technote icon Perfect For: * Water mixable oil paint * Maintaining consistency * Preserving gloss Fast Drying Medium - This is a very popular medium as it speeds the drying of oil color by about 50%, allowing further layers to be applied more quickly. Gloss Varnish - This water-based varnish contains no hazardous solvents. Protects finished paintings and provides a uniform glossiness. If dirty, the varnish can be removed with Artisan Varnish Remover. Impasto Medium - This water-mixable impasto and texturing medium helps maintain the consistency of the color and speeds drying by 50%. For thick impasto, build the texture in several layers, allowing each layer to dry first, mixing the Impasto thoroughly into the color before use. Linseed Oil - This water-mixable oil is the main binder in Artisan colors. When mixed with color, it reduces their consistency for better flow. Combine with water or Thinner to maintain the structure of the paint film. Matt Varnish - This water-based varnish contains no hazardous solvents. Provides protection for finished paintings and provides a uniform matte finish. If dirty, the varnish can be removed with Artisan Varnish Remover. Oil Painting Medium - This stand oil-based medium is ready to use from the bottle. The medium thins the consistency of Artisan colors and aids fine detail work. Safflower Oil - This oil should be used with pale pigments to help maintain their brightness. It also increases gloss and transparency. Satin Varnish - This water-based varnish contains no hazardous solvents. Provides protection for finished paintings and provides a uniform satin finish. If dirty, the varnish can be removed with Artisan Varnish Remover. Stand Oil - This highly durable linseed oil is partly polymerized by being heated in the absence of oxygen. This stand oil joins the molecules together, leaving less space for oxygen and hence a longer drying time. Thinner - Although water is suitable as a diluent for the color, its speedy evaporation can make the color thicken upon the palette much quicker than conventional oil color would when used with turpentine. Varnish Remover - Artisan Gloss, Matt, and Satin varnishes can be removed with Artisan Varnish Remover when dirty. NOTE: Please do not use with traditional oil paints. Please use a traditional oil painting medium See More
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Michael Harding, V1 Dammar Varnish Medium, 250ml JarSave Up to25%Off list…- A historic glazing medium based on light colored Canadian balsam fused with dammar resin and linseed stand oil. This versatile medium provides high gloss levels while imparting depth to paint films. Beeswax Paste - A high oil content paste based on linseed stand oil and pure bleached beeswax. The… Handmade Oil Colour Mediums, Carefully Crafted From The Highest-Grade Natural Materials! Rather than using toxic and unpredictable lead drying agents, Michael Harding has prepared a selection of oil, resin, balsam, and wax painting medium creations that will safely yet traditionally alter your paint film to suit your painting needs! In place of traditional sun-thickened linseed oil, Harding’s oil mediums formula utilizes the best grade viscous linseed stand oil, given its ability to self level, imparts elasticity into the paint film, and does not yellow or darken appreciably over time. Otherwise, the raw materials used are consistent with those of the past. Mediums and varnishes are available in 100ml and 250ml jars. See description tab for information on each individual medium. Dammar Glaze Medium - A traditional glaze medium (with cobalt siccative) that helps add depth and gloss to transparent colors. Known for its speedy drying time of oil colors; use with slower drying colors. Oil Painting Medium - A basic oil medium designed to ease flow and increase gloss, transparency, depth, and bedaub of the pigment color. This medium is a linseed stand oil and turpentine formulation that prevents yellowing of paint film. Resin-Oil-Wax Medium - A soft painting paste, derived from pure bleached beeswax, mixed with dammar resin and linseed stand oil. This popular medium creates a lovely satin sheen and gentle impasto in paint layers. Settling of the medium may occur - allow jar to stand in hot water and stir contents until dissolved. Oleo-Resin Medium - A historic glazing medium based on light colored Canadian balsam fused with dammar resin and linseed stand oil. This versatile medium provides high gloss levels while imparting depth to paint films. Beeswax Paste - A high oil content paste based on linseed stand oil and pure bleached beeswax. The paste increases the body of oil colors with a satin-matte finish; especially useful with opaque colors. Balsam Resin Glaze - Another historical glazing medium, it is based on Austrian Larch Turpentine (Venice Turpentine) with Dammar resin and linseed stand oil. This wonderful smelling medium is added to oil colors to enhance depth, gloss, and luster. Matte Varnish - Creates a long lasting, protective coating with a beautiful matte finish. Made from real beeswax dissolved in the finest Portuguese Turpentine. Heat the container before using (until the contents turn clear) and then apply one thin coat - dries within minutes. Apply this varnish as a final picture varnish to thoroughly dried oil paint (6 months minimum- up to 18 months if paint is very thick). Dammar Varnish - Versatile varnish that creates a subtle gloss finish. Made from the best quality dammar resin from Thailand, dissolved in double rectified Portuguese maritime Turpentine, then carefully filtered. Apply as a final picture varnish to thoroughly dried oil paint (6 months minimum- up to 18 months if paint is very thick). Key Features: * No toxic, unpredictable lead driers * Oil, resin, balsam, and wax blends * Varnish, glazing & painting mediums * Mediums for Professional Oil Painters Perfect For: * Professional Oil Painters * discerning amateurs & instructors * Artists favoring Old Masters materials * use with Michael Harding Artists’ Oils See More
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Jack Richeson Grey Matters Series 9841 Long Handle Sz 3 Round Bristle Oil BrushSave Up to28%Off list…your eye and your artwork * Minimize color distortion * Non-reflective hair, ferrule, and handle * Synthetic hair for oil, acrylic and water media * Natural bristle for oil & acrylic * Special signing brushes Perfect For: * Defined brush strokes * Creating fine details * Professionals, teachers,… Grey Matters Brushes solve the issue! Artists from all over the country approached Richeson to solve a problem not solved by other brush manufacturers: annoying glare and reflections from studio lights and sun. Finally! Grey Matters brushes solve this issue. Richeson Grey Matters brushes are free of distracting colors and reflective metals — perfect for plein air or in the studio, and ideal for toned palettes and canvas. These interlocked long-handled bristle brushes are painstakingly crafted by hand. Interlocked brushes ensure that the bristles maintain their shape and last for long time. Key Features: * Non-reflective / anti-glare * Create a neutral grey value space between your eye and your artwork * Minimize color distortion * Non-reflective hair, ferrule, and handle * Synthetic hair for oil, acrylic and water media * Natural bristle for oil & acrylic * Special signing brushes Perfect For: * Defined brush strokes * Creating fine details * Professionals, teachers, students Questions and Answers Does Grey Matter? YES!!!!! The human brain is compensating in ways we cannot imagine when we have colored handles and reflective ferrules. The Neutral Grey top to bottom brush makes a painting without interference from other colors make sense! Does a nonreflective ferrule matter? Yes, The reflection of light off of the ferrule is a distraction. When you regularly use the Grey Matters Brushes it becomes apparent how the reflection off of a ferrule has affected concentration! Are all Synthetic Brush heads the same? NO! The filaments that make a synthetic brush can range wildly from Student to Professional grade. Brush quality is determined by the number of different fibers and type of bristles that make up the brush head. The fewer Different types of filaments – typically the lower grade. Does the color of the brush fibers affect the quality? NO! A color such as the Grey in Grey Matters is done to accomplish a result that is neutral to the eye What is the quality of a Richeson Grey Matters Brush? Only the Highest quality synthetic fibers are selected for Grey Matters Brushes – different bristles are mixed to accomplish very specific firmness or softness Can a grey Matters Oil Brush be used for acrylic painting? YES!!! If the painter desires a softer brush head when painting. Can I use my brushes for both Oil and Acrylic paint (Interchange)? Once used with a medium or paint type – it should ONLY be used for that medium – it is not possible to sufficiently clean a brush to use for different mediums at best it is risky See More
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Creative Mark Glazing & Wash Brush, 3" BrushSave Up to47%Off list…a varnish to paintings Perfect For:* For creating glazes with oil colors* For creating washes with watercolor or gouache* Smoothing varnish onto oil paintings* Base coating of backgrounds* Oils, watercolors, acrylics, gouache and gesso's.* For use with thin glazes of acrylics, egg tempera or alkyds Glazing brushes are a must have in any artist’s brush arsenal Creative Mark Glazing Brushes are luxuriously soft, made of natural pony hair. These glazing brushes are a must have in any artist’s brush arsenal! These supple brushes apply even, smooth glazes over canvas surfaces with minimal brush strokes when used with oil colors. The nickel-plated ferrules are well mounted to transparent, red-oxide stained paddle-style handles that hold up well with solvent use. Creative Mark glazing brushes can also be used as wash brushes with watercolor or gouache, or thin glazes in acrylics, egg tempera or alkyds. Key Features:* Natural pony hair* Nickel-plated ferrules* Red-oxide stained paddle-style handles* Applying a varnish to paintings Perfect For:* For creating glazes with oil colors* For creating washes with watercolor or gouache* Smoothing varnish onto oil paintings* Base coating of backgrounds* Oils, watercolors, acrylics, gouache and gesso's.* For use with thin glazes of acrylics, egg tempera or alkyds See More
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Creative Mark Bonn Bristle Blend 3" MottlerSave Up to62%Off listStiffness Watercolors Acrylics Oils Mottler Brushes for Large Scale Works or Varnish & Gesso Applications The Bonn Bristle Blend Mottler brushes are designed to be an extension of your hand, giving you superior control for dependable results time after time. The Bonn brushes use an exclusive… Stiffness Watercolors Acrylics Oils Mottler Brushes for Large Scale Works or Varnish & Gesso Applications The Bonn Bristle Blend Mottler brushes are designed to be an extension of your hand, giving you superior control for dependable results time after time. The Bonn brushes use an exclusive blend of the finest bristle hair and synthetic filament hair. The hair is shaped into a bundle by hand and tied. The flat ferrules flatten the bundle to form a perfectly even broad stroke and are then glued into the ferrule. The nickel-plated ferrule of the brush tightly holds the brush head to the handle and is affixed additionally with stainless steel staples. The tightly secured bristle bundle and ferrule reduce bristle hair shedding on painting surfaces. The Bonn hair blend is very durable and holds up to all surfaces, even rough and irregular ones! Each Bonn Bristle Blend Mottler is handmade in Germany by highly trained artist brush makers. Bonn Bristle Mottlers are both large scale painting brushes, precision priming brushes for oil or acrylic painting! Key Features:* Natural flagged ends hold and release color evenly through the stroke* Natural and synthetic bristle blend* Hand-shaped and tied mottler* Provides superior brush response and controlled strokes* Flat paddle-style hardwood forest green varnished handles* Nickel-plated ferrules and stainless steel staple bonding prevent loose hair* Unique hair blend is extremely durable* The tight bristle bundle reduces hair shedding* Holds up to all surfaces, even rough and irregular ones!* Handmade in Germany* Perfect For:* Acrylic or oil paint* Varnish or gesso application* Students, amateurs, professionals * Fine control with heavy acrylics* Moving paint with ease on the canvas* Painting on rough and irregular surfaces* Large scale works and murals* Artists of all skill levels See More
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Creative Mark Berlin Synthetic 3" Mottler Brush (Series 1018M)Save Up to74%Off listStiffness Watercolors Acrylics Oils A brush that will change the way you think about synthetics! Berlin’s unique hair provides the feel of the very best bristle brushes combined with the superb handling of thin, soft, and heavy-bodied acrylic colors. They are a brush that will change the way you… Stiffness Watercolors Acrylics Oils A brush that will change the way you think about synthetics! Berlin’s unique hair provides the feel of the very best bristle brushes combined with the superb handling of thin, soft, and heavy-bodied acrylic colors. They are a brush that will change the way you think about synthetic bristle hair. That is because they make using acrylic paints as easy to control as oil paint while providing a real feel of the paint and surface through each stroke. These mottlers are superbly fashioned tools, handcrafted in Germany by only the most experienced brush makers. With proper care, these mottlers may be relied upon for a very long time. We promise that you will not be able to find a better brush for large-scale, controlled painting. Artist Tested, Artist Approved! The Berlin Mottler is hands down the best large brush ever made for all types of acrylic colors and inks! Handmade in Germany by master brush makers. Key Features:* Handmade in Germany by master brush makers* Synthetic bristle* Superb handling of any paint viscosity* Releases color evenly through the stroke* Superior brush response and control* Flat paddle-style hardwood lacquered handles* Nickel-plated ferrules and stainless steel staple bonding prevent loose hair* Provides a true feeling of the substrate during each stroke* The tight bristle bundle reduces hair shedding* With proper care, these mottlers may be relied upon for years* Perfect For:* All types of acrylic colors and inks* Thin, soft, and heavy-bodied acrylic paint* Varnish or gesso application* Students, beginners, professionals* Fine control with heavy acrylics* Moving paint with ease on the canvas* Large scale works and murals* Artists of all skill levels* Click on the yellow technote icon to view brush size information See More
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Liquitex Freestyle Acrylic Brush - Large Scale, Universal Flat 3"Save Up to40%Off listAn innovative range of professional brushes for traditional and modern artistic expression! You love Liquitex's acrylic paints, now you can love their artists' paint brushes too! These new lines of Freestyle professional artists' brushes are designed with both the traditional painter and the modern… An innovative range of professional brushes for traditional and modern artistic expression! You love Liquitex's acrylic paints, now you can love their artists' paint brushes too! These new lines of Freestyle professional artists' brushes are designed with both the traditional painter and the modern artist in mind. For the traditionalist there are the Freestyle Detail brushes: a line of 24 brushes made from the highest quality synthetic nylon bristle, with a non-rusting ferrule and a long, ergonomically contoured satin matte handle for non-slip control. These brushes are available in the most popular sizes of round, bright, flat and filbert shapes for all varieties of traditional painting methods. Freestyle Detail Brushes * Blended, medium-stiff high quality synthetic nylon bristle * Stainless steel rust-proof ferrule * Long, contoured satin matte finish handle * Round, Bright, Flat and Filbert shapes * All available in sizes 2, 4, 6, 8, 10 and 12 For the pioneering modern painter, there are the Freestyle Large Scale brushes: innovative large designs that meet the needs of non-traditional painters working in grandiose scale. With medium to stiff blended synthetic bristles and lacquered matte, non-slip handles, Freestyle Large Scale brushes are perfect for oversized and mural work, contemporary effects and even outdoor use! From the all-purpose Universal Flat and Angle brushes, to the Paddle Brushes for moving thick color and the Splatter Brushes for unique marks and splatter effects, there is virtually no manner of artistic expression that cannot be achieved with these innovative, distinct brushes. The "Giant" brush can even be screwed onto a broom handle for massive reach! Whether your painting style is more traditional, more avant-garde, or a mixture of both, new Liquitex Freestyle brushes are sure to fit your style and enhance your creative expression! Freestyle Large Scale Brushes * Medium to stiff blended synthetic bristle * Brushed stainless steel rust-proof ferrules * Seasoned hardwood handle with non-slip matte finish * 7 innovative shapes / effects * Durable and suitable for outdoor work NEW! Freestyle Large Scale Brush Ring Set of 5 - Now you can get five of the most popular Liquitex Freestyle Large Scale Brushes in this convenient set! Includes a 1" Universal Angle, 1" Universal Flat, 1" Paddle, 2" Paddle and a Splatter Round brush all on a handy, portable ring that can easily be attached to a belt or a bag. Bought individually, that's over $85.00 list worth of innovative brushes at more than 50% off list prices! See More
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Gamblin Artist Colors Gamvar 3in Varnish BrushSave Up to25%Off list…enough to contour to texture, yet stiff enough to evenly and thinly varnish a painting. The brush works with Gamvar Gloss, Satin, and Matte on oil and acrylic paintings. It’s the only varnish brush you’ll ever need! Key Features: * Synthetic animal-free bristles * Correct thickness and stiffness… Varnishing Is Trending, And It’s The #1 Topic Painters Contact Us About Successful varnishing requires three things: the right varnish, proper technique, and the right brush. The Gamvar Varnish Brush is the only varnish brush designed to work accurately with Gamblin Gamvar Varnishes. It has the correct thickness and stiffness — with synthetic bristles soft enough to contour to texture, yet stiff enough to evenly and thinly varnish a painting. The brush works with Gamvar Gloss, Satin, and Matte on oil and acrylic paintings. It’s the only varnish brush you’ll ever need! Key Features: * Synthetic animal-free bristles * Correct thickness and stiffness for varnish * Soft enough to contour to texture * Stiff enough to evenly and thinly varnish * Designed for Gamvar Varnishes * Designed by Gamblin * Made in Germany Perfect For: * Varnish application * Gamblin Gamvar Varnishes * Students, amateurs, professionals * Rough and irregular surfaces * Large scale works and murals * Artists of all skill levels See More
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Creative Mark Original FX Effects Spatcher, 3" FlatSave Up to70%Off listGrey The Original Spatcher by Creative Mark. Apply, Spread, Scrape, Lift, Mix - Create The silicone Spatcher blade provides a smooth laydown of color or medium while still being robust enough to spread and manipulate the thickest paints and mediums. Each Spatcher features a nickel-plated brass ferrule that is glued into the paddle-style varnished wood handle. Two finishing nails secure the ferrule in place for years of carefree use. You can quickly clean the blade with soap and water or wipe clean with solvents. If acrylic paint dries on the blade, you can peel it right off. The tapered edge provides crisp and exact strokes and allows for many creative techniques. Available in 1", 2", and 3" widths. If you don’t have a tool like this in your studio, you need to buy one! Key Features: * High-quality silicone blade * Fine edge, tapered shape * Firm blade * Nickel-plated brass ferrules * Varnished wood paddle handles * Available in 1", 2", and 3" widths * Strong enough to push through thick paints * Easy to clean with soap and water or solvents * The blade will not absorb medium or paint Perfect For: * All viscosities of paint and medium * Applying, removing, scraping, and moving color * Oil, acrylic, modeling paste * Smooth laydown of color * Developing new and exciting effects * Spreading gesso or large areas of paint * Faux finishing effects There are endless applications for this tool, but the most common uses are: Applying paints, gesso, and mediums: Spreading paint with a brush has all sorts of drawbacks. Hair sheds, brushes hold various amounts of paint, so you end up with excess paint in some areas, and brushes are hard to clean. With Spatchers, you can put color on the surface directly and let the tool do the work of spreading it on canvas, board, or panel. If you like, you can soften any marks with a soft brush. Applying layers of colors in multiple ways: Here is where your creativity takes over. You can add colors with a basic spread of paint or use the edge to add linear shapes and layer color. If still wet, you can scrape into the bottom layer to create interesting effects. You can inversely take away by lifting paint off your substrate. For the application of modeling paste: Use the Spatcher as a trowel and then easily build up the impasto regions to your liking with the fine tip. In mixed media, apply 2D or 3D objects with various glues, polymer medium, or gel mediums. See More
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Jacquard Permanent Dyeset Concentrate, 250mlSave Up to30%Off listWater Based Clear Resist - Jacquard has developed a superior water based resist, is used like a frisket to impede the flow of dye. It will completely wash out of fabric with warm water, even after steaming. It holds a crisp line without spreading and does not shrink or pucker when dry. It can be… Water Based Clear Resist - Jacquard has developed a superior water based resist, is used like a frisket to impede the flow of dye. It will completely wash out of fabric with warm water, even after steaming. It holds a crisp line without spreading and does not shrink or pucker when dry. It can be colored with any water based dye and is screenable, odorless, alcohol free and non-toxic. Water Based Permanent Metallic Resists - Use in the same way as Clear Resist but the color is permanent when washed or dry cleaned. Available in black, copper, gold and silver, these resists hold fine, crisp lines that do not spread. The consistency is perfect for production silkscreening or squeeze bottle application. Permanent Dyeset Concentrate - This concentrate is used to set Jacquard Silk Colors (Green Label) Dye. It also can be an alternative to steam setting. See More
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Winsor & Newton Galeria Acrylic Mediums - Iridescent Medium, 250mlSave Up to30%Off list…White Gesso Primer - made from high quality acrylic resin with a good level of pigment strength, can be used straight from the container and provides excellent tooth for adhesion. To reduce absorbency and boost film integrity of the film a minimum of two coats is required if working with oils. Key… Push the performance of Galeria Acrylics further with Galeria Acrylic Mediums! Winsor & Newton’s Galeria Acrylic Mediums are designed to work with their Galeria line, allowing you to explore the full range of acrylic property possibilities, from thinned fluid media effects with Flow Improver to heavy, carvable paste that can be tinted and built up. Slow drying time with Retarder, thin and extend acrylic color, and even Varnish Galeria works for final shine and protection. Galeria Extender - A highly economical medium, Galeria Extender increases volume of paint and maintains opacity. Color will dry to a matte finish. A great product for those on a limited budget. Galeria Flow Improver - Additive that loosens the surface tension of water within the acrylic paint, increasing the flow and allowing the application of areas of flat color evenly without changing the color strength. Increased flow is ideal for masking application, flowing gestural watercolor-like techniques, and “staining" applications. Should be used only in the amount needed to achieve the desired effect. Galeria Fluid Retarder - and additive for extending the drying and working time of acrylic colors. Small amounts (a few drops) will allow for extended blending and manipulation. Fluid Retarder does not contain sufficient acrylic resin to act as an additional “binder" and should be used only in the amount needed to achieve the desired effect. Galeria Gloss Medium - high clarity and even flow, Gloss Medium boosts the brilliance and transparency of the color as well as improving adhesion and durability. Ideal for glazing or applying thick, highly transparent layers of brilliant color for depth and “stained-glass" effect. Galeria Gloss Varnish - A unique, removable gloss varnish of the protection of finished acrylic works. Can be mixed with Galeria Matte Varnish to vary the final varnish. Galeria Heavy Carvable Modeling Paste - Tough and fully carvable, it remains flexible on a variety of surfaces and is suitable for multiple layers. Formulated to have the least effect on color shift from wet to dry. May be overpainted. Acrylic color may be added directly into paste during application (note it will become lighter and ‘chalky’ and the resulting paste will have reduced body). Galeria Iridescent Medium - Developed to provide pearlescent effects when added to color. Most effective when used with transparent colors over dark under layers. Galeria Matte Medium - Creates a flat, even finish. Maintains brilliance of color while boosting transparency, adhesion and durability. Galeria Matte Varnish - a uniquely removable matte varnish which may be mixed with Galeria Gloss Varnish to vary the final finish. Galeria Satin Varnish - A uniquely removable satin varnish for the protection of finished acrylic paintings. Galeria Modeling Paste - a lighter weight, flexible modeling paste for use on canvas (to minimize sagging). Finely textured with a soft sculptural consistency. Suitable for building multiple layers. May be overpainted, color may be added directly to paste (will become lighter and more ‘chalky’, and give paste a reduced body). Matte finish. Galeria White Gesso Primer - made from high quality acrylic resin with a good level of pigment strength, can be used straight from the container and provides excellent tooth for adhesion. To reduce absorbency and boost film integrity of the film a minimum of two coats is required if working with oils. Key Features: * Retarder for Wet-in-Wet * Flow improver for fluid techniques * Mediums to improve flow * Economical Mediums Perfect For: * Students and budgeting artists * slowing drying with retarder * Thin and maintain paint integrity * Extending paint with mediums See More
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Chroma Atelier Interactive Ground Preparations - Binder Medium, 250mlSave Up to40%Off list…paint layers. You can use Binder Medium to seal and prepare porous surfaces before using gesso. Create thick textural effects with Gesso Primer, or if you prefer a smoother painting surface, Liquid Gesso Primer has a thinner consistency that is easy to spread. All of the Chroma Atelier Interactive… Take your painting grounds to the next level! With Chroma Atelier Interactive Grounds, you can prepare your own custom substrate for painting! Chroma Atelier Interactive Grounds have good adhesion and provide a flexible sealed barrier between the substrate and subsequent paint layers. You can use Binder Medium to seal and prepare porous surfaces before using gesso. Create thick textural effects with Gesso Primer, or if you prefer a smoother painting surface, Liquid Gesso Primer has a thinner consistency that is easy to spread. All of the Chroma Atelier Interactive Grounds offer limitless creative possibilities. Key Features: * Good adhesion * Suitable tooth for overpainting * Improves adhesion & durability of canvas * Easy to spread * Ground preparation Perfect For: * Acrylic painting * Collaging & mixed media * Artists of all skill levels * All acrylic-friendly surfaces * Experimenting with different textures and techniques Binder Medium: is an acrylic emulsion and acts as a sealer to prepare porous surfaces before using gesso. It also provides a somewhat "slippery" ground preparation in its own right. It can be used as a medium when needed to toughen paint for conventional acrylic techniques like scratching back, or you can use it as glue for collage. Liquid Gesso Primer: has a thinner consistency that is easy to spread. Liquid Gesso Primer is perfect for preparing a smoother painting surface. See More
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Art Spectrum Colourfix Pastel Primer Jar 250 mlSave Up to33%Off listGrey This primer allows you to work in several layers with little to no fixing and allows the use of wet media such as oils, watercolors and acrylic colors for mixed media works. Colourfix primer is available separately and is the same used for priming the sheets. Use them to prime any paper or board or to cover unwanted passages or to "touch up" smudges or for reverse painting effects. Primers may be mixed to create unique hues. Clear Primer makes virtually any surface, even glass, a pastel surface and is excellent for experimenting allowing you to add pastels into your watercolors, acrylics or oil colors. Supertooth Pastel Primer available in Natural/Clear 250 ml Jar. See More
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Winsor & Newton Artists' Painting Medium 250ml BottleSave Up to43%Off listNon-yellowing medium reduces oil paint viscosity Winsor & Newton Artists' Painting Medium is a slow-drying, gloss medium ideal for glazing and smoothing blended areas. The medium reduces brush strokes and improves flow, boosting the durability of the paint film. Add more oil or solvent to the… Non-yellowing medium reduces oil paint viscosity Winsor & Newton Artists' Painting Medium is a slow-drying, gloss medium ideal for glazing and smoothing blended areas. The medium reduces brush strokes and improves flow, boosting the durability of the paint film. Add more oil or solvent to the mix to change the consistency of your paint. Key Features: * Slows down the drying process * Reduces viscosity and improves flow * Non-yellowing * Dries to a flexible film * Less likely to yellow, wrinkle, or crack Perfect For: * Oils and alkyds * Reducing brush strokes * Oiling out and enriching dull patches * Glazing and blending techniques * Painting fine details Painting tip – Wipe the neck of the bottle after use to ensure the safety cap remains secure. See More
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Winsor & Newton Liquin Original Medium 250ml BottleSave Up to43%Off list…Liquin Winsor and Newton Liquin™ Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin, and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula, but they are all related to the original Liquin… Accelerate Drying Time With Liquin Winsor and Newton Liquin™ Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin, and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula, but they are all related to the original Liquin recipe. Key Features: * Speeds up the drying process * Adds transparency and gloss * Non-yellowing Perfect For: * Oils and alkyds * Reducing brush strokes * Glazing and blending techniques Liquin™ Original - halves the drying time of oil colour and reduces brush stroke retention. Creates a smooth, gel-like paint film that is easier to work with. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Light Gel - halves the drying time of oil colour and produces a smooth gel. Creates low-viscosity, gel-like paint film that is easier to work with and reduces brush stroke retention. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Fine Detail - The most fluid medium within the Liquin™ family. Add to colour to produce a low-viscosity mixture. Increases fluidity and reduces brushstroke retention. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Impasto - A paste-like, semi-gloss version of Liquin™ that halves the drying time of oil and produces a crisp texture. Adds viscosity to your paint that retains marks from brushes or palette knives. It allows the paint to dry faster and makes working with multiple layers easier. Speeds drying (touch dry in 1-6 days, depending on paint thickness). Resists yellowing. Not suitable as a varnish or final coat. Liquin™ Oleopasto - A paste-like, semi-matte version of Liquin™ that halves the drying time of oil. Creates a viscous paint that holds many marks from brushes or palette knives. Keeps the oily texture of pure oil paint. Allows the paint to dry faster and makes working with multiple layers easier. (touch dry in 1-6 days, depending on colour paint thickness). Suitable for impasto & texture work. Resists yellowing. Not suitable as a varnish or final coat. Blending & Glazing Medium - Adjusts oil paint's viscosity and drying behavior for seamless colour blends and even glazes. Improves transparency. PLEASE NOTE: All products in this category are hazardous materials: They cannot ship by Air/Next Day Services. Ground Only. See More
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Richeson Orange Synthetic Brush Series 9165 Filbert #3Save Up to34%Off list…hi-tech brush making. A filament so good it will pass for Sable because this new fiber feels and responds just like Sable. It's full bodied and carries oil or acrylic like Sable. Even loaded with paint it will come to a razor edge in the brights. The rounds are stout and come to a strong firm point.… The latest wonder of hi-tech brush making. A filament so good it will pass for Sable because this new fiber feels and responds just like Sable. It's full bodied and carries oil or acrylic like Sable. Even loaded with paint it will come to a razor edge in the brights. The rounds are stout and come to a strong firm point. Because of their softness, this series is ideal for glazing. See More
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Richeson Synthetic Watercolor Brush Series 9010 Flat Wash 3"Save Up to42%Off listPerformance minded super strong filament hair brushes that withstand harsh painting techniques even on rough surfaces. They offer a quick and flawless brush response coming to a split-proof, extrafine point or a neat hard edge. These brushes feature up to 1" seamless nickel plated ferrules attached… Performance minded super strong filament hair brushes that withstand harsh painting techniques even on rough surfaces. They offer a quick and flawless brush response coming to a split-proof, extrafine point or a neat hard edge. These brushes feature up to 1" seamless nickel plated ferrules attached to short black lacquered wood handles. Sizes 1½" or larger with paddle handles. See More
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Mimik Synthetic Goat Brush, Mottler Size 3"Save Up to62%Off listWhite Animal-Friendly Mottlers Outperform Natural Goat Hair! Mimik Goat Mottler Brushes contain a groundbreaking synthetic fiber that mimics natural goat hair. The filaments are incredibly soft, thin, and absorbent, just like a goat's fur. The ultra-fine synthetic filaments adjust to any surface texture, ensuring consistent, even application with minimal brush marks. Use the mottler shape to apply large washes of color, blend paint, apply a glaze, or varnish your work. Although natural goat brushes are used primarily for watercolor, this synthetic version can even be used with oil and acrylic! Key Features: * Mimics natural goat hair * Extremely soft and thin synthetic filaments * Absorbent filaments soak up and hold watercolor well * More break and tear-resistant than natural goat hair * Animal-friendly and cruelty-free brushes * Short durable handles made of FSC-certified beech wood * Rust-proof nickel plated ferrules * Handmade in Germany * Exquisite craftsmanship ensures that hairs won’t come out while painting Perfect For: * Oil, acrylic, and watercolor * Silk painting with dye * Painting large washes of color * Blending and softening edges * Applying soft glazes of color * Wet-on-wet oil painting techniques * Varnishing a painting with minimal brush strokes See More
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Mimik Synthetic Badger Brush, Mottler Size 3"Save Up to62%Off list…holds paint well * Short durable handles made of FSC-certified beech wood * Rust-proof nickel plated ferrules * Handmade in Germany Perfect For: * Oil, acrylic, and watercolor * Faux and decorative painting * Blending and softening edges * Applying soft glazes * Dry brush techniques * Varnishing *… Animal-Friendly Mottlers Outperform Natural Badger Hair! Mimik Badger Mottler Brushes contain a groundbreaking synthetic fiber that mimics natural badger brushes. The filaments are thin at the root and thicker at the tip, just like a badger’s fur. The slightly wavy nature of the filament creates a gentle resistance perfect for bending and dry-brush techniques. Use the mottler shape to paint a large background, apply a glaze, or varnish your work. Key Features: * Designed to mimic natural badger hair * Very strong, crimped, and tapered synthetic filaments * More break and tear-resistant than natural badger hair * Animal-friendly, cruelty-free brush * Hairs are tight at the ferrule and have soft bushy ends * The brush body stays open when wet and holds paint well * Short durable handles made of FSC-certified beech wood * Rust-proof nickel plated ferrules * Handmade in Germany Perfect For: * Oil, acrylic, and watercolor * Faux and decorative painting * Blending and softening edges * Applying soft glazes * Dry brush techniques * Varnishing * Distributing paint evenly See More
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