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Bob Ross Liquid White Oil Medium 8oz (237ml) JarSave Up to25%Off listWhite Wet-on-wet oil painting mediums & basecoats The goal of Bob Ross, one of America's most beloved artists, was to open the world of art to people who otherwise would never be able to enjoy the excitement of painting. His products have been developed to successfully achieve results with his wet-on-wet technique, which is a basic process of painting over layers of wet paint to achieve relatively fast and effective results. Bob Ross Oil Painting Mediums are designed especially for use in the wet-on-wet techniques demonstrated in Bob Ross's books and video programs. Key Features: * Non-toxic acrylic base coats * Liquid oil mediums for Bob's wet-on-wet technique * Unlimited creative possibilities Perfect For: * The Bob Ross Wet-on-Wet Technique * Excellent dry base coat * Oil painting Acrylic Base Coat- Smooth brushing and even-leveling, they create an ideal base for wildlife painting. Glazing Medium- This medium produces the details characteristic of animal fur. Dries quickly, resists yellowing and provides a long lasting quality paint film. Liquid Mediums- Available in white, black or clear. Bob's unique secret formula of base coats aid in the painting's foundation and keep the canvas wet, the most fundamental step in Bob's wet-on-wet technique. Smooth and slow drying, they allow blending and mixing right on the canvas! Non-Toxic. Liquid Opal Medium - For soft oil colors. This pearlescent medium adds a deep richness to floral paintings and yields an affect that is reminiscent of opal gems. See More
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Williamsburg Handmade Oil Paint - Titanium White, 237ml CanSave Up to40%Off listWhite Handmade Master Quality Oil Paints Used by The World’s Finest Artists Getting the proper pigment is just the beginning! So much of the quality of oil paint is in the grinding. Each color is ground to enhance the beauty and luminosity specific to that particular pigment. Some colors by nature will feel slightly gritty, others extremely smooth. For instance, Cerulean Blue will have a beautiful velvet, light-absorbing surface with an extremely strong covering power; Siennas, by comparison, are often chunky or gritty to allow light to travel through the vehicle, exposing rich golden or mahogany undertow instead of just heavy, dull browns. Pigments are ground in pure alkali-refined, ph balanced linseed oil, and made in batches no larger than 5 gallons at a time. This gives total control over the paint, much like late 19th-century French color makers. All materials are hand measured, and every ounce of paint is scrutinized. Williamsburg Handmade Oil Colors are then packaged in 37ml and 150ml non-reactive aluminum tubes. Williamsburg Handmade Oil Colors are used by the world’s finest artists, whose works can be found at the Metropolitan Museum of Art and MOMA in New York City, the National Gallery of Art in Washington, D.C., and the Beaubourg in Paris. Key Features:* Professional, Handmade Oil Colors* Incredibly pigment rich paint* Dense buttery texture* Extensive Cobalt & Cadmium Colors* Large assortment of Earth Colors* Oil color line of 178 colors!* 37ml & 150ml Tubes* 237ml & 473ml Cans* Manufactured In The U.S.A!* Perfect For:* Professional Oil Painters* Discerning students & amateurs* Artists favoring Old Masters materials* Enthusiasts of handmade oil paints* Producing museum-quality artworks See More
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Williamsburg Safflower Oil Color 237 ml Can Titanium WhiteSave Up to40%Off listWhite Long Lasting Brilliance and Clarity in a Handmade Safflower Oil Paint - Reduces Yellowing! Going back to the earliest traditions of oil painting, Williamsburg offers 13 whites, blues, and other delicate transparent colors made with a far less yellowing safflower binder. Artists will find these invaluable for holding onto maximum clarity and brightness in the upper layers of their paintings. These colors are not recommended for underpainting or foundational layers within a painting, as safflower oil binder takes longer to dry and produces a slightly weaker film. Milled with the highest quality, expeller-pressed Safflower Oil, the line features Porcelain White as the only color of the line not offered in their Linseed-based oils. Porcelain White is a less brittle, semi-transparent alternative to Zinc White. As with all of Williamsburg’s products, their Safflower Oil Colors are painstakingly made by hand. They are available from Jerry’s in 37ml and 150ml tubes. Key Features:* Handmade Safflower Oil Colors* Longer dry times than linseed colors* Non-yellowing white & transparent colors* Safflower oil line of 13 colors* Perfect For:* Professional Oil Painters* Discerning students & amateurs* Artists concerned about yellowing* Enthusiasts of handmade oil paints See More
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Claessens Linen #66 Single Oil Primed Medium Texture Roll, 122" x 10.9 ydSave Up to69%Off listWhite Claessens Oil Primed Medium Textured Linen Rolls Feature Meticulous Craftsmanship - Their Most Popular All-Purpose Surfaces! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in the premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #15 - Single OP #15 - Claessens Linen features a pronounced medium weave and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 13.12oz. Double Oil Primed Linen Roll #15 - Double OP #15 - Claessens Linen features a pronounced medium weave and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 14.75oz. Single Oil Primed Linen Roll #66 - Single OP #66 - A favorite of many famous artists world wide due to its even medium texture, a tight weave and strength. The world’s most popular linen for landscape painting. It has a 43.2 TPI warp and 36.8 TPI weft. Single primed weighs 13.48 oz. per square yard. 2 coat sizing. Key Features: * Professional Quality Linen * Popular Medium (all purpose) weave * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, still life, general purpose * General painting techniques * Aspiring students & amateurs See More
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Claessens Linen #20 Single Oil Primed Heavy Texture Roll, 122" x 10.9 ydSave Up to67%Off listWhite Claessens Oil Primed Rough Linen Rolls Feature Meticulous Craftsmanship With Close Attention To Detail! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create a archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #20 - Single OP #20 Claessens Linen features a pronounced, heavier texture and a single layer of primer for oil and alkyd painting. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape artists, large scale easel painters, and muralists. Warp 14.3cm/10.5cm weft; weighs 12.39oz. Single Oil Primed Linen Roll #29 - Single OP #29 Claessens Linen features a pronounced, heavy weight and rough texture with oil priming for oil and alkyd painting. Painters who enjoy a very hearty, heavy texture will enjoy this linen. Perfect for landscapes, large scale easel painters, and muralists. Warp 21.6cm/12.5cm weft; weighs 16.52oz. Single Oil Primed Linen Roll #70 - Single OP #70 Claessens Linen features a pronounced rough texture, with a single layer of primer for oil and alkyd painting. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape artists, large scale easel painters, and muralists. Warp 25.4cm/26.7cm weft; weighs 13.71oz. Key Features: * Professional Quality Linen * Heavy and Rough textures * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, murals, large scale works * Techniques complimenting a rough surface * Aspiring students & amateurs See More
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Winsor & Newton Liquin Light Gel Medium 250ml BottleSave Up to40%Off listAccelerate Drying Time of Oils With Liquin Mediums Winsor and Newton Liquin Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin mediums and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula. Liquin… Accelerate Drying Time of Oils With Liquin Mediums Winsor and Newton Liquin Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin mediums and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula. Liquin Original - halves the drying time of oil color and reduces brush stroke retention. Creates a smooth, gel-like paint film that is easier to work with. Liquin allows the paint to dry faster and makes working with multiple layers easier. Liquin Light Gel - Liquin Original halves the drying time of oil color and reduces brush stroke retention (touch dry in 1-6 days depending on color & film thickness). Creates a smooth, gel-like paint film that is easier to work with. Allows the paint to dry faster and aids working with multiple layers. Resists yellowing. Not suitable as a varnish or final coat. Liquin Fine Detail - The most fluid medium within the Liquin family. Add to color to produce a low-viscosity mixture. Increases fluidity and reduces brushstroke retention. Liquin allows the paint to dry faster and makes working with multiple layers easier. Liquin Oleopasto - A paste-like, semi-matte version of Liquin that halves the drying time of oil. Creates a viscous paint that holds many marks from brushes or palette knives. Keeps the oily texture of pure oil paint. Allows the paint to dry faster and makes working with multiple layers easier. (touch dry in 1-6 days, depending on color paint thickness). Suitable for impasto & texture work. Resists yellowing. Not suitable as a varnish or final coat. Liquin Impasto - A paste-like, semi-gloss version of Liquin that halves the drying time of oil and produces a crisp texture. Adds viscosity to your paint that retains marks from brushes or palette knives. It allows the paint to dry faster and makes working with multiple layers easier. Speeds drying (touch dry in 1-6 days, depending on paint thickness). Resists yellowing. Not suitable as a varnish or final coat. Key Features: * Speeds up the drying process* Adds transparency and gloss* Non-yellowing Perfect For:* Oils and alkyds* Reducing brush strokes* Glazing and blending techniques PLEASE NOTE: All products in this category are hazardous materials: They cannot ship by Air/Next Day Services. Ground Only. See More
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Tusc & Pine Instavar Gloss Picture Varnish 8.4oz (250ml)Save Up to67%Off list…InstaVar™ Gloss Varnish by Tusc & Pine enriches the colors in your painting under a protective, even sheen. Archival quality varnish for oils, alkyds, and acrylics, the nearly odorless, crystal-clear varnish does not yellow with age. Once your painting is dry to the touch, preserve it… When painting is dry to the touch, you can InstaVar it! InstaVar™ Gloss Varnish by Tusc & Pine enriches the colors in your painting under a protective, even sheen. Archival quality varnish for oils, alkyds, and acrylics, the nearly odorless, crystal-clear varnish does not yellow with age. Once your painting is dry to the touch, preserve it by brushing on a thin layer of InstaVar™. You will instantly notice that your colors have a brilliance and depth of color they didn't have before. Key Features: * Archival quality gloss picture varnish * Crystal-clear, non-yellowing, and nearly odorless * Saturates color and adds new depth * Can be used as a retouch varnish * Acts as a protective coat * Dries in 24 hours * Removable with StudioSolv™ * Made in the USA Perfect For: * Varnishing oils, alkyds, and acrylics * Brush application * Enriching colors * Altering paint sheen * Boosting color saturation * Giving your work an even gloss sheen * Bringing up dull sunken areas in a painting * Use in the studio or school * Airplane travel InstaVar™ may be applied when the paint is dry to the touch and firm in its thickest sections. Some paintings might take 2 weeks to dry, while those in humid areas might take 2 months. If necessary, you can safely remove the varnish with StudioSolv™. Replacing the lid during a varnishing session can help reduce VOC levels in the air. Always work in a well-ventilated area. For your safety, always wash your hands immediately after use, especially before eating. Store the varnish in an airtight container out of reach of children. Safe For Travel By Air! InstaVar™ has a flashpoint of 144°F which classifies it as a combustible liquid by DOT regulations, however, it is considered safer than varnishes with lower flashpoints. InstaVar™ also conforms to FAA and TSA guidelines and can be safely transported by airplane, making it a convenient option for artists who travel. The 3.4 oz bottle is the perfect carry-on size, while larger sizes can be packed in your checked bag. Printable Travel Gudelines InstaVar™ SDS While InstaVar™ is currently allowed by FAA guidelines, we recommend always checking current regulations before traveling. To ensure a smooth and hassle-free experience, please bring a printed copy of the SDS and travel guidelines to show at baggage check. If the flight is international, please check the policy of your destination country. See More
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Krink K-71 Permanent Alcohol Ink Marker 7 mm Super BlackSave Up to25%Off listBlack Super wide, opaque ink markers for bold strokes! Krink Permanent Alcohol Paint Markers allow you to write and draw on a variety of surfaces. Craig Costello, the founder of Krink, first developed the K-63 squeezable bingo-style marker for graffiti artists. As street art took off, Craig continued to innovate and create new marker styles. Krink markers are available in a variety of different nib and body styles today. With opaque alcohol-based Krink paint, you can write on almost any surface. The super opaque paint stands out on paper, plastic, glass, painted surfaces, and metal. The bingo-style tip is excellent for drawing on a large scale, while the dual nib and chisel tips are perfect for creating varied lines. You don't have to pick just one marker style. The Krink Box Sets include an assortment of 4 permanent marker styles. Key Features:* Super broad valve-action nibs* Quick drying & permanent* Super Black, White, and Silver* Vibrant opaque paint* Huge paint capacity! Perfect For:* Interesting effects* Street art, craft, and industrial applications* Metal, canvas, painted surfaces, wood, glass, plastic, paper and more! See More
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