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Matisse Dry Medium Mix-InsSave Up to50%Off list…creating texture on large canvases. "I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas….I am completely sold on Matisse Acrylics. I highly encourage every… Unique Dry Mediums For Unrivaled Textural Effects! Matisse Dry Medium Mix-Ins are distinctive dry mediums designed to be mixed with a range of wet acrylic mediums (and can also be used with oil mediums) to produce textural qualities unparalleled by any other product! Unlimited effects can be achieved by varying the amount of dry to wet medium, though an ideal mixture is one 50ml bottle of Mix-Ins to one 250ml jar of Matisse medium. Create infinite combinations of texture, build ridges and valleys within your artwork, and bulk out your paint with nearly weightless dry mediums perfect for use on large canvases. Any surface imaginable is now achievable to your precise specifications with amazing Matisse Mix-Ins! Key Features: * Coarse Effects Set of 6 * Calcined Bauxite, Lang Land Sand, Lang Lang Gravel, Pumice, Glass Beads, and Wollastonite Perfect For: * Adding texture to paint * Working with acrylic and oil mediums Lang Lang Sand & Gravel- 5 grades of fine, medium, or coarse sands for texture effects. Pumice - Lightweight volcanic glass good for creating texture on large canvases. "I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas….I am completely sold on Matisse Acrylics. I highly encourage every artist, professional or pleasure painter, to experience these paints for themselves." - Andy Russell, Professional Artist See More
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Matisse Acrylic VarnishesSave Up to50%Off list…for rigid surfaces. * "I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas….I am completely sold on Matisse Acrylics. I highly encourage every artist,… Protect your paintings with Australia's finest varnishes! Protecting your valuable artwork from damage and debris is an indispensable final step in the creation process! This versatile line of water- and solvent-based varnishes from Matisse are specially designed to provide your paintings with the protection they need, ensuring vibrancy of color and definition of detail for years to come! Satin Varnish - Polyurethane varnish for a satin finish on rigid surfaces. Poly-U-Gloss Varnish - Durable, quick-drying polyurethane varnish for rigid surfaces. * "I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas….I am completely sold on Matisse Acrylics. I highly encourage every artist, professional or pleasure painter, to experience these paints for themselves." - Andy Russell, Professional Artist Read More See More
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Matisse Antiquing Patina and Marbling MediumsSave Up to50%Off list…dark Matisse acrylic paint over the piece and wipe back with a clean cloth! "I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas….I am completely sold on Matisse… Achieve brilliant decorative effects with these versatile mediums from Matisse! Part of the beauty of acrylic paint is its adaptability to any myriad of artistic and decorative effects. Now you can use your Matisse acrylic paints for folk art, crafts, and interior decorating as well as fine art painting! This collection of antiquing and patina mediums is sure to inspire you with their exciting decorative effects! Faux Finish & Marbling Gel - Also known as 'scumble glaze,' this medium is ideal for creating painted finish techniques using sponges, squeegees, rollers, plastic wrap, stencils, stiff brushes and more! Thins acrylic paints and improves flow for glazing, and is also excellent at creating faux marble finishes as it can prevent colors from mixing. Patina (Oil Antiquing Medium) - Designed to be used with artists' oil paint over acrylics to give an aged, weathered appearance. Apply Patina Medium over the piece to be antiqued, using a lint free cotton cloth, then rub a small amount of dark oil paint over the surface, on a cloth also soaked in medium. Then just wipe back oil color with a clean cloth to reveal your newly-antiqued piece! Pre-Antiquing Medium - Creates a special barrier layer between your base painting and any antiquing or patina final finishes, preventing abrasion or shifting of the underpainting. Secures base paint layer while still providing a low-tooth finish excellent for continued artwork or final antique finishing. Water-Based Patina - An ideal glazing medium for mixtures of as little as 5% paint, this Water-Based Patina contains extra binder so that even the lightest of glazes still remain permanent and water-fast. An excellent way to achieve antique patina effects without using solvents. Simply coat your piece in Water-Based Patina, then rub a small amount of dark Matisse acrylic paint over the piece and wipe back with a clean cloth! "I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas….I am completely sold on Matisse Acrylics. I highly encourage every artist, professional or pleasure painter, to experience these paints for themselves." - Andy Russell, Professional Artist Read More See More
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Matisse Structure Acrylic SetsSave Up to50%Off list…color from the Matisse brand of acrylics. These colors contained in this set reflect my personal palette that I incorporate into my colorful abstract compositions." - Joe DiGiulio, Professional Artist "I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics… Stunning arrays of Matisse Structure Acrylic Colors in convenient sets! These hand-selected collections of Matisse Structure Acrylics provide both a superb introduction and a balanced selection of Australia's finest acrylic paints! Created to supply artists with the pure enjoyment of Structure Acrylic paint, these sets feature basic and theme-specific color ranges perfect for any number of subjects. 75ml Intro Set comes with 4 colors and a tube of gel medium, all other 75ml sets come with 8 colors, a tube of gel medium and a tube of impasto medium. Experience the luxury of Matisse Structure Acrylic Colors with these brilliant and convenient sets! * Heavy-body artists' acrylic * Perfect for impasto techniques! * Highly pigmented and lightfast * Basic and subject-specific sets * Include mediums for mixing! Artist Endorsed “I have used many brands over the years but nothing can compare to the brilliance and range of color from the Matisse brand of acrylics. These colors contained in this set reflect my personal palette that I incorporate into my colorful abstract compositions." - Joe DiGiulio, Professional Artist "I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas….I am completely sold on Matisse Acrylics. I highly encourage every artist, professional or pleasure painter, to experience these paints for themselves." - Andy Russell, Professional Artist See More
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Matisse Structure Acrylic ColorsSave Up to50%Off list…Russell - "Matisse Acrylic Paints have proven to be a pleasure to work with in so many ways. They are of the highest quality, richly pigmented and creamy smooth and perfect for the professional artist." “I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow… A Heavy Body Acrylic Suited to Impasto Techniques Matisse Structure Acrylics come in 98 highly pigmented lightfast colors! Because of their heavy body and high viscosity, Matisse Structure Acrylic Colors are ideally suited to impasto techniques and thick textured applications. You can easily apply the paint with a brush or palette knife straight from the tube. Matisse Mediums can be mixed in to alter the body and texture, gloss and sheen, or working time of the paint. Key Features: * Heavy body, high viscosity acrylic * Excellent lightfastness * No masking agents! * Brilliant and highly pigmented * 98 Brilliant professional colors Perfect For: * Impasto painting techniques * Painting colorful backgrounds * Mixing with acrylic mediums * Large-scale acrylic paintings * Intermediate to professional artists Artist Review & Testimonial Professional Artist Andy Russell - "Matisse Acrylic Paints have proven to be a pleasure to work with in so many ways. They are of the highest quality, richly pigmented and creamy smooth and perfect for the professional artist." “I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas." “I love colors and they come in a full range, which makes me feel like a kid in a candy store. I almost think of them as flavors. I really like their unique colors such a Cadmium Orange Deep, Australian Red Violet and Australian Blue Gum, Australian Salmon Gum and Australian Sienna. After years of painting in acrylics, it is exciting and refreshing to use these new colors. Discovering them was like getting a ‘booster shot’ of creativity for my work." See Full Review and Videos In Our Blog - Click here > See More
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Matisse Flow AcrylicsSave Up to50%Off list…colors such as Matisse Rose Madder, Matisse Indigo, Australian Salmon Gum , Australian Blue Gum , Australian Sky Blue, Matisse Emerald, and Australian Sienna. These are wonderful colors to add to my pallet. For covering large background areas in my work nothing beats Matisse Background colors.… Australia’s premiere low viscosity acrylic! The premiere paint from Down Under, Matisse Flow Acrylic Colors are a low-viscosity acrylic that allows for free brushstrokes with excellent leveling properties. A fantastic choice for murals, canvas painting, theatre backdrops, illustration, told painting, and more. Detailed brushwork, design effects, and watercolor techniques can all be achieved quite easily. Mixes with any Matisse Mediums for various results, or thins to create delicate washes. A balanced range of 95 colors features some uniquely Australian shades, bringing the beauty of the Outback right into your studio! Key Features: * Low viscosity artist’s acrylic * Brilliant and highly pigmented * Superb lightfastness ratings * 95 color range (incl. metallics) * 75ml, 500ml, 1 & 4 liter sizes Perfect For: * Detail and decorative artworks * Some unique Australian shades * Stenciling, tole, & design applications * Glazing and wash layers * Acrylic techniques requiring leveling * Artist Review and Testimonial Professional Artist Andy Russell - “I use mostly the Matisse Flow because I usually paint in thin layers. Occasionally I will use Matisse Structure Heavy Body For A more impasto look. I love Matisse because of their rich , creamy texture, and intense pigmentation. The flip top cap is great too! Very convenient. No more caps rolling around or tubes bursting trying to twist off a stuck cap. They also offer some unique colors such as Matisse Rose Madder, Matisse Indigo, Australian Salmon Gum , Australian Blue Gum , Australian Sky Blue, Matisse Emerald, and Australian Sienna. These are wonderful colors to add to my pallet. For covering large background areas in my work nothing beats Matisse Background colors. They they are opaque and easy to apply” See More
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Da Vinci Pro Resist Grip Textured Gesso PanelsSave Up to76%Off listSuperbly Crafted For Permanent Works Of Art- Resist-Grip Panels If you paint with acrylics or encaustics, Da Vinci Pro Resist-Grip Textured Gesso Panels are the very best primed surface ever created for your medium. The coarse texture grips heavy bodied acrylics extremely well and allows for an… Superbly Crafted For Permanent Works Of Art- Resist-Grip Panels If you paint with acrylics or encaustics, Da Vinci Pro Resist-Grip Textured Gesso Panels are the very best primed surface ever created for your medium. The coarse texture grips heavy bodied acrylics extremely well and allows for an endless array of layering without any problems, whether with thin glazes or heavy impasto layers. For encaustics, the toothy primer grabs hold firmly to lower layers, providing a strong firm support for subsequent layers to adhere to. It is also the very first panel surface that offers a real tooth for grabbing hold of pastels and colored pencils, allowing layering and blending with ease. Just carefully seal with several light coats of archival spray for pastels, and you won't have to place your pastel or colored pencil art under glass. For other works, seal with the appropriate fixative for your medium (or varnish for paintings), for a frameless, dramatic presentation of your artwork. Key Features: * Coarse Textured, white acrylic polymer gesso with quartz sand * ¾” and 2” cradle depths for dramatic presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Seal work easily with archival spray (appropriate to media) for frameless display * Wide range of sizes * Cradles easily accept paint, stain, or clearcoat for finishing Perfect For: * Acrylics, encaustics, oils, colored pencils, and oil pastels, and soft pastels * Building layers of media without peeling off * Large scale drawings without the need or cost of framing * Archival art that will last a lifetime * Students, teachers, professionals * See More
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New York Central® Professional Gessoed AlumaComp PanelsSave Up to55%Off list…premium gesso priming to AlumaComp Panels! Professionally Gessoed on our Famous AlumaComp (Aluminum) Panels - A High Quality Professional Panel for Oils & AcrylicsNew York Central® has taken the wildly popular AlumaComp brand artists aluminum panel and created a made-to-order gessoed… New York Central® brings premium gesso priming to AlumaComp Panels! Professionally Gessoed on our Famous AlumaComp (Aluminum) Panels - A High Quality Professional Panel for Oils & AcrylicsNew York Central® has taken the wildly popular AlumaComp brand artists aluminum panel and created a made-to-order gessoed surface for the fine artist who prefers primed panels! AlumaComp's unique composition of two aluminum sides with a 1/8" polyethylene core makes them lightweight, archival, dimensionally stable and strong. Panels will never rot and are not affected by weather humidity changes or temperature fluctuations, even in transport. The light weight and slim profile is ideal for shipping, stocking pochade boxes, plein air painting, and for studio use. Featuring a professional quality, proprietary acid-free and archival acrylic gesso, New York Central® Gesso AlumaComp Panels are meticulously hand primed by our own in-house, skilled craftsmen in our custom framing department when the order is placed. White is available with double or quadruple priming, and Rose Earth and Neutral Grey are offered double primed. Double primed panels have a slightly textured, consistent surface, making them ideal for all types of media. Quadruple primed white gesso finished panels offers a smoother, whiter appearance, making them perfect for any media where a smoother surface is desired. Key Features: * The Professionals Panel for Oils & Acrylics * AlumaComp panel foundation * Lightweight for shipping & transport * Archival & dimensionally strong * Proprietary acid-free acrylic priming * Available in 3 primed gesso colors, 4 surfaces * White gesso primed available in: Double or Quadruple primed * Hand primed by our own in-house, skilled craftsmen * Toned grounds: Rose Earth & Neutral Grey * Two aluminum sides with a 1/8" polyethylene core Perfect For: * Oils, Acrylics, Alkyds * Accepts traditional drawing media * Mixed medial applications * Oil sticks & pastels of all types * Heavy textured mediums * Artists of all skill levels The Professionals Panel for Oils & Acrylics - New York Central® Gesso Panels provide a surface that is ideal for oils, alkyds, acrylics, and other media that quickly build up weight that would slack stretched canvas, and bend or warp tempered or canvas covered painting panels. Brittle media like Egg Tempera and Acrylic Gouache is ideally suited for these panels, as they are the stiffest panel offered in such a slim depth. Perfect for mixed media applications, collage works, and heavy coats of acrylic texturing mediums. The gessoed surface works wonderfully with drawing media and charcoals,oil painting sticks, oil pastels, and crayon. Rose Earth and Neutral Grey primed colors have been carefully formulated under the guidance of professional painters, designed to match traditional, classically colored grounds. Featuring complete color consistency from batch to batch, the tone can be depended on for easily seeing values when painting. Perfect for chiaroscuro techniques, landscapes, portraits, still life, and more. Please Note: The panels are made to order, so it may take longer to ship your panel. Please take this extra processing time into account when placing your order. Feel free to call customer service if you have any questions about timing! See More
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Da Vinci Pro Medium Textured Gesso PanelsSave Up to75%Off listSuperbly crafted for permanent works of art! Tested by artists, Da Vinci Pro Medium Textured Gesso Panels offer a slight textured surface for artists seeking a panel that grabs media like canvas. Works well with oils, the surface is easily adaptable to oil pastel and other drawing sticks, crayons,… Superbly crafted for permanent works of art! Tested by artists, Da Vinci Pro Medium Textured Gesso Panels offer a slight textured surface for artists seeking a panel that grabs media like canvas. Works well with oils, the surface is easily adaptable to oil pastel and other drawing sticks, crayons, graphite and colored pencils, hard and soft pastels, acrylics and acrylic gouaches, and mixed media. Seal with an archival spray fixative appropriate to your individual medium for a dramatic, frameless presentation of your artwork. Key Features: * Medium textured, white acrylic polymer gesso with quartz sand * 7/8” and 1 5/8” cradle depths for frameless presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Wide range of sizes for any artist’s needs * Cradles easily accept paint, stain, or clearcoat for finishing Perfect For: * Acrylics, oils, drawing sticks, crayons, pencils, colored pencils, and all types of pastels * Large scale drawings without the need or cost of framing * Frameless presentation of artwork in any media * Archival art that will last a lifetime * Students, teachers, professionals * See More
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Creative Mark Disposable Varnish Brush SetSave Up to40%Off list…wood * A guilt-free price for a single-use brush Perfect For: * Uncomplicated, easy varnish application * One time use * Easy cleanup, no need to wash, just throw away * Use with most paints, stains, varnish, and gesso * Applying brush-on adhesives * Many projects around the home or studio Stop trying to get the varnish out! Use a disposable brush instead We all know that varnish brushes are almost impossible to clean. No matter how much soap or water you use, the bristles never look or perform the same way again. Worst of all, hairs often fall out and cause even more frustration. Creative Mark’s Disposable Varnish Brushes are made for single-use and make varnishing a quick and easy process. Soft white synthetic filaments ensure even application, and extra strong glue keeps the hair in the ferrule. Imagine no hairs stuck to your work and no brush to clean! It’s all possible with the six-pack of Disposable Varnish Brushes. Clean-up is easy; just throw away when you’re finished. Key Features: * Value pack of six 2" wide brushes * Uniquely designed for the smooth application of varnish * Soft brush tips deliver a smooth, even finish * Extra strong glue keeps bristles in place * Triple crimped ferrule * Short wooden handles, made of unfinished wood * A guilt-free price for a single-use brush Perfect For: * Uncomplicated, easy varnish application * One time use * Easy cleanup, no need to wash, just throw away * Use with most paints, stains, varnish, and gesso * Applying brush-on adhesives * Many projects around the home or studio See More
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New York Central® Acrylic GessoSave Up to55%Off listProfessional grade gesso for archival results New York Central® Gesso is a professional grade acrylic ground. It’s perfect for a variety of surfaces, from canvas to metal. You can apply the gesso with a palette knife to create a rough texture or sand between coats to achieve a smooth result.… Professional grade gesso for archival results New York Central® Gesso is a professional grade acrylic ground. It’s perfect for a variety of surfaces, from canvas to metal. You can apply the gesso with a palette knife to create a rough texture or sand between coats to achieve a smooth result. Once dry, New York Central® Gesso makes a sturdy base for graphite, charcoal, oil pastels, acrylic, and oil paints. You can even mix it with acrylic paint to create a toned background. Key Features: * Professional grade acrylic gesso * Matte white, opaque finish * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Optimal absorbency rate for paints Perfect For: * Priming raw canvas, panels, or paper * Acrylic and oil paints * Preparing wood and metal surfaces * Charcoal, pencil, and oil pastel * Creating a smooth or textured foundation * Adding a high level of tooth to a surface Acrylic Gesso Instructions: * Use at full strength or thin with up to 25% water. When thinning more than 25%, create an equal mix of water and matte medium. * Sand slick surfaces first. Apply a thin coat with a flat brush and let dry for 24 hours before painting. * To create a smoother base, sand the dried gesso and reapply. * Acrylic painters should apply at least two coats. * Oil painters should apply 2-4 coats and sand between applications. * To create a colored background, gradually add acrylic paint to the gesso until you reach your desired tone. Stir until thoroughly blended. Apply as normal. See More
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Da Vinci Pro Ultra Smooth Gesso PanelsSave Up to76%Off listUltra Smooth, white acrylic polymer gesso! Superbly crafted for permanent works of art! Tested by artists, these silky smooth panels are perfect for artists with painting techniques requiring a smooth, consistent, archival surface. For artists requiring an extremely smooth surface for technical… Ultra Smooth, white acrylic polymer gesso! Superbly crafted for permanent works of art! Tested by artists, these silky smooth panels are perfect for artists with painting techniques requiring a smooth, consistent, archival surface. For artists requiring an extremely smooth surface for technical illustrations, drawings, trompe l’oeil, oil or acrylic paint, Ultra Smooth Panels are ideal. The buffed finish readily accepts technical drawing pens, graphite and colored pencils, conte’, charcoal, oil, acrylic gouaches, and more. Seal with an archival spray fixative appropriate for your individual medium (or varnish for paintings) for a dramatic, frame-less presentation of your artwork. Seal with an archival spray fixative appropriate for your individual medium (or varnish for paintings) for a dramatic, frame-less presentation of your artwork. Key Features: * Ultra Smooth, white acrylic polymer gesso * 3/4" and 2" cradle depths for dramatic presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Perfect for high-detailed portraiture or trompe l’oeil * Wide range of sizes * Cradles easily accept paint, stain, or clearcoat for finishing * Painting techniques requiring a smooth, consistent, archival surface Perfect For: * Portrait artists and detail painters * All painting and drawing techniques * Brittle media * Technical drawing pens, graphite and colored pencils, charcoal * Oil, acrylic gouaches, and more * Frameless presentation of artwork in any media * Archival art that will last a lifetime * See More
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Belle Arti Professional Diego Multimedia Gesso Primed Linen Canvas RollSave Up to70%Off listPerfect for archival large scale murals Imported From Italy Diego Linen Universally Primed Professional Canvas Rolls, aptly named for the famed Mexican fresco muralist and large scale canvas painter Diego Rivera. Diego Linen is a robust medium textured linen, oversized 124" roll with a full 10.84… Perfect for archival large scale murals Imported From Italy Diego Linen Universally Primed Professional Canvas Rolls, aptly named for the famed Mexican fresco muralist and large scale canvas painter Diego Rivera. Diego Linen is a robust medium textured linen, oversized 124" roll with a full 10.84 yards of painting surface. Perfect for archival large scale murals or any sized painting, Diego Linen is universally primed for use with acrylics, oils, alkyds, and more. Diego's strong, beefy, all-purpose medium texture is ideal for most painting styles with its heavy 14oz primed weight (9.8oz unprimed). Key Features: * Luxury Linens! Made in Italy, Imported From Italy * Robust medium textured linen * 124" long roll with a 10.84 yd width (10 meters) * Universally primed * 14oz primed weight, 9.8oz unprimed * All-purpose medium texture * Sample piece: 18X41" * Made in Italy Perfect For: * Large scale murals * Robust medium textured linen * Archival canvas paintings of any size * Use with acrylics, oils, alkyds, and more See More
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FX Effects Spatcher BladesSave Up to70%Off list…Smooth laydown of color * Developing new and exciting effects * Spreading gesso or large areas of paint * Faux finishing effects There are endless applications for this tool, but the most common uses are: Applying paints, gesso, and mediums: Spreading paint with a brush has all sorts of drawbacks.… The Original Spatcher by Creative Mark. Apply, Spread, Scrape, Lift, Mix - Create The silicone Spatcher blade provides a smooth laydown of color or medium while still being robust enough to spread and manipulate the thickest paints and mediums. Each Spatcher features a nickel-plated brass ferrule that is glued into the paddle-style varnished wood handle. Two finishing nails secure the ferrule in place for years of carefree use. You can quickly clean the blade with soap and water or wipe clean with solvents. If acrylic paint dries on the blade, you can peel it right off. The tapered edge provides crisp and exact strokes and allows for many creative techniques. Available in 1", 2", and 3" widths. If you don’t have a tool like this in your studio, you need to buy one! Key Features: * High-quality silicone blade * Fine edge, tapered shape * Firm blade * Nickel-plated brass ferrules * Varnished wood paddle handles * Available in 1", 2", and 3" widths * Strong enough to push through thick paints * Easy to clean with soap and water or solvents * The blade will not absorb medium or paint Perfect For: * All viscosities of paint and medium * Applying, removing, scraping, and moving color * Oil, acrylic, modeling paste * Smooth laydown of color * Developing new and exciting effects * Spreading gesso or large areas of paint * Faux finishing effects There are endless applications for this tool, but the most common uses are: Applying paints, gesso, and mediums: Spreading paint with a brush has all sorts of drawbacks. Hair sheds, brushes hold various amounts of paint, so you end up with excess paint in some areas, and brushes are hard to clean. With Spatchers, you can put color on the surface directly and let the tool do the work of spreading it on canvas, board, or panel. If you like, you can soften any marks with a soft brush. Applying layers of colors in multiple ways: Here is where your creativity takes over. You can add colors with a basic spread of paint or use the edge to add linear shapes and layer color. If still wet, you can scrape into the bottom layer to create interesting effects. You can inversely take away by lifting paint off your substrate. For the application of modeling paste: Use the Spatcher as a trowel and then easily build up the impasto regions to your liking with the fine tip. In mixed media, apply 2D or 3D objects with various glues, polymer medium, or gel mediums. See More
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