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Acurit Technical Bow Compass, 6.5" - 4 Piece SetSave Up to52%Off list…brush, 1 Scholar Set Square Triangle 45°/90°, and 1 Scholar Set Square Triangle 30°/60°/90°. Drafting Architect Set: Acurit’s ten-piece drafting set is an excellent starter set for beginners in drafting and design. The comprehensive set contains a 180 degree… Practical tools for drafting and design Acurit Drafting Tools are essential for any architect or architectural student. Drafting precisely measured designs is easy with the Triangular Scale, Erasing Shield, and Bow Compass. Acurit's convenient drafting sets contain all the tools for everyday drafting. Key Features: * Erasing Shield for exact and controlled erasing * Triple-sided ruler with 10 different scales * 6.5" Bow compass * Drafting sets with various tools * Perfect For: * Precise and controlled erasing * Drawing straight and curved shapes * Architectural sketching and planning * Students, teachers, and artists Scholar Triangle Sets: Each triangle is made of clear, high-quality acrylic with inch and centimeter gradations etched along the sides. Smooth inking edges prevent smears. A center cutout in the middle makes picking up the triangle easy. Available in sets of (6", 45°/90° and 8", 30°/60°/90°), (8", 45°/90° and 10", 30°/60°/90°), and (10", 45°/90° and 12", 30°/60°/90°) Adjustable Triangle: Provides the features of a 45°/90° adjustable set square plus those of a protractor. Angles from 0° to 90° can be drawn from the baseline with 1/2° accuracy. The aluminum thumbscrew securely holds the chosen angle and doubles as a lifting handle. Each triangle is made of clear, high-quality acrylic with smooth, inking edges to prevent smearing. Available in a 10" or 12" size. Protractor: The clear acrylic protractor features graduations in 1/2° increments that can be read from left to right as well as right to left. It's easy to pick up the protractor with the beveled center cutout. Available as 360° Protractor 6" or 180° Protractor 6" Lettering Guide: The Acurit Lettering Guide is perfect for drawing guidelines for calligraphy and font design. Lettering guides help ensure consistency in the size and placement of your letters. The guide is made of durable acrylic and has imperial and metric line spacing. Erasing Shield: The Acurit Erasing Shield is made of high-quality .005'' flexible stainless steel. The 3.6"x2.25" shield is easy to hold, and the 23 common aperture shapes make precise erasing simpler while also keeping your artwork clean. Stainless steel Acurit Erasing Shields have rounded corners to protect your fingers and a polished finish that resists tarnishing. An excellent tool for exact and controlled erasing, the ultra-thin shield allows you to contain erasing to select areas of your drawing while also helping you draw straight and curved shapes. Triangular Scale: The 12" Architect’s Triangular Scale from Acurit is a necessary tool for any architect or architectural student. Made from high-impact plastic with tapered edges, you can feel confident that you measured with precision when you use the Architect’s Triangular Scale. The easy-to-read markings resist wear, and each scale is individually packed in a protective plastic cover. This scale is perfect for students, architects, and drafters. It comes in a white satin finish with clear and precise gradations. Includes 10 scales to the foot in 3/32", 3/16", 1/8", ¼", 3/8", ½", ¾", 1", 1 ½", & 3" and one edge is a 12-inch ruler marked in 1/16ths increments. Acurit Gridding Ruler 18": The Acurit 18" Gridding Ruler is superior to other clear rulers on the market. The 2" wide ruler is made of 3mm thick rigid clear plastic and features 8x8 grids per square inch. There are clear markings down to the 1/16", a centering ruler in the middle, and metric markings at the bottom edge. The ruler’s transparent shatter-resistant acrylic design enables you to see through it while measuring. With distinct markings down to the 1/16", a centering ruler in the middle, and metric markings at the bottom edge, you can measure anything and mark out precise drawing guidelines. Two beveled edges allow you to draw straight lines on paper or mark fabric for cutting. Bow Compass 4 Piece Set: Create a perfect circle every time with the Acurit Tech Bow Compass Set! You can draw circles up to 14 inches in diameter with the Acurit Tech Bow Compass or attach the included extension bar to create larger circles up to 22 inches in diameter. The 6.5" Bow Compass has a quick-release button to quickly and easily change the circle diameter on the fly. You can even use the included universal adaptor to fasten your favorite pen or pencil to the compass. If you don't want to use the universal adaptor, you can use one of the extra compass leads included with the set. All of the compass supplies fit neatly inside the sturdy plastic carrying case, perfect for travel. The Acurit Tech Bow Compass set is excellent for sketching, drafting, design, and more! Drafting Beginner Set: Acurit’s 7 piece drafting set is an excellent starter set for beginners in drafting and design. The set contains a 12" acrylic ruler, 0.5mm drafting pencil + Ten 2B graphite refill leads, a 2mm drafting pencil + eight leads, 1 lead pointer for 2mm lead, 1 drafting brush, 1 Scholar Set Square Triangle 45°/90°, and 1 Scholar Set Square Triangle 30°/60°/90°. Drafting Architect Set: Acurit’s ten-piece drafting set is an excellent starter set for beginners in drafting and design. The comprehensive set contains a 180 degree protractor, eraser shield, tech compass set of 2, a 12" triangular architect's scale, one 2mm drafting pencil, eight 2B graphite refill leads, one lead sharpener, a scholar triangle 45°/90°, scholar triangle 30°/60°/90°, a french curve and a drafting brush. Drafting Introduction Set: Acurit’s drafting intro set is an excellent starter set for beginners in drafting and design. The intro set contains a scholar triangle 45°/90°, scholar triangle 30°/60°/90°, 18" clear grid-scale ruler, lettering guide, 6" protractor, 8" 180 degree protractor, and two french curves. See More
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Gamblin Gamvar Gloss Picture Varnish 4.2oz BottleSave Up to25%Off listGamvar Gloss Picture Varnish - The Perfect Picture Varnish You can confidently paint and varnish your paintings with Gamblin's conservation quality resin varnish for oil, acrylic and alkyd paints! Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays… Gamvar Gloss Picture Varnish - The Perfect Picture Varnish You can confidently paint and varnish your paintings with Gamblin's conservation quality resin varnish for oil, acrylic and alkyd paints! Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamsol relaxes stiff oil paints and is the best solvent for cleaning brushes and palette knives because it is odorless and non-hazardous! When your oil painting is completely dry and paint is firm to the touch, preserve and protect it by brushing a thin layer of semi-gloss Gamvar on top. You will instantly notice that your colors have more depth and that Gamvar is virtually odorless! The easiest way to make your painting look better! Key Features: * Terrific for both oil and acrylic paintings * Saturates color and adds depth of color * Protects your painting * Unifies surface quality * Odorless and easily removable * Dries in 24 hours * No need to wait 6 months to varnish * Available in Gloss, Satin, & Matte Perfect For: * Varnishing oils, alkyds, and egg tempera * Portrait and fine artists * Unifying uneven surfaces of paintings * Boosting color saturation * Altering paint sheen * Use in the studio or school Gamvar Gloss: saturates colors in your painting and gives your work a unified and protective gloss surface. Gamvar Gloss is the original Gamvar formula. See More
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Gamblin Solvent-Free Fluid Oil Medium 4.2oz BottleSave Up to25%Off listTrue to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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Awagami Papers Okawara (51GSM) Pack of 25Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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