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Jacquard Cyanotype Sun Printing Fabric Pack of 30, 8.5x11inSave Up to15%Off listHarness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for… Harness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for indexing plant specimens with what were called photograms at the time. The Cyanotype process is incredibly simple and only employs two inexpensive chemicals and UV sunlight. Prints can be created on any natural fiber: paper, cotton, silk, wool, wood, etc. Jacquard has made Cyanotype printing easy as pie with pre-sensitized fabric that is ready for cyanotype printing. Simply pull the sheet out of the package, place objects or an inverted photographic negative on top, expose to light for three to fifteen minutes, submerge the fabric in water to reveal the blue cyanotype print, and finally hang the fabric to line dry. With Jacquardās Cyanotype Pretreated Mural Fabric you can actually create a full-body print by laying on top of the mural fabric for the duration of exposure while not moving. The creative possibilities for Photographers, Mixed Media Artists, and Quilters are endless! If you would prefer to use your own papers or fabric Jacquard has made the chemistry of Cyanotype attainable with lightproof black bottles of Potassium Ferricyanide and Ferric Ammonium Citrate. The chemicals used for cyanotype are inexpensive and go a long way. Despite their perhaps alarming names, both are safe to handle and mix. That said, care should be taken to avoid ingestion, inhalation, and contact with skin. The instructions for the use of Potassium Ferricyanide and Ferric Ammonium Citrate are included in the link bellow Great for photographers, mixed media artists, printmakers, quilters, kids and more, the cyanotype process is easy, forgiving, quick, magical and fun. Capture the nuance of every shadow Key Features: * Harness the power of the sun to make detailed prints * Simply place the object on the sensitized surface and expose to sunlight (UV) * Sun exposure time is 3-15 minutes * Pre-sensitized Cyanotype fabric Perfect For: * Quilters and Surface Design Artists * Photographers * Mixed media artists, printmakers, quilters See More
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Crescent Rendr No Show Thru Hardbound Sketchbook 8.5x11" (48 sheets)Save Up to45%Off listFine-Art Paper With No Media Limitations- WILL NOT BLEED THROUGH! RendR Sketchbooks & Roll - No Show Thru Paper - Available in several different types of binding and sizes, Rendr No Show Thru paper by Crescent is the ideal choice for artists who regularly use a multitude of different media. Rendr… Fine-Art Paper With No Media Limitations- WILL NOT BLEED THROUGH! RendR Sketchbooks & Roll - No Show Thru Paper - Available in several different types of binding and sizes, Rendr No Show Thru paper by Crescent is the ideal choice for artists who regularly use a multitude of different media. Rendr paper is revolutionary, because it accepts all media types without showing through the other side of the paper. With Rendr, artists can use both sides of the paper, even with heavy marker or paint applications. All Rendr no-show-through paper is 110lb/180gsm, acid-free and lignin-free! Use with all media types including paints, charcoal, pencil, pastels and more! Key Features:* 4 different binding methods * Use both sides of the paper * Acid-Free & Lignin-Free* 110lb/180gsm * Will not bleed through * Lays Flat Perfect For:* Artists of all skill levels* Artists on-the-go! * Journaling* Mixed-Media application See More
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Strathmore Hardbound Art Journal 400 Series Toned Sketch Paper (80 lb.) 8.5x11" - 128 Pages - GraySave Up to33%Off listLuxury hardbound art books with professional papers for any artist! For over 100 years, the name Strathmore has been synonymous with some of the finest art papers in the world. Strathmore 400 Series & 500 Series Hardbound Art Journals in Toned Tan, Toned Gray and Mixed Media, created their… Luxury hardbound art books with professional papers for any artist! For over 100 years, the name Strathmore has been synonymous with some of the finest art papers in the world. Strathmore 400 Series & 500 Series Hardbound Art Journals in Toned Tan, Toned Gray and Mixed Media, created their highest quality and most unique papers to offer them in deluxe hardbound books perfect for any artist in virtually any media. These luxury hardbound art journals feature hard covers with a lightly textured, matte surface in a dark chocolate brown for an elegant and sophisticated look. The acid-free pages are bound using a Smyth-sewn binding that lays open flatter than most other bound books, and ensures durability. Available in 80 lb. Recycled Drawing paper, 80 lb. Toned Sketch paper in Gray or Tan, 90 lb. Mixed Media paper, or 140 lb. Watercolor Paper, Strathmore Hardbound Art Journals offer the ideal surface for any multitude of artistic techniques! Key Features:* Luxurious, acid free hardbound art books* Smyth-sewn binding lays flat* Textured matte brown covers* Choose from Recycled Drawing, Toned Sketch, Mixed Media or Watercolor papers Perfect For:* A choice of professional art papers* An elegant presentation* Works in pencil, pastel, charcoal* Watercolor, acrylic mixed media* Art that will last generations! See More
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Reflexions Hardbound Sketchbook Bundle (Buy 2 Get 1 Free)Save Up to77%Off list…pencil* Drawing chalks* Pastels* Graphite and other dry media* Even light washes* Lightweight and portable* Travel or plein air work Reflexions Hardbound Sketch Book Set (Item#: 76038B)- Contains an 8.5x11" Bound Sketch Book, Raffine Graphite Pencil 6 Degree Set and a Kum 2-Hole Magnesium Sharpener. Expertly bound journals with premium acid-free light cream colored paper Reflexions Hardbound Sketch Books are expertly bound journals with premium acid-free 110 gram (70 lb) weight light cream colored paper. The fine even surface texture will take all sorts of media including: pen and ink, colored pencil, drawing chalks, pastels, graphite and other dry media, even light washes. They feature a black embossed leatherette exterior. Other features include an elastic pen, pencil or marker loop, an exterior elastic band to keep book sealed when not in use and a page keeper ribbon to quickly access works in progress. Each book has 80 sheets (160 pages) of acid-free paper. For general sketching the 8.5 x 11" size is the most popular. Key Features:* Expertly hard bound journals* Premium acid-free light cream colored paper* 110 gram (70 lb) weight* 80 sheets (160 pages)* Fine even surface texture* Black embossed leatherette exterior* Elastic pen, pencil or marker loop* Exterior elastic band to keep book sealed when not in use* A page keeper ribbon to quickly access works in progress Key Features:* All sorts of media* Pen and ink* Colored pencil* Drawing chalks* Pastels* Graphite and other dry media* Even light washes* Lightweight and portable* Travel or plein air work Reflexions Hardbound Sketch Book Set (Item#: 76038B)- Contains an 8.5x11" Bound Sketch Book, Raffine Graphite Pencil 6 Degree Set and a Kum 2-Hole Magnesium Sharpener. See More
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U.Go Plein Air 4X11 In Anywhere Pochade Side TraySave Up to17%Off list…tripod mount inculded with each Pochade box * All products are made in the USA Perfect For: * Traveling, on the go * All types of paint media * Plein air painters * Quick and easy painting set up * Bringing on day trips, backpacking and sightseeing * Use with drawing mediums as well as paint! * Designed for travel from sea to summit & anywhere in between! The u.go™ Anywhere™ Pochade Box was designed to be useful in any sort of terrain. Each tree's inherent beauty, shown in the grain lines, knots, & varying wood tones, combines our work handcrafting each pochade box to create an item that is uniquely yours. The u.go™ Anywhere™ Pochade box pairs with multiple accessories providing a Pochade Box that is all your own. Available in three different sizes, you can pair your Pochade Box with your choice of accessories including: Anywhere™ Side Tray (4"x11" & 4"x8"), Anywhere™ White Plastic Palettes (9"x13.5", 6.4"x10.3", & 5"x6.6"), or Anywhere™ Glass Palette, & Anywhere™ Gray Palette. Key Features: * Available in three different sizes! * Pochade Box made of Baltic Birch * Customize Pochade Box to your needs * Strong earth magnets connect wood tray to pochade box * u.go Anywhere palettes are easy to clean * Palettes come in grey glass, clear glass, or white plastic * Pochade accessories easily snap off or slide out of place * Crack-proof, chip-proof, and non-yellowing wood * Stainless steel, aluminum accents & non-corrosive hardware * Universal tripod mount inculded with each Pochade box * All products are made in the USA Perfect For: * Traveling, on the go * All types of paint media * Plein air painters * Quick and easy painting set up * Bringing on day trips, backpacking and sightseeing * Use with drawing mediums as well as paint! * See More
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Awagami Sekishu 35gsm White 24" x 39" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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