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BEST Heavy-duty Cross Brace 13"Starting At: 3.38
An innovative approach to using Cross Braces! An innovative approach to using Cross Braces! Made of kiln-dried pine, designed to fit all sizes of BEST Cross Braces, our sturdy Cross Brace Bracket is the ideal way to support a stretched canvas. We recommend using Cross Braces for any canvas over 36".… An innovative approach to using Cross Braces! An innovative approach to using Cross Braces! Made of kiln-dried pine, designed to fit all sizes of BEST Cross Braces, our sturdy Cross Brace Bracket is the ideal way to support a stretched canvas. We recommend using Cross Braces for any canvas over 36". Comes with a Cross Brace Bracket for each cross brace end. Cross Brace Brackets are needed to secure Cross Braces to Stretcher Bars. Key Features: * State of the art design works with all sizes of Stretcher Bars * Slotted design allows for the finest adjustment of canvas tension * Available in select lengths up to 147" * Sizes over 144" are considered custom orders * Easy to use * Comes with a Cross Brace Bracket for each end of Cross Brace * Brackets are needed to secure cross braces to Stretcher Bars Basic Cross Brace Layout Plan: * Stretcher Bar Cross Brace Layout > * Click here to download Jack Richeson Framing Guide> Select sizes available in 1" increments from 8" to 147". For custom orders, including fractional sizes, call our Order Dept. 800-827-8478 ext. 218. Sizes larger than 144" would be considered a custom order and would incur an additional cost. Please note: Cross Braces are SOLD ONLY with Stretcher Bar orders. The Cross Brace Bracket Kit (item #V06976) is also SOLD ONLY with Stretcher Bar orders. Richeson/BEST Stretcher Bars are sent directly from the manufacturer, please allow 2-3 weeks for delivery. In the event you need your order rushed, please call 800-827-8478 ext.218. Select drop ship items requiring a Truck Shipment: Items marked below with a "Truck Icon" are oversized and will incur a $150 Drop Ship Fee added at checkout. NOTE - You can order as much as you want as you will incur a 1x oversize fee regardless of the order amount on the "truck shipped" items. Please check your order immediately upon receiving it! If the bars that you receive are damaged or defective, please email [email protected] within one week of delivery to request replacement bars. See More -
MUSEO 2 Pack 15/16" (25mm) Profile 60IN Stretcher ALU-BarSave Up to40%Off listMuseum Quality Aluminum Stretcher Bars - Canvas Framing System MUSEO ALU-Frame Museum Quality Aluminum Stretcher Bars is a museum-quality canvas framing system is designed exclusively for professional artists creating large-format and/or heavy art works while trying to meet strict gallery &… Museum Quality Aluminum Stretcher Bars - Canvas Framing System MUSEO ALU-Frame Museum Quality Aluminum Stretcher Bars is a museum-quality canvas framing system is designed exclusively for professional artists creating large-format and/or heavy art works while trying to meet strict gallery & museum stretcher recommendations. The stretcher bars feature a reinforced structure comprised of wear-resistant, lightweight aluminum and sturdy Norwegian Spruce to provide a smooth, clean stretching bead, allowing ample room to back staple or nail your selected canvas or linen (with no edge ghosting). The system not only allows for tightening if needed with the Spanner hardware, but easily breaks down so that artwork can be rolled & tubed, with stretchers placed in a separate tube for ease of shipping. Lighter in weight than heavy duty wood stretcher bars, the Museo ALU Frame Stretchers provide a crisp, true-to-square system that is truly revolutionary in construction & what options it affords artists, especially those who ship larger work to galleries, collectors, & clients. Cross bars can be added at any time without disassembling, and the system is so strong that no cross braces are needed on sizes up to 48" x 96"! The revolutionary extender allows for making virtually any stretcher bar size, which combined with cross bracing, becomes completely dimensionally stable. Easily modify work that is already stretched with this system, to ensure compliance with different museum and gallery per-requisites regarding bracing distances. These stretcher bars are made to order. Please allow 1-3 weeks for delivery. Key Features:* Warp-free, lighter weight and more stable than wood stretcher bars* Features wear-resistant, durable aluminum and sturdy Norwegian Spruce* Easily breaks down so that artwork can be rolled & tubed for shipping* Lightweight aluminum frame greatly reduces shipping weight for large canvases Perfect For:* Professional artists* Larger, heavy art works* Canvas or linen* Museum & gallery exhibits Note: See Videos In Video Tab and Tech Notes Below (Click On Yellow "T" Icon) Stretcher bars are offered in pre-cut sizes. Assembly Hardware required--sold separately. Click Here for the MUSEO Cross Brace Diagrams > ® MUSEO is a registered trademark.™ ALU-Frame is a trademark See More -
BEST Medium Duty Cross Brace 60"Starting At: 3.68
An innovative approach to using cross braces! An innovative approach to using cross braces! Made of kiln-dried pine, designed to fit all sizes of Richeson/BEST Cross Braces, our sturdy cross brace bracket is the ideal way to support a stretched canvas. We recommend using cross braces for any canvas… An innovative approach to using cross braces! An innovative approach to using cross braces! Made of kiln-dried pine, designed to fit all sizes of Richeson/BEST Cross Braces, our sturdy cross brace bracket is the ideal way to support a stretched canvas. We recommend using cross braces for any canvas over 36". Key Features: * State of the art design works with all sizes of stretcher bars * Slotted design allows for finest adjustment of canvas tension * Available in select lengths up to 72" * Easy to use Basic Cross Brace Layout Plan: * Stretcher Bar Cross Brace Layout > * Click here to download Jack Richeson Framing Guide> Select sizes available in 1" increments from 8" to 72". For custom orders, including fractional sizes, please call our Order Dept. 800-827-8478 ext. 218. Please note: Cross Braces are SOLD ONLY with Stretcher Bar orders. The Cross Brace Bracket Kit (item #V06976) is also SOLD ONLY with Stretcher Bar orders. Richeson/BEST Stretcher Bars are sent directly from the manufacturer, please allow 2-3 weeks for delivery. In the event you need your order rushed, please call 800-827-8478 ext.218. Select drop ship items requiring a Truck Shipment: Items marked below with a "Truck Icon" are oversized and will incur a $150 Drop Ship Fee added at checkout. NOTE - You can order as much as you want as you will incur a 1x oversize fee regardless of order amount on the "truck shipped" items. Please check your order immediately upon receiving it! If the bars that you receive are damaged or defective, please email [email protected] within one week of delivery to request replacement bars. Please note that even though the cross-braces fit snuggly against the stretcher bars, they must be attached to the frame with cross-brace brackets. Two FREE brackets are included with every cross-brace purchase. See More -
Posca Acrylic Paint Marker 4.5-5.5 mm Broad Bullet Tip Light BlueSave Up to33%Off listBlue Water-Soluble, Non-Toxic, and Lightfast Acrylic Paint Markers POSCA markers contain highly pigmented water-based acrylic paints. The paint is highly opaque, quick-drying, lightfast, and non-toxic. POSCA Paint Markers are blendable when wet and can be diluted with water to create a gradient effect on almost any surface. Thanks to its fast-drying time, you can layer colors on top of each other. The pen has a valve mechanism that allows for a tight paint seal. Before each use, you can shake the ball inside the barrel to prime the marker. Thanks to its fast-drying time, you can layer dark colors over light colors or even bright colors over dark colors. The ball inside the barrel of the POSCA markers ensures that when shaken, the paint is evenly mixed. The valve mechanism provides a tight paint seal that prevents the paint from drying out. After use, you can rinse the pen tips under water. Permanent on porous surfaces and erasable on most smooth non-porous materials, your creations can be protected with a fixative varnish. Use POSCA Paint Markers on a variety of surfaces, including wood, fabrics, glass, ceramic, plastic, metals, stones, papers, cardboard, and canvas. Key Features: * Water-soluble Paint Markers * Non-toxic, alcohol-free, lightfast acrylic * Valve mechanism provides tight paint seal * Ball in barrel primes marker * The medium tip is reversible * Quick-drying matte opaque colors * Stable pigments * Permanent on porous surfaces * Erasable on most non-porous materials * Perfect For: * Multiple art projects * Blending and layering colors * Creating infinite gradations of color * Use on a variety of different surfaces * Indoor and outdoor use * Bright compositions * Drawing smooth, consistent lines * Wood, fabrics, glass, ceramic, plastic * Metals, stones, papers, cardboard, and canvas Glass, Plastic, and Metal: Clean the surface with a cloth and ensure it is dry before starting work. Make artwork permanent by applying two coats of water-based spray varnish. Hold the can about 30 cm from the surface and spray in slow circular movements. The varnish can be matte or gloss depending on the look you want. (Not suitable for food use) Fabric: Machine-wash the fabric you plan to draw on to remove any industrial coatings or dirt. To prepare natural or artificial leather, wipe with a damp sponge and leave to dry. Once your creation is finished and dry, you can iron it from the reverse side without using steam. Set the temperature of the iron to the material setting for the fabric you are ironing. You can place a sheet of tracing paper between the iron and the fabric for extra protection. If the fabric used is not suitable for ironing, you can fix your creation with a hairdryer. Hold it 30 cm from the surface and make small circular movements. Ceramic: With treated ceramics, fix your creation for non-food use using a water-based spray varnish, spraying from about 30 cm in small circular movements. With rough ceramics, fire your creation in the oven. Heat the ceramic in the oven slowly to 220°, then turn off the oven and allow it to cool completely before taking it out. Fix the paint on porcelain in the same way, but to a temperature of 160° and for no more than 45 minutes. To give your creation the longest possible life (for non-food use), you can apply a water-based varnish or adhesive varnish. Afterward, you can only hand wash the ceramic in cold water. See More -
Awagami Factory Paper 170gsm Bamboo 17" x 20.5" (Set of 5)Save Up to20%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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