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Grumbacher Final Fixative Matte, 11.75oz Spray
Starting At: 15.09
Fix And Protect Dry Media From Smudging! Grumbacher Final Fixatives are used to fix and protect dry media such as pastels, charcoal, pastel pencils, and graphite from smudging or rubbing off and come in glossy and matte finishes. Colorless, flexible, and non-yellowing, Final Fixative is fast-drying… Fix And Protect Dry Media From Smudging! Grumbacher Final Fixatives are used to fix and protect dry media such as pastels, charcoal, pastel pencils, and graphite from smudging or rubbing off and come in glossy and matte finishes. Colorless, flexible, and non-yellowing, Final Fixative is fast-drying and is appropriate for use on paper, photographs, printed materials, and ceramics. Grumbacher Workable Fixative is a matte spray used to fix traditional dry media or dried designers gouache for additional layers of media. To prevent your paint from beading up on a non-porous surface like acetate, you can prepare the surface with workable fixative. Workable Fixative was initially developed for gouache paint users. The matte fixing spray allowed artists to fix dried gouache and paint over it without reawakening the original layer of paint. Now working fixative is primarily used with dry media. Grumbacher Final Fixative Matte Spray & Gloss Spray 11.75oz Can: Final Fixative is a workable fixative for charcoal, pastels, and pencil work, appropriate for use on paper, photographs, printed materials, and ceramics. Colorless, flexible, and non-yellowing, Final Fixative is fast-drying and can be reworked when dry. Do not over apply as it will cause a more dramatic color shift or even cause pastels to dissolve in the fixative. Grumbacher Workable Fixative Matte Spray 11.75oz Can: Workable fixative and surface preparation for use on paper, acetate, foil, and glass that allows non-porous surfaces to accept water-based media without beading up. It dries to a non-glossy finish. Allow fixative to dry completely before painting, drawing, or touching the work. Do not over apply as it will cause a more dramatic color shift or even cause pastels to dissolve in the fixative. Key Features: * 11.75oz Can, glossy or matte finish * Colorless, flexible, and non-yellowing * Fast-drying and can be reworked when dry * Protect dry media from smudging * Fix dry media * Workable Fixative allows non-porous surfaces to accept water-based media without beading up * Do not over apply Perfect For: * Protecting dry media * Adding lost tooth back to a drawing * Pastels, charcoal, pastel pencils, and graphite * Traditional designers gouache * Use on a wide range of artist papers * Professionals, teachers, students * Surface preparation for paper, acetate, foil, and glass * Paper, photographs, printed materials, and ceramics * Non-porous surface preparation for water-based media See More -
New York Central Glass Muller - Small, 2.17" DiameterSave Up to56%Off listQuality Glass Mullers and Grinding Plates Artisans have been making paint for thousands of years with mullers and grinding plates. Manually milling the paint gives you control of the creative process from start to finish. New York Central® Glass Mullers are perfect for mixing ground pigments… Quality Glass Mullers and Grinding Plates Artisans have been making paint for thousands of years with mullers and grinding plates. Manually milling the paint gives you control of the creative process from start to finish. New York Central® Glass Mullers are perfect for mixing ground pigments with oil or water-based binders. Available in two sizes, each Muller is made of strong, break-resistant, tempered glass. The short-domed handle comfortably fits in the palm of your hand and allows you to bare down as you grind pigments. This manual process allows you to mill the paint as fine or as coarse as you like. The smooth bottom of the Muller plus your added body weight helps to mix a smoother paint. Make sure your handmade paints have the smoothest consistency possible by pairing your Muller with a fine glass grinding plate from New York Central®! One side of the plate is smooth, and the other side is sandblasted for grinding pigments to the finest particle size. Mill The Paint As Fine Or As Coarse As You Like With Your Own Muller and Grinding Plate! Glass Muller: * Strong, break-resistant, tempered glass mullers * Short domed ergonomic handle * Comfortable to hold while grinding * Small: 2.16 in diameter x 1.96 in tall * Medium: 3.22 in diameter x 2.75 in tall Perfect For: * Grinding pigments to the finest possible powders * Making water-based or oil paints * Professionals and students * Making paints by hand! * Customized color mixing Grinding Plate: * Made of heavy-duty tempered glass * 0.47" (12mm) thick * Sandblasted for optimum grinding * Available in two sizes: * 11-¾" x 17-¾" (30 x 45 cm) * 17-¾" x 17-¾" (45 x 45 cm) Perfect For: * Grinding pigments to the finest possible powders * Achieving the necessary friction for grinding pigments * Evenly dispersing and mixing pigments with binder * Professionals and students * Making paints by hand * Customized color mixing See More
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UART Sanded Pastel Paper 600 Grade 27" x 40" (Pack of 10)Save Up to45%Off listProfessional Sanded Paper Great for Underpainting UART Premium Sanded Pastel Paper is designed for the artist that seeks quality and consistency in their painting surface. Our computer-controlled electrostatic coating process results in a consistent grain application. This, along with our high… Professional Sanded Paper Great for Underpainting UART Premium Sanded Pastel Paper is designed for the artist that seeks quality and consistency in their painting surface. Our computer-controlled electrostatic coating process results in a consistent grain application. This, along with our high quality standards provide the artist with a uniform work surface that remains constant. UART Premium Sanded Pastel Paper is pH neutral and acid free. UART Pastel Paper accepts underpainting using a wide variety of media such as water, oil, mineral spirits, turpenoid and alcohol. After the underpainting process, the tooth still holds many layers of pastel and the grain will remain affixed to the paper. UART Pastel Paper is available in seven grades from 240 to 800. The 240 has the largest tooth available in a sanded pastel paper. The 280 and 320 are great for the artist that wants a little extra layering. The UART Pastel Paper 400 has proven to be a favorite of pastel artist's. The finest tooth is our 800 grade, popular for colored pencil as well as pastel. The 500 and 600 grades provide a moderate tooth. With seven grades to offer, UART meets the needs of the artists. UART Sanded Pastel paper is the choice of many professional pastel, colored pencil, charcoal and water color artists. Its texture is ideal for pastel drawings where consistency is demanded UART Pastel Paper will accept multiple applications of soft and hard pastels, as well as watercolor and oil washes. Great results have also been achieved using other mediums too.* Multiple Grades, Various Resistances! * Available in 7 grades from 240 to 800 * Neutral pH, acid free * See the videos using: Water Pastels, Pastels and Colored Pencils uART pastel paper is an excellent surface for holding many layers. Trust your work on uArt Premium Pastel Paper * 240 – the largest tooth available in a sanded pastel paper * 280 – ideal for those with a heavier hand or who want texture to show * 320 – perfect for artists who desire extra layering * 400 – a favorite of many professional pastel artists and ideal for those trying UART for the first time * 500 – a moderate tooth for any medium * 600 – perfect for those with a focus on detailed work * 800 – finest tooth, popular for super fine pastel or colored pencil application See More
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