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MaimeriBlu Superior Watercolor Paints & SetsSave Up to38%Off list…transparency of its colors and the freshness of its washes. Key Features: * Includes a collection of 87 colors, 12ml Tubes * Half-pans and Tube sets * Specialty handmade superior watercolors * High pigment concentration * Great transparency * Limitless amount of layering * Top quality and… Handmade, Pure, Simple & Extraordinarily Transparent Watercolors MaimeriBlu's Superior Watercolors are handmade with pure pigments that have excellent transparency, resulting in radiant and long-lasting works of art. The collection includes 87 colors available in half-pans and tubes. MaimeriBlu preserves the purity of its formula and composition by avoiding additives or artificial processes that would alter its genuine quality. These Italian-made watercolors are perfect for discerning watercolor artists who want smooth paint for luminous washes. The real value of MaimeriBlu lies in the transparency of its colors and the freshness of its washes. Key Features: * Includes a collection of 87 colors, 12ml Tubes * Half-pans and Tube sets * Specialty handmade superior watercolors * High pigment concentration * Great transparency * Limitless amount of layering * Top quality and lightfastness * Fifty-two colors are pure, consisting of a single pigment * Bound with authentic top quality gum arabic from Sudan and distilled water * Exceptional value for the price * NO additives or artificial processes which would alter its genuine quality * No blending powders, and no additives * Made and imported from Italy Perfect For: * Luminous watercolor washes * Rich and brilliant colors * A traditional yet modern palette * Long-lasting, radiant works of art * Discerning watercolor artists * Smooth paint ideal for radiant, transparent washes Nothing harmonizes or synchronizes the shift between the various shades. The real value lies in the transparency of its colors and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the color. See More
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Raffine Pencil & Charcoal Sander/GrinderSave Up to44%Off listThe reusable metal file is the only sanding tool you need! The Raffine Pencil & Charcoal Grinder is the perfect little tool for any artist working in dry media. Artists have used sandpaper and sanding blocks to clean blending tortillons and sharpen charcoal, pencils, Conte, pastels, and other… The reusable metal file is the only sanding tool you need! The Raffine Pencil & Charcoal Grinder is the perfect little tool for any artist working in dry media. Artists have used sandpaper and sanding blocks to clean blending tortillons and sharpen charcoal, pencils, Conte, pastels, and other drawing media for a long time. Unlike sanding blocks, the Raffine Pencil & Charcoal Grinder is the only sanding tool you'll need as the metal file is reusable. Simply wipe away residue between uses, and you are good to go! You can securely clamp the Pencil Grinder to a surface up to one-inch thick for convenient sharpening. The bottom cup catches the dust as you sharpen, so it doesn't damage your artwork. The compact Raffine Pencil & Charcoal Grinder is 1-3/4" x 3-11/16" x 1-1/2" with a 1" x 2-1/4" sanding plate. The clamp opens three inches wide, which allows attachment to slightly deeper boards or surfaces. However, we recommend 1" or less for the most secure hold. Key Features: * Raffine pencil & charcoal grinder * Measures 1-3/4" x 3-11/16" x 1-1/2" * Sanding plate: 1" x 2-1/4" * Reusable metal file * Clamps onto 1" wide surfaces * Simply wipe away grinder residue between uses * The grinder cup catches the dust as you sharpen * Perfect For: * Sharpening charcoal, pencils, Conte, and pastels! * Cleaning stumps and stomps * Sharpening most drawing media * Pastel and charcoal artists * Standard or wide diameters * Sharpening pencils with less waste! See More
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Chelsea Classical Studio Nuovo Brush Metal Medallions Pack of 5Save Up to61%Off listStiffness Watercolors Acrylics Oils A momentous change to brush design in 300 years! Imagine eliminating the various problems associated with the current modern brush. A brush that provides better control, convenience, balance, and function. One that is so unique that its introduction… Stiffness Watercolors Acrylics Oils A momentous change to brush design in 300 years! Imagine eliminating the various problems associated with the current modern brush. A brush that provides better control, convenience, balance, and function. One that is so unique that its introduction represents a new birth of superior painting brushes. Nuovo Long Handle Professional Brushes have three patented changes that make them feel lighter, not front heavy, so holding at their farthest end will be comfortable, allowing for a controlled stroke and smooth transitioning long stroke. The handles do not taper, and the diameter of the handle is consistent throughout, which makes the most comfortable area to hold the brush more towards the back. These patented changes apply to the standard 300mm brush handle and the handle extensions, making them 400mm long. The exclusively patented brush ferrules have both side support and a domed cut-out so that the brushes with long hair put the force of your stroke at the tip. The bristles will hold more paint and ensure no bristle hairs will splay. A little past the center of the handle is the fulcrum balance point. The Nuovo brush is balanced, so you can easily hold it with one finger. Painting at or just past the fulcrum point feels natural, allowing for perfect control of the brush with or without the handle extension. Holding the handle at the rear allows for superb control. Finally, the standard brush and the handle extension feature a magnetic end, which can be attached to any easel or surface by attaching our metal mounting discs (available separately), which are perfect for hanging and storing brushes on your easel between uses. Another benefit of hanging your brushes when not in use is it forces the paint and solvent towards the front of the bristles. Any excess will gather at the tip, and you can quickly wipe it away. Now your brushes will always be in the ready position! Key Features:* 5 sizes (click the paper icon for more details)* Long filbert natural hog bristle hairs* They hold more color than any other brush* Maximum controlled strokes without splaying* Flattened, non-staining, non-rusting ferrule* Patented side supports plus domed cut-out to retain brush shape* Balanced non-tapered handle* Brushes are light and comfortable to handle at their end* Less strain on your wrist, zero fatigue, more working time* Each handle is 13 inches long with a magnetic end* Removable 3-inch counterweight magnetic extensions sold separately* Total 16-inch handle when using counterweight magnetic extension* Brushes can attach with metal mounting disks* Self-adhesive metal alloy medallions (5 Pack, sold separately) * Perfect For:* Portrait artists see subject matter better* Professional oil painters* Muralists and plein aire* Easel painters* Hanging to the underside of the easel (magnetic ends, medallions)* Attaching to a wall or any flat surface (magnetic ends, medallions)* Precise painting, blending, and expressive movement* Artists wanting the best experience* Working at an easel with controlled, even strokes* Superior control* Long smooth transitional strokes and line control* Ultimate tools of the trade for any oil color painter!* Limited storage space* No-hassle, everyday studio use Why Nuovo Brushes - Multiple Patents, Tremendous Control! * The breakthrough in brush design in 300 years* Longer hair holds more color than any other brush today* Greater precision and defined points* Tremendous controlled lines and long smooth transitional strokes* Held from their farthest end comfortably* Better weight distribution, zero hand fatigue* Maximum controlled strokes without splaying* Non rusting, non-staining ferrule Jerry's Exclusive - Best Seller! Bristles hold more color than ANY other brush, plus greater precision with ZERO hand fatigue! A brush that is so unique that its introduction represents a new birth of superior painting brushes! The current modern easel brush has a long 12-inch tapered handle and a seamless, flattened ferrule that allows artists to stand away from the easel. This design has remained unchanged for 300 years because it was the universally accepted way to make a brush. However, this design has several problems. The first problem is balance. A balanced brush experience is when a brush is gripped a few inches from the ferrule, defeating the purpose of an easel brush. Instead of finding yourself taking advantage of the handle length, you find yourself holding the handle near the ferrule, where it is comfortable and at its widest diameter. When clasping at the tip of the handle, the brush tends to flop, which leads to loss of control, plus the squeezing causes hand fatigue.* Chelsea Nuovo brushes have a balanced feel even when held from their farthest end. They have better weight distribution and zero hand fatigue. The second problem is the flat metal ferrule, which holds the bristle hair. Most brush shapes we used today have a flattened ferrule, with which the force of your stroke causes an outward pushing of the brush hairs. This push can make them less supple and often takes the paint off the canvas when painting. Brights get stiff as dried paint builds up where the hair and ferrule meet. Short bright brushes need constant cleaning, and full-size flats encourage shorter strokes as you paint. With longer hair brushes, such as extra-long filberts, stroke control is an issue, and the brush head cannot hold much color. If you paint with any long hair brush, from flats to filberts, the horizontal force across the entire ferrule causes hair to splay, leading to distorted shapes and loss of control.* Chelsea Nuovo brushes have a patented brush ferrule with side support and domed cut-out so that the force of your stroke is at the tip. The bristles will hold more paint and keep their shape. The third problem is well known to any artist using multiple brushes. You have to deal with the issue of brush storage when switching between them. Color transference between the brush heads can happen if you hold them in your hand. Putting them down on a flat surface can get paint not only on the handles but the surface, and the brush heads can touch, rendering them useless. Some artists use a brush vase to stand the brushes up, but ultimately some will contact. * Chelsea Nuovo brush handles feature a magnetic end, which can be attached to any easel or surface using the metal mounting discs. Perfect for hanging and storing brushes between uses. See More
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Centurion OP Professional Oil Primed Archival Linen PanelsSave Up to84%Off listMaster Quality Archival Deluxe Linen Panels! Superb performance and color retention! Exclusive OP enhanced oil priming As an oil colorist it is important to work on oil primed surfaces and not universal primed surfaces. The reason is that universal primed surfaces are semi-absorbent. Gesso is… Master Quality Archival Deluxe Linen Panels! Superb performance and color retention! Exclusive OP enhanced oil priming As an oil colorist it is important to work on oil primed surfaces and not universal primed surfaces. The reason is that universal primed surfaces are semi-absorbent. Gesso is absorbent even if it is plate smooth. The paint does not get absorbed as much and sits on the surface more making it easy to blend and manipulate. Granted it is not highly absorbent but the fact remains that some oil will get into the primer and flatten the image. You can get around this by using an under-painting oil ground on top of the surface of a universal ground canvas but this is very time consuming and expensive. Unlike universal ground, our oil priming chemically bonds with the oil paint and is non-absorbent allowing the paint to sit up on the surface with the correct refraction quality of the oil binder. If you use any high-quality oil color we urge you to use an oil primed surface and now we make it affordable! Exclusive OP Enhanced Oil Priming! Centurion Deluxe Professional Oil Primed Linen Panels, specifically designed for oil painters. Superb receptive surface accepts even the thinnest oil color lay down without fragmenting on the surface and is a permanent surface as colors adhere better on it than any other oil primed canvas on the market today! Acid-free and archival, the primed medium-textured linen is cleanly wrapped and adhered to a solid 3mm MDF wood board. Key Features:* Acid-free, Archival Linen Panels* 11oz. Oil Primed* Made of medium weight linen* Exclusive OP enhanced oil priming* Mounted on 3mm (1/8") MDF wood board* Medium weight and texture* Non warping Perfect For:* Artists of all skill levels* Oil and Alkyd Painting* Archival Longevity* Linen Lovers expecting the best!* Professional Artists, Commissioned work* Traveling, takes up 1/4 the space of a 3/4" canvas For a good value on a smooth linen panel, this is it! The fine linen weave makes details easy when painting still life. Our Centurion canvas is used throughout the world by serious artists ranging from dedicated students to the most world-famous artists. It is the teachers and famous artists that asked us to try to come up with an oil primed linen canvas that if affordable. Not only did we wow them with quality but we also wowed them with the final price. You can buy Centurion Oil Primed canvas mounted to hardboard 3mm panels (1/8" thick), in canvas pads that can be stapled or taped to painting boards, in rolls for stretching your own canvas and in an Elite style stretched canvas engineered to maintain the integrity of the canvas even in the largest sizes. See More
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