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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to30%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Sennelier Artist Dry Pigments Ivory Black 120 gramsSave Up to37%Off listBlack An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Liquitex Professional Heavy Body 59 ml Set of 6 Fluorescent ColorsSave Up to30%Off listFluorescent "Superb acrylics! Bright colors, easy application, and they blend well."- Heavy Body Painting Sets Heavy Body Artist Color, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Liquitex Heavy Body Artist Colors are made with high pigment loads, which produce rich, brilliant, permanent color. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. Please note: packaging style may vary. Key Features: * Rich, Brilliant, Permanent Color * Increased Open-Working Time * High Viscosity * See sets and contents below- click on Yellow Icon for set details * Perfect For: * Mixed Media * Impasto * Printmaking Liquitex Heavy Body Acrylic Paint Sets Essentials Set of 12 Assorted Colors - The set contains the colors Yellow Medio Azo, Quinacridone Crimson, Ultramarine Blue Red Shade, Naphthol Red Light, Yellow Oxide, Transparent Burnt Sienna, Transparent Raw Umber, Phthalocyanine Green Blue Shade, Cerulean Blue Hue, Dioxazine Purple, Titanium White, and Ivory Black Assorted Colors Set of 24 22 ml Tubes - The set of 24 contains the colors Yellow Light Hansa, Yellow Medium Azo, Cadmium-Free Yellow Medium, Cadmium-Free Orange, Naphthol Red Light, Quinacridone Crimson, Light Pink, Brilliant Purple, Dioxazine Purple, Prussian Blue Hue, Ultramarine Blue (Red Shade), Cerulean Blue Hue, Light Blue Permanent, Phthalocyanine Green (Blue Shade), Vivid Lime Green, Yellow Oxide, Raw Sienna, Burnt Umber, Unbleached Titanium, Titanium White, Payne's Gray, Ivory Black, Iridescent Bright Silver, Iridescent Bright Gold. Classic Color Set of 6, 2oz Tubes (59ml) - Set contains six 2oz tubes of Heavy Body Artist Acrylic Colors consisting of Yellow Light Hansa, Naphthol Crimson, Ultramarine Blue (Green Shade), Phthalocyanine Green (Blue Shade), Mars Black and Titanium White. Classic Colors Set of 12, 2oz Tubes (59ml) - Set includes four 2oz tubes of Heavy Body Artist Acrylic Color consisting of Yellow Light Hansa, Naphthol Red Light, Quinacridone Magenta, Ivory Black, Emerald Green, Phthalocyanine Green (Blue Shade), Phthalocyanine Blue (Green Shade), Brilliant Blue, Bronze Yellow, Dioxazine Purple and two tubes of Titanium White. Fluorescent Color Set of 6, 2oz Tubes (59ml) - Set includes six 2oz tubes of Heavy Body Artist Acrylic Color consisting of Fluorescent Yellow, Fluorescent Orange, Fluorescent Red, Fluorescent Pink, Fluorescent Green, and Fluorescent Blue. Iridescent Color Set of 6, 2oz Tubes (59ml)- The set of 6 contains the colors Iridescent Black, Iridescent White, Iridescent Bright Silver, Iridescent Bright Gold, Iridescent Rich Bronze, and Iridescent Rose Gold. Mixing Set of 4, 2oz Tubes (59ml) Set includes four 2oz tubes of Heavy Body Artist Acrylic Color consisting of Quinacridone Crimson, Yellow Medium Azo, Phthalocyanine Blue (Green Shade), and Titanium White. Mixing Set of 6,2oz Tubes (59ml) - The set includes six 2oz tubes of Heavy Body Artist Acrylic Color consisting of Quinacridone Crimson, Yellow Medium Azo, Phthalocyanine Blue (Green Shade), Titanium White, Transparent White, Ivory Black. Muted Colors Set of 6, 2oz Tubes (59ml) - Set includes six 2oz tubes of Heavy Body Artist Acrylic Color consisting of Muted Violet, Muted Turquoise, Muted Pink, Muted Grey, Muted Green, and Titanium White. "Superb acrylics! Bright colors, easy application, and they blend well."- Abstract Cowboy, New Mexico Artist" See More
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Liquitex Acrylic Gouache Primary Colors Set of 6, 59ml BottlesSave Up to30%Off listAssorted Colors Ultra-pigmented Acrylic Gouache. Solid Matte Finish! Liquitex Acrylic Gouache has the most intense colors achieving a flat, matte effect. Liquitex Professional Acrylic Gouache has the highest intensity of pigment in any of the Liquitex paints, leaving you with a serious vibrant color. Single pigment primaries provide the cleanest mixes possible and are ideal for color theory and designers using the CMY system. No need to worry about brush strokes, cracks, or even diluting. Liquitex Acrylic Gouache Paint has superb fluidity and application. All with a permanent, water-resistant finish when dry. Most intense colors, flat matte effect, no brush strokes, no cracks and no need to dilute! Key Features: * Variety of 50 colors: 2oz / 59ml & Sets * Convenient squeeze bottles * Most opaque paint * Superb fluidity and application * Non-cracking * Ultra-pigmented acrylic, solid matte finish * The highest intensity of pigment in any of our paints * Smooth and fluid, ready to use from the bottle * Permanent water-resistant finish when dry Perfect For: * Gouache users and acrylic artists * Color blocking, illustration & design * Ideal for educational use * No need to worry about brush strokes, cracks, or even diluting * Cleanest mixes possible * See More
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Turner Acryl Gouache Modeling Paste Pastel 350 ml JarSave Up to70%Off list…used as a final gloss coat on a completed painting or as a mix-in medium with other acrylic paints. The varnish has a milky-white appearance but dries clear and creates a water-resistant film. When mixed with a significant amount of Acryl Gouache paint, it produces a glossy translucent effect.… High-quality acrylic medium pastes and primers Turner has a rich tradition of manufacturing top-quality art supplies and has been supplying professional quality colors and mediums to artists since 1947. The Turner Company has a range of carefully created primers and mediums designed to fulfill any painter's ideas. You can paint on metal, wood, or glass with one of Turner's special primers or apply a final coat of varnish. Turner Retarder can also be mixed with traditional acrylics or acryl gouache to slow down drying and create special effects. Key Features:* Uses highest quality acrylic resins and materials* Create complex ground structures with Pastes* Surface primers for glass, wood, or metal* Perfect For:* Acrylic Painters* Faux Finishers* Artists of all skill levels* Experimenting with different textures and techniques Glass Primer: Used as an undercoat on glass with excellent adhesion. Brush out directly or with about 10% water. Apply one or two coats as thinly as possible for the best finish. Dry thoroughly for more than one day before overpainting with Acryl Gouache. Wood Primer: Used as an undercoat on wood to create good covering power and adhesion with acrylic paint. Wood Primer will block stains and seal porous surfaces to prevent colors from excessive soaking into the wood. Dilute with about 30% water to make a smooth and beautiful finish. Dry thoroughly for more than one day before overpainting with Acryl Gouache. Metal Primer: Used as an undercoat on metal with good water and weather resistance. Brush out directly or with about 10% water. Apply one or two coats as thinly as possible for the best results. Dry thoroughly for more than one day before overpainting with Acryl Gouache. Fabric Medium: Turner Fabric Medium allows you to use Turner Acryl Gouache on fabric. It works well with water-based acrylic paints. Modeling Paste Pastel: Water-based paste in white color with high viscosity, which enables opaque and matte impasto. It gives an elastic film after drying and a pastel tone when mixed with acrylic paint. Please note that it shrinks by approximately 40% after drying. Impasto of about 3cm thickness will take about 3 to 6 days to dry at an ambient temperature of 20 C thoroughly. Gloss Varnish: Turner Gloss Varnish can be used as a final gloss coat on a completed painting or as a mix-in medium with other acrylic paints. The varnish has a milky-white appearance but dries clear and creates a water-resistant film. When mixed with a significant amount of Acryl Gouache paint, it produces a glossy translucent effect. Retarder: Turner Retarder slows the drying time of acrylic gouache paints. The clear retarder forms a water-resistant film once dry. Using too much Turner Retarder may cause the painting surface to be tacky for a few days. See More
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Liquitex Professional Soft Body Acrylic Mixing Set of 6, 59ml BottlesSave Up to32%Off listAssorted Colors Fluid and Creamy Acrylic Colors in Convenient Squeeze Bottles & Sets! Soft Body Artist Color by Liquitex, previously known as Medium Viscosity, was the original Liquitex acrylic formulation made in 1955. An extremely versatile artist paint, creamy and smooth with a concentrated pigment load producing intense, pure color. This pre-filtered consistency ensures good coverage, even-leveling and superb results in a variety of applications and techniques. The new squeeze bottle design lets you get to every last drop of paint. The tapered nozzle has a choice of cut marks allowing you to control how you dispense your paint. Liquitex Professional Soft Body Acrylics are naturally creamy and fluid. That makes them just right for professional and decorative arts, stenciling, murals, silk-screening, calligraphy, printmaking, graphic design, sculpture, photo retouching, hard edged painting, watercolor techniques and much more Key Features: * Professional colors & sets * Soft Body Acrylics 2oz / 8oz / 32oz convenient squeeze bottles * 7 NEW Cadmium-Free Colors * Remarkably low shrinkage * Consistency ensures excellent coverage * Retains little or no brush strokes and knife marks * High pigment concentration yields intense colors * Intense color without opacifiers or fillers * Contain rich, pure pigments Perfect For: * Professional and decorative arts * Small and large works of art * Artwork requiring a wide range of colors * Mixed media applications * Stenciling, murals, silk-screening, calligraphy * Printmaking, graphic design, sculpture, photo retouching* Hard edged painting, watercolor techniques and much more * See More
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QoR Watercolor Masking Fluid, 59ml
Starting At: 7.25
…medium artists use to preserve areas of watercolor painting surfaces before applying color washes. A new product in the QoR Watercolor line, this masking fluid has a consistency ideal for masking intricately detailed areas in watercolor paintings. Once dried, it removes easily, helping artists… Achieve amazing detail in watercolor painting with this high quality masking fluid! QoR Masking Fluid - Watercolor Masking Fluid is a latex based medium artists use to preserve areas of watercolor painting surfaces before applying color washes. A new product in the QoR Watercolor line, this masking fluid has a consistency ideal for masking intricately detailed areas in watercolor paintings. Once dried, it removes easily, helping artists preserve white areas that would be too fine or complex to paint around. Key Features: * Latex based masking medium * Consistency perfect for masking fine detailed areas * Removes easily once dry * Preserves tiny and complex white areas in painting Perfect For: * Watercolor artists * Canvas & paper * Watercolor compositions * Studio & classroom See More -
QoR Watercolor Medium, 59mlSave Up to40%Off list…Ox Gall. Where our mediums carry forward traditional painting techniques QoR Grounds brings a totally new wave of expression to watercolors. Watercolor Ground quickly transforms nearly any surface into an absorbent bright white painting surface similar to hot-press papers, while Light Dimensional… QoR Watercolor Mediums & Grounds Expand the abilities of your watercolors! Designed to perform effortlessly with QoR Watercolors, these watercolor mediums exist to expand the abilities of any watercolor paint. Included in this line of watercolor mediums are an array transformation possibilities, such as the Light Dimensional Ground, which turns watercolors into a paste-like substance for added texture, or the Lift Aid, which awards artists the ability to lift watercolors, even after they have dried. Made with top quality materials, QoR Watercolor Mediums are sure to impress watercolorists of any skill level! * Synthetic Ox Gall (59 ml) - Synthetic Ox Gall is a wetting agent that improves the flow of watercolors. Adding 2-5 drops to your water makes paints easier to apply and blend when creating washes. Wetting paper with the water/Synthetic Ox Gal mixture will assist in creating clean, uniform washes and improves wetting on hard sized papers. * Watercolor Medium (59 ml) - Watercolor Medium is a general all-purpose medium used to increase the transparency and flow of watercolors. If used in larger amounts it will also increase the gloss and saturation of the colors. * Lift Aid™ (118 ml) - Lift Aid™ is a fluid medium that is applied to the surface and improves the lifting of watercolors. May be applied to paper before painting or between washes. * Watercolor Ground (237 ml) - Watercolor Ground is an acrylic primer that creates a porous surface similar to hot press paper on many different materials, including canvas and panels. It dries to an absorbent, lightfast and flexible surface that can endure repeated lifting and scrubbing. Allows for a full range of watercolor techniques, including wash and staining effects. It can also be brushed on to return stained areas to an absorbent white surface. * Light Dimensional Ground (237 ml) - Light Dimensional Ground is a white, lightweight paste that can be spread like frosting. It can be applied smooth and thinly, or built up to create ridges, peaks and other interesting textures. The extremely absorbent surface of Light Dimensional Ground allows color washes to spread quickly, yet allows the artist to create fine lines and detail as well. Dropping color into lightly wetted areas can create beautiful blooms. Creativity & Control The concept of QoR Watercolors does not end with colors. Like every product that comes from GOLDEN, the idea of equipping artists to realize their creative vision inspires our products. QoR Mediums help extend and enhance the creative range and control of watercolors, whether the objective is modulating colors through lifting with Lift Aidâ„¢, extending colors to their most distant point with Watercolor Medium, or unleashing the flow of colors with Synthetic Ox Gall. Where our mediums carry forward traditional painting techniques QoR Grounds brings a totally new wave of expression to watercolors. Watercolor Ground quickly transforms nearly any surface into an absorbent bright white painting surface similar to hot-press papers, while Light Dimensional Ground transforms the surface with texture to a lustrous modeled surfaces that you design. See More
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Pebeo Studio Acrylics Mediums - Crackling Effect Modeling Paste, 100ml & 250ml TubesSave Up to25%Off list…mediums—once dry—can be used beneath acrylics as well as resins, solvent-based paints, ceramic paints, and more! Key Features: * Thick, richly pigmented acrylic mediums * Retain brush and painting knife strokes * Easily mixable with great light-fastness * Available in iridescent Dyna… Unlimited opportunities for experimenting with creative inspiration Pébéo Mixed Media Studio Mediums offer an extensive line of acrylic mediums for creating an array of textures and dimensional effects. Ideal for mixed media applications, these mediums—once dry—can be used beneath acrylics as well as resins, solvent-based paints, ceramic paints, and more! Key Features: * Thick, richly pigmented acrylic mediums * Retain brush and painting knife strokes * Easily mixable with great light-fastness * Available in iridescent Dyna Perfect For: * Uncomplicated, spontaneous creativity! * Mixed media applications * Adding texture to portraits * Pebeo Liquid Art Panels * Canvas, cardboard, wood & metal * Children, students, and professionals Studio Acrylics Gloss Gel –non-yellowing acrylic gloss gel with translucent gloss finish. Studio Acrylics Matt Gel –non-yellowing acrylic gel with translucent matte finish. Studio Acrylics Bindex –non-yellowing fluid acrylic binder—dries translucent with a satin finish. Studio Acrylics Dyna Bindex –non-yellowing fluid acrylic binder with interference pigments for reflective, color-changing effects--available in blue, violet and green. Studio Acrylics Modeling Paste –highly textured, opaque white modeling paste used for creating impastos and dimension—may be used alone or mixed with colors—retains tool imprints, keeps volume and dries to a matte finish. Studio Acrylics Modeling Paste High Density -highly textured, opaque white modeling paste formulated with fine grain used for creating impastos and dimension—may be used alone or mixed with colors—retains tool imprints, keeps volume and dries to a white-gray porous surface. Studio Acrylics Crackling Effect Modeling Paste –opaque white paste used to create impastos with crackle effect—may be used alone or mixed with colors (75% modeling paste / 25% color)—to increase adherence and enhance the crackling effect, recommended to prime the surface at least 1 hour prior to applying the modeling paste. Studio Acrylics Sand Textured Gels –acrylic polymer with colored sand-based gel available in black, white, red, and yellow—apply with a painting knife and dilute with water or Bindex as needed. See More
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Old Holland Classic Pigment Deep Ochre 120gSave Up to25%Off listBrown Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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