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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to30%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More -
Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More -
The Edge All Media Pro Cotton Canvas 10"x50" - 1-1/2" Deep (Box of 3)Save Up to85%Off listWhite Ignite your composition with an inspiring substrate! Extra Long Sizes Are you bored of painting on the same standard canvas size? Ready to shake things up and supercharge your creativity? The new Edge All Media Cotton Canvases come in 21 extra long sizes like 10x40" and 12x72"! We've designed these new hypnotic sizes to help you hook your viewer's attention. Our goal, as always, is to emphasize your artwork. The extra-long rectangular shape naturally focuses attention, whether it's a triptych, a non-traditional portrait, or an abstract piece. Each canvas is coated in a ground-breaking primer that maintains the richness and purity of your paint colors. Unlike other canvases with lesser quality primers, your paintings will keep their vibrant punch with excellent adhesion. Triple priming ensures superb barrier protection between paint and canvas, perfect for traditional and water-mixable oils. The Edge is known for its' tuck-n-roll style construction that keeps the back of the canvas neat and clean. A sturdy surface for all painting styles, even mixed media, The Edge features a beefy 14oz, triple primed medium texture. Finish your painting with solid-colored sides, or continue your design onto the sides for a distinctive modern look. Extra Longs/Longs/Multiples (triptych) - These used by themselves offer unique aspect ratios to achieve various single and multi-canvas compositions. They work well with squares, used as a square or diamond shape. The 6x18" and the largest being 18x64". Artists working in abstract impressionism have found these to be new heroes, to create unique multiple images that work together. Key Features: * Extra Longs/Longs/Multiples (triptych) * Create unique multiple images that work together * Available in: Singles or Boxes of 3 * 1-1/2" Deep, Extra long sizes * 100% cotton canvas * 14oz primed weight * 8oz. raw weight before priming * Triple acrylic primed * Medium texture canvas * Deluxe stretched canvas * Professional tuck-n-roll style construction * Hand stretched by skilled artisans * Perfect For: * Oils, alkyds, and acrylics * Painted edge presentation * Mixed media works * Painters of all levels * Frameless artwork presentation * Excellent barrier protection between paint and canvas * A non-traditional portrait * A landscape or an abstract piece * Painting a dazzling triptych See More
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Old Holland Raw Materials Copal Resin 95gSave Up to40%Off list…Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable… Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More -
50Pk Arches Watercolor 156 lb. Rough Natural White 25.75X40Save Up to40%Off list…watercolor painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from… Natural White 100% Cotton Paper, Lasting Whiteness with Strength and Longevity The Artists' Choice For Watercolor Papers Since 1492! Mould-made in France, Arches Natural White Watercolor Paper is 100% cotton rag watercolor paper. Considered the most popular in the world, each gelatin-sized Arches watercolor paper sheet has four deckle edges and may be repeatedly erased and over-painted while still maintaining its beautiful surface quality and integrity. Arches natural white watercolor paper is available in all three popular watercolor paper finishes, hot press, cold press and rough grain Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Arches natural white watercolor paper has been a favorite among artists for over 500 years, and it's easy to see why! Made from 100% cotton linters and both internally and externally gelatin sized, acid-free Aquarelle watercolor paper is one of the finest art papers in the world. Sized to the core with natural gelatin, a process exclusive to ARCHES®. Even if it is soaked for a long time, the paper will still retain enough gelatin not to become too absorbent. Arches Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Cold Pressed surface is a particular favorite of illustrators, watercolorists, and airbrush artists. For a bolder, more robust surface, Arches Rough provides just enough texture allowing for easy working, and is strong enough to maintain its character even after reworking. The Rough texture is also used by watercolorists, airbrush artists, and acrylic painters. 260 lb. is approximately the same weight as 140 lb. paper but in double elephant (available in larger sizes than 22x30"). Key Features:* 100% long rag cotton* Mould-made in France* Available in hot press, cold press and rough grain!* Two natural deckle edges, two torn deckle edges* Acid-free, no optical brightening agents* Natural color* Sized to the core with natural gelatin Perfect For:* Watercolorists* Maintaining the integrity of the paper after repeated erasing and painting* Finished artwork* Wet techniques such as ink, gouache, and acrylic Arches Watercolor Paper, Natural White Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould Uses: ideal for watercolor painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from penetrating into the thickness of the paper. See More -
Claessens Linen #15 Single Oil Primed Medium Texture Roll, 82" x 6 ydSave Up to66%Off listWhite Claessens Oil Primed Medium Textured Linen Rolls Feature Meticulous Craftsmanship - Their Most Popular All-Purpose Surfaces! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in the premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #15 - Single OP #15 - Claessens Linen features a pronounced medium weave and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 13.12oz. Double Oil Primed Linen Roll #15 - Double OP #15 - Claessens Linen features a pronounced medium weave and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 14.75oz. Single Oil Primed Linen Roll #66 - Single OP #66 - A favorite of many famous artists world wide due to its even medium texture, a tight weave and strength. The world’s most popular linen for landscape painting. It has a 43.2 TPI warp and 36.8 TPI weft. Single primed weighs 13.48 oz. per square yard. 2 coat sizing. Key Features: * Professional Quality Linen * Popular Medium (all purpose) weave * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, still life, general purpose * General painting techniques * Aspiring students & amateurs See More -
Claessens Linen #70 Single Oil Primed Rough Texture Roll, 82" x 6 ydSave Up to66%Off listWhite Claessens Oil Primed Rough Linen Rolls Feature Meticulous Craftsmanship With Close Attention To Detail! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create a archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #20 - Single OP #20 Claessens Linen features a pronounced, heavier texture and a single layer of primer for oil and alkyd painting. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape artists, large scale easel painters, and muralists. Warp 14.3cm/10.5cm weft; weighs 12.39oz. Single Oil Primed Linen Roll #29 - Single OP #29 Claessens Linen features a pronounced, heavy weight and rough texture with oil priming for oil and alkyd painting. Painters who enjoy a very hearty, heavy texture will enjoy this linen. Perfect for landscapes, large scale easel painters, and muralists. Warp 21.6cm/12.5cm weft; weighs 16.52oz. Single Oil Primed Linen Roll #70 - Single OP #70 Claessens Linen features a pronounced rough texture, with a single layer of primer for oil and alkyd painting. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape artists, large scale easel painters, and muralists. Warp 25.4cm/26.7cm weft; weighs 13.71oz. Key Features: * Professional Quality Linen * Heavy and Rough textures * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, murals, large scale works * Techniques complimenting a rough surface * Aspiring students & amateurs See More -
Claessens Linen #012 Glue Sized Moderately Fine Texture Roll, 82" x 6 ydSave Up to74%Off listWhite Quality linen worthy of your finest masterpiece! Claessens linen is made with only the finest linen flax. Great care is taken to weave the canvas. Quality control carefully inspects the canvas by hand for faults and removes any abnormally thick threads. Synthetic glue, which is less sensitive to humidity, is used rather than hide glue. The finished canvases are placed on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Key Features: * Professional quality glue sized linen * Synthetic glue is used instead of hide glue * Multiple surface textures offered * Quality checked by hand * Prime to suit your painting needs! Perfect For: * Professional painters of all types * Custom priming and stretching your own canvas * Highly detailed oil paintings * Portrait artists and detail painters * Archival art that will last! Glue Sized Linen Roll #09 - Features a fine texture. Ideal for use with portraits and painting genres that require a smoother surface - like detailed work. Warp 11 cm / 14 cm weft, 6.61 oz. Glue Sized Linen Roll #012 - Features a moderately fine texture. Ideal for use with general painting techniques and most painting genres. Warp 20 cm / 16 cm weft, 7.17 oz. Glue Sized Roll #013 - Features an extra fine texture. Ideal for use with portraits and painting genres that require a smooth surface. Warp 23 cm / 23 cm weft, 6.28 oz. Glue Sized Roll #029 - Features a pronounced and beefy, hearty rough texture that is popular with landscape and abstract painters, mixed media artists, and for large-scale easel and mural works. Warp 21.6 cm / 12.5 cm weft, 12.53 oz. Glue Sized Roll #066 - Features a medium texture. Perfect for most styles of painting and most general applications. Warp 17 cm / 14.5 cm weft, 8.85 oz. See More -
Claessens Linen #13 Quadruple Oil Primed Very Fine Texture Roll, 82" x 6 ydSave Up to66%Off listWhite Claessens Oil Primed Linen Rolls Feature Meticulous Craftsmanship for Techniques needing a smooth surface! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type is passed through its own set of manufacturing steps and quality control, resulting in premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create a archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #12 - Single OP #12 Claessens Linen features a moderately fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait and realist artists who enjoy the fine tooth it offers. Warp 20cm/16cm weft; weighs 11.36oz. Double Oil Primed Linen Roll #12 - Double OP #12 Claessens Linen features a moderately fine texture and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait and realist artists who enjoy the fine tooth it offers. Warp 20cm/16cm weft; weighs 12.59oz. Double Oil Primed Linen Roll #9 - Single OP #9 Claessens Linen features a fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait, realist artists, and general painters who enjoy the more moderately fine tooth it offers. Warp 11cm/14cm weft; weighs 11.50oz. Single Oil Primed Linen Roll #13 - Single OP #13 Claessens Linen features a very fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, but is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface it offers. Warp 23cm/23cm weft; weighs 9.59oz. Double Oil Primed Linen Roll #13 - Double OP #13 Claessens Linen features a very fine texture and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, but is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface it offers. Warp 23cm/23cm weft; weighs 10.50oz. Quadruple Oil Primed Linen Roll #13 - Quadruple OP #13 Claessens Linen features a very fine texture and a quadruple layer of primer for oil and alkyd painting. It is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface the quadruple priming and Very Fine weave offers. Warp 23cm/23cm weft; weighs 11.36oz. Key Features: * Available up to 6 yard rolls: see product listing details below * Professional Quality Linen * Very-Fine and Fine textures * Oil primed by hand * Best bonding surface for oils * Click on Yellow Icon near product for more details Perfect For: * Professional Oil Painters * Portraits & trompe l’oeil * Techniques needing a smooth surface * Aspiring students & amateurs * See More -
Claessens Linen #170 Double Universal Primed Rough Texture Roll, 82" x 6 ydSave Up to69%Off listWhite The Ideal Choice for Artists Working With several Mediums! Claessens provides artists with professional quality canvases. Each canvas passes through its own unique manufacturing steps before it is inspected. Quality control carefully examines the canvas by hand for faults and removes any abnormally thick threads. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. Universal acrylic primed canvases are coated twice with an acrylic-based paint that is troweled on expertly by hand with a large knife. Then the canvas is dried in a dry air oven for a secound time. This produces a perfectly cured, completely dry canvas. The Universal priming is designed to allow for 50% absorbency, making it suitable for all media types. The finished canvases are again carefully inspected one last time before they are placed on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Key Features: * Professional Quality Linen * Multiple surface textures offered * glue layer protect before priming * Universal acrylic primed by hand * Versatility for using different media! * Perfect For: * Professional Painters of all types * Portraits, landscapes, and more * Using acrylics, oils, alkyds, mixed media * Aspiring students & amateurs * Artists who paint in more than one media Double Universal Primed Polyester Roll #101 - features an extra-fine texture ideal for portraits and painting genres that require a smooth surface. Warp 39 cm / 20.5 cm weft; unprimed weight 7.23 oz. Double Universal Primed Linen Roll #109 - features a pronounced, heavy weave and a single layer of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where smooth texture is not needed and is popular with landscape, abstract, and large-scale muralists. Warp 11 cm / 14c m weft; weighs 10.71 oz. Single Universal Primed Linen Roll #112 - features a moderately fine texture and a single layer of universal acrylic primer for acrylics, alkyds, and oils. Painters who paint in multiple applications and styles will enjoy this linen. Ideal for use with portraits and painting genres that requires s smoother surface for detailed work. Warp 20 cm / 16 cm weft; weighs 12.17 oz. Double Universal Primed Linen Roll #120 - features a pronounced, heavier texture and a double layer of universal acrylic primer for acrylics, alkyds, oils, and even mixed media. It accepts most painting techniques where smooth texture is not needed and is popular with landscape and abstract artists, large-scale easel painters, and muralists. Warp 14.3 cm/ 10.5 cm weft; weighs 11.50 oz. Double Universal Primed Linen Roll #129 - features a more pronounced heavy weave, with two layers of universal acrylic primer for acrylics, alkyds, oils, and even mixed media. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape and abstract artists, large scale easel painters, mixed media artists, and muralists. Warp 21.6cm/12.5cm weft; weighs 15.40 oz. Double Universal Primed Linen Roll #166 - features a more pronounced medium texture, with two layers of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where a smooth texture is not needed and is popular with large-scale muralists. Warp 17 cm / 14.5 cm weft; weighs 12.24 oz. Double Universal Primed Linen Roll #170 - features a rough texture with two layers of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where smooth texture is not needed and is an excellent multi-purpose surface. #170 is popular with landscape artists, abstract painters, mixed media artists, large-scale easel painters, and muralists. Warp 25.4 cm / 26.7 cm weft; weighs 11.8 oz. See More
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