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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to30%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Spectrafix Natural Glass 8 oz VarnishSave Up to21%Off list…and painting medium. It dries fast to a water-resistant, semi-gloss film. You can use Natural Glass on canvas, paper, Yupo, ceramic, stone, glass, leather, fabric (not washable), and more. It can be re-worked, painted over, layered, or used as a pouring medium. Natural Glass works well as a glass… Natural Glass makes shipping and hanging an art show easy! Natural Glass is a revolutionary water-based BioPolymer varnish and painting medium. It dries fast to a water-resistant, semi-gloss film. You can use Natural Glass on canvas, paper, Yupo, ceramic, stone, glass, leather, fabric (not washable), and more. It can be re-worked, painted over, layered, or used as a pouring medium. Natural Glass works well as a glass substitute for pastel and watercolor works. No more annoying reflections and glare or worrying about breakage. Natural Glass makes shipping and hanging a show easy because it can't break. The semi-gloss finish adds depth to your work while protecting it from the elements. You won't lose your highlights or dull your colors. Varnished colors become more luminous under Natural Glass. Like all SpectraFix products, Natural Glass washes up with water, is completely non-toxic, and has no irritating fumes. Key Features: * Water-based BioPolymer varnish and medium * Made from natural ingredients * You can spray it indoors * Non-toxic with no irritating fumes * The semi-gloss finish adds depth to your work * It does not dull colors * Easy to clean varnished surface * You can paint over it Perfect For: * Pastel and watercolor varnish * Protecting work from damage * Varnish or medium for all painting and drawing media * Traditional glass alternative * Pouring paintings * Canvas, paper, Yupo, and ceramic * Stone, glass, leather, and fabric (not washable) See More
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Frida Glass Paint Smooth Effect Glass Paint 500 ml - OrangeSave Up to73%Off list…glass without the need for special tools and equipment! Frida offers 21 different solvent-based colors with a smooth texture and cool color palette. Just tape your design underneath, outline the design with Frida Glass Paint Outliner, and fill in with glass paint using a dropper. Frida Glass Paint… Make your own stained glass creations with excellent results! Easily produce artwork with the look of real stained glass without the need for special tools and equipment! Frida offers 21 different solvent-based colors with a smooth texture and cool color palette. Just tape your design underneath, outline the design with Frida Glass Paint Outliner, and fill in with glass paint using a dropper. Frida Glass Paint is solvent based and incredibly easy to use. Create fantastic works of art with a transparent effect that looks just like stained glass. Can be used on glass, acrylic, aluminum, and lightly gessoed wood. The only limits are your imagination! Key Features: * Beautiful smooth texture that spreads easily * Available in 21 cool colors * Solvent based, easy to use glass paint * No special tools or equipment required Perfect For: * Making your own stained glass creations * Artists of all skill levels * Use on glass, acrylic, aluminum and even lightly gessoed wood Frida Glass Paint Instructions > You Might Also Like Create intricate designs for your Frida Glass Paint with Frida Relief Outliners Frida Relief Outliners > See More
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Frida Glass Paint Pearl Effect Glass Paint 500 ml - GrapeSave Up to73%Off list…glass without the need for special tools and equipment! Frida offers 19 different solvent-based colors with a pearlescent style to choose from. Just tape your design underneath, outline the design with Frida Glass Paint Outliner, and fill in with glass paint using a dropper. Frida Glass Paint is… Make your own stained glass creations with excellent results! Easily produce artwork with the look of real stained glass without the need for special tools and equipment! Frida offers 19 different solvent-based colors with a pearlescent style to choose from. Just tape your design underneath, outline the design with Frida Glass Paint Outliner, and fill in with glass paint using a dropper. Frida Glass Paint is solvent based and incredibly easy to use. Create fantastic works of art with a pebbled, pearlescent effect in 20 vibrant and bright colors. Can be used on glass, acrylic, aluminum, and lightly gessoed wood. The only limits are your imagination! Key Features: * Pebbled, pearl-like surface * Available in 19 vibrant colors * Solvent based, easy to use glass paint * No special tools or equipment required Perfect For: * Making your own stained glass creations * Artists of all skill levels * Use on glass, acrylic, aluminum and even lightly gessoed wood Frida Glass Paint Instructions > See More
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Frida Glass Paint Texture Effect Glass Paint 500 ml - Dark GreenSave Up to73%Off list…glass without the need for special tools and equipment! Frida offers 21 different solvent-based colors with a smooth texture and cool color palette. Just tape your design underneath, outline the design with Frida Glass Paint Outliner, and fill in with glass paint using a dropper. Frida Glass Paint… Make Your Own Stained Glass Creations With Excellent Results! Easily produce artwork with the look of real stained glass without the need for special tools and equipment! Frida offers 21 different solvent-based colors with a smooth texture and cool color palette. Just tape your design underneath, outline the design with Frida Glass Paint Outliner, and fill in with glass paint using a dropper. Frida Glass Paint is solvent based and incredibly easy to use. Create fantastic works of art with a transparent effect that looks just like stained glass. Can be used on glass, acrylic, aluminum, and lightly gessoed wood. The only limits are your imagination! Key Features: * Beautiful smooth texture that spreads easily * Available in 21 cool colors * Solvent-based, easy to use glass paint * No special tools or equipment required Perfect For: * Making your own stained glass creations * Artists of all skill levels * Use on glass, acrylic, aluminum and even lightly gessoed wood * Frida Glass Paint Instructions > You Might Also Like Create intricate designs for your Frida Glass Paint with Frida Relief Outliners Frida Relief Outliners > See More
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Gamblin Oil Painting Ground 8oz CanSave Up to40%Off listWhite Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More
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Maimeri Oil Painting Mediums - Walnut Oil, 500ml BottleSave Up to22%Off list…drying power! Maimeri Walnut Oil Painting Medium uses only the purest ingredients for the best guarantee of brilliance and vibrancy Maimeri uses only the purest ingredients for the best guarantee of brilliance and vibrancy. Most Maimeri oil mediums are housed in a glass bottle with a twist-off cap.… Increases the brightness of colors. Good drying power! Maimeri Walnut Oil Painting Medium uses only the purest ingredients for the best guarantee of brilliance and vibrancy Maimeri uses only the purest ingredients for the best guarantee of brilliance and vibrancy. Most Maimeri oil mediums are housed in a glass bottle with a twist-off cap. Increases the brightness of colors. It has similar properties to linseed oil, but it won't yellow as much. Good drying power. Walnut Oil Similar properties to linseed oil, but it does not yellow. Good drying power, increases the brightness of colors. Walnut Oil:* Similar properties to linseed oil* but it does not yellow* Good drying power* Increases the brightness of colors* Available in: 75ML, 250ML, 500ML glass bottles See More
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Schmincke Oil Mediums 500ml Schmincke Primer 1 JarSave Up to10%Off list…(Megilp): Schmincke Meglip Impasto Medium is an oil painting medium designed for painting thickly. The medium preserves the buttery character of oil paint while accelerating the drying process. When you are applying paint in a thick style with a palette knife you should include some Impasto Medium… Magnificent mediums for oil paints Schmincke Oil Mediums allow you to create fluid glazes or thick Impasto effects. You can even transform traditional oils into water-mixable oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing drying time. Key Features: * Accelerate or slow drying * Improve transparency and gloss * Outstanding working properties * Extend oil paints and use less paint * Perfect For: * Traditional oil paints * Blending and glazing * Changing the paint texture * Adding to oils undiluted Schmincke Mussini Drying Accelerator: is an especially fast-drying, Jelly-like painting medium for oil colors. The paste preserves the consistency and degree of gloss of oil colors. To avoid weakening of binding properties, use dosage of 10 to max of 30%. The product is ready to use and should be added to oil colours undiluted. After use clean tools as soon as possible with turpentine or brush cleaner. The Schmincke Mussini drying accelerator contains: siccative, stand oil, resin solution, mineral spirit. Impasto Medium (Megilp): Schmincke Meglip Impasto Medium is an oil painting medium designed for painting thickly. The medium preserves the buttery character of oil paint while accelerating the drying process. When you are applying paint in a thick style with a palette knife you should include some Impasto Medium to support the drying process between layers of paint. Contains: alkyd resin, stand oil, and fillers. Medium L: The Jelly-like medium improves oil paint flow while reducing brush strokes, accelerating drying time, and increasing gloss and transparency. Shake well and stir before use. Close immediately after use. The recommended dosage for medium L is 10 - 20 %. The product is ready to use out of the bottle, but you can dilute it with turpentine substitute 50019. Medium W: Schmincke Medium W is a low-odor oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. You should shake the bottle before use. Mix 2 parts of oil color and 1 part of Medium W on your palette, then add water to thin. Add more Medium W to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W may appear lighter or "milky" when wet, but the color will return as the paint dries. Medium W Gel: Schmincke Medium W Gel is a jelly-like oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. Mix 2 parts of oil color and 1 part of Medium W Gel on your palette, then add water to thin. Add more Medium W Gel to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W Gel may appear lighter or "milky" when wet, but the color will return as the paint dries. Refined Linseed Oil: Refined Linseed Oil is winterized and bleached. Many artists use it as a medium when painting. It slows down the drying time of your paint, which can be very useful when painting in layers. Please note: The natural yellowing tendency of linseed oil cannot be stopped by bleaching! Schmincke Primer 1: Schmincke Primer 1 is a pure white, semi-opaque, light-resistant, and nonaging primer for oil and acrylic colors. The primer has a strong absorbent character and forms an elastic, matt film once dry. Schmincke Primer 1 is ready to use straight out of the bottle, or for a thinner consistency, you can thin it with water. For max dilution, mix with 30% water See More
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Old Holland Oil Painting Varnishes - Mastic Picture Varnish, 500ml BottleSave Up to40%Off list…(dull) areas on the painting while in process, bringing everything up to an even sheen. Can be used over drier paint to help bond new fresh painting layers. Dries within hours and is made with a ketone resin base. Used most popularly as a temporary varnish while the painting continues to oxidize,… High Quality Oil Painting Picture Varnishes Old Holland Oil Painting Medium thins oil paints, increases fluidity, and enhances flow. Made from a mixture of linseed oil, turpentine oil, and white spirit, it contains no resin or dryers. It reduces gloss and ensures that brush strokes remain visible, but does not affect the drying time. Retouching Varnish - Useful for reviving sunken (dull) areas on the painting while in process, bringing everything up to an even sheen. Can be used over drier paint to help bond new fresh painting layers. Dries within hours and is made with a ketone resin base. Used most popularly as a temporary varnish while the painting continues to oxidize, offering protection from dust and dirt until a final varnish can be applied. Mastic Picture Varnish - Hard Varnish that often turns slightly milky. Gives a high gloss, but will yellow slightly later. Made from pure mastic resin dissolved in white spirit. Must not be applied before painting is thoroughly dry- a minimum of 12 months (longer depending on paint film thickness). Dammar Picture Varnish - Use as a final varnish for a lovely gloss finish. Produces an even, high gloss, yellows slightly later. Made from pure dammar resin dissolved in white spirit. Must not be applied before painting is thoroughly dry- a minimum of 12 months (longer depending on paint film thickness). See More
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LUKAS Painting Butter Impasto Oil Medium 500ml CanSave Up to65%Off list…to paint in heavy impasto layers * Ensures the layer dries completely and evenly * Impasto and palette knife painting techniques * Quick drying - special drying agents and thickeners * Ability to put paint over paint with ease * Thickens the paint and makes it so much easier to use a palette knife.… Paint in heavy impasto techniques without wasting valuable pigment! Layers will dry without shrinking, cracking, or wrinkling! Paint in heavy impasto techniques without wasting valuable pigment with this quick drying, elastic, alkyd resin-based Painting Butter medium from LUKAS! Formulated with special drying agents and thickeners, this impasto medium helps keep the thick constitution of heavy paint application with no leveling, ensuring that your paint structure remains. Layers will dry without shrinking, cracking or wrinkling! LUKAS Painting Butter Impasto Medium is a transparent, slightly amber-tinted mixture of alkyds, thickeners, and driers and is the same consistency as straight oil paint: * Mixing it with your paint will thin the color somewhat, but allows you to paint in heavy impasto layers while not wasting pigment.* Ensures the layer dries completely and evenly.* An indispensable medium for the oil artist fond of impasto and palette knife painting techniques! Helps maintain brushstrokes and speeds the drying rate of oil colors Key Features: * Alkyd base speeds up drying time of oil paint * Dries at the same rate! * Dries evenly without wrinkling or cracking * Special drying agents and thickeners * Paint in impasto layers up to an inch thick! * No need to add a lot of paint to it to get the color you want * Not only dries faster but can double your colored pigment! * Mixes easily with the oils and dries very quickly, allowing additional coats of paint to be applied without smearing * If you like texture in your oil painting, you'll love this product * Available in 37ml and 200ml tubes Perfect For: * Oil Painting Medium used to mix with oil paints for impasto techniques * Will thin the color somewhat but allows you to paint in heavy impasto layers * Ensures the layer dries completely and evenly * Impasto and palette knife painting techniques * Quick drying - special drying agents and thickeners * Ability to put paint over paint with ease * Thickens the paint and makes it so much easier to use a palette knife. * Colors stay vibrant, Extend oil paints without making them weak or runny * Excellent consistency of the butter, ability to spread smoothly* "I LOVE This Stuff! I love Lukas Painting Butter, both for my own work and in my workshops. Its heavy texture and FAST drying time are "just the ticket" for my "knife paintings." I have turned many of my students onto it, too! It's now a staple of my "must-have" supplies." Paint in heavy impasto techniques – LUKAS Painting Butter Impasto Medium Read Blog Article -> Thicken Your Oil Paints with Impasto Medium for Oil Paints – LUKAS Painting Butter See More
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Gamblin Galkyd Painting Medium, 16 oz BottleSave Up to40%Off list…drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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M. Graham Walnut/Alkyd Oil Medium 8oz. BottleSave Up to40%Off listAugment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans -… Augment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Perfect for removing color from brushes after use and since it is a natural vegetable oil, it will not evaporate or remove essential oils from the artists' paint brushes. Walnut oil can also slow drying, increase sheen and enhance the flow of oil colors.Walnut/Alkyd Medium - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Can thin the color, enhance adhesion between layers, increase surface sheen and speed up drying time for oil colors. This medium can also increase flexibility of the paints. Walnut/Alkyd Medium is ideally suited for all-prima and glaze applications and is certified non-toxic. Key Features:* Available in 4 different sizes* Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans* Non-toxic* Safe to use on brushes Perfect For:* Working with oil colors* Speeding up drying time* Increasing adhesion and flow of oil paint See More
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Old Holland Bleached Linseed Oil 500 ml BottleSave Up to40%Off list…their tradition of using a windmill. Enhances the fluidity of paint and enables brush strokes to be removed. Enhances gloss but lengthens the drying time, dries to a flexible, durable paint film. Used as an ingredient in custom painting mediums. Can be thinned with turpentine or white spirit.… Professional Master's Quality Oil Painting Mediums from Old Holland! Since 1664, Old Holland has been manufacturing the most professional quality pigments, painting oils, and varnishes for artists like Vermeer and the Dutch Masters. With oils pressed by a windmill, they still manufacture drying oils, stand oils, and varnishes to the highest standard of quality in the most traditional methods feasible. Key Features:* Bleached Linseed Oil, Refined Poppy Oil* Stand Oil, Cold Pressed Linseed Oil* Master quality drying oils* Oils to create custom mediums Perfect For:* Glazing and thinning oils* Creating custom painting mediums* Increasing fluidity, makes it possible to remove the brushstroke* Increases the gloss, lengthens the drying time Cold Pressed Linseed Oil - Cold pressed linseed oil from ground Flax Seeds, which are pressed by Old Holland in their tradition of using a windmill. Enhances the fluidity of paint and enables brush strokes to be removed. Enhances gloss but lengthens the drying time, dries to a flexible, durable paint film. Used as an ingredient in custom painting mediums. Can be thinned with turpentine or white spirit. Bleached Linseed Oil - Cold pressed linseed oil which has been bleached to lighten the oil color, making it yellow less than traditional linseed oil, but dries slower, as well. Enhances the fluidity of paint and enables brushstrokes to be removed. Enhances gloss of paint film. Can be thinned with turpentine or white spirit. Stand Oil - Boiled polymerized linseed oil, thick to a honey-like consistency. A popular additive in painting mediums, especially for glazing mediums. Yellows less than linseed oil as has already begun the oxidation process. Dries more slowly than regular linseed oil, to a flexible and durable paint film. Refined Poppy Oil - Obtained from the first pressing of poppy seeds. Maintains many of the qualities of linseed oil, but yellows less when mixed with light colors and dries much more slowly. Use conservatively as Poppy Oil paint film dries more brittle than linseed oil. See More
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Winsor & Newton Oil Painting Primer, 500ml CanSave Up to40%Off listWhite Ready-to-use primer in a non-yellowing oil-modified alkyd resin medium Winsor & Newton Oil Painting Primer is a ready-to-use primer in a non-yellowing oil-modified alkyd resin medium. No thinning or stirring is required. Oil Painting Primer can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper) with virtually no sinking in. A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colours easily and without chalkiness or absorbency.Key Features:* Size: 500ml & 1000ml cans* Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium* Can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper)* Used to prepare a surface before painting* A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming Oil painting primer imparts a traditional oil base. Some artists prefer this and may find a slight increase in gloss and smoothness. Oil primed canvases may slacken off less than acrylic primed canvases. A coat of warm glue size is required first. As a result of their formulation, Winsor & Newton acrylic primers are also suitable for oil painting. They are popular because they dry quickly and do not require any sizing underneath. See More
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Winsor & Newton Artists' Painting Medium 500ml BottleSave Up to40%Off listNon-yellowing medium reduces oil paint viscosity Winsor & Newton Artists' Painting Medium is a slow-drying, gloss medium ideal for glazing and smoothing blended areas. The medium reduces brush strokes and improves flow, boosting the durability of the paint film. Add more oil or solvent to the… Non-yellowing medium reduces oil paint viscosity Winsor & Newton Artists' Painting Medium is a slow-drying, gloss medium ideal for glazing and smoothing blended areas. The medium reduces brush strokes and improves flow, boosting the durability of the paint film. Add more oil or solvent to the mix to change the consistency of your paint. Key Features: * Slows down the drying process * Reduces viscosity and improves flow * Non-yellowing * Dries to a flexible film * Less likely to yellow, wrinkle, or crack Perfect For: * Oils and alkyds * Reducing brush strokes * Oiling out and enriching dull patches * Glazing and blending techniques * Painting fine details Painting tip – Wipe the neck of the bottle after use to ensure the safety cap remains secure. See More
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Wilson Bickford Background Color 500ml Bottle - Shaded WoodSave Up to51%Off listBrown Expand your painting experience with Wilson Bickford grounds and mediums! Now you can paint along with master artist Wilson Bickford from the ground up! This specially-selected line of grounds and mediums were developed by Wilson to enhance his signature wet-in-wet oil painting style — and now you can benefit from his years of experience! From creating a solid ground or tonal grisaille, to blending colors into a base coat and crafting delicate, luminous oil color glazes, these gessoes and mediums are your surefire ticket for "fun and fast" painting with professional artist and instructor Wilson Bickford!* Gesso – Made from pure Titanium White or black pigment blended with an acrylic copolymer emulsion. It yields an excellent flexible film with a fine tooth surface, ideal as a base for paintings in acrylics, oils, alkyds, tempera, inks and more. Available in White or Black; 16 oz. bottles.* New! Background Color -- Gesso formulated to provide artists with fast drying, beautiful, toned backgrounds. Achieve dramatic effects in your underpainting by creating a flexible film base which can be painted over with oils, acrylics, alkyds and even tempera.* FastFlo Base Coat Medium – This alkyd-based medium is the perfect base coat for wet-in-wet oil painting techniques, and provides a smooth, white, quick-drying ground on which to start a painting. Available in 4 oz. and 8 oz. bottles.* Clear Glazing Medium – Mix with oil or alkyd colors to speed the drying time, to add translucency and to extend color. Ideal for creating glazes as well as detailed effects. Can be thinned and cleaned up with turpentine or odorless mineral spirits. Available in 8 oz. or 16 oz. bottles. * See More Wilson Bickford Signature Series Art Supplies See More
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Williamsburg Wax Medium, 8oz CanSave Up to40%Off list…Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film… The Perfect Accompaniment to Williamsburg Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film strength and durability. Williamsburg is proud to offer a unique selection of drying oils and mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss. Useful as an ingredient in painting mediums. Cold Pressed Linseed Oil - Genuine, cold-pressed linseed oil. Extracted through pressure alone. Less processed than alkali-refined oil. Closer to what was traditionally used in the past. Stand Oil - a thick, honey-like linseed oil with excellent leveling properties. Increases flow, transparency, and gloss. Useful as an ingredient in painting mediums. Slower drying and less yellowing than other linseed oils, it creates a smooth, durable, flexible film. Wax Medium - Pure beeswax, damar resin, and refined linseed oil. No paraffins or microcrystalline. Use in moderation to thicken paint; imparts a short, buttery texture. Increases transparency, dries to a satin sheen. Alkyd Resin - Made from a slow-drying pure alkyd resin with the consistency of a thick stand oil. Dries to a glossy, flexible, and enamel-like film. Useful in making other mediums or added directly into oil paints to modify transparency and flow. WARNING: Combustible. Vapor harmful. Key Features:* Professional, Handmade Oil Mediums* Quality cold-pressed drying oils* Oils to make custom mediums* Wax Medium to thicken paint* Perfect For:* Making custom painting mediums* Professional Oil Painters* Discerning students & amateurs* Using with professional quality oils See More
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Creative Inspirations Acrylic Metallic Colors Set of 4, 500ml BottlesSave Up to83%Off listMetallic High-Value High-quality Acrylics- In Convenient Sets! The Creative Inspirations Acrylic Sets are ideal for educators, classrooms, social art parties, and art businesses. With Creative Inspirations Acrylics, educators and artists do not have to settle for water-downed acrylics made from inferior materials. Creative Inspirations Acrylic Sets include brilliant colors with great coverage. The paint has a smooth, creamy, and free-flowing consistency. Creative Inspirations Acrylics were recently voted educators' favorite acrylic for classroom use, and the paint is internationally recognized as superior by classroom educators and the art party industry. You can also clean up these acrylics quickly and easily with soap and water. **Special bulk pricing is available upon request for Creative Inspirations Acrylics Sets. Contact us at 1-800-827-8478 Key Features: * Smooth, creamy consistency * Great coverage * Medium to heavy body * Colors are bright, vibrant, and very pigmented * Can be thinned with water * Dry with a permanent film * Clean up with soap and water * Perfect For: * Mural and Studio Art * Educators * Artists on a budget that demand quality! * Social art parties * Art party businesses * Classrooms Artists on a budget! * Quick and easy cleanup * Better paint at a better value Like other lesser paints, when mixing colors, you will get vibrant results, not "muddy" colors. Click on the white paper icon to view the contents of each set. See More
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LUKAS CRYL Studio Acrylic Standard Colors Set of 15, 500ml + 1 Free WhiteSave Up to70%Off listAssorted Colors High-quality, convenient, medium-viscosity artist acrylic sets! The Studio line is a perfect introduction to professional-grade, medium-viscosity acrylic paints. There are many convenient sets with impressive color saturation to unlock your creativity! Now you can bring your art studio wherever you go with these lovely, complete Studio Acrylic sets from LUKAS! Key Features:* Professional quality paint at economical prices* High pigment concentration ensures vibrant and brilliant colors* Superb light-fastness ratings for color permanence* Paint film won’t shrink, crack, or wrinkle when drying* Water-mixable, quick-drying, easily cleaned up with soap and water Perfect For:* Large canvases and large-scale works * Mural painting* Students, teachers, and professionals* Artists looking for bright, vibrant colors* Wet on-wet washes plus creating light structure without medium* Fast drying and easy clean-up See More
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SoHo Urban Artist Heavy Body Acrylics Value Set of 14 Colors, 500ml AssortedSave Up to78%Off listAssorted Colors Sets of Top Selling Heavy Body Acrylics by SoHo! Are you looking for the perfect gift for an artist? Or are you interested in painting but just not sure where to begin? Our SoHo Complete Acrylic Painting Sets have what you need! The convenient kits contain absolutely everything needed for acrylic painting. The SoHo Acrylics have a super smooth heavy body consistency that offers great value. You can create awe-inspiring textures or thin the paint to reduce brush stroke visibility. Each set includes the basic colors you need to start painting as well as some essential tools. Key Features: * Supersaturated colors * Set contents in yellow tech notes below * Excellent coverage * It dries to a lustrous finish * Perfect For: * Artists of all levels * Color mixing and color theory * Students, teachers, classrooms * Sets make excellent gifts! Value Sets:* SoHo Urban Artist Acrylics Acrylic Tubes Value Set of 24 x 12 ml * SoHo Urban Artist Acrylic Value Set of 24 x 21 Ml * SoHo Acrylic 24 Color Value Set Plus SoHo Table Easel Complete Acrylic Home Studio Value Set- Our SoHo Complete Acrylic Home Studio Value Set addresses the needs of all new painters. The SoHo Acrylics have a super smooth heavy body consistency. You can create awe-inspiring textures or thin the paint to reduce brush stroke visibility. This set includes all the basic colors you need to start painting as well as some essential tools. The SoHo Aluminum Table Studio Easel weighs only 20 ounces and folds down for travel and storage. Although it's small in size, it has two special 10" long wings that can support canvases up to 24 × 30" in size. The SoHo easel can easily support the five 11x15" painting boards that are included. A variety of brush shapes and sizes allow you to experiment, and the airtight palette is excellent for keeping mixed colors fresh. Once you buy this set, you will have all the basic supplies needed to start painting. SoHo Urban Artist Acrylic Paint Sets - Large Tube Sets of 5 Mixing Colors and 8 Basic Colors in 75ml tubes are great for beginners and students to learn color mixing and theory. The Value Set of 24 21ml tubes offer a wide range of colors to explore all acrylic techniques and painting styles, or choose the set that comes with a SoHo Table Easel for traveling to workshops and classes. SoHo Urban Artist Acrylic Really Complete Painting Set - includes a set of twenty-four 21ml tubes of SoHo Urban Artist Acrylics, a 100ml bottle of both Gloss and Gel Mediums, 9 SoHo Paint Brushes, five plastic palette knives, a five pack of 12x16" SoHo Painting Boards, a 30 sheet disposable paper palette pad (12x16"), 1 double plastic palette cup, a "Basics of Acrylic Painting" DVD, and a Walnut Finish Wood Van Gogh Table Easel. Soho Urban Artist Acrylic, 12ml set of 24 colors - Value set of twenty-four 12ml tubes of SoHo Urban Artist Acrylics Colors: Alizarin Crimson, Azo Vermilion, Burnt Umber, Cadmium Red Medium Hue, Cobalt Blue Hue, Emerald Green, Lemon Yellow, Permanent Green Light, Phthalo Green, Raw Sienna, Sap Green, Ultramarine Blue, Burnt Sienna, Cadmium Orange Hue, Cadmium Yellow Medium Hue, Cerulean Blue Hue, Dioxazine Violet Hue, Ivory Black, Paynes Grey, Phthalo Blue, Prussian Blue, Raw Umber, Titanium White, and Yellow Ochre. Acrylic Starter Set: The Acrylic Starter Set contains: The Soho Urban Artist Acrylic, 12ml set of 24 colors, Pro Stroke Powercryl Explorer Set of 5 (Size #1 Round, Size #4, #6 and #8 Flat, and a Size #12 Filbert), Bristle Magic 4oz Bottle, and one SoHo Canvas Panel Pack of 3 9X12In panels. Acrylic Set of 24 and Aluminum Table Easel: Contains the Soho Urban Artist Acrylic, 12ml set of 24 colors, and a SoHo Aluminum Table Easel. The black anodized aluminum easel folds down to a mere 16" x 4" x 1-3/4" and comes with a handy carrying case. Although it is small in size, it has particular 10" long wings (20" combined wingspan) to support canvases up to 24 × 30" in size without wobbling. The back leg allows angle adjustments to virtually any degree from 45º to 90º. Besides being a very nice table easel, it also is excellent for displaying artwork. Heavy Body Acrylics Value Set of 48: The set of 48 includes Bronze, Cadmium Red Deep Hue, Copper, Fluorescent Blue, Fluorescent Green, Fluorescent Orange, Fluorescent Pink, Fluorescent Red, Fluorescent Yellow, Iridescent White, Lime Green, Light Portrait Pink, Naples Yellow Hue, Quinacridone Magenta, Raw Sienna, Unbleached Titanium, Green Gold, Phthalo Turquoise, Gold, Silver, Primary Red, Primary Yellow, Primary Blue, Neutral Gray, Alizarin Crimson, Azo Vermillion, Burnt Umber, Cadmium Red Medium Hue, Cobalt Blue Hue, Emerald Green, Lemon Yellow, Permanent Green Light, Phthalo Green, Sap Green, Ultramarine Blue, Burnt Sienna, Cadmium Orange Hue, Cadmium Yellow Medium Hue, Cerulean Blue Hue, Dioxazine Violet Hue, Ivory Black, Paynes Grey, Phthalo Blue, Prussian Blue, Raw Umber, Titanium White, Yellow Ochre, and Yellow Ochre Golden. Metallic Heavy Body Acrylic Set of 5: The set of 5 includes Bronze, Copper, Iridescent White, Gold, and Silver. Fluorescent Heavy Body Acrylic Set of 6: The set of 6 includes Fluorescent Yellow, Fluorescent Orange, Fluorescent Pink, Fluorescent Red, Fluorescent Green, and Fluorescent Blue. See More
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GOLDEN Fluid Acrylics Iridescent Gold Deep (Fine) 8 ozSave Up to40%Off listIridescent GOLDEN Fluid Acrylics provide a highly intense, permanent acrylic with a consistency similar to india ink. Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying (particularly when mixed with GOLDEN Airbrush Medium), staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. Fluids allow for smooth flowing applications while retaining color intensity, tinting strength, film integrity, and adhesion. Fluids blend easily with all acrylic colors, and readily tint gels, mediums, gessoes and grounds. Fluid Acrylics are extremely versatile, and ideal for fine brushwork, glazing, staining, water media techniques and many more. Mix Fluid Acrylics with Airbrush Medium for airbrush application of artwork including textiles. Key Features: * Smooth flowing applications * Permanent and lightfast colors * Extremely versatile * High tinting strength * Low-viscosity, pigment-saturated paint * Retain excellent flexibility when dry * High pigment levels suspended in an acrylic polymer vehicle * Perfect For: * Fine brushwork * Glazing and staining * Water media techniques * Dry brush application * Spraying, brushing, and staining * Allowing for longer, more uniform brush strokes * Absorbing the constant stress and strain placed on canvas Golden Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility, and good adhesion. * Golden Fluid Acrylics Interference Colors which reflect their own colors in intense direct light and transmit a complement in indirect light. This "flip" varies according to the surface and the surface color. Adding a small amount of black will produce brighter colors. * Golden Fluid Acrylics Iridescent Colors reflect their own light. They appear differently dependent on the light source being either direct or indirect. Mix these colors into other GOLDEN colors to produce the greatest array of pearlescent colors imaginable. Experiment for unique and fascinating effects. See More
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Amsterdam Standard Series Acrylic Paint - Turquoise Blue, 500ml JarSave Up to42%Off listBlue Medium viscosity paint with a broad range of vibrant acrylic colors The Amsterdam Standard Series offers you the broadest range of remarkably vibrant acrylic colors. An excellent medium body acrylic paint for the artist who seeks high quality and high value. Made in Holland all skillfully made based on a 100% acrylic emulsion and high-grade pigments. The Standard Series features great lightfastness and a choice of opacities, short drying time, and an acrylic resin paint that is virtually odorless when wet. Easy to work with and offers a smooth color when applied on its own or can be mixed with water or acrylic mediums, and clean up requires only water and soap. Their thick creamy consistency is perfect for Oil like effects. Amsterdam Standard acrylics are quick drying and non-toxic, so they are perfect for the student or studio! Amsterdam standard series acrylics are an excellent choice for the beginning or intermediate artist! Key Features:* Thick medium body acrylic paint* 100% acrylic resin* High level of lightfastness* Short drying time* Virtually odorless* Quick drying and non-toxic Perfect For:* Oil type effects* Impasto* Heavy application* Clean up with soap and water* Classroom or studio* Beginner and intermediate artists See More
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Creative Inspirations Acrylic, Flesh Tint 500ml BottleSave Up to76%Off listRed The Best Value For Acrylic Paints! Better Paints, Better Value! 120ml Tubes & 500ml Bottles Creative Inspirations Acrylic Paints provide dense, great coverage! NOT watered down like other cheap acrylic paints making them an amazing value for the price! With Creative Inspirations Acrylic Paints, educators and artists do not have to settle for water-downed acrylics that are made from inferior materials. Creative Inspirations Acrylics feature 42 brilliant colors with great coverage, are smooth, creamy and free-flowing. Unlike other lesser paints, when mixing colors you will get vibrant results not "muddy" colors. Featuring 500ml Easy Squeeze Bottles for your painting & pouring convenience Voted educators favorite acrylic color for classroom use, and they are internationally recognized as superior for classroom education and the art party industry Key Features:* Sold in 120ml & 500ml Bottles (1.8 ltr jugs also available)* Smooth, creamy consistency* Available in 42 different colors* Colors are bright, vibrant and very pigmented* Clean up with soap and water* Not watered down* 500ml Bottle - "Easy Squeezy" bottle* Great coverage & mixability* Medium to heavy body* Provide dense, great coverage Perfect For:* Art party businesses* Classrooms and workshops* Social art parties* An easy to use squeeze bottle* Artists on a budget* Higher quality paint at an amazing price point* Better painting experience* Wanting dense, great coverage & NOT watered down like other cheap acrylic* 500ml Squeeze Bottles - "Easy Squeezy Bottle" - You'll love us for the paint and even more the bottle! These acrylics provide artists with a complete freedom of creativity. Creative Inspirations Acrylics were recently voted educators favorite acrylic color for classroom use, and they are internationally recognized as superior for classroom education and the art party industry. These acrylics also clean up quick and easy with soap and water. See More
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Sennelier Abstract Acrylic Cadmium Red Orange Hue 500mlSave Up to50%Off listRed Abstract Heavy-Bodied Acrylic with High Pigment Concentration Sennelier has been on the cutting edge for generations, always working and listening to artists to design better products around their needs. Now they've taken the world of Heavy-Body Acrylics by storm with their innovative acrylic pouches, ideal for both large work and "street art." Three years of research were put into these paints, resulting in a strong pouch that is so strong you can step on it. The squeezable pouch has a transparent window for color reference and level check, so there are no surprises when you start to paint! They are so easy to use! You can squeeze paint directly onto your canvas or palette. Ultimately the airtight pouches save paint by keeping air out. Every last drop is usable, and no paint is wasted. Sennelier's acrylic paint is highly pigmented and has a creamy, heavy-body consistency. Of the 60 shades in the line, 34 are made with single pigments. Sennelier's traditional pigment history, combined with innovative packaging that promotes easy application, is quickly grabbing the attention of professional acrylic painters, students, muralists, and street artists alike. 36 SATIN FINISH COLOURS, 12 HIGH GLOSS COLOURS, 6 IRIDESCENT COLOURS, 6 FLUORESCENT COLOURS. AVAILABLE IN 120 ML AND 500 ML PACKS Key Features: * Heavy-bodied acrylic with high pigment concentration * Ultra-transparent, strong pouch * Waste-free pouch squeezes out every last bit of paint * 34 single pigment colors; 60 total shades * Paint is better preserved * Abstract nozzle tips: 8 Paint tips - Create new effects with different nozzles * Perfect For: * Acrylic painters of all levels * Muralists, street artists, and students * Selecting colors quickly * Artists and students on the go Click Here to learn more about Sennelier Abstract Acrylic Paints! See More
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Jacquard Lumiere Fabric Color - Old Brass, 8oz JarSave Up to37%Off listMetallic Dazzling metallic colors for fabric, paper, leather, wood, and more! These gorgeous metallic paints spread smoothly and stay flexible on fabric and leather! The line contains traditional metallic colors as well as pearlescent and hi-lite colors. The hi-lite colors are practically transparent on light colors and show up beautifully on darker tones and these stunning light-bodied paints brush on smoothly and are formulated to last. The newest addition to the Lumiere line is our Wine Country Palette. It consists of seven autumn colors in rich, sophisticated tones. Whether you want a little sparkle or a lot of dazzle, there is a Lumiere color for you! They won’t crack, peel or chip, even on flexible surfaces like fabric, leather, vinyl or rubber. Soft to the touch and washfast on fabric, Lumiere paints also exhibit unparalleled adhesive properties, even on non-porous surfaces like ceramic and metal. Lumiere colors are lightfast and weather-resistant, and their high pigmentation provides excellent coverage, even on dark grounds. Key Features: * Stunning light-bodied paints * Metallic and pearlescent acrylic * Soft to the touch and washfast * Lightfast and weather-resistant * Brushes on smoothly * High pigmentation provides excellent coverage * Won’t crack, peel, or chip on flexible surfaces Perfect For: * Fabric, leather, vinyl, and rubber * Ceramic and metal * Fine arts, crafts, or textile applications * Paper, photos, wood, plastic, and styrofoam See More
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GOLDEN Open Acrylic Paints Pyrrole Red 8 ozSave Up to40%Off listRed Slow-drying acrylic paint that enables painters to explore techniques GOLDEN Open Acrylics are a slow-drying paint that enables painters to explore techniques traditionally reserved for oil paints. The slow-drying quality of Golden Open acrylic paint gives artists longer working time for easier blending and even subtractive techniques. There is a unique thinner and mediums for use with OPEN, but the paints are compatible with regular fast-drying acrylics and clean up with soap and water like regular acrylics. Open Acrylic is formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion to produce a paint with a uniquely relaxed set of working characteristics and a versatility that allows artists to explore a wider range of techniques such as portraiture and landscape painting that rely on softening, shading, glazing, and creating fine detail. Increased working time of these colors expands their range to include more traditional techniques once only possible with oils Key Features:* Resists skinning, remain wet on the palette for extended periods* Feels like no other paint* Stays wet longer* Expands the boundaries of acrylics* Formulated with an optimum balance* Tubes: 2oz. & 5oz. / Jars: 4oz. & 8oz.* Titanium White: 32oz. Jar* 100% acrylic polymer dispersion Perfect For:* A uniquely relaxed set of working characteristics and versatility* Allowing artists to explore a wider range of techniques* Portraiture and landscape painting* Softening, shading, glazing, and creating fine detail* Plein air painting, mono-printing, and screen printing* Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors* Reducing the amount of paint wasted and preserving color mixtures for future use Available in sets Introductory Set of 6 + Thinner - Includes Six colors in 3/4 fl. oz. / 22ml Tubes (Benzimidazolone Yellow Medium, Naphthol Red Light, Ultramarine Blue, Permanent Green Light, Carbon Black* and Titanium White) and one 1 fl. oz. / 30ml Bottle of OPEN Thinner. Landscape Colors Set of 8 + Thinner - Includes Seven colors in 3/4 fl. oz. / 22ml Tubes (Cadmium Yellow Primrose*, Yellow Ochre**, Cadmium Red Light*, Alizarin Crimson Hue, Ultramarine Blue, Manganese Blue Hue, and Sap Green Hue**), one 2 fl. oz. / 59ml Tube of Titanium White and one 1 fl. oz. / 30ml Bottle of OPEN Thinner. Set of 8 Mixed - Modern Theory Colors - This eight-color set Includes: (22 ml) Benzimidazolone Yellow Light, Benzimidazolone Yellow Medium, Naphthol Red Light, Quinacridone Magenta, Anthraquinone Blue, Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), (59 ml) Titanium White, (30 ml) OPEN Thinner, and a color mixing guide. Mixing Set of 12 + Thinner - Includes Twelve colors in 3/4 fl. oz. / 22ml Tubes (Benzimidazolone Yellow Light, Benzimidazolone Yellow Medium, Naphthol Red Light, Quinacridone Magenta, Phthalo Blue (Red Shade), Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), Phthalo Green (Yellow Shade), Raw Umber*, Titan Buff, Carbon Black**, Titanium White) and a 1 fl. oz. / 30ml Bottle of OPEN Thinner. How long does it take for Golden Open acrylics to dry? Open typically dries in 3-5 hrs. To control viscosity while maintaining the maximum working time Use OPEN Mediums and Thinner. To accelerate drying time, OPEN Acrylics may be blended with faster-drying Golden Acrylics, Gels, and Mediums. OPEN Acrylics resist skinning, remain wet on the palette for extended periods, and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, mono-printing, and screen printing. See More
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SoHo Urban Artists Heavy Body Acrylic - Rose Madder, 500mlSave Up to76%Off listRed Thick and Rich Artist-Grade Colors Offer Huge Savings! SoHo Urban Artist Heavy Body Acrylics are designed for professional artists seeking affordable, high-quality results. Each color is loaded with first-class pigments and has the body to maintain textured brush strokes. Once dry, the acrylics form a satin, permanent film resistant to water. Quality Acrylics at an Affordable Price Point! SoHo Urban Artist Heavy Body Acrylics peak beautifully straight from the palette; no thickeners needed. Add just a little water, and they cover smoothly and evenly. Simply put, they are high-quality acrylics at an affordable price! Key Features: * Available in: 75ml, 250ml, 500ml, and Gallon * Thick, rich, and creamy color * Excellent coverage * Maintains peaks and brush strokes * High pigment load * Colors form a permanent, water-resistant film Perfect For: * Artist of all levels * Maintaining brush strokes * Abstract painting * Building up layers * Painting on traditional surfaces * Teachers and students * Great value for the money! Top Selling Acrylic Paint Only Available at Jerry's Artarama - Best Value for Artists "Superb Color Saturation! - This paint is thick and highly saturated....not watered down! You will not be disappointed with SoHo acrylic paints!"- David W See More
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LUKAS CRYL Studio Acrylic Paint - Magenta Red (Primary), 500ml BottleSave Up to68%Off listRed High Quality, medium-viscosity artist acrylics, Water-mixable, fast drying! A professional quality color at an extremely reasonable cost, LUKAS CRYL Studio Artist Acrylic Paints imported from Germany are perfect for both the beginning acrylic artist as well as the large-scale professional looking for quality paint at a low price! Using only pigments that rate no lower than 6 to 8 on the international standardized 8-step blue wool scale of light fastness (excluding Glow-in-the-Dark and Fluorescents) and a higher pigment concentration than most economical acrylic paints ensures that LUKAS CRYL Studio has exceptional coverage and excellent color permanence. Pigment is vibrant, goes on smooth, and does not crack or shrink when drying. Perfect consistency and excellent color saturation, the medium viscosity of the acrylic resin binder is excellent for painting techniques from wet-on-wet washes through to light structure without the use of a medium. The paint dries to an elastic, non-shrinking, or cracking film and can be used on surfaces from paper and canvas to boards and plastics. Water-mixable and fast-drying, Studio Acrylics can be cleaned up easily with soap and water before they dry. Perfect for both the beginning acrylic artist as well as the large-scale professional looking for quality paint at a low price! Paint film won't shrink, crack, or wrinkle when drying. Bright, Vivid and Super Pigmented Paint Great for Large Scale works and Outdoor Mural Painting! Key Features:* Wide range of vibrant colors* Medium viscosity* High Pigment concentration* Perfect consistency and excellent color saturation* Superb color mixing capabilities* Paint film wont shrink, crack or wrinkle when drying* Superb light-fastness* Water-mixable, fast drying* Click on the Paper icon next to the product for details Perfect For:* Large scale works* Large canvases* Students, teachers, and professionals* Fast drying projects* Wet-on-wet washes* Easy clean up with soap and water before they dry* Exceptional coverage and excellent color permanence* Large scale, Mural art* Painting techniques from wet-on-wet washes through to light structure without the use of a medium See More
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Gamblin Artists Oil - Cadmium Red Light, 8oz CanSave Up to40%Off listRed Gamblin Artist's Oils, The only choice for artists & professionals! Gamblin has deep history and transformed oils and pigments into luscious, rich oil color. Gamblin Artist's Oil Paint is made with refined linseed oil, so the paint film is more flexible and yellows significantly less than traditional linseed oil. No adulterants are used, so each color retains its unique tinting strength, undertone, and texture. Gamblin oils have a luscious working properties, and the colors are radiant. We're sure you'll agree that the quality of these oil colors is exquisite. For everything from realism to contemporary abstraction, you'll find the colors you need in the Gamblin line. Key Features: * Oil Paints: Available in 37ml and 150ml tubes, plus 8 oz. and 16 oz. cans * Sets w/ painting panels: Set of 9, Set of 3 * Professional quality * Inorganic colors made from metals (Cadmium, Cobalt, Iron, etc.) * 19th-century colors of the Impressionists * Classical and Renaissance era colors * High pigment load, low oil absorption * Colors easily grey-down in mixtures * Mostly opaque with a few semi-transparent and transparent colors * Made in Portland OR, USA * Perfect For: * Professional oil painters * Plein air artists * Alla prima painting * Vibrant portraits * Painting natural colors and light * Accurately reflecting the hues of nature * Smooth consistency and buttery feel * Outstanding lightfastness * Everyday studio use! Gamblin Metals- Gamblin Copper, Rich Gold, Pale Gold, and Silver are made by suspending bronze and aluminum powders in an alkyd binder. It's the light reflecting from all those bits of metal that create the "metal finish." The real metal flakes scatter light in many different directions giving surfaces painted with Metals a soft, lustrous appearance. Gamblin Metals have distinctive mixing characteristics. When mixed with transparent colors, they maintain their metallic luster and give glaze layers a unique sparkling quality. Gamblin Artists' Colors Introductory Set of 9 Colors Includes nine 37ml. tubes and a ready-to-use, This set contains one 6.5" x 12" pre-primed painting panel with 1.5in cradle depth.pre-primed birch painting panel handcrafted in North America from sustainable forests. Made in the USA. 37ml Colors include: Cadmium Yellow Light, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Viridian, Yellow Ochre, Burnt Umber, Ivory Black & Titanium White Reclaimed Earth Set of 3 Tubes: Colors in the set include Rust Red, Iron Violet, and Brown Ochre. The tubes are nestled in a 6"x6" primed panel made in Oregon by American Easel. The masterfully constructed panel has poplar cradled sides and a Baltic birch face. Every speck of pigment in these tubes has been painstakingly reclaimed from waters tainted by iron released from mines. Iron oxides make lightfast, natural, and safe oil paints. John Sabraw and engineer Guy Riefler figured out how to extract iron from the polluted rivers, restore ecosystems, and create economic opportunities in communities struggling with environmental damage left behind by the coal mining industry. By purchasing this limited edition set you are supporting hard-working communities and helping make the Ohio and Mississippi Rivers healthier ecosystems. Is Gamblin Oil Paint Professional Grade? Gamblin Artist's Oil Paints are Professional Grade made with refined linseed oil! Gamblin always wanted to give artists color at its maximum with a luscious texture. There is so much more to our work than fine raw materials and high pigment loads. Gamblin is dedicated to getting that balance right. Every color. Every batch. Every time. See More
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LUKAS Studio Oil Color - Titanium White, 500ml TinSave Up to74%Off listWhite High-quality, artists' oil paint at a great value! Working with over 145 years of tradition and advancement, LUKAS has created a high quality yet economical oil paint for the discerning artist! LUKAS Studio Artist Oils are made with the same high-quality pigments and exclusive blend of linseed oil, sunflower oil, and beeswax as their master line of 1862 oil paints. All toxic, caustic, and expensive pigments have been eliminated from the line, leaving you with a well-balanced but affordable spectrum of brilliant colors. Loaded with pigment, LUKAS Studio Artist Oil Paints have exceptional covering power, and the high-quality linseed oil, sunflower oil, and beeswax binder make for even drying and a strong paint film. Dry to the touch in 2 to 4 days and available in 37ml and generous 200ml tubes mean that you can work large and quickly while not breaking the bank! With a range of 48 vibrant colors all at the same price, LUKAS Studio Artist Oils are higher quality artist oil paint at an affordable cost. Create beautiful works of art! Great quality artist oil paints and amazing consistency at amazing prices! Key Features:* Heavy pigment load* Excellent lightfastness* 48 colors 37ml & 200ml tubes* Dry to the touch in 2 to 4 days* Exclusive blend of linseed oil, sunflower oil, and beeswax* Great quality, affordable paints* Perfect For:* Well-balanced range of color* Smooth, buttery consistency* High-quality pigments* Strong paint film* Paint at an affordable cost* Excellent feel with the brush, or palette knife* Painting more, worry about cost less!* All artists looking for great quality "As a test, I laid down my current stock of colors from W & N next to the same Lukas colors and noticed right away there was a difference in both consistency and color intensity. Every one of the Lukas colors was more pure and covered the canvas paper better. one of the colors I ordered was the cobalt violet. This is not a color I've seen anywhere else and I have to say, it's lovely. I much prefer it to dioxazine purple." See More
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Lefranc & Bourgeois Flashe Vinyl Paint - White, 169 ml JarSave Up to30%Off listWhite Highly Pigmented Opaque Vinyl Paint On All Supports Lefranc & Bourgeois's FLASHE is a vinyl-based opaque paint that dries to a uniform, velvety matte finish. Vinyl paint is like acrylic in that you can use it on different surfaces, but FLASHE has a velvety matt finish and can be painted on glass and plastic without a primer, unlike acrylic. Special properties in the paint allow you to apply the same color to different surfaces without any big color shift, and you can dilute the paint with water to create wash effects. The paint adheres well and is resistant to weather, which makes it perfect for painting theatre decorations, faux finishes, frescos, and more. All FLASHE colours have a distinctive matt finish, except the iridescent colours, which have a luminous, satin finish due to their pearlescent pigmentation. Key Features: * Highly pigmented opaque vinyl paint * Radiant colour, matt finish, and exceptional durability * High-quality pigments specially selected for fine art * Identical color finish on all surfaces * It can be heavily diluted without breaking the film * Guaranteed to be 100% stable over time * Most surfaces do not need to be primed Perfect For: * Artists and illustrators * Non-oily painting surfaces, canvas, wood, fabric, leather, metal, paper, plastic, glass, and polystyrene * Creating transparent wash effects and patinas * Use as an undercoat for oil or acrylic murals * Transferring artwork from analog to digital * Spontaneous painting in the studio or outdoors * Fresco and wall painting, faux finishes, theater decorations, and more * Brush, sponge, spray gun, or an airbrush application FLASHE Colours have a uniform 30-minute drying time, and once dry, they are water-resistant. You can only remove the paint with alcohol-based solvents. Apply opaque colours with a single application, semi-opaque colours with two applications, and transparent colours with three to four applications. Watercolour: To create washes and patinas, dilute with between 1/3 and 2/3 water as desired. Varnish: Matt varnish can be applied on top to maintain the vibrancy of the colour without altering the shade. Gloss varnish will make shades a tone deeper and more vivid. Varnish is recommended for all outside applications. See More
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Winsor & Newton Galeria Acrylic Gel Mediums - Structure Gel, 500mlSave Up to30%Off list…acrylic paintings * Adding weight and structure to paint * Dimensional build-up of Acrylics Black Lava Texture Gel - Granular paste containing fine particles of black flint. It can be used alone or mixed with acrylic paint. The gel allows you to achieve a heavier and more pronounced texture. Glass… Push the performance of Acrylics further with Galeria Gel Mediums! Winsor & Newton’s Galeria Acrylic Gel Mediums are texture additives that pair perfectly with their Galeria line. Explore the full range of Gel Mediums to create different textures with acrylic paint. An extensive and versatile range, the Galeria Gel Mediums provide great value and are easy to use. Key Features: * Additives for Different Effects * Alter Texture and Paint Structure * Designed for Galeria Acrylics * Economical Gel Mediums Perfect For: * Students and budgeting artists * Adding texture to your acrylic paintings * Adding weight and structure to paint * Dimensional build-up of Acrylics Black Lava Texture Gel - Granular paste containing fine particles of black flint. It can be used alone or mixed with acrylic paint. The gel allows you to achieve a heavier and more pronounced texture. Glass Beads Texture Gel - This medium comprises small, spherical glass beads suspended in a thick, clear acrylic gel. When used with transparent color, the effects are arresting and jewel-like. Heavy Structure Gel - The heaviest gel available in the Galeria range. Ideal for creating strong surface texture and very high peaks. Smooth and flexible. Heavy layers are easily and quickly built up. Satin finish prevents thick layers from looking too plastic. Sand Texture Gel - Helps you create a finer and more consistent texture. The gel contains refined and purified sand to ensure the most interesting sand grain texture. Structure Gel - Add to acrylic color to create high peaks. Smooth and flexible, it provides a gloss finish with good clarity. See More
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Liquitex Acrylic Effects Mediums Glass Beads 8 ozSave Up to46%Off list…used on its own or mixed with acrylic paint to create a crackle effect that is structurally stable on rigid surfaces. Glass Medium allows you to paint on slick, non-porous materials like glass. Mix with your favorite acrylic colors and start painting. Once heat-set, the medium dries to a high-gloss,… Designed to achieve various textures and special effects! Liquitex offers a variety of gels and additives specifically designed to achieve various textures and special effects. Ceramic Stucco Gel is a thick, fine-textured gel that you can apply with a palette knife to create a fresco finish. Natural Sand Gel is a fine-textured gel that dries to the appearance of glossy beach sand. Artists love to apply these types of textured gels to add a bit of interest to a painting. All of these gels and mediums are utterly inter-mixable with all Liquitex products. Key Features: * Extend color without affecting stability * Slows drying time * Mix with color or overpaint once dry * Increase adhesion to slick, non-porous surfaces with glass medium Perfect For: * Creating bold 3D effects or fine surface texture * Developing antiqued and weathered effects * Maintaining archival quality Crackle Paste can be used on its own or mixed with acrylic paint to create a crackle effect that is structurally stable on rigid surfaces. Glass Medium allows you to paint on slick, non-porous materials like glass. Mix with your favorite acrylic colors and start painting. Once heat-set, the medium dries to a high-gloss, scratch-resistant finish. Natural Sand Gel is a fine-textured gel that dries to the appearance of glossy beach sand. Artists love to use this texture gel to add a bit of tooth to under-paintings. You can apply the natural sand with a ridged trowel to create uniform peaks and valleys. Liquitex Glass Beads Gel is perfect for adding texture and body to your favorite colors. Mix it with acrylic paints and mediums to produce dramatic effects. It's best applied with a palette knife. Liquitex Ceramic Stucco Gel is a thick, fine-textured gel that you can apply with a palette knife to give the surface finish of an Italian fresco. It dries to a light gray matte stucco finish and is highly absorbent. Try painting over the dry surface with an airbrush medium or drawing with pastel or charcoal. See More
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LUKAS Acrylic Medium - Modeling Paste Fine Sand, 500mlSave Up to60%Off listWhite Customize Your Acrylic Paints With Lukas Professional Acrylic Mediums LUKAS has been supplying professional quality artist paints and mediums to artists since 1862. Their high-quality acrylic mediums, pastes, gels, and retarders have been carefully created to fulfill any acrylic painter’s needs. Any imagined texture, technique, or faux finish is capable with one or more of the mediums below. Build up a massive volume of color with structure pastes in various finishes from fine to extra coarse. Obtain specific looks with metallic modeling pastes, pumice pastes, or glass beads. Achieve granular looks with their structure pastes that contain quartz sand. LUKAS manufactures a wide variety of acrylic painting mediums to dilute or extend paint, create different film sheens, and even slow drying time for wet-on-wet techniques. Lukas mediums are great for customizing your acrylic paints! Click the item number to learn more about specific mediums. Key Features: * Highest-quality acrylic resins and materials * Pastes and gels help create complex ground structures * Slow drying time for wet-on-wet painting techniques * Regular and metallic modeling paste Perfect For: * Artists of all skill levels * Mural painters and faux finishers * Exploring different techniques * Creating different surface textures * Altering the sheen of a painting Studio Universal Modeling Paste: Great for building up thick structured areas on the surface of a panel or board. The paste dries to a light opaque grayish color. Retarding Medium: Slows the initial drying time of the paint film and the acrylic colors it is mixed with. Depending on the amount added, the drying can be delayed longer, allowing for wet-in-wet techniques. Pearl Structure Gel, Extra Fine: A milky white acrylic gel with pearlescent pigments that dries a silvery-white color. It is slightly transparent with intense pearly reflections. The color spectrum ranges from silver-white to light green to purples. Structure Paste Pumice Mortar: A light grey-beige structure paste perfect for creating pronounced 3D effects. This paste dries to an extremely coarse, rough-looking surface texture. Structure Paste Granite: A silver-grey colored, fine-grain acrylic paste with black particles and a shining mineral effect. It dries with a rough surface texture. Paste Granite is suitable for creating mineral textures that imitate stone surfaces. A shimmering, silver glimmer effect can be achieved when added to acrylics. Structure Paste Graphite: An opaque metallic black acrylic paste with metal oxide granulates. It dries graphite black with a rough surface texture and glitter effect. Structure Paste Graphite can also be mixed in with regular acrylic paint. Studio Light Structure Paste: A lightweight opaque white structure paste, suitable for large murals and paintings. Structure Paste Fine Sand: An opaque white structure paste perfect for creating reliefs on non-absorbent surfaces. Drying time depends on the thickness of the layers 2-24 hours. Acrylic Structure Paste with Quartz Sand Extra Coarse: An opaque light beige structure paste perfect for creating relief structures. This paste also offers a unique quartz sand texture. Studio Modeling Paste Universal: An opaque beige structure paste that can be mixed with acrylic paint or painted over. Acrylic Relief Modeling Paste: An opaque white modeling paste perfect for creating reliefs. Studio Modeling Paste with Extra Coarse Sand: An opaque beige structure paste with a unique sand texture. Studio Modeling Paste Extra Coarse: This opaque white structure paste offers a unique coarse-grained, sand-like surface texture great for creating reliefs. Modeling Paste with Coarse Sand: This modeling paste contains extra coarse quartz sand and dries to an opaque, beige finish. It can be mixed with acrylic paint or painted over. Golden Modeling Paste: An opaque metallic gold modeling paste. Silver Modeling Paste: An opaque metallic silver modeling paste. Copper Modeling Paste: An opaque copper-colored modeling paste. Bronze Modeling Paste: An opaque metallic bronze modeling paste. Acrylic Transparent Gel: A milky, transparent acrylic gel that allows the application of semi-transparent relief structures. This gel has a silky sheen once dry. Crystal Gel: A crystal clear, high gloss gel that allows you to build transparent reliefs; suitable for collage techniques. Structure Gel Corundum: A milky white acrylic gel with black and brown metal oxide granules that dries to a transparent finish. This gel is suitable for creating a coarse-grained, rough, black-brown surface texture with a slight glitter effect. It can be added to acrylic paints to achieve bright colors with black/brown flecks without changing the original character of the acrylic paint. Structure Gel Glass Beads: A milky white acrylic gel with structure-forming reflective glass beads. The gel dries transparent. The most intense reflections are achieved by mixing the glass beads with transparent acrylic paint or thinly painting over the dried gel. Acrylic Crystal Sand Structuring Gel: A milky white acrylic gel with structure-building transparent grains of sand. It dries transparent with a crystalline sand texture and a light glitter effect. Acrylic Structuring Gel Fibre Mix: A milky-white acrylic structuring gel with flexible synthetic fibers. Gel dries transparent with a shining surface effect. The most light reflection is achieved when the gel is mixed with transparent acrylics or applied over a colored ground. Acrylic Structuring Gel with Crystal Fragments: A milky white acrylic gel with coarse-grained transparent synthetic resin particles. Gel dries transparent with a crystalline sand texture and a light glitter effect. The most light reflection is achieved when the gel is mixed with transparent acrylics or applied over a colored ground. Acrylic Quartz Sand Structuring Gel: A Milky-white acrylic gel with fine-grained light grey specs of sand. The structure gel dries transparent with a rough sand texture and light glitter effect. Acrylic Hologram Structuring Gel: A milky white acrylic structure gel that dries to a transparent finish with a holographic, shimmering glitter effect. Please Note: The effect does not work when mixed with acrylic paint. Gloss Acrylic Painting Gel: A nonyellowing acrylic gel that dries to a transparent gloss finish. Mixing the gel with acrylic paint increases gloss, transparency, and color brilliance without altering the paint color. Silk-Matt Acrylic Painting Gel: Increases the gloss, transparency, and brilliance of acrylic paints when mixed into the paint. This nonyellowing acrylic gel dries to a translucent satin matte finish. Will not alter the color of the paint. Acrylic Impasto Painting Gel, Gloss: A milky white acrylic structure gel perfect for creating distinctive 3D reliefs. This gel dries clear and is known for increasing the structure, transparency, and brilliance of acrylics when mixed into paint. Acrylic Impasto Painting Gel, Silk-Matt: A milky white acrylic structure gel perfect for creating distinctive 3D reliefs. This satin matte gel is known for increasing the structure, transparency, and brilliance of acrylics when mixed in with paint. Pastel Primer: A light grey pastel primer that dries to a fine-grained coarse film. You can mix in acrylic paint to change the color of the primer. The dried surface is suitable for working with pastels, chalk, watercolors, acrylics, and gouache. See More
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Liquitex Acrylic Effects Mediums Glass Beads 8 ozSave Up to46%Off list…a painting and allow the surface to show through. Crackle Paste - You can use Liquitex Crackle Paste on its own or mix with acrylic color to create a crackle effect that is structurally stable on rigid surfaces. Glass Medium - You can mix Liquitex Glass Medium with acrylic color to adhere paint on… Designed to achieve various techniques, applications, special effects & pouring! Liquitex offers a variety of specialty products including Pouring Mediums, Fluid Mediums, Gel mediums, Texture Gels and Additives which have been specifically designed to achieve various techniques, applications and special effects. Fluid Effects Mediums:* Increase Flow * Dry transparent or translucent * Extend the volume of thin paint * Excellent archival adhesive for collage Gel Effects Mediums* Adds body * Increase ‘open’(working) time * Dry transparent or translucent * Extend the volume of paint * Hold brush or knife marks * Make an excellent archival adhesive for collage Liquitex offers a variety of specialty products which have been specifically designed to achieve various techniques, applications and special effects. Airbrush Medium - A liquid medium incorporating an acrylic polymer. Specifically formulated to thin acrylic colors for airbrush application. Can also be used when working a regular brush. Fabric Medium - A fluid medium incorporating an acrylic polymer with ultimate flexibility and adhesion. Enhances the workability of acrylic paint on fabric. Controls bleeding of colors thinned with water. Flow Aid - A binder-free aqueous solution with surfactants. Use in conjunction with any acrylic medium or acrylic color when increased flow and absorption and decreased film tension and friction are required. Iridescent Medium - A fluid medium incorporating an acrylic polymer with ultra-fine pearlescent mica pigment. Produces a range of iridescent or metallic colors when mixed into acrylic colors. LiquiThick Thickening Gel - A binder-free heavy body gel with high levels of gelling agents. Used in small amounts, produces handling characteristics very close to that of oil or encaustic paint. At higher concentrations, can thicken paint or acrylic mediums to "cake" or sculptural consistency. Pouring Medium - A fluid medium incorporating an acrylic polymer with high resin solids. Creates even puddles, poured sheets, and flowing applications of color. Slow-Dri Fluid Retarder - A binder-free fluid with slow drying agents. Increases 'open' (working) time of acrylic paint. Reduces paint skinning-over on palette. Increases blending time, making blending of colors and detail brushwork easier. Slow-Dri Gel Retarde - A binder-free gel with slow drying agents. Designed to be used with Liquitex Heavy Body Artist Color and Heavy Body mediums. Increases 'open' (working) time of acrylic paint. String Gel - A medium viscosity medium incorporating an acrylic polymer with a resinous, stringy consistency. Enhances depth of color and increases transparency and flow. Masking Fluid - Masking Fluid is a colorless, latex-based liquid that you can use to mask areas. Many artists use Liquitex Masking Fluid to block off sections of a painting and allow the surface to show through. Crackle Paste - You can use Liquitex Crackle Paste on its own or mix with acrylic color to create a crackle effect that is structurally stable on rigid surfaces. Glass Medium - You can mix Liquitex Glass Medium with acrylic color to adhere paint on slick non-porous materials like glass. The medium dries to a high gloss, scratch-resistant finish once heat set. Gold Metallic Medium - With Liquitex Gold Metallic Medium, you can give acrylic paint a metallic gold effect or use it on its own to add gold surface highlights. Silver Metallic Medium - With Liquitex Silver Metallic Medium, you can give acrylic paint a metallic silver effect or use it on its own to add silver surface highlights. See More
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Liquitex Acrylic Fluid Mediums - Glazing, 8ozSave Up to46%Off list…non-yellowing, water-resistant film. Palette Wetting Spray: Slows drying time of acrylic color on palette or canvas and improves color blending. Spray and re-spray as needed to prevent acrylic paint from skinning over. Key Features: * Thin viscosity of heavier body paints, giving increased flow *… Lower the viscosity of heavier body paints >Liquitex Fluid Mediums are fluid and reduce the viscosity of heavier paints and gels, tend to self-level, and do not retain brushstrokes. Rather than using water, Liquitex Fluid Mediums modify acrylic paints in a variety of ways and contain acrylic resins to maintain or enhance adhesion and durability. With Liquitex Acrylic Fluid Mediums, you can give your paint a gloss or matte finish while thinning and extending its volume. Glazing Medium: Increases transparency, lowers viscosity, and enhances gloss. Perfect for creating brilliant, jewel-like glazes. The medium dries to a water-resistant, non-yellowing film. Gloss Medium: All-purpose medium for imparting gloss. Matte Medium: Mix into colors so that they dry uniformly matte. Satin Medium: Mix into colors so that they dry uniformly satin. You can thin and extend acrylic paint with Satin Medium or use the medium as a collaging adhesive. Slow-Dri Blending Medium: This fluid medium will increase the open working time of your acrylics by up to 40%. Increases transparency when shading, blending, and mixing colors. Blending medium dries to a clear, flexible, non-yellowing, water-resistant film. Palette Wetting Spray: Slows drying time of acrylic color on palette or canvas and improves color blending. Spray and re-spray as needed to prevent acrylic paint from skinning over. Key Features: * Thin viscosity of heavier body paints, giving increased flow * Increases the color depth and transparency * Extends your color further without affecting acrylic stability * Maintain paint adhesion, durability, and archival quality * Archival and permanent * Intermixable with all Liquitex materials * Perfect For: * Acrylic painting * Minimizing paint waste * Collaging & mixed media * Photo transfers * Classroom, home, and studio * Teachers and students * All acrylic-friendly surfaces See More
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GOLDEN Acrylic Gel Mediums High Solid Gloss 8ozSave Up to40%Off list…drawing ground. Glass Bead Gel: made with genuine glass beads, the gel offers a unique effect similar to condensation on glass. The effect is best seen in thin films over a light color. Heavy Gel (Gloss, Matte, or Semi-Gloss): is a thick gel that may be blended with acrylic colors to increase paint… Add texture, enhance color, and increase transparency! GOLDEN Gel Mediums allow you to easily manipulate acrylic paint to achieve various effects and expressions. An acrylic gel medium makes adding texture, enhancing color, and increasing transparency easier. Key Features: * 100% acrylic polymer emulsion * Add texture, enhance color * Increase transparency * Variety of effects * Click on the notepad icon for more information Perfect For: * Modifying paint handling characteristics * Extending heavy body paint * Impasto, relief, or sculptural effects * Adhesion and durability Clear Granular Gel: is made with granular acrylic solids and has excellent clarity and durability with a coarse texture that dries translucent. Clear Granular Gel can extend paint and add texture without altering color. Clear Leveling Gel: [formerly Self Leveling Clear Gel] produces an even film with excellent clarity. It has a unique resinous, stringy consistency resulting from its leveling property. Clear Leveling gel dries to a flexible, high gloss film while imparting a leveling quality when mixed with acrylic paint. It blends well with GOLDEN Acrylic colors to produce glazes. Clear Tar Resin Gel: GOLDEN Clear Tar Gel is a 100% acrylic polymer colorless gel with an extremely resinous, syrupy, stringy, and tar-like consistency. Clear Tar Gel can be used to generate fine, detailed lines by "dripping" it over painting surfaces. It can be blended with all GOLDEN Acrylic paints, offering a full range of colors with which to work, although Fluid Colors work best. Extra Heavy Gel (Gloss, Matte, or Semi-Gloss): Have the thickest consistency of any gel offered by GOLDEN. The gel may be blended with acrylic paint to increase the viscosity. Extra Heavy Gel is excellent for holding peaks and tool marks. Extra Coarse Pumice Gel: The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Extra Coarse Pumice Gel creates more coarse textures to yield concrete-like finishes. Fine Pumice Gel: The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Glass Bead Gel: made with genuine glass beads, the gel offers a unique effect similar to condensation on glass. The effect is best seen in thin films over a light color. Heavy Gel (Gloss, Matte, or Semi-Gloss): is a thick gel that may be blended with acrylic colors to increase paint viscosity. Heavy Gels are excellent for holding peaks and dry translucent. The body of the gel will remain flexible even with thick impasto work. High Solid Gel (Gloss or Matte): are similar in body to Heavy Gels. They contain more acrylic solids and shrink slightly less than other gels. They blend well with colors and will retain brush strokes upon drying. Available in gloss and matte. Pumice Gel: Available in fine, coarse, and extra coarse texture. The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Coarse Pumice Gel creates more coarse textures to yield concrete-like finishes. Regular Gel (Gloss, Matte, or Semi-Gloss): Regular Gel is ideal for extending paint and regulating transparency without changing consistency. Useful for impasto effects and holding moderate peaks of texture. They blend well with colors and will retain brush strokes upon drying. Soft Gel (Gloss, Matte, or Semi-Gloss):Thinner than GOLDEN Heavy Body Acrylic colors, Soft Gels are moderately pourable. Hold only slight peaks. The recommended acrylic to function as a glue for collaging. Useful as a non-removable isolation coat, applied over the painting and before the varnish (must be thinned with water - 2 parts Soft Gel Gloss to 1 part water). See More
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Golden 8oz Gloss Color Pouring Mediums Set 5 Fluid Acrylic 1oz ColorsSave Up to40%Off list…intended to be used alone as a clear layer, topcoat or varnish* Use as a paint extender for pours or puddles * As little as 20:1 medium to paint can be used for color glazes, or increase the paint amount to 3:1 (medium to paint) for more opaque color layers* May be applied in wet film thickness up… GOLDEN Gloss & Matte Color Pouring Sets With Fluid Acrylics With a choice of either Gloss or Matte Color Pouring Medium and five Fluid Acrylic colors, these sets are a great starting point for artists. Each set also includes a guide with tips for creating successful pours. Color Pouring Mediums are based on 100% acrylic polymers and used to extend acrylic paints for various pouring techniques. They may be blended with most acrylic paints, although GOLDEN Fluid and High Flow Acrylic paints are most suitable for pouring applications. CPM (Gloss) and (Matte) can be combined to create a range of sheens. Color Pouring Medium (Gloss) dries to a uniform smooth, glossy paint layer; Color Pouring Medium (Matte) dries to a very flat, thin, and smooth layer. GOLDEN Gloss Pouring Medium Set* Create beautiful glossy pours with GOLDEN Color Pouring Medium Gloss, a leveling, low crazing extender for pouring acrylic colors. The set includes an 8 oz. bottle of Colour Pouring Medium Gloss along with 1 oz. Fluid Acrylic Titanium White, Naphthol Red Light, Primary Yellow, Teal and Primary Cyan. GOLDEN Matte Pouring Medium Set* GOLDEN Colour Pouring Medium Matte is a leveling, low crazing extender for pouring acrylic colors, allowing artists to create pours with a velvety matte surface. The set includes an 8 oz. bottle of Color Pouring Medium Matte along with 1 oz. Fluid Acrylic Titanium White, Benzimidazolone Yellow Medium, Alizarin Crimson Hue, Prussian Blue Hue and Green Gold. GOLDEN Color Pouring Medium (Gloss) Features:* Resists “Crazing” (formation of crevices or valleys on an acrylic pour surface from uneven drying) better than other acrylic mediums* Dries to a glossy, flexible, and level finish with moderate clarity. Note: not intended to be used alone as a clear layer, topcoat or varnish* Use as a paint extender for pours or puddles * As little as 20:1 medium to paint can be used for color glazes, or increase the paint amount to 3:1 (medium to paint) for more opaque color layers* May be applied in wet film thickness up to 1/8” (3 mm)* Mixtures should be premixed and allowed to sit overnight before use, and may be stored for future use (in properly labeled, tightly sealed HDPE plastic containers)* Color Pouring Medium (Gloss) dries thicker than Color Pouring Medium (Matte)* May be used on a variety of painting surfaces that accept acrylic products. Most substrates commonly used by artists are acceptable. Each substrate has unique properties that impact the pour GOLDEN Color Pouring Medium (Matte) Features:* Mixtures can be used immediately. Air bubbles should dissipate during drying* Resists crazing* Improves leveling of paint mixtures* Dries to a thin, smooth, matte finish* Uniquely suited for large color fields* As little as 20:1 medium to paint can be used for color glazes, or increase the paint amount to 3:1 (medium to paint) for more opaque color layers* Mixable with Iridescent and Interference Colors for satin metallic effects* Mixtures may be stored for future use (in properly labeled, sealed HDPE plastic containers)* Color Pouring Medium (Matte) dries thinner than Color Pouring Medium (Gloss)* May be used on a variety of painting surfaces that accept acrylic products. Most substrates commonly used by artists are acceptable. Each substrate has unique properties that impact the pour,/lI> See More
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Creative Inspirations Acrylic White Gesso 500Ml JarSave Up to50%Off list…well. Like more expensive primers, Creative Inspirations White Gesso sands easily between applications, to create the perfect desired texture for painting mediums. The 1.8L jug accepts any standard pump dispenser, making it ideal for multiple users to pump out the perfect amount of gesso for their… Exceptional Value Gesso in both 500ml and 1.8L Jugs Creative Inspirations White Gesso is designed with the bulk user in mind, but does not sacrifice quality for quantity! Perfect for artists, venues, schools, instructors, and art leagues this smoothly applying white acrylic gesso bonds to the substrate well. Like more expensive primers, Creative Inspirations White Gesso sands easily between applications, to create the perfect desired texture for painting mediums. The 1.8L jug accepts any standard pump dispenser, making it ideal for multiple users to pump out the perfect amount of gesso for their priming needs. Creative Inspirations White Gesso is ideal for adding additional primer to dry, thinly primed student-grade or hobby quality canvases, to provide a smoother, better bonding surface for acrylic or oils. For priming raw canvas or heavier paper surfaces, three coats of primer are recommended to properly seal the material and give a consistent white surface texture for painting. Creative Inspirations White Gesso is the perfect priming foundation. It is an ideal primer for use with Art Journaling, due to its smooth application and clean white color. Key Features:* Smooth application* Clean white color* Value sizing for cost savings* Non-Toxic* Available in 500ml jar & 1.8L jug* Smooth applying white acrylic gesso * Sands easily between applications* Excellent coverage Perfect For:* Ideal for adding additional primer to dry* Classrooms, Universities, Art Leagues* Painting Party venues* Artists priming large canvases* Art Journaling* Better bonding surface for acrylic or oils* See More
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DecoArt Americana Creme Wax 8oz - Deep BrownSave Up to29%Off listBrown Finish and protect your refurbished flea market finds with these durable creme waxes! DecoArt's Americana Decor Creme Waxes are a great way to finish off and protect your home decor and mixed media projects. The creamy, water-based waxes provide a durable, streak free layer of protection that is fast drying and non-yellowing. These American-made creme waxes can be buffed to a high gloss sheen, and are easy to clean up with simple soap and water. DecoArt's Americana Decor Creme Waxes are so versatile, you can tint the clear creme wax to create custom color washes or use it to protect painted finishes on fabric! Key Features: * Water-based with a creamy consistency * Streak-free, fast drying and non-yellowing * Provides a durable protective layer that buffs to a glossy sheen * Versatile and easy to clean up with soap and water Perfect For: * Finishing refurbished vintage furniture * Mixed media art pieces * Home decor projects * Crafters & DIYers See More
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Tight'n'Up Canvas Re-tensioner Pump Spray, 8ozSave Up to15%Off list…Patented technology that tightens-up loose canvases* May be applied to the affected areas of the canvas, or the whole canvas* Apply before or after painting* Spray the back of the canvas* Will not harm the canvas, oil or gesso priming* Dries clear so it will not affect the look of the piece Perfect… Patented technology that tightens-up loose canvases Masterpiece Tight'n'Up™ Liquid Canvas Retensioner solves most of the problems associated with loose canvas, ripples, wrinkles, bubbles, sags, etc. It will not harm the canvas, priming, or the picture. The secret acrylic polymer formula is acid-free and archival. The water in Tight'n'Up™ makes the canvas threads to expand, shrinking their length, naturally tightening the canvas. Acrylic binders in the spray trickle between the canvas fibers, and give extra support to the canvas. When the water evaporates, the acrylic remains in the fabric and prevents the material from relaxing to its loosened state, thereby maintaining the increased tension. Tight'n'Up™ may be applied to the entire back surface of the canvas, but it is best for problem areas. Key Features:* Removes wrinkles, sags, and ripples* Patented technology that tightens-up loose canvases* May be applied to the affected areas of the canvas, or the whole canvas* Apply before or after painting* Spray the back of the canvas* Will not harm the canvas, oil or gesso priming* Dries clear so it will not affect the look of the piece Perfect For:* Any canvas tension problems* Cotton, linen, and other natural fiber canvases* Removing wrinkles, sags, and ripples* Leaving the canvas flat and tight* Quick and easy clean up* Everyday studio use See More
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Sennelier Extra Fine Artist Acrylic Gesso - White, 500ml JarSave Up to33%Off listWhite High quality grounds for your acrylic and oil paintings! Master color makers Sennelier have expanded their Acrylique artists' acrylic line to include these new exceptional gessoes! Whether you're painting in acrylics, traditional or water-soluble oils, Sennelier Acrylique Gesso provides a stable base with a good tooth on virtually any oil-free, absorbent surface. Superior quality gesso for superb paintings! White Gesso – This bright white universal primer is excellent for use on non-oily painting surfaces like canvas, wood, paper, board, and more. Penetrates surfaces and allows for good paint adhesion and provides an excellent base for paintings in acrylics and oils. Can be thinned with water up to 20%, and tinted with Sennelier acrylics. A layer of sizing is recommended before applying gesso to canvas. Tinted Gesso – With the same working characteristics of traditional white gesso, but providing a matte color surface ideal for tonal works. Available in Black, Light Grey, Red Ochre, and Yellow Ochre. Semi-Absorbent Gesso – When dry, this gesso forms a porous surface which improves color penetration and diffusion, but with a greater resistance to water than paper. Can be used as a primer for acrylics, watercolors, gouache, and oils (lends a matte touch). See More
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Chelsea Classical Studio Medium Clarified Fat Medium 8ozSave Up to50%Off list…Essence; for fat painting techniques. Why: Designed for use with fat over lean oil techniques; helps increase paint film adhesion, makes paint fatter, rich, and glossy. Where: Made in the USA from Old World Master Techniques * Increases paint gloss * For use in later painting stages Key Features:*… A handcrafted oil medium that improves glossiness & dry time! A "Fat" Medium refers to the “Fat Over Lean” technique, which means to apply a paint layer rich in oil (a fat) over a layer with less oil (a lean) layer on a painting. This simple principle is fundamental to controlling the paint adhesion, drying time and glossiness of oil colors. The Clarified Fat Medium, by Chelsea Classical Studios, is a handmade oil medium that decreases drying time and increases glossiness. It is crafted from a mixture of pure, extra-pale, cold pressed linseed oil and lavender damar varnish. For Chelsea Classical Mediums, even the ingredients of their mediums are handcrafted to ensure absolutely the highest quality products. The Clarified Fat Medium is made with linseed oil that is purified and de-yellowed by traditional, natural processes that strive to make the palest, cleanest, pure linseed oil for artists’ to use. The damar resin is dissolved in distilled Oil of Spike Lavender Solvent for the varnish that is mixed with the oil. This fine-art quality medium has a large oil content mixed with a varnish so is considered fairly fat, rich and glossy. There are no carcinogenic fumes since neither turpentine nor petroleum is used. What: Handcrafted blend of Chelsea’s Cold-Pressed Linseed Oil and Lavender Spike Oil Essence; for fat painting techniques. Why: Designed for use with fat over lean oil techniques; helps increase paint film adhesion, makes paint fatter, rich, and glossy. Where: Made in the USA from Old World Master Techniques * Increases paint gloss * For use in later painting stages Key Features:* Handmade from the highest quality ingredients* Non-yellowing and of archival quality* Created through reproducing the methods of the Old Masters* No carcinogenic fumes since neither turpentine nor petroleum is used* Improves glossiness of paint when dried* Quick drying time* Recommended for use in later stages of painting Perfect For:* Painting in the "fat over lean" technique* Use with fine oil colors* Material-conscious artists* Professional artists* Use in final works of art* Improving drying time for oil paintings* Use in studios or professional classrooms Oil Painting Cube Sample Set -This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. Painting fat over lean See More
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Chelsea Classical Studio Medium Clarified Lean Medium 8ozSave Up to50%Off list…a painting. This simple principle is fundamental to controlling the paint adhesion, drying time and glossiness of oil colors. This fine-art quality medium has a light oil content mixed with a varnish, so it will thin the paint, make it dry faster, and is recommended for the early layers of painting.… Handcrafted from the finest materials, this oil medium thins paint and decreases dry time! The Clarified Lean Medium, by Chelsea Classical Studios, is a handmade oil medium that uses lavender spike oil essence, which is a safer alternative to ones made with turpentine for the oil painter. Also, it decreases drying time and thins the paint It is crafted from a mixture of pure, extra-pale, cold pressed linseed oil and lavender spike oil essence. For Chelsea Classical Mediums, even the ingredients of their mediums are handcrafted to ensure absolutely the highest quality products. The oil in the Clarified Lean Medium is cold-pressed, purified and de-yellowed by traditional, natural processes that strives to make the palest, cleanest pure linseed oil for artists’ to use. A "Lean" Medium refers to the “Fat Over Lean” technique, which means to apply a paint layer rich in oil (a fat) over a layer with less oil (a lean) layer on a painting. This simple principle is fundamental to controlling the paint adhesion, drying time and glossiness of oil colors. This fine-art quality medium has a light oil content mixed with a varnish, so it will thin the paint, make it dry faster, and is recommended for the early layers of painting. What: Handcrafted blend of Chelsea’s Cold-Pressed Linseed Oil and Lavender Spike Oil Essence; for lean painting techniques. Why: Designed for use with fat over lean oil techniques; helps increase paint film adhesion, improves paint drying time and gloss. Where: Made in the USA from Old World Master Techniques * Decreases drying time * For use in earlier painting stages Key Features:* For the oil painter* Handmade from the highest quality ingredients* Safer alternative to Turpentine* Non-yellowing and of archival quality* Created through reproducing the methods of the Old Masters* Thins paint consistency* Decreases drying time* Palest, cleanest pure linseed oil for artists’ to use* Crafted from a mixture of pure, extra-pale, cold pressed linseed oil and lavender spike oil essence Perfect For:* Painting in the "fat over lean" technique* Use with fine oil colors* Material-conscious artists* Professional artists* Use in final works of art* Improving drying time* Thinning oil paints* Use in studios or professional classrooms* Use in early layers of painting Oil Painting Cube Sample Set - This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. Painting fat over lean Artist’s guide to oil painting solvents See More
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Chelsea Classical Studio Medium Lavender Damar Varnish 8ozSave Up to50%Off list…Safer to varnish paintings inside the home or studio; the ONLY Damar Varnish that is! Where: Made in the USA from Old World Master Techniques * Mix it with other mediums to increase their glossiness and decrease their drying time * Final varnish for completely dry oil paintings Key Features:*… Lavender Damar Varnish makes it safer to varnish inside the home or studio. It is the only Damar Varnish that is!Handcrafted from the finest materials, this Lavender Damar Varnish can be used as a final varnish or with mediums to thin paint and decreases dry time! The Renaissance of Art Materials - The Chelsea Classical Studio Lavender Damar Varnish Medium, is handcrafted using the finest natural ingredients, including the Chelsea Classic Studio Medium, Lavender Spike Oil Essence. This Lavender Damar Varnish can be used in two different ways. The first use includes mixing it with other mediums to increase their glossiness and decrease their drying time. The second use is to treat it as a final varnish. Unlike turpentine and mineral spirits, this Lavender Damar Varnish does not produce dangerous fumes and does not cause the chronic health problems that are often associated with turpentine and mineral spirits. What: Handcrafted using finest natural ingredients: Damar Resin, Chelsea Classic Studio Medium, and Lavender Spike Oil Essence. Why: Safer to varnish paintings inside the home or studio; the ONLY Damar Varnish that is! Where: Made in the USA from Old World Master Techniques * Mix it with other mediums to increase their glossiness and decrease their drying time * Final varnish for completely dry oil paintings Key Features:* Handmade from the highest quality ingredients* Made with Chelsea Classical Lavender Medium Spike Oil Essence* A safer alternative to turpentine and mineral spirits* Created through reproducing the methods of the Old Masters* Features a distinctive lavender scent* No harsh chemicals used in production!* Made in the USA from Old World Master Techniques* Perfect For:* Creating a retouch varnish* Use as a final, protective varnish* Adding gloss and decreasing drying time* Use with fine oil colors* Material-conscious artists* Professional artists* Use in final works of art* Stretched canvases* Use in studios or professional classrooms Damar & Retouch Varnishes Painting fat over lean Artist's guide to oil painting solvents See More
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Citrus Essence Brush Cleaner 8 oz BottleSave Up to50%Off list…clean oil paint from brushes. Made from 100% natural distilled citrus fruits, this extremely effective brush-cleaning solution is also gentle on the brush hairs helping them last longer! Use it to clean paint from brushes while painting, and to thoroughly clean brushes after painting. Key Features:*… Enjoy the Citrus Scent – a Safer alternative to toxic solvents! Cleans better and more thoroughly than almost all other Brush cleaners and solvents. Conditions the brush making the hair subtle and maintaining maximum working quality. A safer, natural alternative to turpentine, petroleum mineral spirits, and other toxic solvents. Made in the USA from Old World Master Techniques. Citrus Essence Brush Cleaner™ is a safer alternative to turpentine, petroleum mineral spirits, and other toxic solvents. NO Carcinogenic Fumes! Use it to clean oil paint from brushes. Made from 100% natural distilled citrus fruits, this extremely effective brush-cleaning solution is also gentle on the brush hairs helping them last longer! Use it to clean paint from brushes while painting, and to thoroughly clean brushes after painting. Key Features:* A safer alternative to turpentine* Citrus Essence * 100% Pure Distilled Citrus Fruits* NO Carcinogenic Fumes* NO Petroleum* NO Turpentine* No other toxic solvents* Lovely Citrus aroma* Available in 2 oz, 4 oz, 8 oz, 16 oz, and 32 oz bottles Perfect For:* Clean oil paint from brushes* Gentle on the brush hairs* Brushes will last longer* Keeping a clean, all-natural studio* Health-conscious artists* Use in studios or professional classrooms* Cleans better and more thoroughly* How to Use Citrus Brush Cleaner CCS Citrus Brush Cleaner™ can be used in the same way other cleaners are used: Rinse the brush with it during painting session to remove paint from the brush, and thoroughly clean your brush in it after painting to remove paint and medium. We recommend using a natural oil-based soap and warm water afterward to complete the brush cleaning, moisturize the brush hairs and help preserve them. Ventilation: All essential oils/solvents should be used appropriately and with ventilation. Skin contact: As with all essential oils, you should always avoid skin contact, especially if you have skin issues. Skin contact for some people will not cause any problems, but because of the high concentration please be aware and take precautions when using Spike Oil or any other solvents. Allergies: Spike Lavender, in rare cases, can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums, and varnishes) see warnings regarding safety and clear directions for usage. The main reason this solvent is considered “safer” is because there are no known carcinogens or a lot of the health issues associated with Turpentine or Petroleum Mineral Spirits. However, like with all solvents when used in oil painting, you should have ventilation and limit skin contact. See More
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8oz. Chelsea Classical Studio Lavender Retouch VarnishSave Up to50%Off list…for your finest oil works* Allows for both protection and breathability.* Excellent at reviving dull spots* Use with fine oil colors* Material-conscious artists* Professional artists* Use in final works of art* Stretched canvases* Retouch varnish can be applied to paint which is "hand-dry" Allows for both protection and breathability for your finest oil works Chelsea's Retouch Varnish offers superior, classical protection for your finest oil works. It's the safe alternative for use in the studio--with no harsh, dangerous fumes and a distinctive lavender scent. Lavender Retouch Varnish offers superior, classic protection for your finest oil works without any harsh, dangerous fumes. Made with pure damar resin and CCS Lavender Spike Oil Essence, this varnish allows for both protection and breathability. What: Handcrafted Lavender Retouch Varnish Why: Designed for both protection and breathability. Excellent at reviving dull spots Where: Made in the USA from Old World Master Techniques Key Features:* Available in 2 oz., 4 oz., 8 oz., 16 oz. and 32 oz. bottles.* Excellent at reviving dull spots* Handmade from the highest quality ingredients* Made with Chelsea Classical Lavender Medium Spike Oil Essence* Made with pure damar resin* Created through reproducing the methods of the Old Masters* Features a distinctive lavender scent* No harsh chemicals used in production!* No harsh, dangerous fumes* Made in the USA from Old World Master Techniques Perfect For:* Superior, classic protection for your finest oil works* Allows for both protection and breathability.* Excellent at reviving dull spots* Use with fine oil colors* Material-conscious artists* Professional artists* Use in final works of art* Stretched canvases* Retouch varnish can be applied to paint which is "hand-dry" See More
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Gamblin Galkyd Medium Lite No.2, 16 oz BottleSave Up to40%Off list…of paint layers, to creating a range of surface qualities, from high gloss to matte. When a painting is completed, all of the thought, effort and emotion that went into it are reflected in the artist’s marks. Choosing the appropriate painting medium can be an essential part of making oil painting… True to historic working properties. Safer. More Permanent Gamblin Galkyd Mediums are Contemporary Painting Mediums!. Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube - from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors - from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. When a painting is completed, all of the thought, effort and emotion that went into it are reflected in the artist’s marks. Choosing the appropriate painting medium can be an essential part of making oil painting your own. With a painting medium that fits your needs, you can get into the flow of painting faster and stay there longer. Gamblin Galkyd Gel - "G-Gel" Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brushmarks and dries more quickly. Galkyd Gel increases transparency of oil colors and creates impasto. Gamblin Galkyd Painitng Medium - Galkyd thins oil colors and increases transparency and gloss. When used in greater proportions with oil color, Galkyd will level brush-strokes, creating an enamel-like surface. Galkyd is our fastest-drying painting medium. Thin layers will be touch-dry in approximately 24 hours. Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Painting Medium Lite No.2 - Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours. This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Slow Drying Medium - Galkyd Slow Dry thins oil colors and extends working time. Galkyd Slow Dry is more fluid and less glossy than Galkyd Lite. Use one part Galkyd Slow Dry to one part oil colors to paint wet-into-wet for at least a day.. Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. What is Gamblin Galkyd? Gamblin Galkyd thins oil colors and increases transparency and gloss. Galkyd Medium - An alkyd resin painting medium that increases the fluidity of oil colors and speeds their drying time See More
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Gamblin Artists' Oil Painting Mediums Neo-Megilp 16.9 ozSave Up to40%Off listWhen mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. See More
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GOLDEN Gesso Pastel Ground 8 ozSave Up to40%Off list…Paints GOLDEN Pastel Ground Application Thinning Due to the weight of the solids in Ground for Pastels, it is produced very thick, and does not come ready to brush-apply. Thin 20-40% with water to desired consistency. Application Apply with brush, paint-roller, spray equipment, squeegee or palette… Acrylic preparation for pastels on canvas and other supports GOLDEN Pastel Ground is an acrylic preparation for pastels on canvas and other supports. It creates a toothy surface similar to papers used with pastel and chalk. For an even rougher texture, Fine or Coarse Pumice Gel can be added. GOLDEN Pastel Ground for Pastel can also be tinted with acrylic colors for colored grounds. (Golden acrylics). GOLDEN Pastel Ground is a 100% acrylic medium designed to prepare surfaces for the application of pastels, charcoal and other art media where a coarse tooth is desired. It contains finely ground sand (silica) in a pure acrylic emulsion. Pastel Ground can be applied to paper, canvas, wood or any primed support. This allows almost limitless applications for media typically confined to standard papers. Key Features:* Sizes: 8oz, 32oz & 1 Gallon* Creates toothy surface similar to papers* Acrylic preparation for pastels* Fine or Coarse Pumice Gel can be added* Can also be tinted with acrylic colors Pastel Ground can be used as a toothy, gritty ground for many different media, including: Dry Media:* Soft Pastels* Graphite Pencils* Colored Chalks* Charcoal* Powdered Charcoal Water-based Media: * Water-Soluble Pastels* Colored Pencils* Pastel Pencils* Wax Crayons* Watercolor Pencils* Acrylic Paints Oil-based Media: * Oil Pastels* Oil Sticks* Paint Sticks* Ink Sticks* Pigment Sticks* Oil Paints GOLDEN Pastel Ground Application Thinning Due to the weight of the solids in Ground for Pastels, it is produced very thick, and does not come ready to brush-apply. Thin 20-40% with water to desired consistency. Application Apply with brush, paint-roller, spray equipment, squeegee or palette knife. Mix up only as much as is needed for one day"s work, as the solids will settle rapidly and be extremely difficult to mix back into suspension. Surface Preparation Non-absorbent surfaces should be abraded for increased adhesion. Prime with GOLDEN Gesso or other suitable primers (depending on substrate). Apply one or more coats of GOLDEN Pastel Ground to achieve the desired tooth. On paper, use heavier weight stock to avoid buckling. Allow ground to fully dry before applying media. Color Additions Pastel Ground can be blended with GOLDEN Acrylic Paints to achieve colored grounds. However, add minimal amounts of color since all additions of paint to Ground will decrease the tooth. GOLDEN High Flow Acrylics and Fluid Acrylics blend easily into the ground without thickening the product. High Load Acrylics have the highest pigment load and therefore provide the most color in the least amount of paint. Unless transparency is desired, select paints that are inherently opaque, such as the Pyrroles or earth colors. This will allow lower additions as well. Airbrushing thin layers of color after the ground has dried will give the strongest saturation of color to the ground without affecting the gritty surface. See More
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GOLDEN Absorbent Ground White 8 ozSave Up to40%Off listWhite Create a porous, paper-like surface on many different substrates GOLDEN Absorbent Ground is an acrylic liquid surfacing medium that can be used to create a porous, paper-like surface on many different substrates. Applied over gessoed canvas, the Absorbent Ground allows for raw canvas-like staining on a protected substrate. It also allows watercolors to be used on canvas. It is uniquely formulated for unsurpassed absorbent action when dry. Key Features:* Sizes: 8oz, 16oz, 32oz & 1 Gallon* Create a porous, paper-like surface on many different substrates* Applied over gessoed canvas* Lightfast, permanent, and flexible* Allows watercolors to be used on canvas* Unsurpassed absorbent action when dry* Opaque acrylic primer for water media See More
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New York Central Acrylic White Gesso, 8oz BottleSave Up to55%Off listWhite Professional grade gesso for archival results New York Central® Gesso is a professional grade acrylic ground. It’s perfect for a variety of surfaces, from canvas to metal. You can apply the gesso with a palette knife to create a rough texture or sand between coats to achieve a smooth result. Once dry, New York Central® Gesso makes a sturdy base for graphite, charcoal, oil pastels, acrylic, and oil paints. You can even mix it with acrylic paint to create a toned background. Key Features: * Professional grade acrylic gesso * Matte white, opaque finish * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Optimal absorbency rate for paints Perfect For: * Priming raw canvas, panels, or paper * Acrylic and oil paints * Preparing wood and metal surfaces * Charcoal, pencil, and oil pastel * Creating a smooth or textured foundation * Adding a high level of tooth to a surface Acrylic Gesso Instructions: * Use at full strength or thin with up to 25% water. When thinning more than 25%, create an equal mix of water and matte medium. * Sand slick surfaces first. Apply a thin coat with a flat brush and let dry for 24 hours before painting. * To create a smoother base, sand the dried gesso and reapply. * Acrylic painters should apply at least two coats. * Oil painters should apply 2-4 coats and sand between applications. * To create a colored background, gradually add acrylic paint to the gesso until you reach your desired tone. Stir until thoroughly blended. Apply as normal. See More
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Arches Natural White 300lb Watercolor Paper, 29.5"x41" Rough (5 Sheets)Save Up to40%Off list…watercolor painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from… Natural White 100% Cotton Paper, Lasting Whiteness with Strength and Longevity The Artists' Choice For Watercolor Papers Since 1492! Mould-made in France, Arches Natural White Watercolor Paper is 100% cotton rag watercolor paper. Considered the most popular in the world, each gelatin-sized Arches watercolor paper sheet has four deckle edges and may be repeatedly erased and over-painted while still maintaining its beautiful surface quality and integrity. Arches natural white watercolor paper is available in all three popular watercolor paper finishes, hot press, cold press and rough grain Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Arches natural white watercolor paper has been a favorite among artists for over 500 years, and it's easy to see why! Made from 100% cotton linters and both internally and externally gelatin sized, acid-free Aquarelle watercolor paper is one of the finest art papers in the world. Sized to the core with natural gelatin, a process exclusive to ARCHES®. Even if it is soaked for a long time, the paper will still retain enough gelatin not to become too absorbent. Arches Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Cold Pressed surface is a particular favorite of illustrators, watercolorists, and airbrush artists. For a bolder, more robust surface, Arches Rough provides just enough texture allowing for easy working, and is strong enough to maintain its character even after reworking. The Rough texture is also used by watercolorists, airbrush artists, and acrylic painters. 260 lb. is approximately the same weight as 140 lb. paper but in double elephant (available in larger sizes than 22x30"). Key Features:* 100% long rag cotton* Mould-made in France* Available in hot press, cold press and rough grain!* Two natural deckle edges, two torn deckle edges* Acid-free, no optical brightening agents* Natural color* Sized to the core with natural gelatin Perfect For:* Watercolorists* Maintaining the integrity of the paper after repeated erasing and painting* Finished artwork* Wet techniques such as ink, gouache, and acrylic Arches Watercolor Paper, Natural White Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould Uses: ideal for watercolor painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from penetrating into the thickness of the paper. See More
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Jacquard Water Based Metallic Resist - Copper, 8ozSave Up to29%Off listMetallic Water Based Clear Resist - Jacquard has developed a superior water based resist, is used like a frisket to impede the flow of dye. It will completely wash out of fabric with warm water, even after steaming. It holds a crisp line without spreading and does not shrink or pucker when dry. It can be colored with any water based dye and is screenable, odorless, alcohol free and non-toxic. Water Based Permanent Metallic Resists - Use in the same way as Clear Resist but the color is permanent when washed or dry cleaned. Available in black, copper, gold and silver, these resists hold fine, crisp lines that do not spread. The consistency is perfect for production silkscreening or squeeze bottle application. Permanent Dyeset Concentrate - This concentrate is used to set Jacquard Silk Colors (Green Label) Dye. It also can be an alternative to steam setting. See More
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Jacquard Cyanotype Potassium Ferricyanide, 8oz JarSave Up to15%Off listHarness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for… Harness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for indexing plant specimens with what were called photograms at the time. The Cyanotype process is incredibly simple and only employs two inexpensive chemicals and UV sunlight. Prints can be created on any natural fiber: paper, cotton, silk, wool, wood, etc. Jacquard has made Cyanotype printing easy as pie with pre-sensitized fabric that is ready for cyanotype printing. Simply pull the sheet out of the package, place objects or an inverted photographic negative on top, expose to light for three to fifteen minutes, submerge the fabric in water to reveal the blue cyanotype print, and finally hang the fabric to line dry. With Jacquard’s Cyanotype Pretreated Mural Fabric you can actually create a full-body print by laying on top of the mural fabric for the duration of exposure while not moving. The creative possibilities for Photographers, Mixed Media Artists, and Quilters are endless! If you would prefer to use your own papers or fabric Jacquard has made the chemistry of Cyanotype attainable with lightproof black bottles of Potassium Ferricyanide and Ferric Ammonium Citrate. The chemicals used for cyanotype are inexpensive and go a long way. Despite their perhaps alarming names, both are safe to handle and mix. That said, care should be taken to avoid ingestion, inhalation, and contact with skin. The instructions for the use of Potassium Ferricyanide and Ferric Ammonium Citrate are included in the link bellow Great for photographers, mixed media artists, printmakers, quilters, kids and more, the cyanotype process is easy, forgiving, quick, magical and fun. Capture the nuance of every shadow Key Features: * Harness the power of the sun to make detailed prints * Simply place the object on the sensitized surface and expose to sunlight (UV) * Sun exposure time is 3-15 minutes * Pre-sensitized Cyanotype fabric Perfect For: * Quilters and Surface Design Artists * Photographers * Mixed media artists, printmakers, quilters See More
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