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Winsor & Newton Professional Canvas Standard Depth (0.82") Stretched Canvas- 4"x6" (Box of 5)Save Up to61%Off listWhite Create your next masterpiece with these with professionally prepped stretched cotton canvas! Born from a rich heritage of commitment to quality and innovation, Winsor & Newton Professional Canvas features cotton canvas primed with pigment rich Gesso and warp-resistant, kiln-dried, heavy duty solid pine stretcher bars. With its balanced absorbency and medium tooth, this acid-free, archival canvas is wonderfully responsive to every brushstroke, really allowed paint to adhere to the textured surface. Available in standard depth and gallery deep edge, each canvas has a little extra cloth with its tailored and uncut corners, and includes the new Winsor & Newton pro-stretcher. Each canvas includes the Pro-Stretcher, an innovative stretching device that's custom-made for Winsor & Newton. Strong and compact, it allows you to create an immaculate bespoke surface, stretched exactly as you want it. This exclusive stretcher is easy to use and delivers precision tension. Key Features: * Professional Cotton Canvas * Pre-primed, the cotton canvas weighs 10.6 oz. Primed weight is 16.9 oz. * Weight 480gsm, Surface Cotton, Wood Type Heavy Duty Solid Pine * Primed with pigment rich Gesso primer * Warp-resistant, heavy duty solid pine stretcher bars * Acid-free, archival canvas with a medium tooth * Includes the Winsor & Newton pro-stretcher * Choose a Traditional or Deep Edge profile * Balanced absorbency and tooth prevents shrinking * Back stapled with folded uncut corners Perfect For: * Traditional Canvas with medium texture, ideal for use with oil and acrylic paints * Deep Edged Traditional Canvas with medium texture, ideal for use with oil and acrylic paint * Professional painters * Oils & acrylics * Fine art students * Mixed media projects Pro-Stretcher * Precision tension that you can control * Professional look for back of canvas * Strong, will not release * Easy to use, no fuss * Small and compact * Patent-pending technology The professionally constructed frames are crafted from heavy-duty, kiln-dried solid pine stretcher bars and rigorously tested for warp-resistance. See More
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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to30%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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AlumaComp Aluminum, 4"x6" Archival Painting & Mounting PanelSave Up to78%Off listSilver 100% Archival / Unprimed Aluminum Boards - Acid Free- Adds Value to Your Artwork 100% Archival Boards - Acid Free- Adds Value to Your Artwork Great for Plein Air Painting - Painting on metal panels has been historically recorded since before the times of Rembrandt, who painted many of his great masterpieces on copper. In the last 20 years, professional artists have been moving towards working on aluminum composite panels (ACP), which feature lighter weights and stronger construction. AlumaComp is widely used for mounting fine art, photographs, linen and canvas to create an incredibly stable painting panel, or to use on its own as a reliable, archival painting support. The brushed aluminum surface takes primer beautifully, providing texture that grips the primer for a perfect bond. The smooth aluminum surface can be used as is to take advantage of its' beautiful finish, or custom sanded or polished for any texture necessary for your artistic applications. When used as a painting panel, the smooth side can be used as the work’s actual highlights for a modern look— either left bare as is, or sanded/buffed back to the bare metal before varnishing to take advantage of the metallic glow. Simply peel the screened film used to protect both sides, and let your creativity do the rest. Key Features: * Double-sided – one brushed aluminum, one polished smooth * 100% Archival Rigid and strong, yet lightweight * 4mm (3/16") thick * Acid-Free - Archival, will not decay * Prime and Paint in traditional oils & acrylics * Use primed or unprimed * Accepts most fine art media, primed or painted directly * Perfect for use as a mounting surface for photography, linen and canvas, even image transfers * Will not mold, or mildew like stretched canvas or wood panels * Can be Framed - No backing board needed * Sold Individually or in Boxes of 2 Perfect For: * Adding Value to Your Art * Plein Air - Lightweight & free from moisture * Professional Photographers, Fine Artists, Graphic Artists * Oils, Acrylics, Mixed Media, Watercolors * Art Prints, Inkjet, Screen Printing, Photos * Creating artwork with a fresh, modern look * Saving shipping costs to clients and galleries, due to lighter weight * Experimental and modern art * Working in environments where humidity levels fluctuate* See below for the larger sizes sold in boxes of 2: 36" x 36" - 18" x 72" - Also not for larger sizes, may need to support to prevent bending Professional Artist Eric Armusik "My work requires the highest standards and after 15 years of painting on wood i have abandon it forever after painting on AlumaComp, I will be painting all 40 large panels using this substrate as well as many more paintings, commissions and mounting of my prints", "It's an amazingly versatile substrate for those who want the smooth surface of a panel but are afraid to paint on something like wood which is prone to warping" Eric Armusik, (b. 1973) paints classical figurative art that fuses his life experiences with art history. His paintings are a declaration to the dramatic power of representational art. The origin of his inspiration does not lie in academia, but rather his childhood, surrounded by the vivid paintings he saw in Gothic cathedrals as a child. Eric doesn’t aspire to simply paint a figure; he paints a moment, a human experience, and an emotional dialogue that transcends culture, religion and time itself. See More
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Da Vinci Pro Art Panels Variety Sampler 4"x6", Pack of 4Save Up to75%Off listWhite Superbly Crafted For Permanent Works Of Art! Fine-grained, finely sanded These superior quality Birch hardwood painting panels give artist’s exceptional panel strength and rigidity, with very fine wood grain. Finely sanded Da Vinci Pro Birch Wood Painting Panels deliver a consistently strong, sturdy archival support. They are fine grained and super smooth. The panels can be directly universally gesso primed, Encaustic gesso primed, or barrier-coated with PVA or rabbit skin glue sizing before oil priming. They are also popular with artists making their own linen or cotton canvas panels, or mounting sanded pastel or watercolor paper for a firm archival painting surface. Features:* Fine-grained, finely sanded* 7/8", 1 5/8" & 2 1/2" Deep* Strength and rigidity* Warp resistant, kiln-dried New Zealand Pine cradle with Birch panel* You can gesso the panel* Light weight and sturdy* Tougher than canvas and no problem of ever sagging* Unframed or framed* Wood sourced from ecologically fast growth forests Perfect For:* Nice smooth surface, no need to prep prior to base coating* Students, Teachers, Professionals* Mounting linen or canvas* Archival substrate* Universal priming* Well made so that even the edges hold the paint* Artists making their own linen or cotton canvas panels* Great for gallery presentations* Mounting sanded pastel or watercolor paper for a firm archival painting surface* Lightweight easy to hang* Acrylics, acryl gouache, pencil, collages* Artist Testimonial - "These Panels Are Beautifully Crafted" "I would give the DaVinci, Birch wood painting panels a five star rating any time. I love the DaVinci Birch and cradled painting panels. These panels are beautifully crafted, light weight and sturdy. Really they are more like furniture than a simple painting surface. Even though I gesso the surface its not necessary. Simply be inspired and apply the paint." Artist Ron Croci “The thickness of the board makes it easy to handle while painting, and in larger sizes an extra support beam is added to the middle of the board. I highly recommend these” Artwork by Artist Samuel Flegal @samuelflegal See More
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Paramount Pro Gallery Wrap, 4"x6" Stretched Canvas (Box of 3)Save Up to78%Off listWhite Simply The Best Professional Cotton Canvas On The Market! Our SUPER Heavyweight cotton canvases have a 100% guarantee. We guarantee the best quality canvas or your money back! Only the best heavyweight cotton canvas is stretched on Paramount gallery wrapped professional artist canvases. You can paint with confidence because we prime each Paramount canvas with a layer of sizing and three coats of acrylic gesso. It's the best commercial cotton canvas you can buy. Popular Paramount Professional Gallery Wrap Canvas has recently received an upgrade! Featuring the same medium-weave, triple-primed, acid-free, 100% cotton canvas as the original style, Paramount Professional canvas now boasts new 1-13/16" deep, solid pine stretcher bars with an innovative L-shaped design. The best for Gallery-ready paintings! SUPER Heavyweight 100% cotton canvases. triple-primed, acid-free. 1-13/16" deep, solid pine stretcher bars with an innovative L-shaped design. Key Features: * Unbleached 100% cotton canvas * Super Heavyweight cotton canvas * 11oz unprimed / 15oz Primed on heavyweight cotton * 1-13/16" deep solid pine, L-shaped stretchers * Triple-primed, acid-free * Medium-tooth surface * Back-stapled * Heavy-duty canvas and bracing system * Perfect For: * Paintings in acrylics, oils & alkyds * Techniques from glazing to impasto * Art that needs stable support * Gallery-ready paintings * Professional use These newly redesigned stretcher bars are a vast improvement on many other lines, as not only does the increased depth add to the strength of the stretcher frame, the 1-13/16" wide face with an offset lip provides greater support to the canvas itself. Paramount Professional Gallery Wrap Stretched Canvas was designed for artists who require a heavy-duty canvas and bracing system made to professional standards. Paramount Professional Canvas is designed to take both thick and thin paint layering in acrylics, oils, and alkyds. For artists looking for a sturdy, superior grade stretched canvas, the newly redesigned Paramount Professional Canvas is the way to go! See More
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The Edge All Media Pro Cotton Canvas, 4"x6" - 11/16" Deep (Box of 6)Save Up to85%Off listWhite Professional Stretched Canvas with Four Paintable Edges Superior Priming For The Best Overall Results! Long favored with oil and acrylic painters, The Edge All Media Cotton Canvas is known for its’ tuck-n-roll style construction, providing beautifully clean, painted edges. Featuring a lovely, medium-toothed surface, the beefy 14oz. primed weight makes for a sturdy surface for all painting styles, even mixed media (The 100% cotton surface is an 8oz. raw weight before priming). Triple priming ensures an excellent barrier protection between paint and canvas, making it suitable for traditional and water mixable oils and alkyds to be used with excellent results. Creative Mark’s professional-quality white acrylic primer helps maintain color richness and brilliancy, while providing excellent adhesion for paint. World famous canvas that gives you the cleanest sides for painting onto for frameless displaying! Back spline stretched and stapled at each corner for durability, canvases can be wired for frameless presentation. Finish painting with solid-colored cleanly painted sides, or wrap painting around sides for a distinctive, modern look. Look for The Edge All Media Cotton Canvases in deeper depths for an even more striking presentation! Singles up to size 24x30in. Boxes of 6 All Sizes Please Note: Packaging may be labeled 3/4"; however actual canvas depth is 11/16". Key Features: * Available in: Single or Boxes of 6 * Beefy 14oz. primed weight * 8oz. raw weight before priming * 100% natural cotton * Triple-acrylic, archival priming * Medium tooth surface * Deluxe stretched canvas * Known for its’ tuck-n-roll style construction* Hand stretched by Skilled Craftsman using the best materials Perfect For: * Oils, Alkyds, Acrylics * Painted edge presentation * Mixed media works * Painters of all levels * Frameless artwork presentation * Excellent barrier protection between paint and canvas Available in more depths - The most complete line with 3/4", 1-1/2" and 2-1/2" depths! The Edge, Long Sizes, Why Long?As good as squares are they actually are used so often as there are few ways to do multi canvas expressions. There are diptych and triptych but not often used as long canvases are hard to find and so most often you have 2:3 ratio canvases. The Edge Long Canvas Sizes will go up 1:7 See More
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Ampersand Value Series Unprimed Basswood Panel 7/8" Cradle 4x6"Save Up to52%Off listNatural Smooth, absorbent, uncoated panel used with a variety of media The Ampersand value series artist wood panel is an unprimed basswood that is smooth, absorbent, uncoated panel that is free from plywood seams, knots, or troublesome raised fibers. Unprimed Basswood can be used with a variety of media. With the exception of encaustics and pyrography, it is strongly recommended to seal and prime all unprimed panels before use. Basswood is a premium, select wood that outperforms the commonly used birch plywood in many ways. It is inherently smoother with a tight wood grain and no raised fibers, making it easier to gesso and paint on. The strong 4mm premium basswood surface is perfect for priming and painting, encaustic, mixed media, collage, wood burning, and heavy paint applications. Ready to Customize - Ampersand Value Series Unprimed Wood Panels are ideal for artists that prefer a quality surface to seal and prime with a ground of their choice. Key Features:* 4mm Premium basswood surface* Stronger and better than birch* Smooth, absorbent, uncoated panel* 7/8" or 1-1/2" deep High-density, solid wood cradles* Super smooth; no excessive grain* Durable, stable & long-lasting* Sanded perfectly smooth* FREE of knots, seams and excess wood grain* Cradle is crafted from solid pine that can be finished with paint or stain Perfect For:* Priming with gesso, oil ground & more* Can be used with a variety of media* Artwork in virtually any media* An ultra-smooth surface ideal for detail work, yet sturdy enough to withstand thick layers* Support to protect your art and prevent warping* Encaustic, Wood burning* Once sealed and primed, the surface is perfect for mixed media, collage, and heavy paint applications like pouring Please Note: To ensure archival longevity, all unprimed wood panels should be sealed and primed before use. Learn more in this blog post on How to Seal and Prime Ampersand Wood Panels. See More
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Paramount PRO Cotton 4" x 6" Stretched Canvas, 11/16" Deep (Box of 6)Save Up to85%Off listWhite Professional, Versatile 100% Unbleached Cotton Triple-Primed & Acid Free. Better canvas for better results! Good for oil, acrylic and alkyd paints Paramount provides you with a professional stretched canvas in every aspect. The canvas is a heavyweight 12 oz triple primed 100% pure unbleached cotton. The primer is acid-free. The surface has just the right tooth (medium surface tooth) to accept paint and allow for building up texture and vigorous working. The canvas is stretched onto the back of the canvas to allow you to re-stretch at any time without sacrificing your finished painting. The solid wood stretcher bars have a full outer lip and the stretching is tight to provide excellent "bounce back" at each stroke. This economical canvas considers the painter creating a great product for painting in all media. Paramount canvas is 12oz. triple primed weight and can take heavy textural buildups with less sagging than other canvases Get a Professional canvas at Jerry's affordable prices. Better canvas for better results! Key Features:* Available in: Singles & Boxes of 6* 12oz. primed weight / 7oz. unprimed* 11/16" Deep* Unbleached, 100% cotton canvas* Triple-primed with acid-free titanium white acrylic primer* Medium tooth surface* Back-stapled to allow for keying or re-stretching (keys included)* 4 paintable edges* Frameless presentation Perfect For:* Oil, alkyds and acrylic paints* Re-stretching at any time without sacrificing your finished painting* Artists of any skill level* The best outcome & final works of art* Artists seeking quality professional canvas* The solid wood stretcher bars have a full outer lip and the stretching is tight to provide excellent "bounce back" at each stroke. This professional yet affordable canvas considers the painter, creating a great product for painting in all media. Paramount canvas is 12oz. triple primed weight and can take heavy textural buildups with less sagging than other canvases. See More
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Creative Mark 4x6" Canvas Panels Pack of 12Save Up to91%Off listWhite Fine Weave Acrylic Primed 100% Cotton Canvas Panels! Creative Mark Canvas Panels are made of a fine weave, double all media primed cotton canvas that is hand turned on select quality boards. The acrylic primed surface texture provides a very definite paint-gripping "tooth," providing the perfect support for painting in oil, casein, tempera, or acrylic paints. The lightweight canvas boards take up little storage space and are perfect for traveling to workshops or painting outdoors. Backing boards are firm and stable, with clean, hand-turned canvas edges; they provide the ideal surface for studies or initial renderings in the studio, classroom, or outdoors. Key Features: * Acrylic gesso primed * Fine weave, durable 100% cotton canvas * Wonderful canvas texture * Turned under and glued edges will not fray * Sturdy panel board * Will not take up a ton of storage space * Bulk buying options available * Not recommended as an archival support * Great value, great panel! Perfect For: * Painting with acrylics, oil colors, or tempera * Sturdy enough for mixed media and impasto * Artists of all levels * Teachers and students * Studies or initial renderings * Studio, classroom, or Plein air * Great for practice and studies * Acrylic image transfers * Lightweight travel * Quick and easy framing See More
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Da Vinci Pro Art Panels Variety Sampler 4"x6", Pack of 4Save Up to76%Off listWhite Ultra Smooth, white acrylic polymer gesso! Superbly crafted for permanent works of art! Tested by artists, these silky smooth panels are perfect for artists with painting techniques requiring a smooth, consistent, archival surface. For artists requiring an extremely smooth surface for technical illustrations, drawings, trompe l’oeil, oil or acrylic paint, Ultra Smooth Panels are ideal. The buffed finish readily accepts technical drawing pens, graphite and colored pencils, conte’, charcoal, oil, acrylic gouaches, and more. Seal with an archival spray fixative appropriate for your individual medium (or varnish for paintings) for a dramatic, frame-less presentation of your artwork. Seal with an archival spray fixative appropriate for your individual medium (or varnish for paintings) for a dramatic, frame-less presentation of your artwork. Key Features: * Ultra Smooth, white acrylic polymer gesso * 3/4" and 2" cradle depths for dramatic presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Perfect for high-detailed portraiture or trompe l’oeil * Wide range of sizes * Cradles easily accept paint, stain, or clearcoat for finishing * Painting techniques requiring a smooth, consistent, archival surface Perfect For: * Portrait artists and detail painters * All painting and drawing techniques * Brittle media * Technical drawing pens, graphite and colored pencils, charcoal * Oil, acrylic gouaches, and more * Frameless presentation of artwork in any media * Archival art that will last a lifetime * See More
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Art Bites Canvas 4" x 6" Textured Board (Pack of 5)Save Up to70%Off listWhite Art-Anywhere, Anytime-for Anything! With Art Bites Canvas Textured Boards, exploring your own creativity has never been easier! Art Bites are made from strong 2.3mm stock board mounted with textured canvas paper that works universally for any kind of media. Art Bites are made for smaller works of art or combine them for fantastic collages or mosaics. When inspiration hits, Art Bites are ready for any media and can be quickly transformed from canvas board to Masterpiece! They can also be used for all kinds of creative projects including paintings, letter tiles, magnets, wall hangings, and even pendants. Whether you like to create your art work with oil, acrylic, watercolor, marker, colored pencil, charcoal, printmaking, or even collage, Art Bites are the perfect surface for the project of your choice. Key Features:* 2.3mm stock board mounted with textured canvas paper* Can be assembled together to make a collage or for a mosaic * Versatile canvas boards for a variety of projects including painting, sketching, stamping, block printing, collage, glitter and more* Sold in packs of 5 and 100* Small enough to take the pressure off of creating a masterpiece and can be used for simple, fun projects* First choice for artist's quick studies* Perfect For:* Paints, colored pencils, markers, dry media, printmaking and more* Making small but beautiful works of art* Paintings, watercolor sketches, pastels other pieces of art* Collages or mosaics * Block printing* Unique projects such as letter tiles, decorative magnets, pendants, wall hangings * Artists of all skill levels See More
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Creative Inspirations 4"x6" Stretched Canvas 5/8" Deep - Box of 50Save Up to71%Off listWhite Super Value Stretched Canvas Packs of 5 and 50 Creative Inspirations 5/8" deep stretched canvas is a high quality low cost stretched canvas for quick studies or serious paintings with acrylic colors, oil colors, water mixable oil colors, casein color, alkyd color or mixed media. High quality raw materials include all pine stretcher frame, high quality cotton duck canvas and archival acid-free all media primer. Canvas is stretched onto the back of stretcher frame using rust proof staples providing a clean paint-able edge. Available in a wide variety of sizes including squares! Modern manufacturing techniques and scientifically proven quality priming assures the very best in its price class. High quality low cost stretched canvas - Complete range of sizes including squares. Unprimed weight is 25% more than lesser canvases Key Features: * Low cost, high quality stretched cotton canvas * High quality cotton duck canvas * Universally 10oz. double-primed to accept all popular artist paints * All pine, slim 5/8" profile stretcher frame * Archival acid-free all media primer * Unprimed weight is 25% more than lesser canvases. You get the best of the grade for less! * Provides good brush response while painting * Paintable edges, rust-free-staples on the back of the stretcher frame * Available in: All sizes, even squares! Perfect For: * Beginning artists* Artists* Teachers and classrooms* Art businesses* Painting parties and workshops* Professional studies and practice * Testimonial & Reviews - Awesome Canvases! "I purchase hundreds of canvases for my business. A paint and sip art and educational studio in Coon Rapids, Mn. These are so far the best quality and are a great value. Plus shipping is fast and easy." Save over 20% More When you purchase the Bulk Boxes of 50 - Get a better quality artist grade canvas for your business--> See More
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New York Central Portrait-Smooth Artist Canvas Panel, 4"x6" Pack of 3Save Up to62%Off listWhite Exceptionally Smooth Professional Quality Cotton Panels Ideal for oils, acrylics, caseins, and alkyds, the New York Central Portrait-Smooth Artist Canvas Panels are manufactured using high-quality acrylic primed cotton canvas. Only the purest 100% cotton is used in the extra-tight weave to create an exceptionally smooth canvas free of the knots and bumps usually found in linen. The portrait-smooth canvas is then cleanly wrapped and adhered to a warp-resistant 3.5mm MDF board. Acid-free, archival glue acts as an archival barrier between the MDF and the canvas. New York Central's universally primed surface is ideal for oils, acrylics, caseins, and alkyds. Perfect for traveling and painting outside, the canvas panels are sturdy yet lightweight and take up less space than a standard stretched canvas. All New York Central products are premium quality and made with only the finest materials. Packaging Note: The primed canvas weighs 8.82 oz. per m2 and 7.37 oz per sq.yd. The square yard weight is listed on the canvas label; however, the correct weight is 8.82 oz. Key Features: * Universal acrylic primed, 100% cotton canvas * 4 oz. unprimed / 8.82 oz. primed weight * Mounted on durable MDF 3.5mm board * Extra-fine portrait-smooth texture * Smoother than most linen weaves * Acid-free, archival glue protects against SID* * Resistant to warping and sagging * Clean paper backing Perfect For: * Oils, acrylics, alkyds, and caseins * Oil sticks, soft pastels, and oil pastels * Delicate brushwork and fine details * Portraits and highly detailed paintings * Painting en Plein air and traveling * Painting highly realistic landscapes and still lifes * Achieving a luminous, refractive effect with oils * Artists of all skill levels Pre-Treated With Acid-Free, Archival Glue To Protect Against SID Acid-free, archival glue helps to prevent Support Induced Discoloration (SID) between the MDF and the canvas. While acid-free, archival glue can help to avoid SID, it is also essential to protect the artwork from material and environmental factors that can cause deterioration. All New York Central products are premium quality and made with only the finest materials. See More
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Senso Multi-Media Clear Primed, 4"x6" Linen Panels (Pack of 3)Save Up to67%Off listWhite Draw on it, Print on it, Transfer on it, Collage on it and of course, Paint on it! These incredibly versatile Senso Clear Primed Linen Multi-Media Panels are the perfect surface for exploring and trying out new media. Senso Painting Panels feature a clear acrylic priming that can be painted on or drawn on with all kinds of media. Use it as a surface for acrylic gouache, acrylics, egg tempera, caseins, oil colors, pastels, graphite, charcoal and even micron pens. Each panel is especially stiff for building the heaviest layers of paint or collaging/decoupage. Sold in a variety of sizes, these heavyweight board panels are built beautiful and strong to last a lifetime. Key Features: * Primed with clear, acrylic primer gesso * Medium tooth natural linen weave surface * 3mm Archival MDF board backer and acid free glue * Available in a wide variety of sizes * Stiff surface for use with oils, acrylics, graphite, pastels, technical drawing pens and collage * Perfect For: * Oils, acrylics, graphite, pastels, technical drawing pens and collage * Painting, drawing, screen printing and more * Artists of all skill levels Is linen or cotton canvas better? Linen is strong and durable, and remains the preferred surface for many artists. Linen is more expensive than cotton and retains its natural oils, which helps to preserve the fiber's flexibility and stops the canvas from becoming brittle. It is also regarded as having a more “natural” weaved finish than cotton. See More
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Spectrafix Natural Glass 8 oz VarnishSave Up to21%Off list…and painting medium. It dries fast to a water-resistant, semi-gloss film. You can use Natural Glass on canvas, paper, Yupo, ceramic, stone, glass, leather, fabric (not washable), and more. It can be re-worked, painted over, layered, or used as a pouring medium. Natural Glass works well as a glass… Natural Glass makes shipping and hanging an art show easy! Natural Glass is a revolutionary water-based BioPolymer varnish and painting medium. It dries fast to a water-resistant, semi-gloss film. You can use Natural Glass on canvas, paper, Yupo, ceramic, stone, glass, leather, fabric (not washable), and more. It can be re-worked, painted over, layered, or used as a pouring medium. Natural Glass works well as a glass substitute for pastel and watercolor works. No more annoying reflections and glare or worrying about breakage. Natural Glass makes shipping and hanging a show easy because it can't break. The semi-gloss finish adds depth to your work while protecting it from the elements. You won't lose your highlights or dull your colors. Varnished colors become more luminous under Natural Glass. Like all SpectraFix products, Natural Glass washes up with water, is completely non-toxic, and has no irritating fumes. Key Features: * Water-based BioPolymer varnish and medium * Made from natural ingredients * You can spray it indoors * Non-toxic with no irritating fumes * The semi-gloss finish adds depth to your work * It does not dull colors * Easy to clean varnished surface * You can paint over it Perfect For: * Pastel and watercolor varnish * Protecting work from damage * Varnish or medium for all painting and drawing media * Traditional glass alternative * Pouring paintings * Canvas, paper, Yupo, and ceramic * Stone, glass, leather, and fabric (not washable) See More
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Gamblin Oil Painting Ground 8oz CanSave Up to40%Off listWhite Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More
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Gamblin Artists' Oil Painting Mediums Neo-Megilp 8.5 ozSave Up to40%Off list…drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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M. Graham Walnut/Alkyd Oil Medium 8oz. BottleSave Up to40%Off listAugment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans -… Augment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Perfect for removing color from brushes after use and since it is a natural vegetable oil, it will not evaporate or remove essential oils from the artists' paint brushes. Walnut oil can also slow drying, increase sheen and enhance the flow of oil colors.Walnut/Alkyd Medium - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Can thin the color, enhance adhesion between layers, increase surface sheen and speed up drying time for oil colors. This medium can also increase flexibility of the paints. Walnut/Alkyd Medium is ideally suited for all-prima and glaze applications and is certified non-toxic. Key Features:* Available in 4 different sizes* Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans* Non-toxic* Safe to use on brushes Perfect For:* Working with oil colors* Speeding up drying time* Increasing adhesion and flow of oil paint See More
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Crystal Clear Acrylic Painting Tiles Pack of 5 4x6"Save Up to35%Off listClear Transparent Create 3D Effects Using Multiple Layers! Creative Mark Crystal Clear Acrylic Painting Tiles are perfect for creative and modern painting techniques in a variety of mediums or multi-media. Utilize one or both sides as a work surface, and even experiment with additive and reductive techniques for different possibilities. Use singles or multiple tiles layered as a single artwork, to explore this modern painting surface! The tiles readily accept acrylics, acrylic gouache, paint markers, spray paints, stenciling, resin paints, glass paints, and much more. Experiment with this fun and inexpensive surface, perfect for classrooms, art parties, or just to loosen up and take a break from your serious woks. Key Features: * Protected with a peel-off film * 2mm clear acrylic panels * Sold in packs of 5 * Accepts various liquid media Perfect For: * Creating layered artworks * Painting in 3D * Works great with acrylics and gouache * Paint markers, spray paints, stencils * Resin, glass paint, india inks and more See More
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Williamsburg Wax Medium, 8oz CanSave Up to40%Off list…Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film… The Perfect Accompaniment to Williamsburg Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film strength and durability. Williamsburg is proud to offer a unique selection of drying oils and mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss. Useful as an ingredient in painting mediums. Cold Pressed Linseed Oil - Genuine, cold-pressed linseed oil. Extracted through pressure alone. Less processed than alkali-refined oil. Closer to what was traditionally used in the past. Stand Oil - a thick, honey-like linseed oil with excellent leveling properties. Increases flow, transparency, and gloss. Useful as an ingredient in painting mediums. Slower drying and less yellowing than other linseed oils, it creates a smooth, durable, flexible film. Wax Medium - Pure beeswax, damar resin, and refined linseed oil. No paraffins or microcrystalline. Use in moderation to thicken paint; imparts a short, buttery texture. Increases transparency, dries to a satin sheen. Alkyd Resin - Made from a slow-drying pure alkyd resin with the consistency of a thick stand oil. Dries to a glossy, flexible, and enamel-like film. Useful in making other mediums or added directly into oil paints to modify transparency and flow. WARNING: Combustible. Vapor harmful. Key Features:* Professional, Handmade Oil Mediums* Quality cold-pressed drying oils* Oils to make custom mediums* Wax Medium to thicken paint* Perfect For:* Making custom painting mediums* Professional Oil Painters* Discerning students & amateurs* Using with professional quality oils See More
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GOLDEN Fluid Acrylics Iridescent Gold Deep (Fine) 8 ozSave Up to40%Off listIridescent GOLDEN Fluid Acrylics provide a highly intense, permanent acrylic with a consistency similar to india ink. Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying (particularly when mixed with GOLDEN Airbrush Medium), staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. Fluids allow for smooth flowing applications while retaining color intensity, tinting strength, film integrity, and adhesion. Fluids blend easily with all acrylic colors, and readily tint gels, mediums, gessoes and grounds. Fluid Acrylics are extremely versatile, and ideal for fine brushwork, glazing, staining, water media techniques and many more. Mix Fluid Acrylics with Airbrush Medium for airbrush application of artwork including textiles. Key Features: * Smooth flowing applications * Permanent and lightfast colors * Extremely versatile * High tinting strength * Low-viscosity, pigment-saturated paint * Retain excellent flexibility when dry * High pigment levels suspended in an acrylic polymer vehicle * Perfect For: * Fine brushwork * Glazing and staining * Water media techniques * Dry brush application * Spraying, brushing, and staining * Allowing for longer, more uniform brush strokes * Absorbing the constant stress and strain placed on canvas Golden Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility, and good adhesion. * Golden Fluid Acrylics Interference Colors which reflect their own colors in intense direct light and transmit a complement in indirect light. This "flip" varies according to the surface and the surface color. Adding a small amount of black will produce brighter colors. * Golden Fluid Acrylics Iridescent Colors reflect their own light. They appear differently dependent on the light source being either direct or indirect. Mix these colors into other GOLDEN colors to produce the greatest array of pearlescent colors imaginable. Experiment for unique and fascinating effects. See More
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Jacquard Lumiere Fabric Color - Old Brass, 8oz JarSave Up to37%Off listMetallic Dazzling metallic colors for fabric, paper, leather, wood, and more! These gorgeous metallic paints spread smoothly and stay flexible on fabric and leather! The line contains traditional metallic colors as well as pearlescent and hi-lite colors. The hi-lite colors are practically transparent on light colors and show up beautifully on darker tones and these stunning light-bodied paints brush on smoothly and are formulated to last. The newest addition to the Lumiere line is our Wine Country Palette. It consists of seven autumn colors in rich, sophisticated tones. Whether you want a little sparkle or a lot of dazzle, there is a Lumiere color for you! They won’t crack, peel or chip, even on flexible surfaces like fabric, leather, vinyl or rubber. Soft to the touch and washfast on fabric, Lumiere paints also exhibit unparalleled adhesive properties, even on non-porous surfaces like ceramic and metal. Lumiere colors are lightfast and weather-resistant, and their high pigmentation provides excellent coverage, even on dark grounds. Key Features: * Stunning light-bodied paints * Metallic and pearlescent acrylic * Soft to the touch and washfast * Lightfast and weather-resistant * Brushes on smoothly * High pigmentation provides excellent coverage * Won’t crack, peel, or chip on flexible surfaces Perfect For: * Fabric, leather, vinyl, and rubber * Ceramic and metal * Fine arts, crafts, or textile applications * Paper, photos, wood, plastic, and styrofoam See More
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GOLDEN Open Acrylic Paints Pyrrole Red 8 ozSave Up to40%Off listRed Slow-drying acrylic paint that enables painters to explore techniques GOLDEN Open Acrylics are a slow-drying paint that enables painters to explore techniques traditionally reserved for oil paints. The slow-drying quality of Golden Open acrylic paint gives artists longer working time for easier blending and even subtractive techniques. There is a unique thinner and mediums for use with OPEN, but the paints are compatible with regular fast-drying acrylics and clean up with soap and water like regular acrylics. Open Acrylic is formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion to produce a paint with a uniquely relaxed set of working characteristics and a versatility that allows artists to explore a wider range of techniques such as portraiture and landscape painting that rely on softening, shading, glazing, and creating fine detail. Increased working time of these colors expands their range to include more traditional techniques once only possible with oils Key Features:* Resists skinning, remain wet on the palette for extended periods* Feels like no other paint* Stays wet longer* Expands the boundaries of acrylics* Formulated with an optimum balance* Tubes: 2oz. & 5oz. / Jars: 4oz. & 8oz.* Titanium White: 32oz. Jar* 100% acrylic polymer dispersion Perfect For:* A uniquely relaxed set of working characteristics and versatility* Allowing artists to explore a wider range of techniques* Portraiture and landscape painting* Softening, shading, glazing, and creating fine detail* Plein air painting, mono-printing, and screen printing* Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors* Reducing the amount of paint wasted and preserving color mixtures for future use Available in sets Introductory Set of 6 + Thinner - Includes Six colors in 3/4 fl. oz. / 22ml Tubes (Benzimidazolone Yellow Medium, Naphthol Red Light, Ultramarine Blue, Permanent Green Light, Carbon Black* and Titanium White) and one 1 fl. oz. / 30ml Bottle of OPEN Thinner. Landscape Colors Set of 8 + Thinner - Includes Seven colors in 3/4 fl. oz. / 22ml Tubes (Cadmium Yellow Primrose*, Yellow Ochre**, Cadmium Red Light*, Alizarin Crimson Hue, Ultramarine Blue, Manganese Blue Hue, and Sap Green Hue**), one 2 fl. oz. / 59ml Tube of Titanium White and one 1 fl. oz. / 30ml Bottle of OPEN Thinner. Set of 8 Mixed - Modern Theory Colors - This eight-color set Includes: (22 ml) Benzimidazolone Yellow Light, Benzimidazolone Yellow Medium, Naphthol Red Light, Quinacridone Magenta, Anthraquinone Blue, Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), (59 ml) Titanium White, (30 ml) OPEN Thinner, and a color mixing guide. Mixing Set of 12 + Thinner - Includes Twelve colors in 3/4 fl. oz. / 22ml Tubes (Benzimidazolone Yellow Light, Benzimidazolone Yellow Medium, Naphthol Red Light, Quinacridone Magenta, Phthalo Blue (Red Shade), Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), Phthalo Green (Yellow Shade), Raw Umber*, Titan Buff, Carbon Black**, Titanium White) and a 1 fl. oz. / 30ml Bottle of OPEN Thinner. How long does it take for Golden Open acrylics to dry? Open typically dries in 3-5 hrs. To control viscosity while maintaining the maximum working time Use OPEN Mediums and Thinner. To accelerate drying time, OPEN Acrylics may be blended with faster-drying Golden Acrylics, Gels, and Mediums. OPEN Acrylics resist skinning, remain wet on the palette for extended periods, and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, mono-printing, and screen printing. See More
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Gamblin Artists Oil - Cadmium Red Light, 8oz CanSave Up to40%Off listRed Gamblin Artist's Oils, The only choice for artists & professionals! Gamblin has deep history and transformed oils and pigments into luscious, rich oil color. Gamblin Artist's Oil Paint is made with refined linseed oil, so the paint film is more flexible and yellows significantly less than traditional linseed oil. No adulterants are used, so each color retains its unique tinting strength, undertone, and texture. Gamblin oils have a luscious working properties, and the colors are radiant. We're sure you'll agree that the quality of these oil colors is exquisite. For everything from realism to contemporary abstraction, you'll find the colors you need in the Gamblin line. Key Features: * Oil Paints: Available in 37ml and 150ml tubes, plus 8 oz. and 16 oz. cans * Sets w/ painting panels: Set of 9, Set of 3 * Professional quality * Inorganic colors made from metals (Cadmium, Cobalt, Iron, etc.) * 19th-century colors of the Impressionists * Classical and Renaissance era colors * High pigment load, low oil absorption * Colors easily grey-down in mixtures * Mostly opaque with a few semi-transparent and transparent colors * Made in Portland OR, USA * Perfect For: * Professional oil painters * Plein air artists * Alla prima painting * Vibrant portraits * Painting natural colors and light * Accurately reflecting the hues of nature * Smooth consistency and buttery feel * Outstanding lightfastness * Everyday studio use! Gamblin Metals- Gamblin Copper, Rich Gold, Pale Gold, and Silver are made by suspending bronze and aluminum powders in an alkyd binder. It's the light reflecting from all those bits of metal that create the "metal finish." The real metal flakes scatter light in many different directions giving surfaces painted with Metals a soft, lustrous appearance. Gamblin Metals have distinctive mixing characteristics. When mixed with transparent colors, they maintain their metallic luster and give glaze layers a unique sparkling quality. Gamblin Artists' Colors Introductory Set of 9 Colors Includes nine 37ml. tubes and a ready-to-use, This set contains one 6.5" x 12" pre-primed painting panel with 1.5in cradle depth.pre-primed birch painting panel handcrafted in North America from sustainable forests. Made in the USA. 37ml Colors include: Cadmium Yellow Light, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Viridian, Yellow Ochre, Burnt Umber, Ivory Black & Titanium White Reclaimed Earth Set of 3 Tubes: Colors in the set include Rust Red, Iron Violet, and Brown Ochre. The tubes are nestled in a 6"x6" primed panel made in Oregon by American Easel. The masterfully constructed panel has poplar cradled sides and a Baltic birch face. Every speck of pigment in these tubes has been painstakingly reclaimed from waters tainted by iron released from mines. Iron oxides make lightfast, natural, and safe oil paints. John Sabraw and engineer Guy Riefler figured out how to extract iron from the polluted rivers, restore ecosystems, and create economic opportunities in communities struggling with environmental damage left behind by the coal mining industry. By purchasing this limited edition set you are supporting hard-working communities and helping make the Ohio and Mississippi Rivers healthier ecosystems. Is Gamblin Oil Paint Professional Grade? Gamblin Artist's Oil Paints are Professional Grade made with refined linseed oil! Gamblin always wanted to give artists color at its maximum with a luscious texture. There is so much more to our work than fine raw materials and high pigment loads. Gamblin is dedicated to getting that balance right. Every color. Every batch. Every time. See More
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Liquitex Acrylic Effects Mediums Glass Beads 8 ozSave Up to46%Off list…used on its own or mixed with acrylic paint to create a crackle effect that is structurally stable on rigid surfaces. Glass Medium allows you to paint on slick, non-porous materials like glass. Mix with your favorite acrylic colors and start painting. Once heat-set, the medium dries to a high-gloss,… Designed to achieve various textures and special effects! Liquitex offers a variety of gels and additives specifically designed to achieve various textures and special effects. Ceramic Stucco Gel is a thick, fine-textured gel that you can apply with a palette knife to create a fresco finish. Natural Sand Gel is a fine-textured gel that dries to the appearance of glossy beach sand. Artists love to apply these types of textured gels to add a bit of interest to a painting. All of these gels and mediums are utterly inter-mixable with all Liquitex products. Key Features: * Extend color without affecting stability * Slows drying time * Mix with color or overpaint once dry * Increase adhesion to slick, non-porous surfaces with glass medium Perfect For: * Creating bold 3D effects or fine surface texture * Developing antiqued and weathered effects * Maintaining archival quality Crackle Paste can be used on its own or mixed with acrylic paint to create a crackle effect that is structurally stable on rigid surfaces. Glass Medium allows you to paint on slick, non-porous materials like glass. Mix with your favorite acrylic colors and start painting. Once heat-set, the medium dries to a high-gloss, scratch-resistant finish. Natural Sand Gel is a fine-textured gel that dries to the appearance of glossy beach sand. Artists love to use this texture gel to add a bit of tooth to under-paintings. You can apply the natural sand with a ridged trowel to create uniform peaks and valleys. Liquitex Glass Beads Gel is perfect for adding texture and body to your favorite colors. Mix it with acrylic paints and mediums to produce dramatic effects. It's best applied with a palette knife. Liquitex Ceramic Stucco Gel is a thick, fine-textured gel that you can apply with a palette knife to give the surface finish of an Italian fresco. It dries to a light gray matte stucco finish and is highly absorbent. Try painting over the dry surface with an airbrush medium or drawing with pastel or charcoal. See More
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Liquitex Acrylic Effects Mediums Glass Beads 8 ozSave Up to46%Off list…a painting and allow the surface to show through. Crackle Paste - You can use Liquitex Crackle Paste on its own or mix with acrylic color to create a crackle effect that is structurally stable on rigid surfaces. Glass Medium - You can mix Liquitex Glass Medium with acrylic color to adhere paint on… Designed to achieve various techniques, applications, special effects & pouring! Liquitex offers a variety of specialty products including Pouring Mediums, Fluid Mediums, Gel mediums, Texture Gels and Additives which have been specifically designed to achieve various techniques, applications and special effects. Fluid Effects Mediums:* Increase Flow * Dry transparent or translucent * Extend the volume of thin paint * Excellent archival adhesive for collage Gel Effects Mediums* Adds body * Increase ‘open’(working) time * Dry transparent or translucent * Extend the volume of paint * Hold brush or knife marks * Make an excellent archival adhesive for collage Liquitex offers a variety of specialty products which have been specifically designed to achieve various techniques, applications and special effects. Airbrush Medium - A liquid medium incorporating an acrylic polymer. Specifically formulated to thin acrylic colors for airbrush application. Can also be used when working a regular brush. Fabric Medium - A fluid medium incorporating an acrylic polymer with ultimate flexibility and adhesion. Enhances the workability of acrylic paint on fabric. Controls bleeding of colors thinned with water. Flow Aid - A binder-free aqueous solution with surfactants. Use in conjunction with any acrylic medium or acrylic color when increased flow and absorption and decreased film tension and friction are required. Iridescent Medium - A fluid medium incorporating an acrylic polymer with ultra-fine pearlescent mica pigment. Produces a range of iridescent or metallic colors when mixed into acrylic colors. LiquiThick Thickening Gel - A binder-free heavy body gel with high levels of gelling agents. Used in small amounts, produces handling characteristics very close to that of oil or encaustic paint. At higher concentrations, can thicken paint or acrylic mediums to "cake" or sculptural consistency. Pouring Medium - A fluid medium incorporating an acrylic polymer with high resin solids. Creates even puddles, poured sheets, and flowing applications of color. Slow-Dri Fluid Retarder - A binder-free fluid with slow drying agents. Increases 'open' (working) time of acrylic paint. Reduces paint skinning-over on palette. Increases blending time, making blending of colors and detail brushwork easier. Slow-Dri Gel Retarde - A binder-free gel with slow drying agents. Designed to be used with Liquitex Heavy Body Artist Color and Heavy Body mediums. Increases 'open' (working) time of acrylic paint. String Gel - A medium viscosity medium incorporating an acrylic polymer with a resinous, stringy consistency. Enhances depth of color and increases transparency and flow. Masking Fluid - Masking Fluid is a colorless, latex-based liquid that you can use to mask areas. Many artists use Liquitex Masking Fluid to block off sections of a painting and allow the surface to show through. Crackle Paste - You can use Liquitex Crackle Paste on its own or mix with acrylic color to create a crackle effect that is structurally stable on rigid surfaces. Glass Medium - You can mix Liquitex Glass Medium with acrylic color to adhere paint on slick non-porous materials like glass. The medium dries to a high gloss, scratch-resistant finish once heat set. Gold Metallic Medium - With Liquitex Gold Metallic Medium, you can give acrylic paint a metallic gold effect or use it on its own to add gold surface highlights. Silver Metallic Medium - With Liquitex Silver Metallic Medium, you can give acrylic paint a metallic silver effect or use it on its own to add silver surface highlights. See More
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Liquitex Acrylic Fluid Mediums - Glazing, 8ozSave Up to46%Off list…non-yellowing, water-resistant film. Palette Wetting Spray: Slows drying time of acrylic color on palette or canvas and improves color blending. Spray and re-spray as needed to prevent acrylic paint from skinning over. Key Features: * Thin viscosity of heavier body paints, giving increased flow *… Lower the viscosity of heavier body paints >Liquitex Fluid Mediums are fluid and reduce the viscosity of heavier paints and gels, tend to self-level, and do not retain brushstrokes. Rather than using water, Liquitex Fluid Mediums modify acrylic paints in a variety of ways and contain acrylic resins to maintain or enhance adhesion and durability. With Liquitex Acrylic Fluid Mediums, you can give your paint a gloss or matte finish while thinning and extending its volume. Glazing Medium: Increases transparency, lowers viscosity, and enhances gloss. Perfect for creating brilliant, jewel-like glazes. The medium dries to a water-resistant, non-yellowing film. Gloss Medium: All-purpose medium for imparting gloss. Matte Medium: Mix into colors so that they dry uniformly matte. Satin Medium: Mix into colors so that they dry uniformly satin. You can thin and extend acrylic paint with Satin Medium or use the medium as a collaging adhesive. Slow-Dri Blending Medium: This fluid medium will increase the open working time of your acrylics by up to 40%. Increases transparency when shading, blending, and mixing colors. Blending medium dries to a clear, flexible, non-yellowing, water-resistant film. Palette Wetting Spray: Slows drying time of acrylic color on palette or canvas and improves color blending. Spray and re-spray as needed to prevent acrylic paint from skinning over. Key Features: * Thin viscosity of heavier body paints, giving increased flow * Increases the color depth and transparency * Extends your color further without affecting acrylic stability * Maintain paint adhesion, durability, and archival quality * Archival and permanent * Intermixable with all Liquitex materials * Perfect For: * Acrylic painting * Minimizing paint waste * Collaging & mixed media * Photo transfers * Classroom, home, and studio * Teachers and students * All acrylic-friendly surfaces See More
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GOLDEN Acrylic Gel Mediums High Solid Gloss 8ozSave Up to40%Off list…drawing ground. Glass Bead Gel: made with genuine glass beads, the gel offers a unique effect similar to condensation on glass. The effect is best seen in thin films over a light color. Heavy Gel (Gloss, Matte, or Semi-Gloss): is a thick gel that may be blended with acrylic colors to increase paint… Add texture, enhance color, and increase transparency! GOLDEN Gel Mediums allow you to easily manipulate acrylic paint to achieve various effects and expressions. An acrylic gel medium makes adding texture, enhancing color, and increasing transparency easier. Key Features: * 100% acrylic polymer emulsion * Add texture, enhance color * Increase transparency * Variety of effects * Click on the notepad icon for more information Perfect For: * Modifying paint handling characteristics * Extending heavy body paint * Impasto, relief, or sculptural effects * Adhesion and durability Clear Granular Gel: is made with granular acrylic solids and has excellent clarity and durability with a coarse texture that dries translucent. Clear Granular Gel can extend paint and add texture without altering color. Clear Leveling Gel: [formerly Self Leveling Clear Gel] produces an even film with excellent clarity. It has a unique resinous, stringy consistency resulting from its leveling property. Clear Leveling gel dries to a flexible, high gloss film while imparting a leveling quality when mixed with acrylic paint. It blends well with GOLDEN Acrylic colors to produce glazes. Clear Tar Resin Gel: GOLDEN Clear Tar Gel is a 100% acrylic polymer colorless gel with an extremely resinous, syrupy, stringy, and tar-like consistency. Clear Tar Gel can be used to generate fine, detailed lines by "dripping" it over painting surfaces. It can be blended with all GOLDEN Acrylic paints, offering a full range of colors with which to work, although Fluid Colors work best. Extra Heavy Gel (Gloss, Matte, or Semi-Gloss): Have the thickest consistency of any gel offered by GOLDEN. The gel may be blended with acrylic paint to increase the viscosity. Extra Heavy Gel is excellent for holding peaks and tool marks. Extra Coarse Pumice Gel: The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Extra Coarse Pumice Gel creates more coarse textures to yield concrete-like finishes. Fine Pumice Gel: The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Glass Bead Gel: made with genuine glass beads, the gel offers a unique effect similar to condensation on glass. The effect is best seen in thin films over a light color. Heavy Gel (Gloss, Matte, or Semi-Gloss): is a thick gel that may be blended with acrylic colors to increase paint viscosity. Heavy Gels are excellent for holding peaks and dry translucent. The body of the gel will remain flexible even with thick impasto work. High Solid Gel (Gloss or Matte): are similar in body to Heavy Gels. They contain more acrylic solids and shrink slightly less than other gels. They blend well with colors and will retain brush strokes upon drying. Available in gloss and matte. Pumice Gel: Available in fine, coarse, and extra coarse texture. The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Coarse Pumice Gel creates more coarse textures to yield concrete-like finishes. Regular Gel (Gloss, Matte, or Semi-Gloss): Regular Gel is ideal for extending paint and regulating transparency without changing consistency. Useful for impasto effects and holding moderate peaks of texture. They blend well with colors and will retain brush strokes upon drying. Soft Gel (Gloss, Matte, or Semi-Gloss):Thinner than GOLDEN Heavy Body Acrylic colors, Soft Gels are moderately pourable. Hold only slight peaks. The recommended acrylic to function as a glue for collaging. Useful as a non-removable isolation coat, applied over the painting and before the varnish (must be thinned with water - 2 parts Soft Gel Gloss to 1 part water). See More
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Opus Genuine Leather Journal Wrap 4" x 6" Dark BrownSave Up to75%Off listBrown Intricately handmade genuine leather! Reminiscent of the notebook styles of the Renaissance, the wrap closure Opus Journals come in two unique colors that are sure to inspire. These intricately handmade genuine leather journals are the perfect companion for any artist. The Smyth-bound blank pages have a slight tooth ideal for writing or drawing, and the durable leather cover will protect your sketches wherever you go. Leather journal cover available in Dark Brown and Espresso Black! Key Features: * Genuine leather cover, soft & durable * Wrap closure * Smyth binding * Premium handmade, acid-free, 125gsm paper * 80 sheets (160 pages) * Removable cover * Dark Brown and Espresso Black * Perfect For: * Sketching * Journaling * Writing notes * Pencil, charcoal, pen, pastel, and other dry media * Protecting your sketches * An heirloom for generations to enjoy Please note: Due to the nature of genuine leather and the tanning process, inconsistencies, such as variations in color and other blemishes, are expected. Take care to store your leather journal away from porous materials such as fabrics and papers. It is possible for the natural oils and excess dye found in leather to transfer to other materials. The cover is removable, but we do not sell replacement pads for the journal at this time. See More
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Opus 4 x 6 in Key Journal Dark Brown & Dip Glass Pen SetSave Up to75%Off listBrown Intricately handmade genuine leather! Styles of the Renaissance Reminiscent of the notebook styles of the Renaissance, the key wrap closure Opus Journals come in four unique colors that are sure to inspire. These intricately handmade genuine leather journals are the perfect companion for any artist. The Smyth-bound blank pages have a slight tooth ideal for writing or drawing, and the durable leather cover will protect your sketches wherever you go. Leather journal cover available in Dark Brown, Black, Honey, and Turquoise! Key Features: * Genuine leather cover, soft & durable * Key warp closure * Smyth binding * Premium handmade, acid-free, 125gsm paper * 80 sheets (160 pages) * Removable cover * Three card pockets on the inner cover * Dark Brown, Black, Honey, and Turquoise * Perfect For: * Sketching * Journaling * Writing notes * Pencil, charcoal, pen, pastel, and other dry media * Protecting your sketches * An heirloom for generations to enjoy Please note: Due to the nature of genuine leather and the tanning process, inconsistencies, such as variations in color and other blemishes, are expected. Take care to store your leather journal away from porous materials such as fabrics and papers. It is possible for the natural oils and excess dye found in leather to transfer to other materials. The cover is removable, but we do not sell replacement pads for the journal at this time. See More
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Opus 4 x 6 in Slide Closure Journal Honey & Dip Glass Pen SetSave Up to76%Off listBrown Intricately handmade genuine leather! Reminiscent of the notebook styles of the Renaissance, the slide closure Opus Journals come in four unique colors that are sure to inspire. These intricately handmade genuine leather journals are the perfect companion for any artist. The Smyth-bound blank pages have a slight tooth ideal for writing or drawing, and the durable leather cover will protect your sketches wherever you go. Leather journal cover available in Dark Brown, Black, Honey, and Turquoise! Key Features: * Genuine leather cover, soft & durable * Slide closure * Smyth binding * Premium handmade, acid-free, 125gsm paper * 80 sheets (160 pages) * Non-removable cover * Dark Brown, Black, Honey, and Turquoise * Perfect For: * Sketching * Journaling * Writing notes * Pencil, charcoal, pen, pastel, and other dry media * Protecting your sketches * An heirloom for generations to enjoy Please note: Due to the nature of genuine leather and the tanning process, inconsistencies, such as variations in color and other blemishes, are expected. Take care to store your leather journal away from porous materials such as fabrics and papers. It is possible for the natural oils and excess dye found in leather to transfer to other materials. See More
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Golden 8oz Gloss Color Pouring Mediums Set 5 Fluid Acrylic 1oz ColorsSave Up to40%Off list…intended to be used alone as a clear layer, topcoat or varnish* Use as a paint extender for pours or puddles * As little as 20:1 medium to paint can be used for color glazes, or increase the paint amount to 3:1 (medium to paint) for more opaque color layers* May be applied in wet film thickness up… GOLDEN Gloss & Matte Color Pouring Sets With Fluid Acrylics With a choice of either Gloss or Matte Color Pouring Medium and five Fluid Acrylic colors, these sets are a great starting point for artists. Each set also includes a guide with tips for creating successful pours. Color Pouring Mediums are based on 100% acrylic polymers and used to extend acrylic paints for various pouring techniques. They may be blended with most acrylic paints, although GOLDEN Fluid and High Flow Acrylic paints are most suitable for pouring applications. CPM (Gloss) and (Matte) can be combined to create a range of sheens. Color Pouring Medium (Gloss) dries to a uniform smooth, glossy paint layer; Color Pouring Medium (Matte) dries to a very flat, thin, and smooth layer. GOLDEN Gloss Pouring Medium Set* Create beautiful glossy pours with GOLDEN Color Pouring Medium Gloss, a leveling, low crazing extender for pouring acrylic colors. The set includes an 8 oz. bottle of Colour Pouring Medium Gloss along with 1 oz. Fluid Acrylic Titanium White, Naphthol Red Light, Primary Yellow, Teal and Primary Cyan. GOLDEN Matte Pouring Medium Set* GOLDEN Colour Pouring Medium Matte is a leveling, low crazing extender for pouring acrylic colors, allowing artists to create pours with a velvety matte surface. The set includes an 8 oz. bottle of Color Pouring Medium Matte along with 1 oz. Fluid Acrylic Titanium White, Benzimidazolone Yellow Medium, Alizarin Crimson Hue, Prussian Blue Hue and Green Gold. GOLDEN Color Pouring Medium (Gloss) Features:* Resists “Crazing” (formation of crevices or valleys on an acrylic pour surface from uneven drying) better than other acrylic mediums* Dries to a glossy, flexible, and level finish with moderate clarity. Note: not intended to be used alone as a clear layer, topcoat or varnish* Use as a paint extender for pours or puddles * As little as 20:1 medium to paint can be used for color glazes, or increase the paint amount to 3:1 (medium to paint) for more opaque color layers* May be applied in wet film thickness up to 1/8” (3 mm)* Mixtures should be premixed and allowed to sit overnight before use, and may be stored for future use (in properly labeled, tightly sealed HDPE plastic containers)* Color Pouring Medium (Gloss) dries thicker than Color Pouring Medium (Matte)* May be used on a variety of painting surfaces that accept acrylic products. Most substrates commonly used by artists are acceptable. Each substrate has unique properties that impact the pour GOLDEN Color Pouring Medium (Matte) Features:* Mixtures can be used immediately. Air bubbles should dissipate during drying* Resists crazing* Improves leveling of paint mixtures* Dries to a thin, smooth, matte finish* Uniquely suited for large color fields* As little as 20:1 medium to paint can be used for color glazes, or increase the paint amount to 3:1 (medium to paint) for more opaque color layers* Mixable with Iridescent and Interference Colors for satin metallic effects* Mixtures may be stored for future use (in properly labeled, sealed HDPE plastic containers)* Color Pouring Medium (Matte) dries thinner than Color Pouring Medium (Gloss)* May be used on a variety of painting surfaces that accept acrylic products. Most substrates commonly used by artists are acceptable. Each substrate has unique properties that impact the pour,/lI> See More
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Gamblin PVA Sizing 8.5oz, Artists' Oil Painting MediumSave Up to40%Off listWhite PVA Size - Poly Vinyl Acetate- Contemporary size for fabric support Gamblin PVA Size- Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible - won't yellow, shrink or swell. PVA Size is made from PVA that has a neutral pH and does not yellow. Retains its flexibility and does not emit harmful volatiles. Key Features:* Sizes: Sizes: 8.5 Oz, 33.8 Oz* Use neutral pH PVA size on linen and canvas instead of rabbit skin glue* Does not swell and shrink like rabbit skin glue does* Seals the fabric but does not re-absorb atmospheric moisture* Neutral pH and does not yellow* Retains its flexibility* Does not emit harmful volatiles Diluted with distilled water, PVA size (Poly Vinyl Acetate) is a contemporary size for fabric support. Conservation scientists recommend painters use neutral pH PVA size on linen and canvas instead of rabbit skin glue. Gamblin PVA provides a good size layer that seals the fabric but does not re-absorb atmospheric moisture, swell and shrink like rabbit skin glue does. There are hundreds of different formulae of PVA. We acknowledge and appreciate the research of the Canadian Conservation Institute that helps painters and conservators identify the best PVA to use. PVA Size is made from PVA that has a neutral pH and does not yellow. It also retains its flexibility and does not emit harmful volatiles. See More
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Gamblin Artists' Oil Painting Mediums Neo-Megilp 8.5 ozSave Up to40%Off listWhen mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. See More
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DecoArt Americana Creme Wax 8oz - Deep BrownSave Up to29%Off listBrown Finish and protect your refurbished flea market finds with these durable creme waxes! DecoArt's Americana Decor Creme Waxes are a great way to finish off and protect your home decor and mixed media projects. The creamy, water-based waxes provide a durable, streak free layer of protection that is fast drying and non-yellowing. These American-made creme waxes can be buffed to a high gloss sheen, and are easy to clean up with simple soap and water. DecoArt's Americana Decor Creme Waxes are so versatile, you can tint the clear creme wax to create custom color washes or use it to protect painted finishes on fabric! Key Features: * Water-based with a creamy consistency * Streak-free, fast drying and non-yellowing * Provides a durable protective layer that buffs to a glossy sheen * Versatile and easy to clean up with soap and water Perfect For: * Finishing refurbished vintage furniture * Mixed media art pieces * Home decor projects * Crafters & DIYers See More
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Tight'n'Up Canvas Re-tensioner Pump Spray, 8ozSave Up to15%Off list…Patented technology that tightens-up loose canvases* May be applied to the affected areas of the canvas, or the whole canvas* Apply before or after painting* Spray the back of the canvas* Will not harm the canvas, oil or gesso priming* Dries clear so it will not affect the look of the piece Perfect… Patented technology that tightens-up loose canvases Masterpiece Tight'n'Up™ Liquid Canvas Retensioner solves most of the problems associated with loose canvas, ripples, wrinkles, bubbles, sags, etc. It will not harm the canvas, priming, or the picture. The secret acrylic polymer formula is acid-free and archival. The water in Tight'n'Up™ makes the canvas threads to expand, shrinking their length, naturally tightening the canvas. Acrylic binders in the spray trickle between the canvas fibers, and give extra support to the canvas. When the water evaporates, the acrylic remains in the fabric and prevents the material from relaxing to its loosened state, thereby maintaining the increased tension. Tight'n'Up™ may be applied to the entire back surface of the canvas, but it is best for problem areas. Key Features:* Removes wrinkles, sags, and ripples* Patented technology that tightens-up loose canvases* May be applied to the affected areas of the canvas, or the whole canvas* Apply before or after painting* Spray the back of the canvas* Will not harm the canvas, oil or gesso priming* Dries clear so it will not affect the look of the piece Perfect For:* Any canvas tension problems* Cotton, linen, and other natural fiber canvases* Removing wrinkles, sags, and ripples* Leaving the canvas flat and tight* Quick and easy clean up* Everyday studio use See More
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Ampersand Value Series Artist Panel Unprimed Basswood - 7/8" Cradle 4x6" Pack of 3Save Up to50%Off listNatural Save Big with Ampersand Artist Panel Value Packs! Now available in value packs, Ampersand Unprimed Birchwood, Smooth and Canvas Finished Panels are ideal for use with all artists’ paints including oils, acrylics and watercolor oils, acrylics, mixed media, mounting prints, collage, drawing and inks. Value packs are not museum quality but meant more for student, beginner, testing and trying out. Perfect to get started and create with. Value Series Artist Panel™ Unprimed Basswood packs 7/8" Cradle The Unprimed Basswood panel is handcrafted using a non-flexible basswood top, sanded perfectly smooth and ready to seal and prime with the ground of your choice. Compared with other wood panels on the market, the Unprimed Basswood is sanded perfectly smooth and lacks plywood seams, knots or raised fibers providing the cleaner, more professional look artists’ want. The support frames are made with quality solid pine strips that can be finished with paint or stain. Unprimed Basswood is great for encaustic, mixed media, collage, and wood engraving. Value Series Artist Panel™ Primed Smooth [cradled] Packs 7/8" Cradle The Primed Smooth cradled panels have a semi-absorbent acid-free ground that is excellent for painting in oils, acrylics, water media and also for drawing. Consisting of top quality 1/8" MDF, these panels are coated with an acrylic gesso primer and fully supported with solid pine wood cradle support frames. This panel is completely primed on the surface and on the sides of the cradle—great if you want to wrap your images over the edge without the extra prep work. The Primed Smooth panel is ideal for all painting styles especially highly detailed paintings and drawings. Ampersand quality, affordably priced and ready to use. Ultra-stable, these wood panels will not give, bend or flex and like all Ampersand’s panels, they are made with quality materials that have been tested not only for durability but also for performance with artists’ paints. Value Series Artist Panel™ with Standard Canvas Texture 3/4" Cradles Do you want more control over your paint applications and brighter truer colors? Then try the Artist Panel™, a top quality MDF panel sealed with acid-free acrylic gesso with added canvas texture. Perfect with oil paints and acrylics, the ready-to-paint canvas-like texture gives artists all the advantages of painting on panel, but with the familiar feel of fine linen or canvas. The durable rigid medium density fiberboard support makes the Artist Panel ideal for palette-knife painting and multi-media applications. Available in a 9mm panel with hanging slots on the back, a ¾" and a 1.5" cradled profile. Standard Canvas Texture:* Packs of 3 and 4 panels available* 3/4" cradle* Acrylic gesso ground on MDF* Ready to paint with oils, acrylics and mixed media* Perfect for altered art, collage and found objects* Simple to hang and frame Primed Smooth:* Fully primed on top and sides* SUPER smooth acrylic gesso finish* Accepts all artists’ paints including oils, acrylics and watercolor* Ready to paint and draw on* Great for fluid lines and fine detail* Perfect for mounting canvas & giclees Unprimed Basswood:* Ultra-stable premium Basswood top* Sanded perfectly smooth* Supported with solid pinewood cradles* Accepts all types of painting grounds* Great for encaustic, mixed media, collage and wood engraving * Perfect for mounting canvas & giclees See More
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Da Vinci Keepsake Chest 4"x6", Panel Box KitSave Up to73%Off listWhite Create Your Own Art, Photo & Keepsake Box - Easy To Make Kits Get creative with our DIY Da Vinci Pro Panel Box Kits which make for the perfect DIY art gift or keepsake box. Each kit contains components for one full wood Keepsake box, including all the necessary hardware. Created from our popular Da Vinci Ultra Smooth Panels, they readily accept drawing media, acrylic paints, image transfers or mixed media applications. Assembly required. Key Features: * Includes all the necessary hardware * Assembly required * Instructions included * Warp resistant, kiln-dried New Zealand Pine cradle with Birch panel * Great for a desktop storage box * Click on the yellow circle icon to view kit information Perfect For: * Acrylic and caseins * Image transfer and mixed media * Making your own personalized gifts * Gouache, tempera or sketches * Your art, keepsake box Assembly required. Instructions included. Please see yellow tech note icons for complete kit descriptions. See More
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Chelsea Classical Studio Medium Clarified Fat Medium 8ozSave Up to50%Off list…Essence; for fat painting techniques. Why: Designed for use with fat over lean oil techniques; helps increase paint film adhesion, makes paint fatter, rich, and glossy. Where: Made in the USA from Old World Master Techniques * Increases paint gloss * For use in later painting stages Key Features:*… A handcrafted oil medium that improves glossiness & dry time! A "Fat" Medium refers to the “Fat Over Lean” technique, which means to apply a paint layer rich in oil (a fat) over a layer with less oil (a lean) layer on a painting. This simple principle is fundamental to controlling the paint adhesion, drying time and glossiness of oil colors. The Clarified Fat Medium, by Chelsea Classical Studios, is a handmade oil medium that decreases drying time and increases glossiness. It is crafted from a mixture of pure, extra-pale, cold pressed linseed oil and lavender damar varnish. For Chelsea Classical Mediums, even the ingredients of their mediums are handcrafted to ensure absolutely the highest quality products. The Clarified Fat Medium is made with linseed oil that is purified and de-yellowed by traditional, natural processes that strive to make the palest, cleanest, pure linseed oil for artists’ to use. The damar resin is dissolved in distilled Oil of Spike Lavender Solvent for the varnish that is mixed with the oil. This fine-art quality medium has a large oil content mixed with a varnish so is considered fairly fat, rich and glossy. There are no carcinogenic fumes since neither turpentine nor petroleum is used. What: Handcrafted blend of Chelsea’s Cold-Pressed Linseed Oil and Lavender Spike Oil Essence; for fat painting techniques. Why: Designed for use with fat over lean oil techniques; helps increase paint film adhesion, makes paint fatter, rich, and glossy. Where: Made in the USA from Old World Master Techniques * Increases paint gloss * For use in later painting stages Key Features:* Handmade from the highest quality ingredients* Non-yellowing and of archival quality* Created through reproducing the methods of the Old Masters* No carcinogenic fumes since neither turpentine nor petroleum is used* Improves glossiness of paint when dried* Quick drying time* Recommended for use in later stages of painting Perfect For:* Painting in the "fat over lean" technique* Use with fine oil colors* Material-conscious artists* Professional artists* Use in final works of art* Improving drying time for oil paintings* Use in studios or professional classrooms Oil Painting Cube Sample Set -This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. Painting fat over lean See More
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Chelsea Classical Studio Medium Clarified Lean Medium 8ozSave Up to50%Off list…a painting. This simple principle is fundamental to controlling the paint adhesion, drying time and glossiness of oil colors. This fine-art quality medium has a light oil content mixed with a varnish, so it will thin the paint, make it dry faster, and is recommended for the early layers of painting.… Handcrafted from the finest materials, this oil medium thins paint and decreases dry time! The Clarified Lean Medium, by Chelsea Classical Studios, is a handmade oil medium that uses lavender spike oil essence, which is a safer alternative to ones made with turpentine for the oil painter. Also, it decreases drying time and thins the paint It is crafted from a mixture of pure, extra-pale, cold pressed linseed oil and lavender spike oil essence. For Chelsea Classical Mediums, even the ingredients of their mediums are handcrafted to ensure absolutely the highest quality products. The oil in the Clarified Lean Medium is cold-pressed, purified and de-yellowed by traditional, natural processes that strives to make the palest, cleanest pure linseed oil for artists’ to use. A "Lean" Medium refers to the “Fat Over Lean” technique, which means to apply a paint layer rich in oil (a fat) over a layer with less oil (a lean) layer on a painting. This simple principle is fundamental to controlling the paint adhesion, drying time and glossiness of oil colors. This fine-art quality medium has a light oil content mixed with a varnish, so it will thin the paint, make it dry faster, and is recommended for the early layers of painting. What: Handcrafted blend of Chelsea’s Cold-Pressed Linseed Oil and Lavender Spike Oil Essence; for lean painting techniques. Why: Designed for use with fat over lean oil techniques; helps increase paint film adhesion, improves paint drying time and gloss. Where: Made in the USA from Old World Master Techniques * Decreases drying time * For use in earlier painting stages Key Features:* For the oil painter* Handmade from the highest quality ingredients* Safer alternative to Turpentine* Non-yellowing and of archival quality* Created through reproducing the methods of the Old Masters* Thins paint consistency* Decreases drying time* Palest, cleanest pure linseed oil for artists’ to use* Crafted from a mixture of pure, extra-pale, cold pressed linseed oil and lavender spike oil essence Perfect For:* Painting in the "fat over lean" technique* Use with fine oil colors* Material-conscious artists* Professional artists* Use in final works of art* Improving drying time* Thinning oil paints* Use in studios or professional classrooms* Use in early layers of painting Oil Painting Cube Sample Set - This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. Painting fat over lean Artist’s guide to oil painting solvents See More
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Chelsea Classical Studio Medium Lavender Damar Varnish 8ozSave Up to50%Off list…Safer to varnish paintings inside the home or studio; the ONLY Damar Varnish that is! Where: Made in the USA from Old World Master Techniques * Mix it with other mediums to increase their glossiness and decrease their drying time * Final varnish for completely dry oil paintings Key Features:*… Lavender Damar Varnish makes it safer to varnish inside the home or studio. It is the only Damar Varnish that is!Handcrafted from the finest materials, this Lavender Damar Varnish can be used as a final varnish or with mediums to thin paint and decreases dry time! The Renaissance of Art Materials - The Chelsea Classical Studio Lavender Damar Varnish Medium, is handcrafted using the finest natural ingredients, including the Chelsea Classic Studio Medium, Lavender Spike Oil Essence. This Lavender Damar Varnish can be used in two different ways. The first use includes mixing it with other mediums to increase their glossiness and decrease their drying time. The second use is to treat it as a final varnish. Unlike turpentine and mineral spirits, this Lavender Damar Varnish does not produce dangerous fumes and does not cause the chronic health problems that are often associated with turpentine and mineral spirits. What: Handcrafted using finest natural ingredients: Damar Resin, Chelsea Classic Studio Medium, and Lavender Spike Oil Essence. Why: Safer to varnish paintings inside the home or studio; the ONLY Damar Varnish that is! Where: Made in the USA from Old World Master Techniques * Mix it with other mediums to increase their glossiness and decrease their drying time * Final varnish for completely dry oil paintings Key Features:* Handmade from the highest quality ingredients* Made with Chelsea Classical Lavender Medium Spike Oil Essence* A safer alternative to turpentine and mineral spirits* Created through reproducing the methods of the Old Masters* Features a distinctive lavender scent* No harsh chemicals used in production!* Made in the USA from Old World Master Techniques* Perfect For:* Creating a retouch varnish* Use as a final, protective varnish* Adding gloss and decreasing drying time* Use with fine oil colors* Material-conscious artists* Professional artists* Use in final works of art* Stretched canvases* Use in studios or professional classrooms Damar & Retouch Varnishes Painting fat over lean Artist's guide to oil painting solvents See More
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Citrus Essence Brush Cleaner 8 oz BottleSave Up to50%Off list…clean oil paint from brushes. Made from 100% natural distilled citrus fruits, this extremely effective brush-cleaning solution is also gentle on the brush hairs helping them last longer! Use it to clean paint from brushes while painting, and to thoroughly clean brushes after painting. Key Features:*… Enjoy the Citrus Scent – a Safer alternative to toxic solvents! Cleans better and more thoroughly than almost all other Brush cleaners and solvents. Conditions the brush making the hair subtle and maintaining maximum working quality. A safer, natural alternative to turpentine, petroleum mineral spirits, and other toxic solvents. Made in the USA from Old World Master Techniques. Citrus Essence Brush Cleaner™ is a safer alternative to turpentine, petroleum mineral spirits, and other toxic solvents. NO Carcinogenic Fumes! Use it to clean oil paint from brushes. Made from 100% natural distilled citrus fruits, this extremely effective brush-cleaning solution is also gentle on the brush hairs helping them last longer! Use it to clean paint from brushes while painting, and to thoroughly clean brushes after painting. Key Features:* A safer alternative to turpentine* Citrus Essence * 100% Pure Distilled Citrus Fruits* NO Carcinogenic Fumes* NO Petroleum* NO Turpentine* No other toxic solvents* Lovely Citrus aroma* Available in 2 oz, 4 oz, 8 oz, 16 oz, and 32 oz bottles Perfect For:* Clean oil paint from brushes* Gentle on the brush hairs* Brushes will last longer* Keeping a clean, all-natural studio* Health-conscious artists* Use in studios or professional classrooms* Cleans better and more thoroughly* How to Use Citrus Brush Cleaner CCS Citrus Brush Cleaner™ can be used in the same way other cleaners are used: Rinse the brush with it during painting session to remove paint from the brush, and thoroughly clean your brush in it after painting to remove paint and medium. We recommend using a natural oil-based soap and warm water afterward to complete the brush cleaning, moisturize the brush hairs and help preserve them. Ventilation: All essential oils/solvents should be used appropriately and with ventilation. Skin contact: As with all essential oils, you should always avoid skin contact, especially if you have skin issues. Skin contact for some people will not cause any problems, but because of the high concentration please be aware and take precautions when using Spike Oil or any other solvents. Allergies: Spike Lavender, in rare cases, can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums, and varnishes) see warnings regarding safety and clear directions for usage. The main reason this solvent is considered “safer” is because there are no known carcinogens or a lot of the health issues associated with Turpentine or Petroleum Mineral Spirits. However, like with all solvents when used in oil painting, you should have ventilation and limit skin contact. See More
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8oz. Chelsea Classical Studio Lavender Retouch VarnishSave Up to50%Off list…for your finest oil works* Allows for both protection and breathability.* Excellent at reviving dull spots* Use with fine oil colors* Material-conscious artists* Professional artists* Use in final works of art* Stretched canvases* Retouch varnish can be applied to paint which is "hand-dry" Allows for both protection and breathability for your finest oil works Chelsea's Retouch Varnish offers superior, classical protection for your finest oil works. It's the safe alternative for use in the studio--with no harsh, dangerous fumes and a distinctive lavender scent. Lavender Retouch Varnish offers superior, classic protection for your finest oil works without any harsh, dangerous fumes. Made with pure damar resin and CCS Lavender Spike Oil Essence, this varnish allows for both protection and breathability. What: Handcrafted Lavender Retouch Varnish Why: Designed for both protection and breathability. Excellent at reviving dull spots Where: Made in the USA from Old World Master Techniques Key Features:* Available in 2 oz., 4 oz., 8 oz., 16 oz. and 32 oz. bottles.* Excellent at reviving dull spots* Handmade from the highest quality ingredients* Made with Chelsea Classical Lavender Medium Spike Oil Essence* Made with pure damar resin* Created through reproducing the methods of the Old Masters* Features a distinctive lavender scent* No harsh chemicals used in production!* No harsh, dangerous fumes* Made in the USA from Old World Master Techniques Perfect For:* Superior, classic protection for your finest oil works* Allows for both protection and breathability.* Excellent at reviving dull spots* Use with fine oil colors* Material-conscious artists* Professional artists* Use in final works of art* Stretched canvases* Retouch varnish can be applied to paint which is "hand-dry" See More
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Gamblin Galkyd Medium Lite No.2, 8 oz BottleSave Up to40%Off list…of paint layers, to creating a range of surface qualities, from high gloss to matte. When a painting is completed, all of the thought, effort and emotion that went into it are reflected in the artist’s marks. Choosing the appropriate painting medium can be an essential part of making oil painting… True to historic working properties. Safer. More Permanent Gamblin Galkyd Mediums are Contemporary Painting Mediums!. Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube - from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors - from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. When a painting is completed, all of the thought, effort and emotion that went into it are reflected in the artist’s marks. Choosing the appropriate painting medium can be an essential part of making oil painting your own. With a painting medium that fits your needs, you can get into the flow of painting faster and stay there longer. Gamblin Galkyd Gel - "G-Gel" Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brushmarks and dries more quickly. Galkyd Gel increases transparency of oil colors and creates impasto. Gamblin Galkyd Painitng Medium - Galkyd thins oil colors and increases transparency and gloss. When used in greater proportions with oil color, Galkyd will level brush-strokes, creating an enamel-like surface. Galkyd is our fastest-drying painting medium. Thin layers will be touch-dry in approximately 24 hours. Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Painting Medium Lite No.2 - Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours. This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Slow Drying Medium - Galkyd Slow Dry thins oil colors and extends working time. Galkyd Slow Dry is more fluid and less glossy than Galkyd Lite. Use one part Galkyd Slow Dry to one part oil colors to paint wet-into-wet for at least a day.. Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. What is Gamblin Galkyd? Gamblin Galkyd thins oil colors and increases transparency and gloss. Galkyd Medium - An alkyd resin painting medium that increases the fluidity of oil colors and speeds their drying time See More
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GOLDEN Gesso Pastel Ground 8 ozSave Up to40%Off list…Paints GOLDEN Pastel Ground Application Thinning Due to the weight of the solids in Ground for Pastels, it is produced very thick, and does not come ready to brush-apply. Thin 20-40% with water to desired consistency. Application Apply with brush, paint-roller, spray equipment, squeegee or palette… Acrylic preparation for pastels on canvas and other supports GOLDEN Pastel Ground is an acrylic preparation for pastels on canvas and other supports. It creates a toothy surface similar to papers used with pastel and chalk. For an even rougher texture, Fine or Coarse Pumice Gel can be added. GOLDEN Pastel Ground for Pastel can also be tinted with acrylic colors for colored grounds. (Golden acrylics). GOLDEN Pastel Ground is a 100% acrylic medium designed to prepare surfaces for the application of pastels, charcoal and other art media where a coarse tooth is desired. It contains finely ground sand (silica) in a pure acrylic emulsion. Pastel Ground can be applied to paper, canvas, wood or any primed support. This allows almost limitless applications for media typically confined to standard papers. Key Features:* Sizes: 8oz, 32oz & 1 Gallon* Creates toothy surface similar to papers* Acrylic preparation for pastels* Fine or Coarse Pumice Gel can be added* Can also be tinted with acrylic colors Pastel Ground can be used as a toothy, gritty ground for many different media, including: Dry Media:* Soft Pastels* Graphite Pencils* Colored Chalks* Charcoal* Powdered Charcoal Water-based Media: * Water-Soluble Pastels* Colored Pencils* Pastel Pencils* Wax Crayons* Watercolor Pencils* Acrylic Paints Oil-based Media: * Oil Pastels* Oil Sticks* Paint Sticks* Ink Sticks* Pigment Sticks* Oil Paints GOLDEN Pastel Ground Application Thinning Due to the weight of the solids in Ground for Pastels, it is produced very thick, and does not come ready to brush-apply. Thin 20-40% with water to desired consistency. Application Apply with brush, paint-roller, spray equipment, squeegee or palette knife. Mix up only as much as is needed for one day"s work, as the solids will settle rapidly and be extremely difficult to mix back into suspension. Surface Preparation Non-absorbent surfaces should be abraded for increased adhesion. Prime with GOLDEN Gesso or other suitable primers (depending on substrate). Apply one or more coats of GOLDEN Pastel Ground to achieve the desired tooth. On paper, use heavier weight stock to avoid buckling. Allow ground to fully dry before applying media. Color Additions Pastel Ground can be blended with GOLDEN Acrylic Paints to achieve colored grounds. However, add minimal amounts of color since all additions of paint to Ground will decrease the tooth. GOLDEN High Flow Acrylics and Fluid Acrylics blend easily into the ground without thickening the product. High Load Acrylics have the highest pigment load and therefore provide the most color in the least amount of paint. Unless transparency is desired, select paints that are inherently opaque, such as the Pyrroles or earth colors. This will allow lower additions as well. Airbrushing thin layers of color after the ground has dried will give the strongest saturation of color to the ground without affecting the gritty surface. See More
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GOLDEN Absorbent Ground White 8 ozSave Up to40%Off listWhite Create a porous, paper-like surface on many different substrates GOLDEN Absorbent Ground is an acrylic liquid surfacing medium that can be used to create a porous, paper-like surface on many different substrates. Applied over gessoed canvas, the Absorbent Ground allows for raw canvas-like staining on a protected substrate. It also allows watercolors to be used on canvas. It is uniquely formulated for unsurpassed absorbent action when dry. Key Features:* Sizes: 8oz, 16oz, 32oz & 1 Gallon* Create a porous, paper-like surface on many different substrates* Applied over gessoed canvas* Lightfast, permanent, and flexible* Allows watercolors to be used on canvas* Unsurpassed absorbent action when dry* Opaque acrylic primer for water media See More
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New York Central Acrylic White Gesso, 8oz BottleSave Up to55%Off listWhite Professional grade gesso for archival results New York Central® Gesso is a professional grade acrylic ground. It’s perfect for a variety of surfaces, from canvas to metal. You can apply the gesso with a palette knife to create a rough texture or sand between coats to achieve a smooth result. Once dry, New York Central® Gesso makes a sturdy base for graphite, charcoal, oil pastels, acrylic, and oil paints. You can even mix it with acrylic paint to create a toned background. Key Features: * Professional grade acrylic gesso * Matte white, opaque finish * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Optimal absorbency rate for paints Perfect For: * Priming raw canvas, panels, or paper * Acrylic and oil paints * Preparing wood and metal surfaces * Charcoal, pencil, and oil pastel * Creating a smooth or textured foundation * Adding a high level of tooth to a surface Acrylic Gesso Instructions: * Use at full strength or thin with up to 25% water. When thinning more than 25%, create an equal mix of water and matte medium. * Sand slick surfaces first. Apply a thin coat with a flat brush and let dry for 24 hours before painting. * To create a smoother base, sand the dried gesso and reapply. * Acrylic painters should apply at least two coats. * Oil painters should apply 2-4 coats and sand between applications. * To create a colored background, gradually add acrylic paint to the gesso until you reach your desired tone. Stir until thoroughly blended. Apply as normal. See More
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Jacquard Water Based Resist - Clear, 8ozSave Up to29%Off listClear Transparent Water Based Clear Resist - Jacquard has developed a superior water based resist, is used like a frisket to impede the flow of dye. It will completely wash out of fabric with warm water, even after steaming. It holds a crisp line without spreading and does not shrink or pucker when dry. It can be colored with any water based dye and is screenable, odorless, alcohol free and non-toxic. Water Based Permanent Metallic Resists - Use in the same way as Clear Resist but the color is permanent when washed or dry cleaned. Available in black, copper, gold and silver, these resists hold fine, crisp lines that do not spread. The consistency is perfect for production silkscreening or squeeze bottle application. Permanent Dyeset Concentrate - This concentrate is used to set Jacquard Silk Colors (Green Label) Dye. It also can be an alternative to steam setting. See More
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Jacquard Cyanotype Potassium Ferricyanide, 8oz JarSave Up to15%Off listHarness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for… Harness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for indexing plant specimens with what were called photograms at the time. The Cyanotype process is incredibly simple and only employs two inexpensive chemicals and UV sunlight. Prints can be created on any natural fiber: paper, cotton, silk, wool, wood, etc. Jacquard has made Cyanotype printing easy as pie with pre-sensitized fabric that is ready for cyanotype printing. Simply pull the sheet out of the package, place objects or an inverted photographic negative on top, expose to light for three to fifteen minutes, submerge the fabric in water to reveal the blue cyanotype print, and finally hang the fabric to line dry. With Jacquard’s Cyanotype Pretreated Mural Fabric you can actually create a full-body print by laying on top of the mural fabric for the duration of exposure while not moving. The creative possibilities for Photographers, Mixed Media Artists, and Quilters are endless! If you would prefer to use your own papers or fabric Jacquard has made the chemistry of Cyanotype attainable with lightproof black bottles of Potassium Ferricyanide and Ferric Ammonium Citrate. The chemicals used for cyanotype are inexpensive and go a long way. Despite their perhaps alarming names, both are safe to handle and mix. That said, care should be taken to avoid ingestion, inhalation, and contact with skin. The instructions for the use of Potassium Ferricyanide and Ferric Ammonium Citrate are included in the link bellow Great for photographers, mixed media artists, printmakers, quilters, kids and more, the cyanotype process is easy, forgiving, quick, magical and fun. Capture the nuance of every shadow Key Features: * Harness the power of the sun to make detailed prints * Simply place the object on the sensitized surface and expose to sunlight (UV) * Sun exposure time is 3-15 minutes * Pre-sensitized Cyanotype fabric Perfect For: * Quilters and Surface Design Artists * Photographers * Mixed media artists, printmakers, quilters See More
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Jacquard Dye Additive Synthrapol 8 oz BottleSave Up to10%Off list…Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting,… Essential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to protein-based fibers. Soda Ash promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. The humectant Urea attracts moisture from the air and slows the tie-dye process, providing more time for the dye to process and generate deeper shades. You can use Synthrapol® an industrial-strength, pH-neutral liquid detergent as a wetting agent, or wash your decorated fabrics with it. It is essential to practice studio safety when using dyes and chemicals. Please keep dyes, paints, and chemicals away from children and avoid unnecessary skin contact. Key Features: * Powdered chemicals * Complement Acid and Procion MX dyes * Sodium Alginate SH will thicken dyes * Citric Acid is used to fix acid dye * Soda Ash is used to fix Procion MX dye * Urea enhances Procion MX colors * pH-neutral detergent and wetting agent Perfect For: * Fabric dyeing * Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting, stamping, or screen printing. When working with thicker fabrics, use a thinner consistency of dye solution to guarantee dye penetration. Instructions: Mix 1 quart water with ¼ cup Urea. Then, add two teaspoons Sodium Alginate SH for hand painting or four teaspoons Sodium Alginate SH for screen printing. Slowly sprinkle Sodium Alginate SH over water/Urea mix. Stir constantly for 10 minutes, or mix in a blender until smooth. Let stand for 1 hour, then stir again. The solution may be stored in a refrigerator for a few months. Soda Ash: Soda Ash dye fixer is a mild alkali that promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. It is also known as sodium carbonate, washing soda, or salt soda. Soda Ash is necessary to activate and set Procion MX dye. For tie-dye (pre-soak method): Use one cup per gallon of warm water. Soak fabric in the mixture for 20 minutes. Squeeze/wring out the excess solution by hand. Do not rinse out. For immersion dyeing: Use 1/4 to 1/3 cup per three gallons of water. Add to dye bath per instructions. Dyeing cellulose fibers in a washing machine: Use 2-3 cups per load. Dissolve in one-quart hot water. Slowly add to dye bath in washer per instructions. Synthrapol®: Synthrapol® is an industrial-strength, pH-neutral liquid detergent used as a pre and after wash for dyed or painted fabrics. Synthrapol® can also be used as a wetting agent for fabric dyes and paints. The unique liquid detergent keeps loose dye pigment suspended during washing which prevents back staining and helps remove excess color. Pre wash: Prewashing fabric with Synthrapol® to remove oils, waxes, starches, and sizings helps ensure an even dye job and reduces the risk of blotchy color. Directions: Add three tablespoons Synthrapol® per 8 lb washing load. For cotton and other cellulose fibers, add two tablespoons soda ash. Wash for at least 10 minutes using hot water, and then rinse thoroughly. After wash: After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to a dye bath or fabric paint can increase color penetration. When dyeing wool and other hard-to-wet fibers, add 2 to 3 drops of Synthrapol® per 5 lb fabric. To increase fabric paint coverage on hard-to-wet textiles, add 1 to 2 drops Synthrapol® per 2 fl oz of fabric paint. Citric Acid: Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes and exhaust dye baths. Add one tablespoon of Citric Acid to the dye bath per 1 lb of fabric. Do not pour directly onto cloth. If further exhaustion of dye bath is necessary, add a little bit more. Avoid contact with eyes. In case of eye contact, flush immediately with water for at least 15 minutes. Keep out of reach of children. Urea: Urea is a humectant that attracts moisture from the air and slows the drying process; therefore, it allows more time for the dye to react with the fiber and helps develop deeper shades. Most artists use Urea when applying dye solutions directly to fabric or hand painting. Urea can be used with Sodium Alginate thickener for screen printing, direct painting, or tie-dye. Add one tablespoon Urea per 8 fl oz of dye solution (¼ cup per one quart of dye solution). See More
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Practica Stretched Cotton Canvas 4"x6" (Pack of 2)Save Up to84%Off listWhite BEST SELLER! Genuine Stretched Canvas At A Canvas Panel Price! A better stretched canvas for less "Because Practica, Makes Perfect!" Practica® Canvas is the ideal middle point between students' canvas panels and artists' stretched canvas! Intended as a low-cost alternative to panels, Practica® Canvas is designed to give newer artists the experience and brush response of painting on a stretched canvas surface or even testing new media and sketching out ideas. Made from true cotton duck canvas with acid-free acrylic primer, Practica canvas is stretched around a slim-profile stretcher frame and stapled onto the back for clean, paintable edges. Practica® canvas features a 5/8" depth. Sold in boxes of ten packs of two canvases (for 20 canvases total), Practica® canvas is available for as little as less than two dollars per canvas. As such, these economical canvases are the perfect choice for students and for quick studies, and since Practica® is a true stretched canvas, any completed art can be finished and hung as is or framed for a professional presentation. Sold in 2 & 4 packs and boxes of 20 25% Heavier Unprimed! Best Exceptional Value Sold Worldwide! Because Practica Makes Perfect! Key Features:* Genuine stretched cotton canvas* Acid free acrylic primer* 5oz Unprimed Weight (25% heavier than the typical 4oz)* 10oz Primed Weight* 5/8" Depth, back-stapled* Made from true cotton duck canvas* Exceptional value for the price* Sold as 20 canvases to a box* Sold as Super Value Packs of 2 & 4 Perfect For:* Practice work and sketches* Low-cost alternative to canvas panels* The feel of professional surfaces* Beginners, students, & quick studies* An amazing quality canvas for the price!* Because Practica Makes Perfect!™ A Better Canvas at A Much Better Value Testimonial & Reviews" These are great! We ordered 100 for a large, whole-program fundraising project, and they were perfect for what we needed: nice quality, and durable enough to hold up to lots of handling during the painting process... and inexpensive! We used acrylics and some collage materials on the canvas, with great results.." See More
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Da Vinci Pro Art Panels Variety Sampler 4"x6", Pack of 4Save Up to75%Off listWhite DaVinci Pro Panels Sampler Pack - Try all 4 styles! Have you ever wanted to try all of the Da Vinci Pro Artist Panels but not known where to start? Well now with the Da Vinci Pro Variety Sampler 4 Pack, you can check out each of the four panels. This all inclusive sample set includes one 4x6" panel of each type of surface: a Birch Wood Painting Panel, an Ultra Smooth Gesso Panel, Medium Textured Gesso Panel and a Resist-Grip Textured Gesso Panel. Try them all today! Try It 4 Pack:* One PRO Birch 7/8" Deep Cradle 4"x6" Panel* One PRO Medium Textured Gesso Board 7/8" Deep Cradle 4"x6" Panel* One PRO Resist Grip Course Gesso Board 3/4" Deep Cradle 4"x6"Panel* One PRO Ultra Smooth Gesso Board 3/4" Deep Cradle 4"x6" Panel Key Features: * Warp resistant, kiln-dried New Zealand Pine cradle with Birch panel * Acid-free, professional quality, acrylic polymer gesso * Exceptional panel strength and rigidity * Top quality, archival substrate Perfect For:* Acrylics, colored pencils and charcoal * All mediums * Seeing which surface is the right one for you!* See More
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GOLDEN Gesso Black 8 ozSave Up to40%Off listBlack A variety of ways to prepare materials for acrylic paintings GOLDEN Acrylic Gesso in Black, White & Sandable offer artists a variety of ways to prepare materials for acrylic paintings or other art media such as oil, alkyds, charcoal, pastels and even watercolor! GOLDEN Gesso is designed to penetrate supports and provide a surface to which paint can adhere. Proper preparation with GOLDEN Gesso increases the life span of artwork. GOLDEN's Gesso is formulated to be flexible and is highly pigmented for greater opacity. White Gesso (Semi-Opaque Acrylic Primer) and Black Gesso (Opaque Acrylic Primer) The gesso is rich, opaque, and creates an excellent surface on which to paint! * GOLDEN White and Black Gesso: White Gesso (Semi-Opaque Acrylic Primer) and Black Gesso (Opaque Acrylic Primer) are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers to conform to a variety to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds. GOLDEN White Gesso* GOLDEN Sandable Hard Gesso: GOLDEN Sandable Hard Gesso (Semi-Opaque Acrylic Primer) is formulated with 100% acrylic dispersion polymer and can be sanded to provide surfaces that are smoother and more even than those created using regular gesso. GOLDEN Sandable Hard Gesso is formulated with 100% acrylic polymer emulsion. It contains high levels of titanium dioxide, calcium carbonate and talc to produce an easily sanded surface. NOTE: This product is designed for rigid substrates only and is NOT to be used on flexible materials, as cracking may occur. See More
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Chroma Atelier Interactive Mediums and Additives - Pouring Medium, 8ozSave Up to40%Off list…palette when you want to maximize viscosity, and keep your Atelier Interactive Acrylic paints open for an extended period. Heavy Gel Gloss: A thick, water-based, glossy acrylic gel medium designed to create texture in acrylic painting. Heavy Gel Gloss creates a more translucent and buttery paint and… Do more with your acrylic paints! With Chroma Atelier Interactive Mediums, you can control more of the painting process and do more with your acrylic paints! Revisit and awaken touch-dry Atelier Interactive paint with the Unlocking Formula, or extend the open time and blend-ability of your acrylics with Slow Medium. Traditional gels and pastes are excellent for adding texture and structure to your painting while also extending your paints. All of the Chroma Atelier Interactive Mediums offer limitless creative possibilities. Key Features: * Thin or thicken paint viscosity * Increases color transparency * Increase open (working) time * Dry transparent or translucent * Extend the volume of paint * Intermixable with Chroma Atelier Interactive paints Perfect For: * Acrylic painting * Collaging & mixed media * Artists of all skill levels * All acrylic-friendly surfaces * Pouring painting techniques * Faux finishers * Experimenting with different textures and techniques Unlocking Formula: is used to reopen touch-dry layers of Atelier Interactive Acrylic paint when water no longer reopens the paint. It's sprayed onto touch-dry paint to soften edges, blend colors, and remove paint. Please note that the Unlocking Formula will not work on cured paints. Pouring Medium: Designed for extreme fluid effects and pouring techniques. Self-leveling and dries to a gloss finish. The best paint to use with this medium is Atelier Free Flow. Fast Medium/Fixer: Is designed to speed up the Interactive Acrylic painting process by quickly fixing a paint layer. You can use it to dilute the paint for glazing and thin painting techniques. Fast Medium/Fixer will speed up the layering process. Excellent for fast glazing and quick layering techniques. Slow Medium: Atelier Slow Medium slows down the drying time when added to Atelier Interactive Acrylic paint. You can thin the viscosity of your Interactive paint while also giving yourself more time to work. Ideal for larger paintings. It tacks up quickly, but it can easily be brought back to a more fluid stage by spraying it with water. Thick Slow Medium: has a gel-like consistency that is useful when artists want to have more blending time but do not want a thinner paint. You can use Thick Slow Medium for spreading and diluting paint without making it thin or runny. The concentrated medium is best used in small amounts. Just add to your palette when you want to maximize viscosity, and keep your Atelier Interactive Acrylic paints open for an extended period. Heavy Gel Gloss: A thick, water-based, glossy acrylic gel medium designed to create texture in acrylic painting. Heavy Gel Gloss creates a more translucent and buttery paint and increases gloss levels. It can also be used as an adhesive to bond other materials to the painting. *Note that the Heavy Gel Gloss uses conventional fast-drying technology, but it can take quite some time to dry when they are applied thickly. Clear Painting Medium: is one of the most popular mediums in acrylic painting. It is used with the paint to dilute the viscosity and blend colors without losing pigment intensity. This mid-viscosity medium allows the paint to spread over a surface for more blendable gradations of color. Retarder: slows down the drying process when added to acrylics and mediums. Retarder is particularly useful when painting wet-over-wet or wet-over-dry techniques. About 10% addition to any of the three mediums above can be useful for painting outdoors or in very dry conditions. See More
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Liquitex Acrylic Gesso Surface Prep Black Gesso 8 ozSave Up to45%Off listBlack Create the perfect absorbency, texture and archival ground Liquitex Gesso is an acrylic-based gesso that provides excellent "tooth" and adhesion to a wide variety of supports and surfaces such as canvas, wood, paper, and metal. Liquitex professional gessoes usually take just one coat and are the perfect surface preparation for oil or acrylic paint. You can thin the gesso with up to 25% water depending on your thickness preferences. Compatible with Liquitex High Viscosity and Medium Viscosity Acrylics, you can create a custom-colored ground. With Liquitex Gesso, you can prime your substrates with an archival ground and create the perfect level of absorbency and texture at the same time. Key Features: * Primes surfaces and adds a high level of tooth * Stiffens canvases * Optimum absorbency for paint application * Professional archival base * Will last generations * Fully mixable with all Liquitex products * Use undiluted or thin with up to 25% water * If using as a base for oils, apply 2-4 coats and sand between applications Perfect For: * Acrylic and oil painters * Creating a surface for preliminary charcoal or pencil drawings * Dry ground for oils * Custom colored grounds * A uniform painting surface * Artwork in acrylics, oils & alkyds * Professional artists Clear Gesso - Use for masking under-paintings and unique grounds in presentation for over-paintings. Ideal high tooth surface for pastel, oil pastel, graphite, and charcoal. Flexible and non-yellowing when dry Super Heavy Gesso - An innovative Titanium White gesso that holds structural shape until dry. It has all the attributes of traditional acrylic gesso and is ideal for thick and sculptural applications. AP non-toxic. White Gesso - A white priming ground to be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Tint with acrylic colors before application for toned grounds. Black Gesso - This Colored Gesso usually covers in one coat and is flexible, non-cracking, and non-yellowing. It provides the right amount of tooth and adhesion to a variety of surfaces. Use it alone or dilute with up to 25% water. Neutral Gray Gesso - This colored gesso contains a blend of pigments that produce a matte grey opaque finish, which allows you to build depth from a neutral grey base. Usually covers in one coat and is flexible, non-yellowing, and non-cracking. Use it alone or dilute with up to 25% water. Liquitex Colored Gesso is hue balanced and can be tinted with Soft or Heavy Body Acrylics. See More
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