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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to32%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Sennelier Egg Tempera - Ivory Black, 34ml TubeSave Up to35%Off listBlack A highly pigmented, professional tempera medium Sennelier Egg Tempera paint is a semi-opaque, water-soluble and permanent painting medium used for fine art painting and restoration (and can even be used as an underpainting for oil paints). Unlike oils, egg tempera does not age or yellow, due to being egg emulsion-based instead of oil based. Varnished egg tempera paintings are difficult to distinguish from oils due to their vibrancy and brilliance in how the pigment suspends in the emulsion. It is a popular medium with oil painters who seek a health alternative to the harsh and dangerous solvents involved with oil colors, as it requires nothing more than soap and water cleanup. Like their other paint lines, Sennelier Egg Tempera paints are professional quality pigments with the highest pigment loads possible. Key Features:* Classical painting medium* Water soluble, no need for solvents* Highly archival* Rich satin-matte finish* Highly pigmented paints* Authentic egg tempera made in the traditional manner* Use varnish over egg tempera paintings for an oil painting like appearance Perfect For:* Fine art painting, restoration, and icon painting* Underpainting for oil painters* Restoration Work * Icon Painting* Technical illustrative painting styles Intro Set of 5- Contains five 21 ml tubes including: Titanium White, Lemon Yellow, Rose Madder Lake, Ultramarine Blue, and Ivory Black Light Wooden Box Set Of 15 - Contains: One 34 ml tube of Titanium White, one 60 ml jar of Egg Tempera Binding Medium, a wooden palette, one metal palette cup, two brushes, a Flat #4 and a Round #5, 15, 21 ml tubes of Egg Tempera: Burnt Sienna, Cadmium Yellow Deep Genuine, Carmine, Cobalt Violet Hue, Emerald Green, Ivory Black, Lemon Yellow, Naples Yellow, Permanent Intense Red, Prussian Blue, Raw Umber, Ultramarine Blue, Vermilion, Viridian, and Yellow Ochre. Capable of creating detailed and complex effects, the medium of egg tempera can be traced back as early as ancient Greece. During the early Italian Renaissance, egg tempera reached its’ zenith, and was the predominant medium for religious icon panel paintings done between the 12th and 15th centuries. Even with the rise in popularity of oils beginning in the 15th century, Renaissance masters such as Michelangelo and Botticelli continued to prefer the deep luminosity of the medium. Even with the decline of the medium in favor to oils, artists like Marc Chagall (who exclusively used Sennelier) in the early 1900’s led to the medium’s revival, and it became more popular with the use by American painters such as Andrew Wyeth and Thomas Hart Benton. In 1892, chemist and fine arts purveyor Gustave Sennelier created his own line of Sennelier Egg Tempera paints, after extensive research into classical, authentic Renaissance formulas. Egg Tempera is a semi-opaque, water-soluble and permanent painting medium used for fine art painting and restoration (and can even be used as an underpainting for oil paints). Unlike oils, egg tempera does not age or yellow, due to being egg emulsion-based instead of oil based. The egg emulsion recipe binder produces a satin-matte finish that is water resistant when dry, and is thinned with water or egg tempera medium when painting. Varnished egg tempera paintings are difficult to distinguish from oils due to their vibrancy and brilliance in how the pigment suspends in the emulsion. It is a popular medium with oil painters who seek a health alternative to the harsh and dangerous solvents involved with oil colors, as it requires nothing more than soap and water cleanup. Like their other paint lines, Sennelier Egg Tempera paints are professional quality pigments with the highest pigment loads possible. Unlike oil paint, egg emulsion binder is stiffer and more brittle, so it does not lend well to impasto painting techniques. Traditionally, due to the brittle nature, egg tempera is best used on wood or canvas panels, or heavy primed paper that has been mounted on a hard surface. Note: Sennelier recommends artists give their finished egg tempera works a coating of charcoal or pastel fixative before applying a final oil paint picture varnish, to seal and protect the work. See More
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Yasutomo Washi 6M Hosho Paper 8"x20' Roll - WhiteSave Up to25%Off listTraditional Japanese Paper, also known as Washi, is popular for practicing strokes and experimenting with inks, charcoal, pastel. Washi Kozo (also known as Kozogami) Paper - Is made from mulberry and is designed for use in Sumi-E, calligraphy and paper crafts. Washi Hosho Paper - Is made of sulphite… Traditional Japanese Paper, also known as Washi, is popular for practicing strokes and experimenting with inks, charcoal, pastel. Washi Kozo (also known as Kozogami) Paper - Is made from mulberry and is designed for use in Sumi-E, calligraphy and paper crafts. Washi Hosho Paper - Is made of sulphite and kozo pulp. It is acid-free with a smooth and textured surface. Excellent for printmaking, collage and wood cuts. See More
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Artfix Polyester Canvas P72U Roll 85" x 11 YardsSave Up to64%Off listWhite A Modern Archival Surface for Painters in Humid Areas! For over 50 years the Narozni family has crafted premium artists' canvases in Provence, France, still hand produced and primed. Today, they have passed this knowledge to Chassis France, the French specialist manufacturing canvas and frames for over 60 years. Still hand produced and primed, the close attention to detail is what makes ArtFix not a commodity, but a premium product for the educated and discerning artist who chooses the very finest canvases for painting. Much time and education is spent on learning why linen is superior to cotton canvas, but less is known as to why polyester is becoming popular as a painting surface. Polyester is a modern surface solution for the professional painter. Polyester stands apart from its linen and cotton counterparts as it isn’t affected by moisture, so it experiences far less temperature related expansion and contraction than cotton or linen endures. Its synthetic nature creates a stable and chemically compatible environment. The ability for polyester to be spun and create a super fine thread allows for ability to create flawless, extra fine surfaces that are popular with portrait and realist painters. Art conservators use polyester for relining old delicate canvases; they can be adhered to the stretched polyester without the fear of buckling, thus providing a moisture-proof barrier between stretchers and the wall that archival lasts forever. ArtFix polyester rolls are primed with anywhere from 2 to 6 coats of a specially formulated universal primer, 2 to 4 coats of oil primer, or pre-sized unprimed raw or raw tinted polyester (tinting gives it more the appearance of a natural linen color). Canvas Style Notes: "C" Styles - Lead-style Oil Primed: ArtFix’s specially formulated oil priming gives the traditional qualities of lead priming, without its toxicity. the unique absorbency allows oil paints to bite into the surface, increasing adhesion and depth of color. Colors glow from within when glazed on the surface. “C" Style rolls are highly recommended for all oils and alkyd paintings. "U" Styles - Universal Primed: ArtFix’s “U" style’s carefully formulated acrylic universal priming emulates many characteristics of oil-based primers, but maintains the durability and elasticity of acrylic priming. Unlike glossy acrylic primers, the surface is more matte and a bit more absorbent to promote exceptional adhesion to a variety of media. Excellent for works in oils, acrylics, and even drawing media (oil stick, pastels, charcoal, graphite), due to the absorbent surface. When mounted to a stiff surface, even brittle media like egg tempera and caseins work beautifully on the universal primed surface and smooth polyester texture. Unprimed: Pre-sized, ArtiFix unprimed rolls are ready to accept whatever form of custom priming you desire, from clear or colored gessos, oil priming, pastel primer, etc. Please see tech notes on each individual line item canvas for information on canvas type, weight, surface texture, media, priming information, and best uses for each canvas style to find what roll best suits your artistic techniques and needs. Key Features: * stable painting surface * not affected by moisture * extra-fine surface * offered Universal & Oil Primed Perfect For: * Oil and Acrylic Painters * Painters living in humid areas * art conservation * Students to Professionals See More
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Artfix Belgian L42C Oil Primed Linen Roll, 85" x 11 ydsSave Up to61%Off listWhite Combine the exceptional archival nature of French Linen with the excellence of the ArtFix’s priming! For over 50 years the Narozni family has crafted premium artists' canvases in Provence, France, still hand produced and primed. Today, they have passed this knowledge to Chassis France, the French specialist manufacturing canvas and frames for over 60 years. The close attention to detail is what makes ArtFix a premium surface for the educated and discerning artist who chooses the very finest canvases for painting. In the world of flexible fabric painting substrates, linen has proven itself for generations as being the fiber that has long stood the test of time. Much stronger and more durable than cotton due to a longer natural thread fiber structure and strength without issues of shrinking and sagging, it can be woven in a thinner, tighter weave that weighs much less with much greater strength. Due to the nature of the fiber, the weave cannot be woven into a completely precise, machined-look texture like cotton, which creates a unique painting surface many artists covet. Long revered for their fine linens with their incredible surface priming, ArtFix combines time-honored European manufacturing methods of priming with modern chemistry. All linens (even unprimed) are double sized for protection against acids in oil paints, which allows uniform breathing of the linen under the painting to reduce paint film stress once the work is completed. Primed up to 4 layers (depending on the roll style), each layer is applied by hand and sanded. This effort of labor prevents peeling, flaking, and cracking of the primer, and makes for the most bond with fresh paint. This time-consuming process produces an unbelievable primed surface that painters become devotees to! Select from pre-sized raw, universal, and oil primed conservator’s grade linen rolls, and indulge in the ArtFix experience. Can’t decide? Try cut pieces of different styles to learn which is your favorite! Canvas Style Notes: "C" Styles - Lead-style Oil Primed: ArtFix’s specially formulated oil priming gives the traditional qualities of lead priming, without its toxicity. the unique absorbency allows oil paints to bite into the surface, increasing adhesion and depth of color. Colors glow from within when glazed on the surface. “C" Style rolls are highly recommended for all oils and alkyd paintings. "U" Styles - Universal Primed: ArtFix’s “U" style’s carefully formulated acrylic universal priming emulates many characteristics of oil-based primers, but maintains the durability and elasticity of acrylic priming. Unlike glossy acrylic primers, the surface is more matte and a bit more absorbent to promote exceptional adhesion to a variety of media. Excellent for works in oils, acrylics, and even drawing media (oil stick, pastels, charcoal, graphite), due to the absorbent surface. When mounted to a stiff surface, even brittle media like egg tempera and caseins work beautifully on the universal primed surface and smooth polyester texture. "G" Styles - Absorbent Ground: ArtFix’s “G" style priming is a single layer of an absorbent grey ground primer. Absorbent ground linen can be used to work with oils and acrylics where wash and staining effects are desired, as they will absorb into the ground. This style primer also works well with liquid acrylics, oil pastels, and other media that has absorbent needs to create proper adhesion. Unprimed: Pre-sized, ArtFix unprimed rolls are ready to accept whatever form of custom priming you desire, from clear or colored gessoes, oil priming, pastel primer, etc. Please see tech notes on each individual line item canvas for information on canvas type, weight, surface texture, media, priming information, and best uses for each canvas style to find what roll best suits your artistic techniques and needs. Key Features: * Conservation grade French Linen * hand-primed by skilled artisans * Universal, Oil, Absorbent Ground Primers * Pre-Sized Raw Linen options Perfect For: * Oil and Acrylic Painters * Professional and discerning Artists * Conservation Specialists * Devotees to ArtFix’s Priming Formulas See More
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Matisse Structure Acrylic 4 Liter Jar - Mars BlackSave Up to50%Off listBlack A Heavy Body Acrylic Suited to Impasto Techniques Matisse Structure Acrylics come in 98 highly pigmented lightfast colors! Because of their heavy body and high viscosity, Matisse Structure Acrylic Colors are ideally suited to impasto techniques and thick textured applications. You can easily apply the paint with a brush or palette knife straight from the tube. Matisse Mediums can be mixed in to alter the body and texture, gloss and sheen, or working time of the paint. Key Features: * Heavy body, high viscosity acrylic * Excellent lightfastness * No masking agents! * Brilliant and highly pigmented * 98 Brilliant professional colors Perfect For: * Impasto painting techniques * Painting colorful backgrounds * Mixing with acrylic mediums * Large-scale acrylic paintings * Intermediate to professional artists Artist Review & Testimonial Professional Artist Andy Russell - "Matisse Acrylic Paints have proven to be a pleasure to work with in so many ways. They are of the highest quality, richly pigmented and creamy smooth and perfect for the professional artist." “I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas." “I love colors and they come in a full range, which makes me feel like a kid in a candy store. I almost think of them as flavors. I really like their unique colors such a Cadmium Orange Deep, Australian Red Violet and Australian Blue Gum, Australian Salmon Gum and Australian Sienna. After years of painting in acrylics, it is exciting and refreshing to use these new colors. Discovering them was like getting a ‘booster shot’ of creativity for my work." See Full Review and Videos In Our Blog - Click here > See More
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Matisse Medium 11 Satin Varnish 4 LiterSave Up to50%Off listProtect your paintings with Australia's finest varnishes! Protecting your valuable artwork from damage and debris is an indispensable final step in the creation process! This versatile line of water- and solvent-based varnishes from Matisse are specially designed to provide your paintings with the… Protect your paintings with Australia's finest varnishes! Protecting your valuable artwork from damage and debris is an indispensable final step in the creation process! This versatile line of water- and solvent-based varnishes from Matisse are specially designed to provide your paintings with the protection they need, ensuring vibrancy of color and definition of detail for years to come! Satin Varnish - Polyurethane varnish for a satin finish on rigid surfaces. Poly-U-Gloss Varnish - Durable, quick-drying polyurethane varnish for rigid surfaces. * "I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas….I am completely sold on Matisse Acrylics. I highly encourage every artist, professional or pleasure painter, to experience these paints for themselves." - Andy Russell, Professional Artist Read More See More
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Matisse Medium 18 Pre-Antiquing Medium 4 Litre PailSave Up to50%Off list…mediums from Matisse! Part of the beauty of acrylic paint is its adaptability to any myriad of artistic and decorative effects. Now you can use your Matisse acrylic paints for folk art, crafts, and interior decorating as well as fine art painting! This collection of antiquing and patina mediums is… Achieve brilliant decorative effects with these versatile mediums from Matisse! Part of the beauty of acrylic paint is its adaptability to any myriad of artistic and decorative effects. Now you can use your Matisse acrylic paints for folk art, crafts, and interior decorating as well as fine art painting! This collection of antiquing and patina mediums is sure to inspire you with their exciting decorative effects! Faux Finish & Marbling Gel - Also known as 'scumble glaze,' this medium is ideal for creating painted finish techniques using sponges, squeegees, rollers, plastic wrap, stencils, stiff brushes and more! Thins acrylic paints and improves flow for glazing, and is also excellent at creating faux marble finishes as it can prevent colors from mixing. Patina (Oil Antiquing Medium) - Designed to be used with artists' oil paint over acrylics to give an aged, weathered appearance. Apply Patina Medium over the piece to be antiqued, using a lint free cotton cloth, then rub a small amount of dark oil paint over the surface, on a cloth also soaked in medium. Then just wipe back oil color with a clean cloth to reveal your newly-antiqued piece! Pre-Antiquing Medium - Creates a special barrier layer between your base painting and any antiquing or patina final finishes, preventing abrasion or shifting of the underpainting. Secures base paint layer while still providing a low-tooth finish excellent for continued artwork or final antique finishing. Water-Based Patina - An ideal glazing medium for mixtures of as little as 5% paint, this Water-Based Patina contains extra binder so that even the lightest of glazes still remain permanent and water-fast. An excellent way to achieve antique patina effects without using solvents. Simply coat your piece in Water-Based Patina, then rub a small amount of dark Matisse acrylic paint over the piece and wipe back with a clean cloth! "I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas….I am completely sold on Matisse Acrylics. I highly encourage every artist, professional or pleasure painter, to experience these paints for themselves." - Andy Russell, Professional Artist Read More See More
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