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Related Categories: Gesso Paint | Stretcher Brace | Mottler | Extra Large Stretched Canvas | Da Vinci Fit Synthetic | Gessoed Canvas | Jack Richeson Stretcher Bars | Primer
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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to30%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Sennelier Artist Dry Pigments Gold Ochre 110 gramsSave Up to37%Off listGold An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Old Holland Classic Pigment Titanium White 110gSave Up to25%Off listWhite Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Awagami Sekishu 35gsm White 24" x 39" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Jacquard Pinata Pipette Pack of 9, 1mlSave Up to30%Off list…9 colors, including 3 true primaries, 3 secondary colors, black and white, and gold * Acid-free, alcohol-based transparent inks * Works well on glass, metal, leather, fabric, wood and most surfaces that are clean and oil-free! * Perfect For: * Mixed media applications, faux finishing, wood and… Try the best of Jacquard's Piñata inks! Piñata Colors are beautiful alcohol-based, acid-free, transparent inks. The Piñata Exciter Packs feature an assortment of popular Piñata colors, including three primary colors, three secondary colors, black, white and metallic gold—making each exciter pack an excellent starter pack for mixing! Piñata colors have an alcohol base which makes them permanent and moisture resistant when dry and allows you to use them on almost any surface as long as it's clean and oil-free. Can be used for rubber stamping, fiber art, scrapbooking, calligraphy, staining, airbrushing and more! Key Features: * 9 colors, including 3 true primaries, 3 secondary colors, black and white, and gold * Acid-free, alcohol-based transparent inks * Works well on glass, metal, leather, fabric, wood and most surfaces that are clean and oil-free! * Perfect For: * Mixed media applications, faux finishing, wood and leather staining, airbrush applications, and more! * Crafters * Mixed media artists * Artists seeking an extremely saturated transparent ink Jacquard Pinata Alcohol Ink Set of 4 1/2oz Inks &Three 5x7" Masterpiece alcohol ink art panels - The Pinata Masterpiece Set of Four combines four Jacquard Pinata alcohol ink colors - coral, golden yellow, teal, and copper with three 5x7 inch Masterpiece alcohol ink art panels. The ready to paint double-sided panels are 1/8 inch thick and made with a lightly textured non-porous vinyl. The unique vinyl surface extends the working time for the Pinata inks by limiting spread across the surface. Each panel is slightly reflective and shines through the vibrant inks to give a pearlescent shimmer to the finished work. Colors included: Coral, Golden Yellow, Teal and Copper See More
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Raphael Zinc-Free Oil Primed Linen Roll 82.68in X 10.94YardSave Up to78%Off listWhite Modern, master quality oil primed linen created in Italy An incredible canvas made from only the finest prepared linens. With a robust weight and 4 professional coats of priming over a rabbit skin glue sizing, the roll features a rich, smooth surface of unequaled beauty. Made in Italy, the preparation of the canvas is all done by hand in traditional Old World Fashion, but with modern equipment for continuity. The 4 primed coats are applied to a rabbit skin glue sealer (applied to washed, dried, picked and pumiced linen). When dry, two coats of acrylic gesso are applied to give the canvas elasticity and prevent sagging of the surface. Finally, two coats of fine professional oil primer are applied, creating a most receptive surface for oil colors. Raphael Premium Archival Oil Primed Linen Panels, smooth, rich texture inherent in any professional portrait canvas. Key Features:* Robust 13oz./441gsm primed weight* Super strong and elastic* Fine weave, 100% linen* Smooth oil primed surface* 4 coats of professional priming* All done by hand* Luxurious, non-absorbent oil ground* Handmade in Italy Perfect For:* Portrait and Tromp l’oeil Artists* Best quality oil painting surface* Make oil painting a real pleasure* Fine weave and texture* Centuries of archival quality* Depth and jewel-like beauty for oils See More
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Jacquard Pinata Pipette Pack of 9, 1mlSave Up to25%Off list…* Permanent * Moisture resistant when dry * Transparent * Use on almost any oil-free surface * Claro Extender extends working time Perfect For: * Glass, leather, metal * Wood and plastic * Canvas Paper: coated & uncoated * Foiled papers, mat board * Leaf & gilded surfaces * Rubber stamping… highly saturated, acid-free, transparent, alcohol-based ink! Jacquard Piñata Colors alcohol-based inks are vibrant, color-saturated, acid-free, transparent inks. The alcohol base is permanent and moisture resistant when dry. You can use them on almost any surface as long as it's clean and oil-free. Highly versatile, Piñata alcohol inks are perfect for a variety of applications, including rubber stamping, fine art, fiber art, and scrapbooking. You can also use Piñata in calligraphy, faux finishing techniques, and airbrush applications, as well as wood and leather staining. Piñata Clean-Up Solution contains moisturizers to keep brushes soft and pliable. Regular rubbing alcohol is terrific for ordinary brush and sponge clean up. Use the Clean-Up Solution for the final rinse to keep brushes soft and ready-to-use the next time! Piñata also offers Claro Extender, which can be mixed with Piñata Alcohol Ink to extend working time. When dropped or brushed on top of dry Piñata, Claro Extender will make the ink spread and create a marbleized effect. Key Features: * Alcohol-based * Vibrant acid-free inks * Permanent * Moisture resistant when dry * Transparent * Use on almost any oil-free surface * Claro Extender extends working time Perfect For: * Glass, leather, metal * Wood and plastic * Canvas Paper: coated & uncoated * Foiled papers, mat board * Leaf & gilded surfaces * Rubber stamping & fine art * Fiber art & scrapbooking See More
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