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Related Categories: Gesso Paint | Mottler | Extra Large Stretched Canvas | Stretcher Brace | Jack Richeson Stretcher Bars | Primer | Natural Canvas | Primer Brush
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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to30%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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BEST Heavy-duty Cross Brace 75"
Starting At: 3.38
An innovative approach to using Cross Braces! An innovative approach to using Cross Braces! Made of kiln-dried pine, designed to fit all sizes of BEST Cross Braces, our sturdy Cross Brace Bracket is the ideal way to support a stretched canvas. We recommend using Cross Braces for any canvas over 36".… An innovative approach to using Cross Braces! An innovative approach to using Cross Braces! Made of kiln-dried pine, designed to fit all sizes of BEST Cross Braces, our sturdy Cross Brace Bracket is the ideal way to support a stretched canvas. We recommend using Cross Braces for any canvas over 36". Comes with a Cross Brace Bracket for each cross brace end. Cross Brace Brackets are needed to secure Cross Braces to Stretcher Bars. Key Features: * State of the art design works with all sizes of Stretcher Bars * Slotted design allows for the finest adjustment of canvas tension * Available in select lengths up to 147" * Sizes over 144" are considered custom orders * Easy to use * Comes with a Cross Brace Bracket for each end of Cross Brace * Brackets are needed to secure cross braces to Stretcher Bars Basic Cross Brace Layout Plan: * Stretcher Bar Cross Brace Layout > * Click here to download Jack Richeson Framing Guide> Select sizes available in 1" increments from 8" to 147". For custom orders, including fractional sizes, call our Order Dept. 800-827-8478 ext. 218. Sizes larger than 144" would be considered a custom order and would incur an additional cost. Please note: Cross Braces are SOLD ONLY with Stretcher Bar orders. The Cross Brace Bracket Kit (item #V06976) is also SOLD ONLY with Stretcher Bar orders. Richeson/BEST Stretcher Bars are sent directly from the manufacturer, please allow 2-3 weeks for delivery. In the event you need your order rushed, please call 800-827-8478 ext.218. Select drop ship items requiring a Truck Shipment: Items marked below with a "Truck Icon" are oversized and will incur a $150 Drop Ship Fee added at checkout. NOTE - You can order as much as you want as you will incur a 1x oversize fee regardless of the order amount on the "truck shipped" items. Please check your order immediately upon receiving it! If the bars that you receive are damaged or defective, please email [email protected] within one week of delivery to request replacement bars. See More -
Jack Richeson BEST Aluminum Heavy Duty Stretcher Bar 75IN
Starting At: 14.49
…1" increments from 11" to 160" * No "ghost" impressions on the canvas * Rounded back edges * Finger spliced pine reinforced with aluminum * Even painting surface. * Measures 1" deep × 25⁄8" wide (See line drawing in images) Basic Cross Brace Layout Plan: * Stretcher Bar Cross Brace Layout >… Quality Heavy-duty Stretcher Bars enforced with Aluminum The BEST Aluminum Heavy-duty Stretcher Bar provides superior strength and stability. These stretcher bars are BEST’s original Heavy-duty Stretcher Bars with added aluminum for maximum strength. These bars feature a larger stapling area and BEST’s signature rounded profile—allowing the canvas to drape over the front and eliminating “ghosting." The Heavy-duty bar is made of pine that has been finger spliced. Finger splicing is a method of bonding pieces of lumber together to form a very long, straight bar. Since the spliced joints are actually stronger than the natural wood, we can now get longer, stronger and straighter bars than ever before. First designed for the construction industry, this high tech method yields better bars than ever before. Perfect for gallery wraps. (see Full Description For ALL Details) All Stretcher Bars are undersized by ⅛" to allow for fitting in a standard stock frame. If you require exact dimensions this will be considered a custom order. Please call our Order Department 800-827-8478 ext. 218. Select sizes available in 1" increments from 11" to 160". For custom orders, including fractional sizes call our Order Dept. 800-827-8478 ext. 218. Sizes larger than 144" would be considered a custom order and would incur an additional cost. Key Features: * Superior strength and stability * Quality Heavy-duty Stretcher Bars enforced with Aluminum * Feature a larger stapling area* Select sizes available in 1" increments from 11" to 160" * No "ghost" impressions on the canvas * Rounded back edges * Finger spliced pine reinforced with aluminum * Even painting surface. * Measures 1" deep × 25⁄8" wide (See line drawing in images) Basic Cross Brace Layout Plan: * Stretcher Bar Cross Brace Layout > Select drop ship items requiring a Truck Shipment: Items marked below with a "Truck Icon" are oversized and will incur a $150 Drop Ship Fee added at checkout. NOTE - You can order as much as you want as you will incur a 1x oversize fee regardless of order amount on the "truck shipped" items. BEST Stretcher Bars are sent directly from the manufacturer. Please allow 2 to 3 weeks for delivery of these items. In the event you need your order rushed, please call 800-827-8478 ext. 218. While we cannot promise earlier fulfillment we will do our best to accommodate. Please check your order immediately upon receiving it! If the bars that you receive are damaged or defective, please email [email protected] within one week of delivery to request replacement bars. See More -
BEST Heavy-duty Stretcher Bar 75"
Starting At: 2.96
…impressions on the canvas. The rounded back edge reduces surface friction and allows for a smoother, tighter draw on the canvas for a more even painting surface. Measures 1-1/2" deep x 2" wide. (See line drawing in images) All Stretcher Bars are undersized by 1/8" to allow for fitting in a standard… Heavier, sturdier & great stretcher bars for larger works The BEST Heavy-duty Stretcher Bar is made of pine that has been finger spliced. Finger splicing is a method of bonding pieces of lumber together to form a very long, straight bar. Since the spliced joints are actually stronger than the natural wood, we can now get longer, stronger, and straighter bars than ever before. First designed for the construction industry, this high tech method yields better bars than ever before. Perfect for gallery wraps. All of BEST's Stretcher Bars are designed so that the canvas is always a full 1/2" (except lightweight) from the stretcher bar to ensure that there will be no "ghost" impressions on the canvas. The rounded back edge reduces surface friction and allows for a smoother, tighter draw on the canvas for a more even painting surface. Measures 1-1/2" deep x 2" wide. (See line drawing in images) All Stretcher Bars are undersized by 1/8" to allow for fitting in a standard stock frame. If you require exact dimensions, this will be considered a custom order. Please call our Order Department 800-827-8478 ext. 218. Key Features:* Made of finger spliced pine* Spliced joints are stronger than the natural wood* Longer, stronger, and straighter bars* Better bars than ever before* Perfect for large scale works & gallery wraps* Select sizes available in 1" increments* No "ghost" impressions on the canvas* Rounded back edges* A smoother, tighter draw on the canvas* Even painting surface* Measures 1-1/2" deep x 2" wide (See line drawing in images) Basic Cross Brace Layout Plan:* Stretcher Bar Cross Brace Layout > * Click Here-> BEST Heavy-duty Cross Braces Cross Brace Recommendations: See the Stretcher Bar Cross Brace Layout on the cross bracing needs for the frame you wish to build. Select sizes are available in 1" increments. Larger and fractional sizes will be considered a custom order and would incur an additional cost. Please note: Cross Braces may require a notching process. Notching is also considered a custom order. Please select the Best Heavy-duty Cross Braces link above to order cross braces. For questions and custom orders, please call our Order Dept. at 800-827-8478 ext. 218. Wood Stretcher Keys are not automatically shipped with Stretcher Bar orders. You must order stretcher keys separately. Select drop ship items requiring a Truck Shipment: Items marked with a "Truck Icon" are oversized and will incur an additional Drop Ship Fee added at checkout. NOTE - You will incur only one oversize fee regardless of the amount you order of "truck shipped" items, so order as much as you like. BEST Stretcher Bars are sent directly from the manufacturer. Please allow 2 to 3 weeks for delivery of these items. In the event you need your order rushed, please call 800-827-8478 ext. 218. While we cannot promise earlier fulfillment, we will do our best to accommodate. Please check your order immediately upon receiving it! If the bars that you receive are damaged or defective, please email [email protected] within one week of delivery to request replacement bars. See More -
Jack Richeson BEST Pro Bar 75"
Starting At: 11.33
…* Made with kiln dried pine * Pine bar provides a solid surface for stapling * Pro Bars should be used with paintings exceeding 47" Perfect For: * Professional artists * Artists who paint large scale * Stretching canvas or linen * Museum and gallery exhibits * Stretching a heavy-duty canvas at… Museum quality Stretcher Bars for the professional! BEST Pro Bars never twist, bend, or warp from moisture or dryness because they are made of wood and aluminum. The aluminum and wood bars offer a strong, more rigid support and are ideal for painting on a large scale without the bulk and weight of heavy-duty stretcher strips. Pro Bars are easy to assemble and custom cut to the size you need. See line drawing in images for measurements. Select sizes available in 1" increments from 11" to 204". For custom orders, including fractional sizes, call our Order Dept. 800-827-8478 ext. 218. Sizes larger than 144" would be considered a custom order and would incur an additional cost. All Stretcher Bars are undersized by ⅛" to allow for fitting in a standard stock frame. If you require exact dimensions this will be considered a custom order. Please call our Order Department 800-827-8478 ext. 218. Please note: A minimum purchase of 12 assorted bars is required. Key Features: * Wooden stretcher bars with recycled aluminum brackets * Aluminum provides a structural frame of total strength and stability * Will not bend, twist or warp * Select sizes available in 1" increments from 11" to 204" * Made with kiln dried pine * Pine bar provides a solid surface for stapling * Pro Bars should be used with paintings exceeding 47" Perfect For: * Professional artists * Artists who paint large scale * Stretching canvas or linen * Museum and gallery exhibits * Stretching a heavy-duty canvas at substantial savings * Stretcher Bar Cross Brace Layout > *If you order cross braces, you will receive an email from our drop ship specialist inquiring about if you require notching and your notching directions. Each notch has a fee of $2.10. Please Note - Assembly requires Aluminum Corners, item# 67884 Select drop ship items requiring a Truck Shipment: Items marked below with a "Truck Icon" are oversized and will incur a $150 Drop Ship Fee added at checkout. NOTE - You can order as much as you want as you will incur a 1x oversize fee regardless of order amount on the "truck shipped" items. BEST Stretcher Bars are sent directly from the manufacturer. Please allow 2 to 3 weeks for delivery of these items. In the event you need your order rushed, please call 800-827-8478 ext. 218. While we cannot promise earlier fulfillment we will do our best to accommodate. Please check your order immediately upon receiving it! If the bars that you receive are damaged or defective, please email [email protected] within one week of delivery to request replacement bars. See More -
MUSEO 2 Pack 1 3/4" (45mm) Profile 75" Stretcher ALU-BarSave Up to40%Off listMuseum Quality Aluminum Stretcher Bars - Canvas Framing System MUSEO ALU-Frame Museum Quality Aluminum Stretcher Bars is a museum-quality canvas framing system is designed exclusively for professional artists creating large-format and/or heavy art works while trying to meet strict gallery &… Museum Quality Aluminum Stretcher Bars - Canvas Framing System MUSEO ALU-Frame Museum Quality Aluminum Stretcher Bars is a museum-quality canvas framing system is designed exclusively for professional artists creating large-format and/or heavy art works while trying to meet strict gallery & museum stretcher recommendations. The stretcher bars feature a reinforced structure comprised of wear-resistant, lightweight aluminum and sturdy Norwegian Spruce to provide a smooth, clean stretching bead, allowing ample room to back staple or nail your selected canvas or linen (with no edge ghosting). The system not only allows for tightening if needed with the Spanner hardware, but easily breaks down so that artwork can be rolled & tubed, with stretchers placed in a separate tube for ease of shipping. Lighter in weight than heavy duty wood stretcher bars, the Museo ALU Frame Stretchers provide a crisp, true-to-square system that is truly revolutionary in construction & what options it affords artists, especially those who ship larger work to galleries, collectors, & clients. Cross bars can be added at any time without disassembling, and the system is so strong that no cross braces are needed on sizes up to 48" x 96"! The revolutionary extender allows for making virtually any stretcher bar size, which combined with cross bracing, becomes completely dimensionally stable. Easily modify work that is already stretched with this system, to ensure compliance with different museum and gallery per-requisites regarding bracing distances. These stretcher bars are made to order. Please allow 1-3 weeks for delivery. Key Features:* Warp-free, lighter weight and more stable than wood stretcher bars* Features wear-resistant, durable aluminum and sturdy Norwegian Spruce* Easily breaks down so that artwork can be rolled & tubed for shipping* Lightweight aluminum frame greatly reduces shipping weight for large canvases Perfect For:* Professional artists* Larger, heavy art works* Canvas or linen* Museum & gallery exhibits Note: See Videos In Video Tab and Tech Notes Below (Click On Yellow "T" Icon) Stretcher bars are offered in pre-cut sizes. Assembly Hardware required--sold separately. Click Here for the MUSEO Cross Brace Diagrams > ® MUSEO is a registered trademark.™ ALU-Frame is a trademark See More
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Jack Richeson BEST Pro Cross Brace 75 "
Starting At: 3.98
Wooden Cross Braces for the professional! Since a painting may hang on the wall for many years, sometimes causing the lumber to bow; it is important to protect your stretcher frame with the addition of a cross brace. Many artists require extra strength and stability in their stretcher bars and… Wooden Cross Braces for the professional! Since a painting may hang on the wall for many years, sometimes causing the lumber to bow; it is important to protect your stretcher frame with the addition of a cross brace. Many artists require extra strength and stability in their stretcher bars and that's why BEST Artist Products manufactures professional quality aluminum cross braces. Key Features: * Provide extra strength and stability * Work with BEST Aluminum Pro-Bars * Select sizes available in 1" increments from 8" to 174" * High quality cross braces * BEST recommends cross braces for any length exceeding 36″ * Use BEST Cross Brace Brackets (item #V06976) to attach your brace to your frame Basic Cross Brace Layout Plan: * Stretcher Bar Cross Brace Layout > * Drop Ship Notching for Cross Braces *If you order cross braces, you will receive an email from our drop ship specialist inquiring about if you require notching and your notching directions. Each notch has a fee of $2.10. Select sizes available in 1" increments from 8" to 174". For custom orders, including fractional sizes, call our Order Dept. 800-827-8478 ext. 218. Sizes larger than 144" would be considered a custom order and would incur an additional cost Select drop ship items requiring a Truck Shipment: Items marked below with a "Truck Icon" are oversized and will incur a $150 Drop Ship Fee added at checkout. NOTE - You can order as much as you want as you will incur a 1x oversize fee regardless of order amount on the "truck shipped" items. BEST Stretcher Bars are sent directly from the manufacturer. Please allow 2 to 3 weeks for delivery of these items. In the event you need your order rushed, please call 800-827-8478 ext. 218. While we cannot promise earlier fulfillment we will do our best to accommodate. Please check your order immediately upon receiving it! If the bars that you receive are damaged or defective, please email [email protected] within one week of delivery to request replacement bars. See More -
Claybord Smooth Panel 2" Cradle 6x24"Save Up to43%Off listWhite Claybord™ The Ultimate Multi-Media Panel Museum Series Claybord™ is made using 1/8” Hardbord panels, featuring Ampersand’s simply amazing kaolin clay ground formula. This ultra-smooth sanded, highly absorbent clay ground is similar in paintability to the clay gesso grounds used during the Renaissance and allows paint colors to remain true and brilliant! While Claybord allows the use of traditional materials, tools, and techniques, it is also an ideal surface for mixed media and experimentation. Details can be added, highlights created, and mistakes corrected. Apply paint and ink using brushes, sponges, palette knives, paper towels, airbrush, technical pens, and painting tools. Claybord is also an excellent printing surface, and can also be used for image transfers. Key Features:* Acid-free, ultra-smooth, highly absorbent kaolin clay ground * Amazing with alcohol inks * Protected by Ampersand’s proprietary Archiva-Seal barrier technology, the most advanced formula for sealing wood * Cradles constructed using premium grade 13-ply birch plywood* Archival, eco-friendly and fully made in the USA* Perfect For:* Ink, graphite, acrylic, gouache, collage, egg tempera, airbrush, scratchboard, and more.* Ideal for image transfers and as a printing surface* Additive and subtractive processes with any artists tools* Surface ideal for brittle media like egg tempera and caseins * 1/8" Flat Panels - ideal for plein air and studio painting— slips easily into pochade boxes. Flat panels allow for standard framing. * 3/4" Cradled Panels - offer more support for using heavier mediums and built-up textures. The depth allows for traditional canvas-style framing or floater frames. * 1-1/2" Cradled Panels - offer more support for using heavier mediums and built-up textures. The depth allows for traditional canvas-style framing or floater frames. * 2" Deep Cradle Panels - for maximum support and frameless presentation, all in one. With Claybord, paints, and inks can be manipulated to vary tonal values, develop highlights, and correct mistakes. Various artist tools, such as Ampersand scratchboard tools, hobby knives, razor blades, etching tools, sand paper, oil-free steel wool, and electric erasers, can be used. Claybord's clay coating allows for the use of sgraffito techniques to cut into the surface and re-expose the white clay ground. The coating is 7 to 10 dry-mils thick, allowing for multiple cut-ins or erasers. The smooth finish and the absorbency of the clay ground allow the use of abrasives like oil-free steel wool or sand paper to remove pigment without damaging the finish. Ampersand & Golden High Flow Acrylics Smooth Sampler Value Pack - Ampersand and Golden Artist Colors have teamed up to introduce artists to the amazing synergistic possibilities that exist with our smooth panels and Golden's High Flow acrylics. Includes: * 9x12" 3/4" Ampersand Claybord * 9x12" 7/8" Artist Panel Primed Smooth * 1 oz Golden High Flow Acrylic Color - Green Gold * 1 oz Golden High Flow Acrylic Color - Indigo Only Ampersand builds their cradles by hand with premium grade 13-ply birch plywood for maximum stability and a clean, finished look from edge to edge. Claybord is archival, eco-friendly, formaldehyde-free, and made by hand in the USA. See More
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Ampersand Museum Series Gessobord 2" Cradled Panel 6" x 24"Save Up to40%Off listWhite Gessobord™ The #1 Painting Panel for Oils and Acrylics It's true. Ampersand Museum Series Gessobord™ is the most trusted pre-gessoed wood panel by artists for their work. The superior, professional quality acrylic gesso ground does not dull colors, and the wonderful lightly sanded surface provides exceptional paint adhesion and brush control. The bright titanium white ground makes colors pop, or can easily be tinted with any ground color of choice. Just unwrap and paint, no additional priming needed! Choose from 1/8" Flat Panels, 3/4" Cradled, 1.5" and 2” Deep Cradled Panels, all made in the USA Made with Ampersand’s 1/8" True Artist Hardbord™ and Archiva-Seal™ technology, the surface is acid-free, non-yellowing, and archival. Perfect for all painting techniques with traditional and water-mixable oils, acrylics and acrylic gouache, and even brittle paints like Egg Tempera and Caseins! A delicate enough surface for glazing, fluid brush strokes, and tight detail, it is still tough enough to hold up to the most rigorous palette knife painting, collage, and mixed media applications. Only Ampersand builds their cradles by hand with premium grade 13-ply birch hardboard for maximum stability and a clean, finished look from edge to edge. Gessobord is manufactured from products that are sustainably forested, to ensure the protection of wildlife, plants, soil, and water. Panels are formaldehyde-free, and contain no harmful volatile organic compounds. The most trusted pre-gessoed wood panel by artists for their work. The #1 painting panel for oil & acrylics! Key Features: * Ready to use, pre-gessoed wood panel * 88% thicker gesso than other brands * Ideal for oil paints, acrylics, and mixed media * Lightly sanded surface provides exceptional brush control * Protected by Ampersand’s proprietary Archiva-Seal barrier technology, the most advanced formula for sealing wood * Cradles constructed using premium grade 13-ply birch plywood * Archival, eco-friendly and fully made in the USA * Perfect For: * Oils, Acrylics, and Mixed Media * Brittle media like Caseins and Egg Tempera * Excellent for anything from fine brushwork to palette knife painting * Ideal for thin glazing, alla prima, and even impasto * Tough enough to hold the most rigorous pallet knife painting and collage * Plein air painting - 1/8” panels fit easily into pochade boxes * #1 painting panel for oil & acrylics! * 1/8” Flat Panels- perfect for plein air or studio painting; fit most standard rabbeted frames. * 3/4” Cradled Panels - offer more support for heavier weight media like collage, mixed media, or heavy texture applications; fit traditional canvas-style framing. * 1 1/2” Cradled Panels - can be used with all techniques and mediums, standard gallery depth sides can stand alone or frame with floater-style framing options. * 2” Deep Cradled Panels - offers maximum support and frameless presentation, all in one. See More
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The Edge All Media Pro Cotton Canvas 6"x24" - 1-1/2" Deep (Box of 3)Save Up to76%Off listWhite Ignite your composition with an inspiring substrate! Extra Long Sizes Are you bored of painting on the same standard canvas size? Ready to shake things up and supercharge your creativity? The new Edge All Media Cotton Canvases come in 21 extra long sizes like 10x40" and 12x72"! We've designed these new hypnotic sizes to help you hook your viewer's attention. Our goal, as always, is to emphasize your artwork. The extra-long rectangular shape naturally focuses attention, whether it's a triptych, a non-traditional portrait, or an abstract piece. Each canvas is coated in a ground-breaking primer that maintains the richness and purity of your paint colors. Unlike other canvases with lesser quality primers, your paintings will keep their vibrant punch with excellent adhesion. Triple priming ensures superb barrier protection between paint and canvas, perfect for traditional and water-mixable oils. The Edge is known for its' tuck-n-roll style construction that keeps the back of the canvas neat and clean. A sturdy surface for all painting styles, even mixed media, The Edge features a beefy 14oz, triple primed medium texture. Finish your painting with solid-colored sides, or continue your design onto the sides for a distinctive modern look. Extra Longs/Longs/Multiples (triptych) - These used by themselves offer unique aspect ratios to achieve various single and multi-canvas compositions. They work well with squares, used as a square or diamond shape. The 6x18" and the largest being 18x64". Artists working in abstract impressionism have found these to be new heroes, to create unique multiple images that work together. Key Features: * Extra Longs/Longs/Multiples (triptych) * Create unique multiple images that work together * Available in: Singles or Boxes of 3 * 1-1/2" Deep, Extra long sizes * 100% cotton canvas * 14oz primed weight * 8oz. raw weight before priming * Triple acrylic primed * Medium texture canvas * Deluxe stretched canvas * Professional tuck-n-roll style construction * Hand stretched by skilled artisans * Perfect For: * Oils, alkyds, and acrylics * Painted edge presentation * Mixed media works * Painters of all levels * Frameless artwork presentation * Excellent barrier protection between paint and canvas * A non-traditional portrait * A landscape or an abstract piece * Painting a dazzling triptych See More
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Da Vinci Pro Resist-Grip Panel 6"x24", 2" DeepSave Up to76%Off listWhite Superbly Crafted For Permanent Works Of Art- Resist-Grip Panels If you paint with acrylics or encaustics, Da Vinci Pro Resist-Grip Textured Gesso Panels are the very best primed surface ever created for your medium. The coarse texture grips heavy bodied acrylics extremely well and allows for an endless array of layering without any problems, whether with thin glazes or heavy impasto layers. For encaustics, the toothy primer grabs hold firmly to lower layers, providing a strong firm support for subsequent layers to adhere to. It is also the very first panel surface that offers a real tooth for grabbing hold of pastels and colored pencils, allowing layering and blending with ease. Just carefully seal with several light coats of archival spray for pastels, and you won't have to place your pastel or colored pencil art under glass. For other works, seal with the appropriate fixative for your medium (or varnish for paintings), for a frameless, dramatic presentation of your artwork. Key Features: * Coarse Textured, white acrylic polymer gesso with quartz sand * ¾” and 2” cradle depths for dramatic presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Seal work easily with archival spray (appropriate to media) for frameless display * Wide range of sizes * Cradles easily accept paint, stain, or clearcoat for finishing Perfect For: * Acrylics, encaustics, oils, colored pencils, and oil pastels, and soft pastels * Building layers of media without peeling off * Large scale drawings without the need or cost of framing * Archival art that will last a lifetime * Students, teachers, professionals * See More
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GOLDEN Heavy Body Acrylics, Earthtones Set of 12, 5oz TubesSave Up to30%Off listEarth Tones Heavy Body Acrylic Paint Sets from GOLDEN As the original line of paints from GOLDEN, these Heavy Body acrylics are exceptionally smooth with a thick, buttery consistency. Each set contains the most extensive assortment of unique pure pigments suspended in a 100% acrylic emulsion. GOLDEN acrylics offer excellent lightfastness with no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. More reactive colors do not accept high pigment loads and will often dry to a glossy finish that is more transparent. GOLDEN Heavy Body colors contain no additives, such as matting agents; therefore, each color's gloss will differ. Click on the item number to view set information Key Features: * Exceptionally smooth, rich, buttery consistency * Permanent and archival in quality * Ability to "stand up" and retain brush strokes * Heavy Body colors are thixotropic * Retain excellent flexibility when dry, diminishing the possibility of cracking * Mix with all of our GOLDEN Mediums, Gels, and other paint lines * 100% acrylic binder * No flattening agents * No opacifiers added to colors * Clearest and cleanest quality * Large assortment of unique pure pigments Perfect For: * Artists of every skill level * Freeze-thaw stability * Creating expressive brush strokes or palette knife marks * Small and large works of art * Plein Air * Heavy body impasto techniques * Mixing with acrylic mediums * See More
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Golden OPEN Acrylic 5 oz Iridescent Pearl (Fine)Save Up to30%Off listIridescent Slow-drying acrylic paint that enables painters to explore techniques GOLDEN OPEN paint is a slow-drying acrylic paint that enables painters to explore techniques traditionally reserved for oil paints. The slow-drying quality gives artists longer working time for easier blending and even subtractive techniques. There is a unique thinner and mediums for use with OPEN, but the paints are compatible with regular fast-drying acrylics and clean up with soap and water like regular acrylics. OPEN Acrylics are formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion to produce a paint with a uniquely relaxed set of working characteristics and a versatility that allows artists to explore a wider range of techniques such as portraiture and landscape painting that rely on softening, shading, glazing, and creating fine detail. Increased working time of these colors expands their range to include more traditional techniques once only possible with oils Key Features:* Resists skinning, remain wet on the palette for extended periods* Feels like no other paint* Stays wet longer* Expands the boundaries of acrylics* Formulated with an optimum balance* Tubes: 2oz. & 5oz. / Jars: 4oz. & 8oz.* Titanium White: 32oz. Jar* 100% acrylic polymer dispersion* Perfect For:* A uniquely relaxed set of working characteristics and versatility* Allowing artists to explore a wider range of techniques* Portraiture and landscape painting* Softening, shading, glazing, and creating fine detail* Plein air painting, mono-printing, and screenprinting* Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors* Reducing the amount of paint wasted and preserving color mixtures for future use How long does it take for Golden Open acrylics to dry? GOLDEN OPEN typically dries in 3-5 hrs. To control viscosity while maintaining the maximum working time Use OPEN Mediums and Thinner. To accelerate drying time, OPEN Acrylics may be blended with faster-drying GOLDEN Acrylics, Gels, and Mediums. OPEN Acrylics resist skinning, remain wet on the palette for extended periods, and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, mono-printing, and screenprinting. OPEN Acrylics may be blended with other GOLDEN Acrylic Colors, Mediums, and Gels, with the open time of the resulting mixtures being proportionately reduced. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. See More
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Richeson Casein Artist Colors Titanium White 5 ozSave Up to43%Off listWhite From rich opaques of oil to thin watercolor washes - One of the most durable mediums known to man Casein (kay'seen) is a quick-drying, aqueous medium using a milk-based binding agent, and is one of the most durable mediums known to man. Nine thousand year old casein cave paintings have been discovered in Asia, and later, the medium was used by Byzantine, Roman and Renaissance artists including the Old Masters. Richeson Casein is a versatile, professional, water-based medium known for its velvety finish! Richeson Casein Colors are fast-drying, reworkable water-soluble paints. Caseins are great for underpainting and work with oils! Key Features:* Milk protein-based paints* Dries to a natural matte finish* Apply in any manner from impasto to watercolor* Casein can be used on interior walls, metal, wood, laminates, metal, glass or ceramics* Archival: Yes. Properly done and with a protective varnish * Good choice for dry and light, wet media sketching* Perfect medium to use for underpainting* Dries quickly* From rich opaques of oil to thin watercolor washes Perfect For:* Suitable for a variety of surfaces* Great for illustration work* Casein can be used on canvas, although only in very thin application* All-purpose paper in a sketching format* You can paint on 140lb. watercolor paper if the painting will be properly framed shortly after completion* You can apply casein "juicy" like watercolors, impasto like oils, or anything in between "Casein is a water-based paint medium with working properties that resemble gouache, cel vinyl—and, in some respects, oil. I've used all of those latter paints quite a bit, but casein has qualities all its own. It can be used transparently, but it has great opacity when you need it, something often lacking in acrylic. It's one of the oldest paint mediums, dating all the way back to the Egyptians – JAMES GURNEY" What is Casein? Casein (kay'seen) is a quick-drying, aqueous medium using a milk-based binding agent, and is one of the most durable mediums known to man. Nine thousand year old casein cave paintings have been discovered in Asia. Later, the medium was used by Byzantine, Roman and Renaissance artists, including the Old Masters. Known for their versatility and array of capabilities, casein paints can be used to create a variety of effects from the rich opaques of oil to thin watercolor washes. Because casein has an exceptional integrity of color and always dries to a perfect matte finish, it is unexcelled for art reproduction. The velvety matte finish can also be buffed to a satin sheen or varnished to produce a resemblance to oils. Over time, casein pigments become resistant to moisture and as history has proven, the medium has a durability and permanence which has easily stood the test of time. Because it dries quickly, it is possible to lay down a glaze and move onto the next stage within a few hours instead of waiting for days, or even months, as with oils. Can I mix casein with other mediums? Yes you can! Use casein over watercolor or gouache or as an underpainting for acrylic, pastel or oils. If using casein under oils, apply a barrier layer of Damar varnish over the casein before the oil paint. Casein can also be used under oils as an excellent underpainting medium. See More
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Jacquard Dye Additive Soda Ash Dye Fixer 5 lb BagSave Up to10%Off list…Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting,… Essential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to protein-based fibers. Soda Ash promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. The humectant Urea attracts moisture from the air and slows the tie-dye process, providing more time for the dye to process and generate deeper shades. You can use Synthrapol® an industrial-strength, pH-neutral liquid detergent as a wetting agent, or wash your decorated fabrics with it. It is essential to practice studio safety when using dyes and chemicals. Please keep dyes, paints, and chemicals away from children and avoid unnecessary skin contact. Key Features: * Powdered chemicals * Complement Acid and Procion MX dyes * Sodium Alginate SH will thicken dyes * Citric Acid is used to fix acid dye * Soda Ash is used to fix Procion MX dye * Urea enhances Procion MX colors * pH-neutral detergent and wetting agent Perfect For: * Fabric dyeing * Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting, stamping, or screen printing. When working with thicker fabrics, use a thinner consistency of dye solution to guarantee dye penetration. Instructions: Mix 1 quart water with ¼ cup Urea. Then, add two teaspoons Sodium Alginate SH for hand painting or four teaspoons Sodium Alginate SH for screen printing. Slowly sprinkle Sodium Alginate SH over water/Urea mix. Stir constantly for 10 minutes, or mix in a blender until smooth. Let stand for 1 hour, then stir again. The solution may be stored in a refrigerator for a few months. Soda Ash: Soda Ash dye fixer is a mild alkali that promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. It is also known as sodium carbonate, washing soda, or salt soda. Soda Ash is necessary to activate and set Procion MX dye. For tie-dye (pre-soak method): Use one cup per gallon of warm water. Soak fabric in the mixture for 20 minutes. Squeeze/wring out the excess solution by hand. Do not rinse out. For immersion dyeing: Use 1/4 to 1/3 cup per three gallons of water. Add to dye bath per instructions. Dyeing cellulose fibers in a washing machine: Use 2-3 cups per load. Dissolve in one-quart hot water. Slowly add to dye bath in washer per instructions. Synthrapol®: Synthrapol® is an industrial-strength, pH-neutral liquid detergent used as a pre and after wash for dyed or painted fabrics. Synthrapol® can also be used as a wetting agent for fabric dyes and paints. The unique liquid detergent keeps loose dye pigment suspended during washing which prevents back staining and helps remove excess color. Pre wash: Prewashing fabric with Synthrapol® to remove oils, waxes, starches, and sizings helps ensure an even dye job and reduces the risk of blotchy color. Directions: Add three tablespoons Synthrapol® per 8 lb washing load. For cotton and other cellulose fibers, add two tablespoons soda ash. Wash for at least 10 minutes using hot water, and then rinse thoroughly. After wash: After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to a dye bath or fabric paint can increase color penetration. When dyeing wool and other hard-to-wet fibers, add 2 to 3 drops of Synthrapol® per 5 lb fabric. To increase fabric paint coverage on hard-to-wet textiles, add 1 to 2 drops Synthrapol® per 2 fl oz of fabric paint. Citric Acid: Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes and exhaust dye baths. Add one tablespoon of Citric Acid to the dye bath per 1 lb of fabric. Do not pour directly onto cloth. If further exhaustion of dye bath is necessary, add a little bit more. Avoid contact with eyes. In case of eye contact, flush immediately with water for at least 15 minutes. Keep out of reach of children. Urea: Urea is a humectant that attracts moisture from the air and slows the drying process; therefore, it allows more time for the dye to react with the fiber and helps develop deeper shades. Most artists use Urea when applying dye solutions directly to fabric or hand painting. Urea can be used with Sodium Alginate thickener for screen printing, direct painting, or tie-dye. Add one tablespoon Urea per 8 fl oz of dye solution (¼ cup per one quart of dye solution). See More
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Ampersand Encausticbord 1-1/2" Cradled Panel 6x24"Save Up to35%Off listWhite The innovative Encausticbord surface is ready to use and requires no preparation An archival panel designed from a collaboration between Ampersand and R&F Handmade Paints, only Encausticbord has a ready to use surface formulated for the unique demands of encaustic painting and mixed media. This combination of Ampersand’s archival panel coating technology and R&F’s expertise in encaustics led to Encausticbord™, a unique wood panel that has the tooth to hold encaustic and mixed media unlike any other surface. Key Features:* Revolutionary encaustic ground is heat resistant* Designed to bond strongly with encaustic wax and collage* Archival, eco-friendly, and formaldehyde-free * Manufactured from sustainable forest products Perfect For:* Encaustic and Multi-Media Artists* Encaustic Paints* Oil Paints and Oil Sticks* Collage, Image Transfer, and Incising The Encausticbord™ ground has been specially formulated to provide superb adhesion between the encaustic paint and the surface. The ground is formulated with a very high solids to acrylic binder ratio which results in a very porous and absorbent surface. In addition, mineral aggregates are carefully selected in size and shape and added to the ground to yield a surface with a higher degree of surface roughness than typical acrylic gesso, which allows for better adhesion of encaustic wax. The ground is not only heat resistant and highly absorbent, but also holds tight to layers of wax and collage without the fear of cracking or separation. The innovative Encausticbord surface is ready to use and requires no preparation. The bright and velvety ground is perfect not only for encaustics, but for mixed media applications including oil paints and sticks, collage, image transfer, incising and more, and the durable bond offered by the ground means that fantastic textures and thick layers can be built up on its outstandingly receptive surface. Encausticbord is available in various depths for multiple display options: 1/8" and 1/4" flat panels, 7/8" and 1 1/2" cradled panels, and 2 1/8" DEEP gallery cradled panels for maximum support. Deeper cradled panels give artists the benefit of a gallery-style, frameless presentation. See More
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M. Graham Oil Color 5oz - Zinc WhiteSave Up to40%Off listWhite M. Graham Oils - The only oil paint with Walnut Oil In the tradition of the masters, M. Graham artists’ oil paint is made with pure walnut oil for its brilliance, clarity, texture, and resistance to fading and yellowing. Working in small batches, we craft oil colors true to the roots of Renaissance painting: delicately free-flowing, solvent-free, and with no fillers or additives. Founded by artists, M. Graham Oils use only the finest vehicle, Walnut Oil to make some of the finest oil paints on the market! Walnut oil provides a "unique refractive index" and will not yellow over time, which allows for incredible paint brilliance. Walnut oil's unique body allows for an increased amount of pigment suspension in comparison with other oils, giving their paint higher color saturation and tinting strength, as a result. Manufactured with only the finest example of each available pigment source, their paints contain no fillers, extenders, or adulterants, which have negative effects on color and how the eye perceives it. Hand-crafted in small batches, attention is paid to adapting manufacturing processes to specific pigment "personalities" and requirements. Use of proper milling pressure for each pigment helps to achieve optimum pigment load and dispersion. Artists run the Quality Control Department at M. Graham, assuring the quality of everything they manufacture. A green company, their products and manufacturing is solvent-free. Green-minded artists can finally enjoy painting with high-end, professional quality oils, from an environmentally conscious company! Key Features:* Manufactured exclusively using pure walnut oil* Only finest, purest pigment source used in their paints* No fillers, extenders, solvents or adulterants added * Colors made in small, hand-crafted batches* Constantly tested against the competition for greater tinting strength and pigment load* Quality Control done by actual artists to ensure exceptional quality* Company founded BY Artists, FOR Artists! Perfect For:* Amateur to professional artists* Artists seeking pure, brilliant oils for their palette* Artists who want products made by artists, for artists!* Environmentally concerned, "Green" artists* Health-conscious artists* Artists seeking high color saturation and tinting strength* Oil painters concerned with paintings yellowing over time* Producing brilliant paintings!* Artists desiring superior, constantly tested oil paints Set of 5 with Mediums: Includes 37 ml tubes of Azo Yellow, Naphthol Red, Ultramarine Blue, Phthalocyanine Green, and Titanium White, plus free 59 ml samples of two M. Graham solvent free mediums: Walnut Oil Medium and Walnut Alkyd Medium. See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 5lb BagSave Up to20%Off list…encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. * Encaustic Gesso - This water-based ground is a modern version of the traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for encaustics. * Encaustic Medium - Perhaps the most essential encaustic supply, Encaustic Medium is a blend of beeswax and damar resin, and is used to increase transparency and extend encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto Modeling Wax - This heavy body wax medium is made from a mix of microcrystalline wax and beeswax. It is excellent for thick structural application, casting, carving, layering, and modeling. As Impasto Wax has a higher melting point than Encaustic Medium, you can apply standard encaustics over it without easily blunting sculptural shapes. Use for thick encaustic paint application and sculptural styles. * Damar Resin Crystals - A hard, clear resin from deciduous trees, Damar Resin Crystals are used to create encaustic mediums and paints. When mixed with beeswax, damar resin creates an encaustic binder that is stronger and more durable than beeswax alone, and also serves to raise the melting point of the wax. Damar is also used to create traditional oil painting mediums and varnishes. * White Beeswax (Pellets) - This natural beeswax has been whitened by mechanical filtration, instead of standard chemical bleaching, which can lead to negative pigment reactions and break wax down. Use White Beeswax as an ingredient in creating encaustic mediums and paints, along with Damar Resin, or as an initial priming layer for paper or board. Note that beeswax used alone in encaustics (without damar) is not as stable and is apt to bloom (become foggy). Use with damar resin to create encaustic paints and mediums. * Soy Wax (Pellets) - Made from partially hydrogenated soybean oil, Soy Wax is an environmentally friendly choice for cleaning encaustic brushes and tools. Unlike paraffin wax, which is made from petroleum products, Soy Wax is non-toxic, biodegradable, and made from an easily renewable resource. Use melted Soy Wax to remove color from painting materials, then wash tools or brushes in soapy water. Eco-friendly cleaning wax. See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 5lb BagSave Up to20%Off listFine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Medium - Increases transparency and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets) - Eco-friendly cleaning wax. See More
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Grumbacher Acrylic Medium - Gel 531 Acrylic Transparentizer, 5ozSave Up to45%Off listAssorted Colors Improve your Acrylics with Grumbacher Acrylic Mediums Grumbacher manufactures a wide variety of acrylic painting mediums to help the painter create different effects. Grumbacher has even developed a retarder to extend open time and enable the painter to produce more wet-on-wet techniques, traditionally reserved for oil painters. Grumbacher's extensive collection of pastes, gels, mediums, and varnishes pair well with Grumbacher acrylic paints. Key Features: * Highest quality acrylic resins * Create complex ground structures * Retarders for open time and wet-on-wet painting * Mediums & pastes to create different effects * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Maintaining consistency * Creating different effects * Preserving degree of gloss * Acrylic painters * Discerning students & amateurs Gel 531 Acrylic Transparentizer - Grumbacher 531 Acrylic Transparentizer Gel is a full-bodied acrylic painting medium designed to increase the transparency of semi-transparent and transparent acrylic colors while maintaining the consistency of tube colors. It's ideal for creating transparent impasto effects and textured glazes. Mix it directly with acrylic paints or use it alone for transparent surface effects. It dries absolutely clear. Acrylic Matte Medium & Varnish - Excellent for mixed media applications, the acrylic gloss medium and varnish has myriad uses. Traditionally this medium is mixed with acrylic paint for smoother brush strokes and a uniform gloss finish, or as a final gloss varnish. This medium thins with water and can also be used for glazing, as an adhesive, in thick applications in molds or armatures for a flexible, plastic-like effect, and in papier mache projects. This is the ideal primer for oil painting on vellum. Dries clear, is flexible and water resistant when dry. Made in the USA. Acrylic Medium Gesso - Non-yellowing, ready-to-use, prepared painting ground made with acrylic emulsion and Titanium White. Dries rapidly. Application to any clean, nonoily surface can be made with a brush, knife or roller. Accepts oil colors, acrylic colors, pastels, charcoal, pencil, and crayons and is specially formulated to have both tooth and absorbency. Acrylic Medium Modeling Paste - A ready-to-use paste made with acrylic emulsion and ground marble. Has excellent adhesive qualities. Can be shaped and textured when wet; cut, carved and sanded when dry. Dries rapidly, becoming hard, resilient, durable and water resistant. Acrylic Retarder - A colorless acrylic medium that slows drying time. Can be mixed into acrylic paint or brushed directly onto the support and painted over. Ideal for detailed blending work. Made in the USA. See More
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Paasche Fast Cutting Compound, 5lbsSave Up to11%Off listAir Eraser Kit - Operates like a small sand blaster capable of a great deal of accuracy. Operates on pressure ranges from 30-45 PSI. Sold with hardened stainless steel tip, cup assembly cover, hanger, wrench, one jar of AEX-6 Fast Cutting compound, 4 ft air hose with moisture trap and 5 disposable… Air Eraser Kit - Operates like a small sand blaster capable of a great deal of accuracy. Operates on pressure ranges from 30-45 PSI. Sold with hardened stainless steel tip, cup assembly cover, hanger, wrench, one jar of AEX-6 Fast Cutting compound, 4 ft air hose with moisture trap and 5 disposable respirators in box. Cutting Compounds - This Alluminum oxide compound is recommended for all air erasers and the abrasive gun. See More
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Enkaustikos Encaustic Mediums Wax 5 lbSave Up to20%Off listA variety of mediums and sundries for your encaustic painting applications! Enkaustikos offers a variety of wax mediums and encaustic sundries to complement their extensive line of encaustic paints. Bleached Beeswax – Purified beeswax featuring a chemically-achieved bright white color Carnauba… A variety of mediums and sundries for your encaustic painting applications! Enkaustikos offers a variety of wax mediums and encaustic sundries to complement their extensive line of encaustic paints. Bleached Beeswax – Purified beeswax featuring a chemically-achieved bright white color Carnauba Wax – A Pale yellow wax used to raise the melting point of encaustics or beeswax, creating more durable paint Damar Resin – Increases the shine, hardness, translucency and melting point of beeswax Impasto Wax – Builds texture and dimension when used with encaustics to produce sculptural effects Luster Wax – This white, translucent synthetic wax can be used with encaustic paint or beeswax to add shine or hardness and to increase the melting point Microcrystaline Wax – Produces a more flexible encaustic paint—ideal for building layers and texture Rabbit Skin Glue – Works great as a ground for encaustic work and is used to make a traditional gesso Slick Wax – A solvent-free blend of synthetic waxes used for cleaning brushes, tools and palettes Soy Wax – An environmentally-friendly alternative wax for cleaning brushes, tools and palettes USP Refined White Beeswax – Purified, USP-grade beeswax—free of additives or bleaching agents USP Refined Yellow Beeswax – Purified, USP-grade yellow beeswax—free of additives or bleaching agents Wax Medium – Perfect for use as a base coat, topcoat, glaze medium or extender. Made from a blend of USP white beeswax and dakar resin. Also available in natural yellow. XD Wax Medium – The addition of extra damar resin makes this medium provide a harder, shiny and transparent finish—making it ideal for glazes, topcoats and as a paint extender See More
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GOLDEN Heavy Body Acrylics - Turquoise (Phthalo), 5oz TubeSave Up to30%Off listBlue Golden Heavy Body Acrylic Paints - Professionally Loved Acrylics! The original line of paints! GOLDEN Heavy Body acrylic paints are known to be exceptionally smooth with a thick, buttery consistency and contain the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body acrylic color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. Colors that are more reactive and do not accept high pigment loading, dry to a glossy finish and tend to be more transparent. Heavy Body colors contain no additives, such as matting agents, therefore the gloss of each color will be different. Key Features:* Exceptionally smooth, rich, buttery consistency* Dries quickly, permanent and archival in quality* Ability to "stand up" and retain brush strokes* All HB colors are thixotropic in nature* Retain excellent flexibility when dry, diminishing the possibility of cracking* Heavy Body viscosity can also be reduced successfully with water* No flattening agents* No opacifiers added to colors* Clearest and cleanest quality* 101 different colors, shades and tints* 30 colors are mixture colors, the rest of produced from single, unique pigments* Concentrated/Chemically Pure Cadmiums Perfect For:* Approved for professional artist* 100% acrylic binder* Freeze-thaw stability* "stand up" and retain brush strokes or palette knife marks on the canvas* Largest assortment of unique pure pigments* There are no fillers, extenders, opacifiers, toners, or dyes added* Can be mixed with all of our GOLDEN Mediums, Gels and other paint lines C.P. Cadmiums = A grade that has a high concentration of cadmium and is considered the highest quality. The C.P. designation has been associated with both “Chemically Pure” and "Concentrated Pigment". Which translation you come across will often depend on the source and context. In terms of “(CC)”, it refers to “Concentrated Cadmium” and was adopted by the ASTM (American Society for Testing and Materials) as a way to differentiate higher quality cadmiums from lesser quality cadmium-barium pigments. All Heavy Body colors are thixotropic in nature This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of our pigments Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More
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