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Related Categories: Gesso Paint | Mottler | Extra Large Stretched Canvas | Stretcher Brace | Jack Richeson Stretcher Bars | Primer | Natural Canvas | Primer Brush
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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to30%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Fredrix Roll Canvas 568 Raw Cotton 75" x 6 YardsSave Up to23%Off listNatural 568 Raw Cotton -Â 100% unprimed cotton canvas is specifically woven to ridged specifications. This is a medium weight (7 oz) unprepared loom state open weave canvas. * See More
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Claessens Linen #15 Double Oil Primed Medium Texture Roll, 54" x 3 ydSave Up to66%Off listWhite Claessens Oil Primed Medium Textured Linen Rolls Feature Meticulous Craftsmanship - Their Most Popular All-Purpose Surfaces! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in the premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #15 - Single OP #15 - Claessens Linen features a pronounced medium weave and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 13.12oz. Double Oil Primed Linen Roll #15 - Double OP #15 - Claessens Linen features a pronounced medium weave and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 14.75oz. Single Oil Primed Linen Roll #66 - Single OP #66 - A favorite of many famous artists world wide due to its even medium texture, a tight weave and strength. The world’s most popular linen for landscape painting. It has a 43.2 TPI warp and 36.8 TPI weft. Single primed weighs 13.48 oz. per square yard. 2 coat sizing. Key Features: * Professional Quality Linen * Popular Medium (all purpose) weave * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, still life, general purpose * General painting techniques * Aspiring students & amateurs See More
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New York Central Unprimed Linen, M , 88" x 10yd Canvas BlanketSave Up to60%Off listBrown Museum Quality Unprimed Belgian Linen Canvas Blankets The excellent soil quality and moderate climate of the Belgian region is ideal for growing the linen flax plant. Local expertise, combined with centuries of flax spinning and weaving knowledge, guarantee the craftsmanship of New York Central® Unprimed Belgian Linen Blankets. Far more desirable than cotton, linen retains its natural oils, which preserves the material's inherent flexibility and strength. Additionally, this retention of natural oils gives linen the unique ability to resist mold and mildew, unlike cotton. Linen can be thinner and lighter than cotton while maintaining a higher weight load, increasing its durability under heavy-handed painters. Linen will not become slack over time, as cotton is prone to do. Our New York Central® Unprimed Belgian Linen is made from the absolute highest quality flax fibers and is a beautiful, pure product that maintains a natural weave. The perfect surface can be found for any painting with these unprimed blankets, with multiple textures from extra-fine to medium rough. New York Central® Unprimed Belgian Linen gives you the freedom to customize a custom canvas to your priming specifications, making it perfect for every type of painting genre and technique. Shipping Notice: These fine quality linens may take a bit longer to ship, they are custom cut for each order. The canvas is carefully and professionally handled by our in house specialists ensuring you get the best service and quality. Key Features: * Woven in Belgium * 100% linen flax * Available as folded blankets in 2.5 yards, 5 yards, and 10 yards * Made in a carbon-neutral facility * Flax is a highly sustainable, no-waste plant * Grown in the Belgium region between Caen and Amsterdam * Durable natural weave * Lint-free and non-allergenic * Resistant to mold and mildew, unlike cotton * Will not become slack over time * Unprimed, no sizings, glues, or primers * Each blanket has a natural flax color Perfect For: * Professional Painters of all types * Custom canvas stretching * Priming to suit your painting needs! * Oil, alkyd, or acrylic paint * Rich color absorption * Conservation Specialists * Portraits, landscapes, and more * Teachers and students * Aspiring students and amateurs * Hollow flax fiber absorbs paint very well * Provides a beautiful depth of color L Linen – 5.9 oz (200 gsm): Featuring an extra-fine, tightly woven texture with a smooth surface. Ideal for painting genres like portraits and Trompe-l' Å“il that require the smoothest surface for detailed works. Available in 85" width. M Linen – 6.49 oz (220 gsm): Features a fine, tightly woven texture ideal for most painting genres and general painting techniques. Available in 88" width. J Linen – 9.53 oz (323 gsm): Tightly woven featuring a medium-fine texture with a medium weight. Perfect for most painting genres and general painting techniques, with a good weight for larger-scale works. Available in 85" width Y Linen – 9 oz (305 gsm): Very tight weave with a medium texture and medium weight. Ideal for most painting techniques and perfect for large-scale and mural paintings. Available in 120" width. See More
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Claessens Linen #13 Double Oil Primed Very Fine Texture Roll, 54" x 3 ydSave Up to66%Off listWhite Claessens Oil Primed Linen Rolls Feature Meticulous Craftsmanship for Techniques needing a smooth surface! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type is passed through its own set of manufacturing steps and quality control, resulting in premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create a archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #12 - Single OP #12 Claessens Linen features a moderately fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait and realist artists who enjoy the fine tooth it offers. Warp 20cm/16cm weft; weighs 11.36oz. Double Oil Primed Linen Roll #12 - Double OP #12 Claessens Linen features a moderately fine texture and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait and realist artists who enjoy the fine tooth it offers. Warp 20cm/16cm weft; weighs 12.59oz. Double Oil Primed Linen Roll #9 - Single OP #9 Claessens Linen features a fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait, realist artists, and general painters who enjoy the more moderately fine tooth it offers. Warp 11cm/14cm weft; weighs 11.50oz. Single Oil Primed Linen Roll #13 - Single OP #13 Claessens Linen features a very fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, but is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface it offers. Warp 23cm/23cm weft; weighs 9.59oz. Double Oil Primed Linen Roll #13 - Double OP #13 Claessens Linen features a very fine texture and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, but is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface it offers. Warp 23cm/23cm weft; weighs 10.50oz. Quadruple Oil Primed Linen Roll #13 - Quadruple OP #13 Claessens Linen features a very fine texture and a quadruple layer of primer for oil and alkyd painting. It is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface the quadruple priming and Very Fine weave offers. Warp 23cm/23cm weft; weighs 11.36oz. Key Features: * Available up to 6 yard rolls: see product listing details below * Professional Quality Linen * Very-Fine and Fine textures * Oil primed by hand * Best bonding surface for oils * Click on Yellow Icon near product for more details Perfect For: * Professional Oil Painters * Portraits & trompe l’oeil * Techniques needing a smooth surface * Aspiring students & amateurs * See More
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SoHo Urban Artist Jute #24 Unprimed Blanket 24.51 oz, 74.8" x 6 ydSave Up to53%Off listNatural Quality canvas worthy of your finest masterpiece! Are you tired of painting on standard cotton duck canvas but find better fabrics too expensive? SoHo Urban Artist has the answer with their new line of professional quality, unprimed artists' canvas in a wide range of fibers and textures — all at an affordable price! Only the highest quality natural fibers are used to weave the canvas. Because the canvas is raw, you have the opportunity to select the special gesso or primer that you want to use as your base. If you want the canvas to be ultra-smooth, you can sand the gesso in between coats or apply more texture if that is the effect you want. Linen, jute, and hemp are superior fibers that, when properly cared for, will survive for centuries — and so will your art! These premium raw unprimed canvases are available in generous 30-yard rolls, 6-yard folded blankets, and convenient 1-yard samples to make it easy to find your favorite. Find the perfect painting surface with SoHo Urban Artist Professional Unprimed Canvas! Key Features: * Professional quality linen, jute, and hemp * Multiple surface textures offered * Raw canvas ready to prime * Prime to suit your painting needs! Perfect For: * Professional painters of all types * Custom priming and stretching your own canvas * Creating a textured or smooth canvas * Portrait artists and detail painters * Archival art that will last! #42 Linen – 66.9" wide; 12.7 oz. - Slightly heavier than 12 oz cotton but not as bulky. It has a beautiful, tight weave that is perfect for detailed realistic techniques and more abstract applications. For portrait artists, three coats of priming sanded between layers would yield a very pleasing surface. #38 Linen – 66.9" wide; 14.1 oz. - This linen is about 10% heavier than the #42. It has a medium weave and texture and falls into our all-purpose range. You can use this linen for portraiture, but we generally do not recommend it for this purpose. This linen is ideal for all other realistic, representative, and modern expressions. #133 Linen – 82.67" wide; 15.17 oz. - This hearty linen has a robust weave and uniform surface. Perfect for expressive works and abstract pieces. #31 Linen – 90.55" wide; 17.99 oz. - The heaviest linen with a medium texture and weave. It is intended for large-sized works, but you can use it for any size piece. It weighs in at 17.99 oz. or 510 gms, which is heavier than any commercially produced pre-stretched linen canvas product on the market. #24 Jute – 74.8" wide; 24.51 oz. - Jute is a delightful departure from the smoothness associated with hemp and linens as it is delectably coarse, soft, and shiny with a beautiful golden color. The fiber lengths are incredibly long, so the strength of the jute is unrivaled. It has a large, coarse weave and is wonderful for glue-sizing, leaving the natural color of the canvas, or for traditional priming with oil or acrylic-based primers. #25 Hemp – 86.6" wide; 25.4 oz. - Hemp is for any artist looking for a heavyweight, durable fabric that is strong and soft. A robust, tight weave characterizes this fabric. The archival nature of hemp rivals that of the finest linen, but it is economical enough to use on the largest of paintings. See More
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Schmincke Horadam Watercolor 24 Light Colors Dot CardSave Up to40%Off listAssorted Colors Horadam Watercolors Outperform All The Rest! Schmincke has been producing its Horadam line of watercolors since 1881. Today the Horadam line includes 189 glorious colors, 152 of those colors have the highest lightfastness ratings of 4 or 5 stars. 95 of the colors are formed with a single pigment for perfect mixing effects. Each color has its own independently optimized recipe made of the finest pigments, Ox gall, and traditional binders. Schmincke uses only Kordofan Gum Arabic from the southern Sahara a natural resin binder. Horadam colors can be raised from a dried palette without developing globules. Colors that have dried on the palette can be awakened with a wet brush and reused an infinite number of times. Schmincke limits use of ONETZ (ox gall) as a dispersant. This helps the artist maintain full control of color, even on softer papers. Key Features: * Made in Germany * Highest possible lightfastness: 152 tones * 50 Granulating colors * Paint is reusable once dried on palette * Gum Arabic binding medium * Limited use of ox gall as a dispersant * High control of paint flow Perfect For: * Watercolorists * Professional artists with high standards * Illustrators * Color mixing * Plein Air painting * Soft sized papers Most of the Horadam watercolors are non-granulating and have an even paint flow, but 22 colors are granulating. You can spot granulating colors by the G stamped on the tube. Granulation is caused by: * Heavy pigment particles, like cobalt, settling in paper indentations. * Light pigment particles clustering together due to attraction. You can mix super granulating colors to create unusual color shifts. The granulating color shift will vary with the mixing ratio used. What is the right paper for granulation? The rule is: The rougher the paper, the greater the granulating effect. More absorbent papers need a little more water. Hot-pressed paper is unsuitable for granulating effects. Schmincke Horadam Watercolor Limited Edition Curated Wood Box Set, While Supplies Last! - A Jerry's Exclusive Set: 12 half pans, 5ml tube of titanium white, and 3 large empty pans, Wooden box palette and a Create your own color chart See More
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