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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to30%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More -
Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More -
Painter's Edge Stainless Steel Painting Knife Style 57F (5-1/2" Blade)Save Up to81%Off list…designs into your compositions, or for removing color. Painting Palette Knives* 60 shapes, 5 Sets* T = Trowel Shape* F = Flat Shape* S = Scraper Shape* Italian-style painting knives* Made from polished stainless steel* Perfect painting response* Blades are fixed into its wooden handle with the… Stainless Steel Italian Style Painting Knives! These Italian styled painting knives are made from polished stainless steel and are specially tempered to provide just the right amount of give for the perfect painting response. Each blade is fixed into wood handle with the aid of a brass collar. The handle is comfortable to grip and features a deep walnut stain beauty and durability. With 60 shapes and 5 sets there is surely a style right for your painting endeavors. "T "knives have a trowel (offset) blade making it easy to work the knife into the painting. "F" knives are traditional palette knives used move for mixing. "S" knives are scraper blade knives use for shaping, contouring and scraping designs into compositions and for removing color. * Polished tempered stainless steel blades* Deep inset shaft* Fixed into wood handle with the aid of a brass collar* Finished hardwood handles* For all media With 60 shapes and 5 Sets to choose from, you're sure to find the perfect style for every painting endeavor. * Each series "T" knife features an offset, trowel-shaped blade, making it easy to work the knife into the painting.* Series "F" knives feature a traditional, flat blade perfect for mixing* Series "S" knives feature scraper blades for shaping, contouring and scraping designs into your compositions, or for removing color. Painting Palette Knives* 60 shapes, 5 Sets* T = Trowel Shape* F = Flat Shape* S = Scraper Shape* Italian-style painting knives* Made from polished stainless steel* Perfect painting response* Blades are fixed into its wooden handle with the aid of a brass collar* Comfort-grip handles feature a deep walnut stain for beauty and durability Palette Knife Basic 5 Set - Includes styles 1T, 6T, 10T, 53F and 61S. Palette Knife Set Collection 5A - Includes styles 1T, 4T, 6T, 7T and 10T. Palette Knife Set Collection 5B - Includes styles 20T, 30T, 32T, 37T and 61S. Palette Knife Set Collection 5C - Includes styles 3T, 15T, 35T, 36T and 38T. Palette Knife Set Collection 5D - Includes styles 39T, 41T, 44T, 48T and 51T. Studio Palette Knives with Case Set of 8 - Made of polished stainless steel each blade is deeply inset into the wood handle with the aid of a brass collar. The deep walnut stained wooden handle while being extraordinarily comfortable to grip and maneuver is sure to transpose each idea with ease. You will receive the 1T, 10T, 23T, 29T, 35T, 36T, 60S and 61S fitted into a zippered carrying case featuring a carrying loop. Making this set extraordinarily convenient to bring along with you wherever your creativity may take you. See More
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Krystal Clear Acrylic Glazing 2mm 8-1/2"x11"Save Up to61%Off listClear Transparent 2mm thick, heavy duty, incredibly clear, optical-quality acrylic glazing With a protective, easy to peel film on both sides, Krystal Clear Glazing stays clean and scratch-free until the moment you are ready to frame or produce artwork. Unlike most styrene sheets, the beefy 2mm thickness remains stiff inside the frame, without the flexing experienced with thinner acrylic sheets. Perfect for protecting valuable artwork when shipping – change out the glass in the frame to Krystal Clear Glazing to prevent breaking and damage to work when in transit or unpacking. Besides framing, Krystal Clear Glazing is popular with artists as a modern painting surface. Glazing easily accepts acrylic paints and gouaches, acrylic and India inks, Alcohol Inks, spray paint, paint markers, and more! Layer Krystal Clear Glazing sheets with sections of an artwork on each to achieve a 3D effect. Key Features: * Rigid, 2mm thick optical-quality acrylic glazing * Protective, easy-to-peel film on both sides * Will not flex or bend in the frame * Can also be used as a modern painting surface Perfect For: * Framing artwork * Replacing glass when shipping framed work * Use as an alternative painting surface See More
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Yasutomo Usugami Paper - 8.5"x11", 14gsm (30 Sheets)Save Up to20%Off listWhite Authentic, high-quality art papers and boards From Japan Yasutomo Premium Art Papers are made in the traditional paper districts of Japan. Artisans make the pulp-based Gasen and Torinko papers to be sturdy and resilient. Each sheet is lightly sized to capture the fine details in your artwork. Gasen and Torinoko sheets are perfect for ink painting, watercolor, Suminagashi (Japanese marbling), calligraphy, and block printing. The surface of Torinoko holds up to watercolor washes with minimal wrinkling. Kozo art paper is made with 100% (unsized) Kozo fiber from the mulberry plant. Because of the long fibers, Kozo paper is solid and durable. You can use Kozo for Sumi-e, watercolor painting, conservation and repair, woodblock printing, and other printmaking techniques. Asagami is a bleached acid-free, neutral sized art paper used for legal documents, watercolor, and gansai paintings. While Mashi is an unbleached, unsized paper used for calligraphy, ink painting, and watercolors. Key Features: * Gasen 20 sheets, 82 GSM * Torinoko 20 sheets, 80 GSM * Kozo 10 sheets, 58 GSM * Asagami 20 sheets, 43 GSM * Mashi 20 sheets, 40 GSM * Lightly sized to capture the fine details * Made in Koshu and Echizen districts of Japan Perfect For: * Sumi-e and watercolor painting * Calligraphy and ink painting * Suminagashi (Japanese marbling) * Chigiri-e (Japanese collage) * Woodblock printing and printmaking techniques * Conservation and repair Kozo is used for Sumi-e, watercolor painting, conservation and repair, woodblock, and other printmaking techniques. Gasen is suitable for ink painting, watercolor, Suminagashi (Japanese marbling), calligraphy, and block printing. Torinoko is suitable for ink painting, watercolor, Suminagashi (Japanese marbling), Chigiri-e (Japanese collage), and printmaking. Asagami is suitable for woodblock printing, monoprinting, inkjet & laser printing, stamping, mixed media, legal documents, copy paper, watercolor, and gansai paintings. Mashi is suitable for Calligraphy, ink painting, gansai watercolor painting. Shikishi Boards Shikishi boards are made from washi papers mounted to a hardboard backing edged with gold foil. Traditionally used for sumi-e, watercolor, and haiku painting. They can also be used as a substrate for multimedia projects. The 3x3 pack includes five Gasen mounted boards. While the 5x7" 3-pack includes a Hosho, Gasen, and Torinoko mounted board. See More -
Jacquard Cyanotype Sun Printing Fabric Pack of 30, 8.5x11inSave Up to15%Off listHarness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for… Harness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for indexing plant specimens with what were called photograms at the time. The Cyanotype process is incredibly simple and only employs two inexpensive chemicals and UV sunlight. Prints can be created on any natural fiber: paper, cotton, silk, wool, wood, etc. Jacquard has made Cyanotype printing easy as pie with pre-sensitized fabric that is ready for cyanotype printing. Simply pull the sheet out of the package, place objects or an inverted photographic negative on top, expose to light for three to fifteen minutes, submerge the fabric in water to reveal the blue cyanotype print, and finally hang the fabric to line dry. With Jacquard’s Cyanotype Pretreated Mural Fabric you can actually create a full-body print by laying on top of the mural fabric for the duration of exposure while not moving. The creative possibilities for Photographers, Mixed Media Artists, and Quilters are endless! If you would prefer to use your own papers or fabric Jacquard has made the chemistry of Cyanotype attainable with lightproof black bottles of Potassium Ferricyanide and Ferric Ammonium Citrate. The chemicals used for cyanotype are inexpensive and go a long way. Despite their perhaps alarming names, both are safe to handle and mix. That said, care should be taken to avoid ingestion, inhalation, and contact with skin. The instructions for the use of Potassium Ferricyanide and Ferric Ammonium Citrate are included in the link bellow Great for photographers, mixed media artists, printmakers, quilters, kids and more, the cyanotype process is easy, forgiving, quick, magical and fun. Capture the nuance of every shadow Key Features: * Harness the power of the sun to make detailed prints * Simply place the object on the sensitized surface and expose to sunlight (UV) * Sun exposure time is 3-15 minutes * Pre-sensitized Cyanotype fabric Perfect For: * Quilters and Surface Design Artists * Photographers * Mixed media artists, printmakers, quilters See More -
R&F Pigment Sticks Begin Set of 3 - Assorted Colors (19ml)Save Up to30%Off listAssorted Colors Professional quality oil paints in stick form R&F Pigment Sticks are oil paints manufactured with enough wax for the paint to be molded into stick form. Pigment Sticks allow the artist to draw or paint directly onto a surface without brushes, palettes, paint tubes, or solvents. Blending only finely milled pigments, natural wax (beeswax & plant wax), and alkali refined linseed oil, R&F Pigment Sticks have none of the additives, extenders, and substitutes that traditional tube oils contain. While the use of these adulterations can save a lot of work and reduce the cost of materials, they lower the quality of the paint. Consequently, the formulas are complex, and manufacturing is labor intensive and thus handmade in small batches where they are carefully milled and molded. The result is a professional quality oil Pigment Stick with a buttery, lipstick-like soft consistency that glides onto the painting surface. Paint Sticks can be thinned with traditional solvents, mixed with or used under or over traditional oils, or worked with a palette knife to a softer consistency to allow brushing onto a surface. Curing to a durable film like standard oils, Pigment Sticks can also be used with Encaustic paints for a variety of effects. Blending sticks are offered in two types and are colorless sticks that can be worked into a Pigment Stick color to increase transparency or blend colors together on the painting. Like with traditional oils, R&F Pigment Sticks should be used on primed surfaces that are oil or acrylic gesso primed to protect the surface from the natural acid in linseed oil. What is the difference between R&F Pigment Sticks and Oil Pastels? Although both are made with pigments, waxes, and oils, they are completely different! Oil pastels typically contain a much higher wax content than an oil stick or bar and are manufactured with a non-drying oil such as mineral oil or castor oil. Works done in Pigment Stick will oxidize (dry) over time like traditional oil paints, whereas oil pastels will always remain tacky and never dry, thus needing the protection of glass to protect the finished work. Explore the versatility and loosely gestural qualities this medium has to offer, with professional quality Pigment Sticks from R&F! Key Features: * Made solely of pigment, pure alkali refined linseed oil, and purified plant and bees waxes * Lipstick-like, soft creamy consistency * Contains no additives, extenders, or substitutes like tube oils * 2 types of Blending sticks for colorless blending * Works on any surface primed for traditional oils * Perfect For: * Use with traditional oils and encaustic paints * Gestural drawing with oils in stick form * Immediacy of paint without the need for brushes or tools * Thinning with solvents and oil mediums See More
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