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Jack Richeson Grey Matters Series 9815 Sz 3/0 Synthetic Signing BrushSave Up to28%Off list…or softness Can a grey Matters Oil Brush be used for acrylic painting? YES!!! If the painter desires a softer brush head when painting. Can I use my brushes for both Oil and Acrylic paint (Interchange)? Once used with a medium or paint type – it should ONLY be used for that medium – it… Grey Matters Brushes solve the issue! Artists from all over the country approached Richeson to solve a problem not solved by other brush manufacturers: annoying glare and reflections from studio lights and sun. Finally! Grey Matters brushes solve this issue. Richeson Grey Matters brushes are free of distracting colors and reflective metals — perfect for plein air or in the studio, and ideal for toned palettes and canvas. These interlocked long-handled bristle brushes are painstakingly crafted by hand. Interlocked brushes ensure that the bristles maintain their shape and last for long time. Key Features: * Non-reflective / anti-glare * Create a neutral grey value space between your eye and your artwork * Minimize color distortion * Non-reflective hair, ferrule, and handle * Synthetic hair for oil, acrylic and water media * Natural bristle for oil & acrylic * Special signing brushes Perfect For: * Defined brush strokes * Creating fine details * Professionals, teachers, students Questions and Answers Does Grey Matter? YES!!!!! The human brain is compensating in ways we cannot imagine when we have colored handles and reflective ferrules. The Neutral Grey top to bottom brush makes a painting without interference from other colors make sense! Does a nonreflective ferrule matter? Yes, The reflection of light off of the ferrule is a distraction. When you regularly use the Grey Matters Brushes it becomes apparent how the reflection off of a ferrule has affected concentration! Are all Synthetic Brush heads the same? NO! The filaments that make a synthetic brush can range wildly from Student to Professional grade. Brush quality is determined by the number of different fibers and type of bristles that make up the brush head. The fewer Different types of filaments – typically the lower grade. Does the color of the brush fibers affect the quality? NO! A color such as the Grey in Grey Matters is done to accomplish a result that is neutral to the eye What is the quality of a Richeson Grey Matters Brush? Only the Highest quality synthetic fibers are selected for Grey Matters Brushes – different bristles are mixed to accomplish very specific firmness or softness Can a grey Matters Oil Brush be used for acrylic painting? YES!!! If the painter desires a softer brush head when painting. Can I use my brushes for both Oil and Acrylic paint (Interchange)? Once used with a medium or paint type – it should ONLY be used for that medium – it is not possible to sufficiently clean a brush to use for different mediums at best it is risky See More
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Colineo Series 5526 Synthetic Kolisnky Brush - Size #3X0, Extra Short RetouchSave Up to30%Off list…have a lot of spring * Unsurpassed water-holding capacity * Made in Germany Perfect For: * Short handle: watercolor and gouache * Long handle: oil paint * Area work or fine details * Students, teachers, professionals * Watercolorists and artists of all skill levels * Finessing delicate glazes with… Synthetic brushes made to mimic Kolinsky Sable Can you spot the difference between Colineo and real sable? For many years, brush makers have worked to find a synthetic that could imitate Kolinsky Red Sable hair. This research has been going on for years because of the intricate nature of sable, which is now very rare and expensive. da Vinci has finally cracked the code with its Colineo Brushes. Each brush is made with a balanced blend of different lengths of straight and wavy synthetic fibers. These fibers have extra fine tips that taper to a point and mimic natural sable. At the same time, the Colineo brushes have a lot of spring and are highly absorbent. All these features help Colineo give a convincing imitation of Red Sable hair. The family-owned da Vinci brush company has designed quality brushes for three generations in Germany. They produce well-made, elegant, and durable brushes utilizing the latest innovations. Key Features: * Synthetics made to mimic Kolinsky Sable * Extra fine tips taper to a point * The fibers have a lot of spring * Unsurpassed water-holding capacity * Made in Germany Perfect For: * Short handle: watercolor and gouache * Long handle: oil paint * Area work or fine details * Students, teachers, professionals * Watercolorists and artists of all skill levels * Finessing delicate glazes with ease Why choose da Vinci Colineo Synthetic Kolinsky Red Sable for Watercolor: * A new crimped fiber, multi-diameter synthetic to mimic Kolinsky * This new synthetic fiber is unique to da Vinci, developed over the last 5 years * Composition of straight and wavy synthetic fibers in different lengths with extra fine tips, precise point, high elasticity and color absorption * Ideal for watercolor, gouache, oil and ink work * Beautiful hand-milled handles from sustainable European forests * Made in Germany, da Vinci is family owned and committed to artists since 1890 See More
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Creative Mark English Glazed Porcelain Flower Palette, 7 WellsSave Up to49%Off list…Well Palette: has 20 deep paint wells and a matching cover that doubles as a mixing tray. Use the paint wells to hold watercolor, gouache, or oil paints. The palette wells are big enough to hold most half-pans and are also excellent for storing tiny beads or small craft items. Flower Palette -… Easy to clean and store! Creative Mark English Glazed Porcelain Palettes are an excellent surface for color mixing. Many watercolorists depend on porcelain palettes because they are easy to clean and are weighty enough that they don't move around while in use. Choose from a variety of palette shapes and sizes that can easily fit into your daily studio routine! Key Features: * Easy to clean * Sturdy construction * English glazed porcelain Perfect For: * Watercolor and gouache * Color mixing * Everyday studio use The 20 Well Palette: has 20 deep paint wells and a matching cover that doubles as a mixing tray. Use the paint wells to hold watercolor, gouache, or oil paints. The palette wells are big enough to hold most half-pans and are also excellent for storing tiny beads or small craft items. Flower Palette - Measures 4 ¾" in diameter and features six petal-shaped wells and a center section. Giant Covered Watercolor Dish - Measures 7" in diameter and 2 1⁄16" high with cover. The mixing tray has six, 1" deep perimeter wells and a 3 ¾" diameter center well. The cover doubles as a huge mixing tray. Slant Palette - The palette measures 4 ¼" × 7 ½" in size and features five circle-well and five slants mixing areas. Stacking Style Palette - Features five 3" diameter and ½" high nesting trays with a matching cover. See More
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Yasutomo Artist Black Sumi Ink Stick SSB700 .7ozSave Up to25%Off list…is designed for use in Sumi-e Painting. SSB900 Professional Ink Stick:* Produces deep black tones* Variations of grey when ground with water* Well-shaped solid block* Convenient liquid form* Soot from pine or certain vegetable oils* Designed for use in Sumi-e Painting* Dimensions: 5/8” W x 3/8”D x 2… Deep black tones and subtle variations of grey when ground with water The Yasutomo Artist Ink Stick is an artist quality ink stick that produces deep black tones and subtle variations of grey when ground with water. For more than a thousand years, the method of making Sumi sticks has remained the same. Soot from pine or certain vegetable oils mixed with animal or fish glue is molded and dried to form a well-shaped solid block. The Sumi Ink Sticks are made in the traditional method and is designed for use in Sumi-e Painting. SSB900 Professional Ink Stick:* Produces deep black tones* Variations of grey when ground with water* Well-shaped solid block* Convenient liquid form* Soot from pine or certain vegetable oils* Designed for use in Sumi-e Painting* Dimensions: 5/8” W x 3/8”D x 2 3/4” L* Packaged in a paper box SSB700 Artist Ink Stick:* Produces deep black tones* Variations of grey when ground with water* Well-shaped solid block* Convenient liquid form* Soot from pine or certain vegetable oils* Designed for use in Sumi-e Painting* Dimensions: 5/8” W x 3/8”D x 2 3/4” L* Packaged in a paper box The SSB900 is a professional quality ink stick. When ground in a suzuri stone with water it produces deep black tones and subtle variations of grey. Packaged in a sturdy and beautiful paper box. Made in Japan Dimensions: 5/8” W x 3/8”D x 3” L The SSB700 is an artist quality ink stick. This Sumi Ink Stick is made in the traditional method and is designed for use in Sumi-e Painting. When ground in a suzuri stone with water it produces deep black tones and subtle variations of grey. Made in Japan Dimensions: 5/8” W x 3/8”D x 3” L When ground on a Suzuri stone with water, an ink forms and produces the Five Colors or shades of black that forms the basis of monochromatic Sumi painting See More
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Arches Natural White 300lb Watercolor Paper, 29.5"x41" Rough (5 Sheets)Save Up to40%Off list…watercolor painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from… Natural White 100% Cotton Paper, Lasting Whiteness with Strength and Longevity The Artists' Choice For Watercolor Papers Since 1492! Mould-made in France, Arches Natural White Watercolor Paper is 100% cotton rag watercolor paper. Considered the most popular in the world, each gelatin-sized Arches watercolor paper sheet has four deckle edges and may be repeatedly erased and over-painted while still maintaining its beautiful surface quality and integrity. Arches natural white watercolor paper is available in all three popular watercolor paper finishes, hot press, cold press and rough grain Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Arches natural white watercolor paper has been a favorite among artists for over 500 years, and it's easy to see why! Made from 100% cotton linters and both internally and externally gelatin sized, acid-free Aquarelle watercolor paper is one of the finest art papers in the world. Sized to the core with natural gelatin, a process exclusive to ARCHES®. Even if it is soaked for a long time, the paper will still retain enough gelatin not to become too absorbent. Arches Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Cold Pressed surface is a particular favorite of illustrators, watercolorists, and airbrush artists. For a bolder, more robust surface, Arches Rough provides just enough texture allowing for easy working, and is strong enough to maintain its character even after reworking. The Rough texture is also used by watercolorists, airbrush artists, and acrylic painters. 260 lb. is approximately the same weight as 140 lb. paper but in double elephant (available in larger sizes than 22x30"). Key Features:* 100% long rag cotton* Mould-made in France* Available in hot press, cold press and rough grain!* Two natural deckle edges, two torn deckle edges* Acid-free, no optical brightening agents* Natural color* Sized to the core with natural gelatin Perfect For:* Watercolorists* Maintaining the integrity of the paper after repeated erasing and painting* Finished artwork* Wet techniques such as ink, gouache, and acrylic Arches Watercolor Paper, Natural White Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould Uses: ideal for watercolor painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from penetrating into the thickness of the paper. See More
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