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Related Categories: Gesso Paint | Mottler | Stretcher Brace | Extra Large Stretched Canvas | Jack Richeson Stretcher Bars | Primer Brush | Da Vinci Fit Synthetic | Gessoed Canvas
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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to30%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Museo Stretched Belgian Linen Canvas, Alu-Frame, 40" x 48", 1-3/4" Deep, 2 PackSave Up to40%Off listWhite Museum-Grade Aluminum Stretcher & Claessens Belgian Universal Primed Linen Claessens Belgian Stretched Linen Canvas With MUSEO Aluminum Bars - Professional Museum Grade Stretched Canvas MUSEO ALU Frame Professional museum-grade canvases feature the finest Claessens 11.64 oz. triple universal primed belgian linen stretched on MUSEO ALU Frame Stretcher Bars. Aluminum stretcher frame is non-corrosive, super strong, & lighter in weight than similar dimension wood bars. They will not warp, even in humid climates, & feature a warp & bend free guarantee! MUSEO ALU Frame stretched canvas features 1¾" wide aluminum insert attached to a high quality warp-resistant spruce wood and professionally stretched Classens 100% Belgian linen. The stretching is performed with enough overlap to re-stretch if ever desired. The total stretcher profile measures 1¾" high × 2.6" wide. Key Features:* Warp & Bend Free Guarantee!* Features professionally stretched Claessens universal acrylic primed belgian linen – perfect for acrylics, oils, alkyds, etc.* One of a kind...Museum-grade aluminum & spruce stretcher bars boast 1 3/4" gallery depth* Archival support, Claessens 100% Belgian linen* Used by museums and galleries worldwide* Provides maximum stability for canvas painters* 11.64 oz. triple-coated universal acid free primed linen* Lightweight yet strong aluminum frame greatly reduces artwork weight for large canvases* Disassembles easily to fit rolled canvas & stretchers in separate tubes for shipping* Reduces shipping costs to clients & galleries* Enhanced Features:* Warp and Bend Free* Museums and Galleries* Disassembled for transport* Stretcher frame is non-corrosive* More Dimensionally stable than wood * Easy to Adjust Tension* Good for artists creating large-format and/or heavy works* Hand-stretched around and back-stapled* No corner keys required* Disassemble & reassemble the stretcher frame in matter of minutes The lightweight aluminum stretcher bars weigh less than heavy-duty wood frames.The MUSEO frame is easily disassembled for transport, allowing the rolled canvas & stretchers to be shipped in separate tubes for a sizeable reduction in shipping costs. Corner connectors & crossbars are removed easily without harming the stretcher bars, using an Allen key. Disassembling & reassembling the stretcher frame takes a matter of only minutes. Included hardware: (see product images for even more details) Spanner: Used to tighten canvas. The Spanner is attached next to the corner connector. Simply loosen the corner connector & tighten by pushing it towards the corner & then tighten the corner connector (repeat this for all four sides). Allen Key: Required to disassemble and reassemble canvas frame, & also needed to tighten the Spanner. Hangers: Attach easily to the grooves of the aluminum section of the bars. Depending on the weight or size of the canvas, you will receive either the screw eyelets or the heavy duty hangers. Video: See videos in video tab to learn more about this amazing product! See More
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New York Central Glass Muller - Large, 3.2" DiameterSave Up to56%Off listQuality Glass Mullers and Grinding Plates Artisans have been making paint for thousands of years with mullers and grinding plates. Manually milling the paint gives you control of the creative process from start to finish. New York Central® Glass Mullers are perfect for mixing ground pigments… Quality Glass Mullers and Grinding Plates Artisans have been making paint for thousands of years with mullers and grinding plates. Manually milling the paint gives you control of the creative process from start to finish. New York Central® Glass Mullers are perfect for mixing ground pigments with oil or water-based binders. Available in two sizes, each Muller is made of strong, break-resistant, tempered glass. The short-domed handle comfortably fits in the palm of your hand and allows you to bare down as you grind pigments. This manual process allows you to mill the paint as fine or as coarse as you like. The smooth bottom of the Muller plus your added body weight helps to mix a smoother paint. Make sure your handmade paints have the smoothest consistency possible by pairing your Muller with a fine glass grinding plate from New York Central®! One side of the plate is smooth, and the other side is sandblasted for grinding pigments to the finest particle size. Mill The Paint As Fine Or As Coarse As You Like With Your Own Muller and Grinding Plate! Glass Muller: * Strong, break-resistant, tempered glass mullers * Short domed ergonomic handle * Comfortable to hold while grinding * Small: 2.16 in diameter x 1.96 in tall * Medium: 3.22 in diameter x 2.75 in tall Perfect For: * Grinding pigments to the finest possible powders * Making water-based or oil paints * Professionals and students * Making paints by hand! * Customized color mixing Grinding Plate: * Made of heavy-duty tempered glass * 0.47" (12mm) thick * Sandblasted for optimum grinding * Available in two sizes: * 11-¾" x 17-¾" (30 x 45 cm) * 17-¾" x 17-¾" (45 x 45 cm) Perfect For: * Grinding pigments to the finest possible powders * Achieving the necessary friction for grinding pigments * Evenly dispersing and mixing pigments with binder * Professionals and students * Making paints by hand * Customized color mixing See More
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Guerrilla Watercolor Board Half Sheet V 2.0Save Up to15%Off list…wrinkle free. The board is made of extruded aluminum and hardboard. It is easy to attach the board to a standard camera tripod for in-the-field painting. The Watercolorboard™ is designed to tightly stretch watercolor paper and keep it flat as it drys. As the screws on the frame of the board… The Watercolorboard™ is an easy way to keep your watercolor paper wrinkle free. The board is made of extruded aluminum and hardboard. It is easy to attach the board to a standard camera tripod for in-the-field painting. The Watercolorboard™ is designed to tightly stretch watercolor paper and keep it flat as it drys. As the screws on the frame of the board are tightened, tension is placed on the outside edges of the paper. After the paper has dried, the paper will stay flat and buckle-free during wet washes. The Watercolorboard™ has a comfortable carrying handle and can hold 140lb - 300lb paper. Carrying Portfolios - A high-quality nylon sack with zipper and a sturdy handle makes it easy to take your Watercolorboard™ anywhere. Key Features:* Lightweight Aluminum Frame* Attaches to standard tripod* Easy to use Perfect For:* Artists and students* Outdoor painting* Watercolor See More
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Ampersand Museum Series Aquabord 2" Deep Cradle Panel 15" x 22" (Box of 4)Save Up to42%Off listWhite Acid-free textured clay surface that absorbs watercolors like a fine paper Colors retain their purity and vibrancy on Aquabord in a way that even the finest watercolor papers cannot. This multimedia panel simulates the absorbency and texture of cold pressed paper but allows color to be lifted back to white easily while leaving the richest, most vibrant color possible. The surface is workable and can withstand color lifting and scrubbing even after the watercolor has dried. Glazes and transparent layers of color look amazing on Aquabord. It will not tear, shrink or buckle even under heavy water application. The Museum Series Aquabord is available in a 1/8" flat panel, or a 7/8", 1-1/2", or a 2" cradled panel. The 2" Deep Cradle eliminates the need for framing altogether. Stain, paint or wax the cradle edges and eliminate the cost of framing altogether! Key Features: * Acid-free textured clay surface absorbs watercolors like a fine paper * Available in 1/8", 7/8", 1-1/2", or 2" depth * Texture similar to cold-pressed watercolor paper * Unlike paper, it will never tear, shrink or buckle * Cradles constructed using premium grade 13-ply birch plywood * Archival, eco-friendly, and made in the USA Perfect For: * Watercolor, gouache, casein, acrylics, and inks * Painting bright, brilliant watercolors * Lifting color easily * Applying endless layers and glazes of color * Creating incredible details and highlights * Great for gouache, acrylic, and ink too! Frame Without Glass - Watercolors can be sealed and displayed without glass keeping colors and textures true to life! Artist and Environment Friendly - Ampersand Aquabordâ„¢ is made from sustainable forest products that ensure the protection of wildlife, plants, soil, and water. Always formaldehyde-free and no harmful volatile organic compounds. See More
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Grumbacher Final Fixative Matte, 11.75oz Spray
Starting At: 15.09
…and surface preparation for use on paper, acetate, foil, and glass that allows non-porous surfaces to accept water-based media without beading up. It dries to a non-glossy finish. Allow fixative to dry completely before painting, drawing, or touching the work. Do not over apply as it will cause… Fix And Protect Dry Media From Smudging! Grumbacher Final Fixatives are used to fix and protect dry media such as pastels, charcoal, pastel pencils, and graphite from smudging or rubbing off and come in glossy and matte finishes. Colorless, flexible, and non-yellowing, Final Fixative is fast-drying and is appropriate for use on paper, photographs, printed materials, and ceramics. Grumbacher Workable Fixative is a matte spray used to fix traditional dry media or dried designers gouache for additional layers of media. To prevent your paint from beading up on a non-porous surface like acetate, you can prepare the surface with workable fixative. Workable Fixative was initially developed for gouache paint users. The matte fixing spray allowed artists to fix dried gouache and paint over it without reawakening the original layer of paint. Now working fixative is primarily used with dry media. Grumbacher Final Fixative Matte Spray & Gloss Spray 11.75oz Can: Final Fixative is a workable fixative for charcoal, pastels, and pencil work, appropriate for use on paper, photographs, printed materials, and ceramics. Colorless, flexible, and non-yellowing, Final Fixative is fast-drying and can be reworked when dry. Do not over apply as it will cause a more dramatic color shift or even cause pastels to dissolve in the fixative. Grumbacher Workable Fixative Matte Spray 11.75oz Can: Workable fixative and surface preparation for use on paper, acetate, foil, and glass that allows non-porous surfaces to accept water-based media without beading up. It dries to a non-glossy finish. Allow fixative to dry completely before painting, drawing, or touching the work. Do not over apply as it will cause a more dramatic color shift or even cause pastels to dissolve in the fixative. Key Features: * 11.75oz Can, glossy or matte finish * Colorless, flexible, and non-yellowing * Fast-drying and can be reworked when dry * Protect dry media from smudging * Fix dry media * Workable Fixative allows non-porous surfaces to accept water-based media without beading up * Do not over apply Perfect For: * Protecting dry media * Adding lost tooth back to a drawing * Pastels, charcoal, pastel pencils, and graphite * Traditional designers gouache * Use on a wide range of artist papers * Professionals, teachers, students * Surface preparation for paper, acetate, foil, and glass * Paper, photographs, printed materials, and ceramics * Non-porous surface preparation for water-based media See More
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