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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to30%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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The Edge All Media Pro Cotton Canvas, 22"x30" - 11/16" Deep (Box of 6)Save Up to83%Off listWhite Professional Stretched Canvas with Four Paintable Edges Superior Priming For The Best Overall Results! Long favored with oil and acrylic painters, The Edge All Media Cotton Canvas is known for its’ tuck-n-roll style construction, providing beautifully clean, painted edges. Featuring a lovely, medium-toothed surface, the beefy 14oz. primed weight makes for a sturdy surface for all painting styles, even mixed media (The 100% cotton surface is an 8oz. raw weight before priming). Triple priming ensures an excellent barrier protection between paint and canvas, making it suitable for traditional and water mixable oils and alkyds to be used with excellent results. Creative Mark’s professional-quality white acrylic primer helps maintain color richness and brilliancy, while providing excellent adhesion for paint. World famous canvas that gives you the cleanest sides for painting onto for frameless displaying! Back spline stretched and stapled at each corner for durability, canvases can be wired for frameless presentation. Finish painting with solid-colored cleanly painted sides, or wrap painting around sides for a distinctive, modern look. Look for The Edge All Media Cotton Canvases in deeper depths for an even more striking presentation! Singles up to size 24x30in. Boxes of 6 All Sizes Please Note: Packaging may be labeled 3/4"; however actual canvas depth is 11/16". Key Features: * Available in: Single or Boxes of 6 * Beefy 14oz. primed weight * 8oz. raw weight before priming * 100% natural cotton * Triple-acrylic, archival priming * Medium tooth surface * Deluxe stretched canvas * Known for its’ tuck-n-roll style construction* Hand stretched by Skilled Craftsman using the best materials Perfect For: * Oils, Alkyds, Acrylics * Painted edge presentation * Mixed media works * Painters of all levels * Frameless artwork presentation * Excellent barrier protection between paint and canvas Available in more depths - The most complete line with 3/4", 1-1/2" and 2-1/2" depths! The Edge, Long Sizes, Why Long?As good as squares are they actually are used so often as there are few ways to do multi canvas expressions. There are diptych and triptych but not often used as long canvases are hard to find and so most often you have 2:3 ratio canvases. The Edge Long Canvas Sizes will go up 1:7 See More
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The Edge All Media Pro Cotton Canvas 10"x50" - 1-1/2" Deep (Box of 3)Save Up to85%Off listWhite Ignite your composition with an inspiring substrate! Extra Long Sizes Are you bored of painting on the same standard canvas size? Ready to shake things up and supercharge your creativity? The new Edge All Media Cotton Canvases come in 21 extra long sizes like 10x40" and 12x72"! We've designed these new hypnotic sizes to help you hook your viewer's attention. Our goal, as always, is to emphasize your artwork. The extra-long rectangular shape naturally focuses attention, whether it's a triptych, a non-traditional portrait, or an abstract piece. Each canvas is coated in a ground-breaking primer that maintains the richness and purity of your paint colors. Unlike other canvases with lesser quality primers, your paintings will keep their vibrant punch with excellent adhesion. Triple priming ensures superb barrier protection between paint and canvas, perfect for traditional and water-mixable oils. The Edge is known for its' tuck-n-roll style construction that keeps the back of the canvas neat and clean. A sturdy surface for all painting styles, even mixed media, The Edge features a beefy 14oz, triple primed medium texture. Finish your painting with solid-colored sides, or continue your design onto the sides for a distinctive modern look. Extra Longs/Longs/Multiples (triptych) - These used by themselves offer unique aspect ratios to achieve various single and multi-canvas compositions. They work well with squares, used as a square or diamond shape. The 6x18" and the largest being 18x64". Artists working in abstract impressionism have found these to be new heroes, to create unique multiple images that work together. Key Features: * Extra Longs/Longs/Multiples (triptych) * Create unique multiple images that work together * Available in: Singles or Boxes of 3 * 1-1/2" Deep, Extra long sizes * 100% cotton canvas * 14oz primed weight * 8oz. raw weight before priming * Triple acrylic primed * Medium texture canvas * Deluxe stretched canvas * Professional tuck-n-roll style construction * Hand stretched by skilled artisans * Perfect For: * Oils, alkyds, and acrylics * Painted edge presentation * Mixed media works * Painters of all levels * Frameless artwork presentation * Excellent barrier protection between paint and canvas * A non-traditional portrait * A landscape or an abstract piece * Painting a dazzling triptych See More
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Stonehenge Artist Oil Paper Sheet 22"x30", White (10-Pack)Save Up to30%Off listWhite Introducing the new gold standard in oil paper: Stonehenge Oil With Stonehenge Oil Paper, you can paint anywhere in the world, and you don't have to prep the paper. That's right, Stonehenge Oil Paper is ready to use straight out of the pack! Stonehenge excels where other oil papers fall short. You can achieve smooth color gradations and build layers of texture without the threat of ghosting or bleed-through. The durable 100% cotton paper welcomes layers and layers of brushwork and retains every detail. Once the painting is complete, you can mount the paper under glass or on a wooden panel. Key Features: * 100% Cotton oil paper * Acid-free and pH neutral * 140lb (320gsm) weight * No deckled edges * Available in sheet packs, pads, or a roll * No gesso prep required * Mount under glass or without Perfect For: * Oil paint, oil pastel, and acrylic * Oil paint sticks * Colored pencil and graphite * Plein air painting * Layers and layers of brushwork * Smooth color gradations and transitions * Building layers of texture See More
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Arches Oil Paper, 22"x30" 140lb Cold-Press Sheets, 10-PackSave Up to40%Off list…professionals and Plein air artists* Sketches and finished art in oil paints* Glazes and washes in thinned oils* Impasto and knife painting techniques* Multimedia artwork in oils and dry media* Convenient and portable oil painting surface* An essential surface for all oil painters! The… Unique, archival paper for all oil painting and multimedia techniques! Arches Oil Paper, Cold pressed 140lb is acid-free and contains no optical brighteners, which means your artwork will stand the test of time. This revolutionary new paper is sure to inspire oil painters the world over! Arches of France have been creating fine artists' papers since 1492, and new Arches Oil Paper is no exception. This innovative surface is designed specifically for use with oil paints, yet retains the look and feel of traditional Arches paper that artists have come to know and love. Archival and made from 100% cotton, Arches Oil Paper features a powerful oil barrier that absorbs water, solvents and binder but allows paints and pigments to sit up on the surface for a vibrant effect. Thanks to its semi-absorbent surface, the paint stays on the surface for an excellent rendering of the colours and faster drying times. Requires no prior preparation is, "ready to use" Key Features:* 100% cotton Heavyweight 140 lb. (300 gsm.) Cold pressed paper * Texture: fine grain / Colour: white* Edges (sheet): 4 deckle edges plus watermark* Powerful oil barrier absorbs water, solvents and binder* Paint and pigment remain on the surface* Strong, toothy surface withstands vigorous techniques* Ready to use - no preparation required!* Easy to frame, store & transport* Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706) Perfect For:* Students, professionals and Plein air artists* Sketches and finished art in oil paints* Glazes and washes in thinned oils* Impasto and knife painting techniques* Multimedia artwork in oils and dry media* Convenient and portable oil painting surface* An essential surface for all oil painters! The even-toothed texture of Arches Oil Paper is classic and familiar, and is also perfect for working over oil washes with pastels, pencils, and other dry media for exciting multimedia techniques. With its strong, tough composition, Arches Oil can withstand vigorous painting techniques, rubbing and scraping, and is heavy enough to support impasto layers. Perhaps best of all is its convenience: there's no preparation necessary, no need to size, gesso or prime - Arches Oil Paper is ready to use right out of the package! Simply pull out a sheet and paint - than when finished, it's simple to store, transport, or frame completed paintings. Perfect for bringing on Plein air painting trips, for creating quick sketches or finished works in oils, for multimedia art and more, Arches Oil Paper is an essential addition to any oil painter's repertoire! See More
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Arches Bright White 300lb Watercolor Paper, 22"x30" Cold Press (5 Sheets)Save Up to40%Off list…watercolour painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from… Bright White 100% Cotton Rag Watercolor Paper Without Brighteners Arches Bright White Watercolor Paper is mould-made in France, bright white 100% cotton rag watercolor paper without brighteners and considered the most popular in the world and a favorite among artists for over 500 years. The paper pulp is brighter than natural white, each gelatin-sized sheet has four deckle edges and may be repeatedly erased and over-painted on, while still maintaining its beautiful surface quality and integrity. Arches bright white paper is available in all three popular paper surface types and in 140lb & 300lb. The artists' choice for watercolor paper since 1492. Arches Bright White Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Bright White Cold Pressed surface is a particular favorite of illustrators, watercolorists, and airbrush artists. For a bolder, more robust surface, Arches Bright White Rough provides just enough texture allowing for easy working, and is strong enough to maintain its character even after reworking. The Rough texture is also used by watercolorists, airbrush artists, and acrylic painters. Key Features:* Bright white, mould-made* 100% long rag cotton* 140lb & 300lb* Mould-made in France* Available in hot press, cold press and rough grain!* 4 deckle edges: 2 natural deckled edges and 2 torn edges* Acid-free, no optical brightening agents Perfect For:* Watercolorists* Maintaining the integrity of the paper after repeated erasing and painting* Finished artwork* Wet techniques such as ink, gouache and acrylic Arches Bright White 100% Cotton Watercolor Paper Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould Uses: ideal for watercolour painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from penetrating into the thickness of the paper. See More
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Artistico Watercolor Paper - 22"x30" Extra White, 140lb Rough (10-Pack)Save Up to40%Off listWhite Four-Deckled Edge Watercolor Papers, Vegan Sized Fabriano's paper mill has been making fine art papers since 1264. They have pioneered many paper-making processes over the centuries, including paper sizing. Today, Fabriano uses vegan sizing to internally and externally size its papers without animal-by products. This new sizing allows watercolorists to have more control when lifting color. Fabriano has also modernized and reduced the size of its watermark because your artwork should be the star. All of Fabriano Artistico's 100% cotton rag watercolor papers are mould-made. This paper technique creates a more consistent and even water absorption over the surface and makes the paper robust and durable enough to withstand scrubbing. Fabriano Artistico Watercolor Paper has incredible working qualities, a beautiful surface texture, and two distinct "whites." Key Features:* 100% cotton, no whiteners* Vegan sized paper* Chlorine and acid-free* Mould-made* Four deckled edges* External and internal sizing* No animal by-products used* Cold, Hot, Rough, Soft Presses* No optical bleaching* Smaller watermark Perfect For:* Artists that want the best* Professional Watercolorists* Printmakers* Charcoal & graphite drawing* Soft press ideal for beginners* All water media! This high-quality watercolor paper satisfies the requirements of all professional and amateur artists. It is ideal for watercolor, tempera, gouache, acrylic, ink, charcoal, graphite, drawing, and printmaking. Artistico is offered in Traditional and Extra White and comes in Cold, Hot, Rough, and Soft Presses. Cold Press - (sometimes referred to as "Not Press") Italian translation is Grana Fina. It offers a lovely slight texture and tooth that grips pigment beautifully, created from pressing the finished paper between cold cylinders. Overall the most popular watercolor press. Hot Press - Italian translation is Grana Satinata. Provides a smooth, flat, even surface; produced by being run through hot cylinders. Perfect for multimedia drawings and paintings with all water media. Rough Press - Italian translation is Grana Grossa. Features a pronounced tooth and texture heavier than Cold Press, created from placing wet paper sheets between textured blankets and air drying. The rough press produces a grainy effect as watercolor pigment particles collect in the low parts of the paper. Soft Press - Italian translation is Grana Dolce. A unique surface that only Fabriano makes. It is a press between Cold and Hot, providing just enough texture for grip, and is considered almost spongy in feel. As a result, it is a favorite among printmakers. It is the perfect surface for beginner watercolorists who have not quite mastered the effects of Cold Press (available in Extra White). See More
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Arches Natural White 140lb Watercolor Paper, 22"x30" Cold Press (10 Sheets)Save Up to40%Off list…watercolor painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from… Natural White 100% Cotton Paper, Lasting Whiteness with Strength and Longevity The Artists' Choice For Watercolor Papers Since 1492! Mould-made in France, Arches Natural White Watercolor Paper is 100% cotton rag watercolor paper. Considered the most popular in the world, each gelatin-sized Arches watercolor paper sheet has four deckle edges and may be repeatedly erased and over-painted while still maintaining its beautiful surface quality and integrity. Arches natural white watercolor paper is available in all three popular watercolor paper finishes, hot press, cold press and rough grain Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Arches natural white watercolor paper has been a favorite among artists for over 500 years, and it's easy to see why! Made from 100% cotton linters and both internally and externally gelatin sized, acid-free Aquarelle watercolor paper is one of the finest art papers in the world. Sized to the core with natural gelatin, a process exclusive to ARCHES®. Even if it is soaked for a long time, the paper will still retain enough gelatin not to become too absorbent. Arches Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Cold Pressed surface is a particular favorite of illustrators, watercolorists, and airbrush artists. For a bolder, more robust surface, Arches Rough provides just enough texture allowing for easy working, and is strong enough to maintain its character even after reworking. The Rough texture is also used by watercolorists, airbrush artists, and acrylic painters. 260 lb. is approximately the same weight as 140 lb. paper but in double elephant (available in larger sizes than 22x30"). Key Features:* 100% long rag cotton* Mould-made in France* Available in hot press, cold press and rough grain!* Two natural deckle edges, two torn deckle edges* Acid-free, no optical brightening agents* Natural color* Sized to the core with natural gelatin Perfect For:* Watercolorists* Maintaining the integrity of the paper after repeated erasing and painting* Finished artwork* Wet techniques such as ink, gouache, and acrylic Arches Watercolor Paper, Natural White Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould Uses: ideal for watercolor painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from penetrating into the thickness of the paper. See More
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New York Central Watercolor Paper 140 lb Cold Press - 22" x 30" (10 Pack)Save Up to75%Off listWhite Premium 140lb & 300lb watercolor paper at an affordable price New York Central’s Watercolor Paper is made on a slowly rotating cylinder mould. The machine evenly distributes long cotton fibers to make each durable sheet. Internal and external gelatin sizing prevents paint bleed-through and preserves color vibrancy. Each sheet is 100% Cotton and has a balanced grain that softens as a unit when wet. The paper can withstand a multitude of techniques, including wet color blending, paper scratching, and scrubbing. The 5x7", 9x12", 11x14", 16x20", and 22x30" watercolor sheets come in reusable zip-top packaging designed to keep your paper clean. New York Central® Watercolor Paper is ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Key Features: * Available in rough, cold, and hot press * Bright white 140lb & 300lb paper made with 100% cotton * Acid-free and archival * Internally and externally sized * Sizing preserves the luster and transparency of watercolors * Superior surface stability * Made on cylinder mould * Holds up to scrubbing and erasing * Sold in sheet packs of 10 * Convenient zippable packaging keeps your paper clean Perfect For: * Wet and dry media* Watercolor, gouache, ink, and fluid acrylic* Scrubbing and color lifting techniques* Professional watercolorists* All water media! See More
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Guerrilla Painter Full Sheet Watercolor Board V2.0
Starting At: 25.63
…wrinkle free. The board is made of extruded aluminum and hardboard. It is easy to attach the board to a standard camera tripod for in-the-field painting. The Watercolorboard™ is designed to tightly stretch watercolor paper and keep it flat as it drys. As the screws on the frame of the board… The Watercolorboard™ is an easy way to keep your watercolor paper wrinkle free. The board is made of extruded aluminum and hardboard. It is easy to attach the board to a standard camera tripod for in-the-field painting. The Watercolorboard™ is designed to tightly stretch watercolor paper and keep it flat as it drys. As the screws on the frame of the board are tightened, tension is placed on the outside edges of the paper. After the paper has dried, the paper will stay flat and buckle-free during wet washes. The Watercolorboard™ has a comfortable carrying handle and can hold 140lb - 300lb paper. Carrying Portfolios - A high-quality nylon sack with zipper and a sturdy handle makes it easy to take your Watercolorboard™ anywhere. Key Features:* Lightweight Aluminum Frame* Attaches to standard tripod* Easy to use Perfect For:* Artists and students* Outdoor painting* Watercolor See More -
Multimedia Artboard 22" x 30", White, Pack of 5Save Up to35%Off listWhite All Mediums, One Board. Accepts oil and water-based paints! Multimedia Artboards feature one flat and one textured side and is the latest innovation in the materials you can use to paint on in virtually any media. Multimedia Artboards are made from a mixture of paper pulp and thermal set epoxy resin. Accepts both oil and water-based paints without buckling or warping! It may be painted upon with oil or acrylic color without pre-priming and when pre-dampened is a highly dependable surface for the watercolorist. In fact this sheet will not buckle so it does not require pre-stretching. * Accepts both oil and water-based paints without buckling or warping * Acid-free, lignin-free * Rated archival quality - ph factor of 6.7 to 7.0 neutral * No Priming required * Holds a definite edge * Does not have to be framed under glass * Can be erased, scraped, and sanded * Both front and back are usable surfaces * 1/32" Thickness (Paper/Board) * Sold in packs of 5 See More
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Strathmore 500 Series Mixed Media Paper - 4 Sheets 22x30"Save Up to33%Off listWhite Strathmore 500 Series Mixed Media Paper & Boards - Professional quality paper and board specifically designed for wet and dry media art! New from Strathmore Artist Papers comes their finest selection of art surfaces for multimedia artwork: 500 Series Mixed Media Paper and Boards! As with all of Strathmore's 500 Series line, these new paper surfaces are made of only the finest 100% cotton, and are archival, being both acid and lignin-free. Mixed Media Paper and Boards are the perfect surface for finished art in wet and dry media, collage, and more! They are internally sized for wet media work, with a slightly toothy vellum finish perfect for drawing techniques. The ideal professional grade surfaces for any multimedia art, whether graphite, colored pencil, watercolor, gouache, light acrylic, pastel, pen and ink, marker, collage and much more! Key Features: 100% cotton paper Professional grade surface Archival, acid and lignin free Internally sized Toothy vellum finish Popular Ready-Cut sizes Perfect for: Both wet and dry media art Drawings in pencil, marker, colored pencil, pen and ink Paintings in watercolor, gouache, light acrylic and inks Multimedia works and light collage * Mixed Media Paper – This 100% cotton, 90 lb. paper is archival and durable, being internally sized with a toothy vellum finish. Perfect for bookbinding techniques as well as mixed media art. Sold in packs of four 22x30" sheets. * Mixed Media Board – This sturdy, 52 pt. board consists of 2 sheets of Mixed Media paper mounted on either side of a high quality white board. Ideal for vigorous techniques, collage, fine art and commercial illustration. Available in standard 22x30" boards or packs of popular Ready Cut sizes for ready-made frames and mats. See More
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R&F Pigment Sticks Translucent Color Set of 6 (38ml) + Gessobord PanelSave Up to30%Off listAssorted Colors Professional quality oil paints in stick form R&F Pigment Sticks are oil paints manufactured with enough wax for the paint to be molded into stick form. Pigment Sticks allow the artist to draw or paint directly onto a surface without brushes, palettes, paint tubes, or solvents. Blending only finely milled pigments, natural wax (beeswax & plant wax), and alkali refined linseed oil, R&F Pigment Sticks have none of the additives, extenders, and substitutes that traditional tube oils contain. While the use of these adulterations can save a lot of work and reduce the cost of materials, they lower the quality of the paint. Consequently, the formulas are complex, and manufacturing is labor intensive and thus handmade in small batches where they are carefully milled and molded. The result is a professional quality oil Pigment Stick with a buttery, lipstick-like soft consistency that glides onto the painting surface. Paint Sticks can be thinned with traditional solvents, mixed with or used under or over traditional oils, or worked with a palette knife to a softer consistency to allow brushing onto a surface. Curing to a durable film like standard oils, Pigment Sticks can also be used with Encaustic paints for a variety of effects. Blending sticks are offered in two types and are colorless sticks that can be worked into a Pigment Stick color to increase transparency or blend colors together on the painting. Like with traditional oils, R&F Pigment Sticks should be used on primed surfaces that are oil or acrylic gesso primed to protect the surface from the natural acid in linseed oil. What is the difference between R&F Pigment Sticks and Oil Pastels? Although both are made with pigments, waxes, and oils, they are completely different! Oil pastels typically contain a much higher wax content than an oil stick or bar and are manufactured with a non-drying oil such as mineral oil or castor oil. Works done in Pigment Stick will oxidize (dry) over time like traditional oil paints, whereas oil pastels will always remain tacky and never dry, thus needing the protection of glass to protect the finished work. Explore the versatility and loosely gestural qualities this medium has to offer, with professional quality Pigment Sticks from R&F! Key Features: * Made solely of pigment, pure alkali refined linseed oil, and purified plant and bees waxes * Lipstick-like, soft creamy consistency * Contains no additives, extenders, or substitutes like tube oils * 2 types of Blending sticks for colorless blending * Works on any surface primed for traditional oils * Perfect For: * Use with traditional oils and encaustic paints * Gestural drawing with oils in stick form * Immediacy of paint without the need for brushes or tools * Thinning with solvents and oil mediums See More
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Ampersand Museum Series Aquabord 2" Deep Cradle Panel 22x30"Save Up to36%Off listWhite Acid-free textured clay surface that absorbs watercolors like a fine paper Colors retain their purity and vibrancy on Aquabord in a way that even the finest watercolor papers cannot. This multimedia panel simulates the absorbency and texture of cold pressed paper but allows color to be lifted back to white easily while leaving the richest, most vibrant color possible. The surface is workable and can withstand color lifting and scrubbing even after the watercolor has dried. Glazes and transparent layers of color look amazing on Aquabord. It will not tear, shrink or buckle even under heavy water application. The Museum Series Aquabord is available in a 1/8" flat panel, or a 7/8", 1-1/2", or a 2" cradled panel. The 2" Deep Cradle eliminates the need for framing altogether. Stain, paint or wax the cradle edges and eliminate the cost of framing altogether! Key Features: * Acid-free textured clay surface absorbs watercolors like a fine paper * Available in 1/8", 7/8", 1-1/2", or 2" depth * Texture similar to cold-pressed watercolor paper * Unlike paper, it will never tear, shrink or buckle * Cradles constructed using premium grade 13-ply birch plywood * Archival, eco-friendly, and made in the USA Perfect For: * Watercolor, gouache, casein, acrylics, and inks * Painting bright, brilliant watercolors * Lifting color easily * Applying endless layers and glazes of color * Creating incredible details and highlights * Great for gouache, acrylic, and ink too! Frame Without Glass - Watercolors can be sealed and displayed without glass keeping colors and textures true to life! Artist and Environment Friendly - Ampersand Aquabordâ„¢ is made from sustainable forest products that ensure the protection of wildlife, plants, soil, and water. Always formaldehyde-free and no harmful volatile organic compounds. See More
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Sennelier Extra Fine Oil Stick Set of 6 Fluorescents & MetallicsSave Up to40%Off listFluorescent Made from pure, concentrated pigments, the finest safflower oil and high-quality mineral wax Sennelier Extra-Fine Artist Oil Sticks can be used alone or in combination with tube oil paints. Like regular oils, they can be diluted with turpentine and dry to a hard film. These creamy, lightfast sticks may be used for sketching or for producing complete works of art on any traditional oil paint surface. Sennelier Artists’ Oil Sticks allow you to approach oil painting in an entirely new and expressive manner. They extend the degree of spontaneity, allowing for greater freedom in approach and without the need for a brush. Please note that packaging may vary - same great oil painting stick, with a new label! Key Features: * 82 colors available * Series 1: 41 colors (labeled S1) * Series 2: 21 colors (labeled S2) * Series 3: 20 colors (labeled S3) * Made of pure pigment, safflower oil, and mineral wax * Excellent lightfastness ratings * Can be diluted with turpentine * Intermixable with oil paints and mediums Perfect For: * Oil painters * Use for quick sketching * Canvas, panels, boards * Working with texture effects * Painting complete works of art * Traditional and contemporary techniques Sennelier Oil Sticks are a combination of oil paint, with a small amount of the oil substituted with natural mineral wax enabling them to be produced in stick form. These sticks are produced from pure pigments and have the highest possible lightfast and permanence ratings. Oil sticks can also be fully intermixed with conventional oil colors and mediums. A special mineral wax gives the sticks a creamy consistency, which ensures the adhesion of the color on all commercial oil painting surfaces. These Sennelier Extra-Fine Oil Sticks contain selected vegetable oils to guarantee permanent protection against yellowing. Varnish can be applied to your work after 6 months, as with conventional oil paints. Before using these Sennelier Extra-Fine Oil Sticks, remove the fine protective film on the stick. This film will re-form in a few days if the stick is not used. Colors dry in 2-4 days, depending on the thickness of the paint layer and the ambient temperature. See More
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Daler-Rowney System 3 Fluid Acrylic Liner, Coeruleum Blue Hue - 29.5mlSave Up to37%Off listBlue Ideal for pouring, dripping, and other liquid art techniques System3 Fluid Acrylics are made of rich lightfast pigments and a fluid acrylic base made for pouring and dripping techniques. The tapered tip of the liner is perfect for contour effects and precise line work. You can play with different painting techniques because the fluid colors are compatible with all System3 paints and mediums. Best of all, the System3 Fluid Acrylics have great covering power, so you can cover a large surface area without wasting a lot of paint. Key Features: * Quality fluid acrylic with intense pigment load * 29.5 ml Liner bottles with precise applicator tip * Great opaque covering power * Lightfast and permanent * Supercharged vibrant colors * Compatible with all System3 colors * ACMI Certified, Conforms to ASTM D-4236 * Made in England Perfect For: * Pouring, dripping, and all liquid art techniques * Brush and knife application * Canvas, board, paper, fabric, or drywall * Murals and large surface area applications * Painting layers of color * Painting permanent works of art See More
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R&F Pigment Stick 38ml - Blending Stick plus DrierSave Up to20%Off listClear Transparent Designed for blending edges, heightening transparency, and glazing colors! R&F Blending Sticks & Mediums are the same as R&F Pigment Sticks without the pigment. Excellent for glazing, blending edges, and heightening transparency, the medium can be worked directly into color, or you can use it to blend colors on a surface. R&F uses only natural beeswax, plant wax, and linseed oil in its mediums. The medium is available in a jar or stick format with or without Cobalt Drier. The blending medium with drier contains Cobalt Drier, which helps speed up pigment drying time. Cobalt Drier can affect color, so the best method is to work colors on top of the medium after some of it is spread on canvas. Key Features: * Blending medium adds body * Available with or without drier * Sticks or jars * Cobalt Drier speeds up drying time * Best to work colors on top of medium Perfect For: * Extending oil paint * R&F Pigment Sticks * Creating glazes * Blending colors and lines * Heightening transparency * Adding body and extending oil colors See More
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Daler-Rowney Georgian Oil Color 38ml Tube - French Ultramarine BlueSave Up to46%Off listBlue Artist quality oil colors at a much better value! "Buttery and vivid... These paints come alive!"-Thumper, Artist & Customer (Auburn, WA) Daler-Rowney’s Georgian Oil Colors are the product of over 200 years of fine craftsmanship from the company’s color factory in Bracknell, England. Named for the company’s founder, George Rowney, his passion for traditional milling techniques in the pursuit of classical and modern colors has translated into the satisfying experience for both brush and palette knife painting today. Georgian Oil Colors provide a high quality oil color at a uniform and economical price. They use lightfast and permanent pigments that are triple-milled for easy mixing and consistent brilliance across all colors. The precise measurements used for individual colors requires the perfect balance of oil content and high quality pigment, finely ground to release the full intensity of the color and to ensure complete dispersion. Their new and improved formula provides enhanced single pigment color brightness, which remain consistent from first application to final finish. The Georgian Oil Colors generally require very limited quantities of added mediums, which is perfect for using freely straight from the tubes. Students and professional artists alike will feel they have found a workhorse, both for their studios and for plein air painting. Key Features:* 54 brilliant colors available* High lightfast ratings and highly permanent* 24 single pigments, 31 opaque or semi-opaque colors* Improved color strength (color reduction 5:1; mix of 5 part of white and 1 part of the color to show the effect/ result)* Improved consistency of drying from 4-5 days to 2-5 days* All colors are rated as Permanent**** or Normally Permanent*** Perfect For:* Student to professional works * Classrooms and workshops * Large scale projects * Artists in search of an unbeatable value * Daler-Rowney Georgian Oil Color Selection Set of 10 - The Perfect Set For The New Oil Artist! This set includes ten popular colors in generous 38ml tubes Ten 38ml Colors include: Titanium White, Lemon Yellow, Cadmium Red Hue, Alizarin Crismon, French Ultramarine, Viridian Hue, Yellow Ochre, Burnt Sienna, Raw Umber, and Ivory Black See More
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R&F Pigment Stick 38ml - Provence BlueSave Up to20%Off listBlue Handmade Oil Paint in Stick Form! R&F Pigment Sticks are oil paints manufactured with enough wax to mold the paint into stick form. Pigment Sticks allow the artist to draw or paint directly onto a surface without brushes, palettes, paint tubes, or solvents. Blending only traditional materials: finely milled pigments, natural wax (beeswax & plant wax), and alkali refine linseed oil, R&F Pigment Sticks have none of the additives, extenders, and substitutes that traditional tube oils contain. While using these adulterations can save a lot of work and reduce the cost of materials, they lower the quality of the paint. Consequently, the formulas are complex and manufacturing is labor intensive, and thus handmade in small batches where they are carefully milled and molded. The result is a professional quality oil Pigment Stick with a buttery, lipstick-like soft consistency that glides onto the painting surface. Paint Sticks can be thinned with traditional solvents, mixed with or used under or over traditional oils, or worked with a palette knife to a softer consistency to allow brushing or knifing onto a surface. Curing to a durable film like standard oils, Pigment Sticks can also be used with Encaustic paints for a variety of effects. Blending sticks are offered in two types and are colorless sticks that can be worked into a Pigment Stick color to increase transparency or blend colors together on the painting. Like with traditional oils, R&F Pigment Sticks should be used on primed surfaces that are oil or acrylic gesso primed, to protect the surface from the natural acid in linseed oil. What is the difference between R&F Pigment Sticks and Oil Pastels? Although both are made with pigments, waxes, and oils, they are completely different! Oil pastels typically contain a much higher wax content than an oil stick or bar, and are manufactured with a non-drying oil such as mineral oil or castor oil. Works done in Pigment Stick will oxidize (dry) over time like traditional oil paints, whereas oil pastels will always remain tacky and never dry, thus needing the protection of glass to protect the finished work. Explore the versatility and loosely gestural qualities this medium has to offer, with professional quality Pigment Sticks from R&F! Key Features: * Made solely of pigment, pure alkali refined linseed oil, and purified plant and bees waxes * Lipstick-like, soft creamy consistency * Contains no additives, extenders, or substitutes like tube oils * 2 types of Blending sticks for colorless blending * Perfect For: * Use with Traditional Oils and Encaustic Paints * Gestural drawing with oils in stick form * Immediacy of paint without the need for brushes or tools * Works on any surface primed for traditional oils * Thinning with solvents and oil mediums See More
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