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Related Categories: Mottler | Extra Large Stretched Canvas | Gesso Paint | Jack Richeson Stretcher Bars | Gessoed Canvas | Natural Canvas | Da Vinci Fit Synthetic | 72" Stretcher Bars
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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to30%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Gamblin Oil Painting Ground 32oz CanSave Up to25%Off listWhite Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More
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Gamblin Oil Painting Ground 32oz CanSave Up to25%Off listWhite True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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M. Graham Walnut/Alkyd Oil Medium 32oz. CanSave Up to40%Off listAugment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans -… Augment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Perfect for removing color from brushes after use and since it is a natural vegetable oil, it will not evaporate or remove essential oils from the artists' paint brushes. Walnut oil can also slow drying, increase sheen and enhance the flow of oil colors.Walnut/Alkyd Medium - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Can thin the color, enhance adhesion between layers, increase surface sheen and speed up drying time for oil colors. This medium can also increase flexibility of the paints. Walnut/Alkyd Medium is ideally suited for all-prima and glaze applications and is certified non-toxic. Key Features:* Available in 4 different sizes* Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans* Non-toxic* Safe to use on brushes Perfect For:* Working with oil colors* Speeding up drying time* Increasing adhesion and flow of oil paint See More
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Williamsburg Stand Oil, 32oz BottleSave Up to30%Off list…Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film… The Perfect Accompaniment to Williamsburg Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film strength and durability. Williamsburg is proud to offer a unique selection of drying oils and mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss. Useful as an ingredient in painting mediums. Cold Pressed Linseed Oil - Genuine, cold-pressed linseed oil. Extracted through pressure alone. Less processed than alkali-refined oil. Closer to what was traditionally used in the past. Stand Oil - a thick, honey-like linseed oil with excellent leveling properties. Increases flow, transparency, and gloss. Useful as an ingredient in painting mediums. Slower drying and less yellowing than other linseed oils, it creates a smooth, durable, flexible film. Wax Medium - Pure beeswax, damar resin, and refined linseed oil. No paraffins or microcrystalline. Use in moderation to thicken paint; imparts a short, buttery texture. Increases transparency, dries to a satin sheen. Alkyd Resin - Made from a slow-drying pure alkyd resin with the consistency of a thick stand oil. Dries to a glossy, flexible, and enamel-like film. Useful in making other mediums or added directly into oil paints to modify transparency and flow. WARNING: Combustible. Vapor harmful. Key Features:* Professional, Handmade Oil Mediums* Quality cold-pressed drying oils* Oils to make custom mediums* Wax Medium to thicken paint* Perfect For:* Making custom painting mediums* Professional Oil Painters* Discerning students & amateurs* Using with professional quality oils See More
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RAS Tempera Paint for Kids 32 oz Bottle - Burnt UmberSave Up to41%Off listBrown Real Art Supplies for Kids: High quality, non-toxic tempera paint for all applications! Let your children create with the best: RAS Tempera paint! RAS materials are Real Art Supplies for Kids, designed to mimic the color selection and names of a true artists' palette, thus easing the later transition into student and artist grade paint lines. This high quality line of tempera paint is rated ACMI non-toxic and safe for kids of all ages, with a range of vibrant colors that cover beautifully and go on velvety smooth. Water-soluble and easy to clean up with just soap and water, RAS Tempera is an excellent choice for works on paper, windows and is guaranteed to inspire your young artist to greater creative heights! Key Features: * Non-toxic tempera paint for kids * Mimics the colors and names of traditional artists' colors * Water-soluble, easy clean up 17 vibrant colors with excellent coverage * Goes on velvety smooth, dries quickly * Available in 16 oz, 32 oz, and Gallon sizes Perfect For: * Kids of all ages! * Classrooms and Teachers * Social art parties See More
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Liquitex Professional Paint Marker Wide (15mm) - Fluorescent BlueSave Up to16%Off listFluorescent Low-odor, water-based acrylic paint markers for artwork indoors and out! This exciting new line of paint markers from Liquitex boasts all the professional quality of traditional Liquitex paints — and can intermix with them too! Professional Paint Markers are an artist grade, highly pigmented, water-based paint within a convenient marker with precision nibs: putting all the control into the hands of the artist! Available in two sizes — Fine chisel tip (2 -4 mm line) and Wide (15mm square tip) — any mark from wide, sweeping strokes to tiny details can be achieved with just the flick of a wrist. With a broad range of 50 lightfast, highly pigmented colors, Professional Paint Markers match perfectly with all other Liquitex lines, including Spray Paint, Heavy Body and Soft Body acrylics, and can be used in conjunction with Liquitex mediums and varnishes for amazing effects. The optimized design includes an innovative pump-valve system for even paint flow and replaceable nibs for precision control — the possibilities are endless! Whether working on bricks and cement outside, or paper and canvas in the studio, new Liquitex Professional Paint Markers let you control every brilliant mark! Packaging my vary. Key Features: * Acrylic water-based paint markers * Lightfast, durable and permanent * 2 sizes: Fine chisel tip (2-4mm) & Wide square tip (15mm) * Broad range of 50 brilliant colors Perfect For: * Graffiti, street art & fine art alike * Interior & exterior use * Intermixing with other Liquitex lines * Art on paper, canvas, wood, brick, stone, glass & more! See More
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Posca Acrylic Paint Marker 15 mm X-Broad Tip BlackSave Up to33%Off listBlack Water-Soluble, Non-Toxic, and Lightfast Acrylic Paint Markers POSCA markers contain highly pigmented water-based acrylic paints. The paint is highly opaque, quick-drying, lightfast, and non-toxic. POSCA Paint Markers are blendable when wet and can be diluted with water to create a gradient effect on almost any surface. Thanks to its fast-drying time, you can layer colors on top of each other. The pen has a valve mechanism that allows for a tight paint seal. Before each use, you can shake the ball inside the barrel to prime the marker. Thanks to its fast-drying time, you can layer dark colors over light colors or even bright colors over dark colors. The ball inside the barrel of the POSCA markers ensures that when shaken, the paint is evenly mixed. The valve mechanism provides a tight paint seal that prevents the paint from drying out. After use, you can rinse the pen tips under water. Permanent on porous surfaces and erasable on most smooth non-porous materials, your creations can be protected with a fixative varnish. Use POSCA Paint Markers on a variety of surfaces, including wood, fabrics, glass, ceramic, plastic, metals, stones, papers, cardboard, and canvas. Key Features: * Water-soluble Paint Markers * Non-toxic, alcohol-free, lightfast acrylic * Valve mechanism provides tight paint seal * Ball in barrel primes marker * The medium tip is reversible * Quick-drying matte opaque colors * Stable pigments * Permanent on porous surfaces * Erasable on most non-porous materials * Perfect For: * Multiple art projects * Blending and layering colors * Creating infinite gradations of color * Use on a variety of different surfaces * Indoor and outdoor use * Bright compositions * Drawing smooth, consistent lines * Wood, fabrics, glass, ceramic, plastic * Metals, stones, papers, cardboard, and canvas Glass, Plastic, and Metal: Clean the surface with a cloth and ensure it is dry before starting work. Make artwork permanent by applying two coats of water-based spray varnish. Hold the can about 30 cm from the surface and spray in slow circular movements. The varnish can be matte or gloss depending on the look you want. (Not suitable for food use) Fabric: Machine-wash the fabric you plan to draw on to remove any industrial coatings or dirt. To prepare natural or artificial leather, wipe with a damp sponge and leave to dry. Once your creation is finished and dry, you can iron it from the reverse side without using steam. Set the temperature of the iron to the material setting for the fabric you are ironing. You can place a sheet of tracing paper between the iron and the fabric for extra protection. If the fabric used is not suitable for ironing, you can fix your creation with a hairdryer. Hold it 30 cm from the surface and make small circular movements. Ceramic: With treated ceramics, fix your creation for non-food use using a water-based spray varnish, spraying from about 30 cm in small circular movements. With rough ceramics, fire your creation in the oven. Heat the ceramic in the oven slowly to 220°, then turn off the oven and allow it to cool completely before taking it out. Fix the paint on porcelain in the same way, but to a temperature of 160° and for no more than 45 minutes. To give your creation the longest possible life (for non-food use), you can apply a water-based varnish or adhesive varnish. Afterward, you can only hand wash the ceramic in cold water. See More
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Cylo 32oz Paint Squeeze Bottle,Creative MarkSave Up to63%Off list…store and apply paint CYLO® Bottles are an ingenious way to store your paint. You don't have to fiddle with a cap or turn the bottle over. Just pick up and squeeze. The paint exits the CYLO® bottle from a non-drip silicone valve on the bottom. This unique design keeps your paint fresher longer while… First In, First Out BOTTLES! an ingenious way to store and apply paint CYLO® Bottles are an ingenious way to store your paint. You don't have to fiddle with a cap or turn the bottle over. Just pick up and squeeze. The paint exits the CYLO® bottle from a non-drip silicone valve on the bottom. This unique design keeps your paint fresher longer while minimizing paint waste because the acrylic color at the bottom of the bottle is always used first. Our CYLO® bottles are patterned after the regular F.I.F.O. bottles, but our specially designed seal protects acrylic paint from air that can cause drying issues. F.I.F.O. bottles! The specially designed seal protects acrylic paint from air that can cause drying issues. Unique design keeps your paint fresher longer while minimizing paint waste because the acrylic color at the bottom of the bottle is always used first Key Features: * 20oz and 32oz sizes * Just pick up the bottle and squeeze to apply paint * Your acrylic paint is always ready to dispense * The bottle is filled from the top, squeezed out from other end * Non-drip silicone valve on the bottom * Unique design to keep paints fresher longer * No need to fiddle with caps * Perfect For: * Soft body viscosity water-based paint * Minimizing paint waste * Prolonged storage * Preventing paint from drying out * Storing custom color combinations * Classroom, home, and studio * Teachers and students * Restaurants and the food industry * No-hassle, everyday use See More
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Pebeo 4Artist Marker Copper Wide Nib 15 mmSave Up to25%Off listMetallic Discover Your Own Ways of Painting with Oil-based Marker pens! Pébéo 4Artist oil-based paint markers offer highly pigmented, glossy, opaque mixable colors in a pen for precision drawing with oil colors. The range is available in 18 colors with excellent lightfastness and a gloss finish. The soft nibs allow for more fluid application compared with other paint markers. The colors adapt for work on canvas, paper, cardboard, wood, metal, plastic, glass, ceramic, porcelain, and plaster. Please note: You must prime the 4Artist oil-based paint marker before use. With the top on, shake the marker firmly to get the ball inside moving. Then, on a sheet of paper, press on the tip several times to soak it with paint. Key Features: * Multi technical oil based * Faster drying with glossy finish (5 to 15 minutes depending on the porosity of the surface and the thickness deposited) * Extremely versatile * Exceptional metallic colors * Excellent UV resistance * 2, 4, 8, and 15 mm nibs available * Vivid, opaque oil-based markers * Quick drying Perfect For: * Covering large areas * Can be used to sign oil paintings and giclees before varnishing * Graphic design and calligraphy * Mixed media applications * integrates perfectly with mixed media * Works well on canvas, paper, cardboard, wood, metal, plastic, glass, ceramic, porcelain and plaster Pebeo 4Artist Oil Based Paint Marker with 8mm chisel tip is a broad, vivid marker that is great for fine and graphic art, crafts and mixed media. Works on a variety of surfaces like canvas, paper, metal, glass, wood, plastic and cardboard. Colors are permanent and light-fast when dry. Pebeo 4Artist Oil Based Paint Markers 2mm are vivid, opaque oil-based markers that dry quickly and feature brightly colored caps so you can spot the one your are looking for quickly. 2 mm round tip works well for fine details and 4 mm round tip is best for design, finishing touches and writing. Colors can also be layered. Works well on canvas, paper, cardboard, wood, metal, plastic, glass, ceramic, porcelain and plaster. Pebeo 4Artist Oil Based Paint Marker 15mm BROAD NIB is available in 5 highly pigmented, glossy finish colors which offer excellent lightfastness across the entire color range. Ideal for applying on smooth, non-porous surfaces, the colors are quick-drying and can also be diluted, even after several weeks, to obtain shades, glazes, gradients and fading effects. Its unique formula brings traditional oil painting techniques to a whole new level. It is now possible to paint with oils while enjoying the properties of a paint marker (accuracy of line, colour overlays …). See More
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Molotow ONE4ALL 15mm Marker - True BlueSave Up to20%Off listBlue These multifaceted acrylic-based paint markers will revolutionize graffiti art! Imagine a world where graffiti art is possible and stained hands don't exist! Welcome to the world of Molotow ONE4ALL Acrylic Paint Markers! The unique line of Molotow acrylic-based paint ONE4ALL graffiti markers will replace the accumulated utensils of a graffiti artist's tool belt: countless spray cans, airbrushes, permanent markers and paint brushes. Everything is possible with these highly pigmented, acrylic-based markers. ONE4ALL markers allow artists to tag their creations on nearly any surface, indoor or outdoor. The ONE4ALL markers are preferred by, but not limited to, illustrators, writers, and street artists. Molotow offers 12 interchangeable tips, 40 different colors, and 5 different marker sizes. There are over 1,000 combination possibilities, and with these premium ONE4ALL markers, street artists will be unstoppable! Key Features: * Customizable acrylic-based paint markers * 40 brilliant, opaque colors * On-the-fly refillable marker - Ability to be refilled! * Dries quickly, dilutable with water or acetone Perfect For: * Illustrators, calligraphers and street artists * Heavily UV exposed surfaces * Large area application * Replacing traditional street art tools See More
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Krink K-55 Fluorescent Pink, Acrylic Paint Marker 15mm Block TipSave Up to25%Off listRed Create jaw-dropping designs with K-55 Acrylic Paint Markers! With Krink K-55 Acrylic Paint Block Tip Markers, you can create jaw-dropping designs on smooth surfaces like paper, plastic, glass, and painted metal. The water-based acrylic ink is xylene-free, solvent-free, and odor-free, so you can use the markers inside without worrying about fumes. Each marker has a 30 ml ink capacity and an extra wide 15 mm block-shaped chisel tip. Because the chisel tip has a wide shape and a skinny profile, you can create thick or thin lines. The vivid colors in the set of 6 are also available individually. So if you like one of the colors in the set, you can buy a replacement when the color runs out. Best of all the K-55 fluorescent colors glow under black light. Imagine the sneaky messages you could hide in your art with paint colors like that! All of the K-55 fluorescent colors glow under black light. Imagine what great surprises you will be able to hide in your artwork with fluorescent paint! Box set of 6 includes Black, Fluorescent Blue, Fluorescent Green, Fluorescent Orange, Fluorescent Pink, and Fluorescent Yellow. Key Features: * 8 Vivid colors * 30 ml paint capacity * 15 mm wide block-shaped chisel tip * Water-based acrylic ink * Xylene-free, solvent-free, and odor-free * Fluorescent colors glow under black light * Juicy opaque coverage * Permanent finish once dry * Handmade in the USA * Conforms to ASTM D-4236 Perfect For: * Use on paper, plastic, canvas, and painted surfaces * Smooth surfaces * Drawing thick or thin lines * Large scale calligraphy work * Making signs * Mixed media paintings and drawings * DIY projects Warning: May cause irritation. The markers are not recommended for children under six years of age. See More
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Liquitex Basics Acrylic Paint - Cadmium Orange Hue, 32oz JarSave Up to30%Off listOrange BASICS is for all - from those new to painting, to experienced artists! Liquitex BASICS Acrylic Paints, developed for students and artists that need dependable quality at an economical price. Liquitex BASICS paints have a medium-viscosity that allows for easy use, mixing and easy blending. Paint provides great coverage, drying to a satin finish, with colors uniquely formulated to bring out maximum pigment. Basics paints are more economical due to lower pigment content, striking a balance between affordability and quality and maintain a consistent medium viscosity across all colors for versatility! Colors are uniquely formulated to bring out the maximum pigment and are intermixable with all Liquitex BASICS colors and mediums. With a full color range of 72 colors, BASICS are great for learning color mixing and color theory. Perfect for beginners, large scale works or backgrounds, murals, and learning color mixing! Liquitex BASICS medium-viscosity paint is made with lightfast, artist-quality pigments. All colors hold the AP seal from ACMI for being non-toxic, so they are safe for even young beginners. Key Features:* 4oz., 32oz., 250ml and 400ml* Dependable paint, affordable cost* Value/Student Series Acrylic* 48 color spectrum* Excellent working qualities* Great coverage, drying to a satin finish* Medium viscosity paint is made with lightfast, artist-quality pigments Perfect For:* Underpainting or sketching if you’re a serious artist* Students learning Acrylics* Artists painting large scale* Budget-minded Artists* Color studies and practice* Characteristics: Medium viscosity, Fine art pigments, Satin finish & Easy blending Techniques: Sketching & underpainting, Color theory/mixing, Collage & mixed media USES AND TECHNIQUES:* Traditional Acrylic Painting on canvas or panel, easy blending* Experimental Acrylic Painting* Collage and Mixed Media * Printmaking: Screen Printing, Mono Prints, Block Prints* Color Theory & Mixing See More
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GOLDEN Fluid Acrylics Quinacridone Nickel Azo Gold 32 ozSave Up to30%Off listYellow GOLDEN Fluid Acrylics provide a highly intense, permanent acrylic with a consistency similar to india ink. Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying (particularly when mixed with GOLDEN Airbrush Medium), staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. Fluids allow for smooth flowing applications while retaining color intensity, tinting strength, film integrity, and adhesion. Fluids blend easily with all acrylic colors, and readily tint gels, mediums, gessoes and grounds. Fluid Acrylics are extremely versatile, and ideal for fine brushwork, glazing, staining, water media techniques and many more. Mix Fluid Acrylics with Airbrush Medium for airbrush application of artwork including textiles. Key Features: * Smooth flowing applications * Permanent and lightfast colors * Extremely versatile * High tinting strength * Low-viscosity, pigment-saturated paint * Retain excellent flexibility when dry * High pigment levels suspended in an acrylic polymer vehicle * Perfect For: * Fine brushwork * Glazing and staining * Water media techniques * Dry brush application * Spraying, brushing, and staining * Allowing for longer, more uniform brush strokes * Absorbing the constant stress and strain placed on canvas Golden Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility, and good adhesion. * Golden Fluid Acrylics Interference Colors which reflect their own colors in intense direct light and transmit a complement in indirect light. This "flip" varies according to the surface and the surface color. Adding a small amount of black will produce brighter colors. * Golden Fluid Acrylics Iridescent Colors reflect their own light. They appear differently dependent on the light source being either direct or indirect. Mix these colors into other GOLDEN colors to produce the greatest array of pearlescent colors imaginable. Experiment for unique and fascinating effects. See More
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GOLDEN Open Acrylic Paints Titanium White 32 ozSave Up to30%Off listWhite Slow-drying acrylic paint that enables painters to explore techniques GOLDEN OPEN paint is a slow-drying acrylic paint that enables painters to explore techniques traditionally reserved for oil paints. The slow-drying quality gives artists longer working time for easier blending and even subtractive techniques. There is a unique thinner and mediums for use with OPEN, but the paints are compatible with regular fast-drying acrylics and clean up with soap and water like regular acrylics. OPEN Acrylics are formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion to produce a paint with a uniquely relaxed set of working characteristics and a versatility that allows artists to explore a wider range of techniques such as portraiture and landscape painting that rely on softening, shading, glazing, and creating fine detail. Increased working time of these colors expands their range to include more traditional techniques once only possible with oils Key Features:* Resists skinning, remain wet on the palette for extended periods* Feels like no other paint* Stays wet longer* Expands the boundaries of acrylics* Formulated with an optimum balance* Tubes: 2oz. & 5oz. / Jars: 4oz. & 8oz.* Titanium White: 32oz. Jar* 100% acrylic polymer dispersion* Perfect For:* A uniquely relaxed set of working characteristics and versatility* Allowing artists to explore a wider range of techniques* Portraiture and landscape painting* Softening, shading, glazing, and creating fine detail* Plein air painting, mono-printing, and screenprinting* Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors* Reducing the amount of paint wasted and preserving color mixtures for future use How long does it take for Golden Open acrylics to dry? GOLDEN OPEN typically dries in 3-5 hrs. To control viscosity while maintaining the maximum working time Use OPEN Mediums and Thinner. To accelerate drying time, OPEN Acrylics may be blended with faster-drying GOLDEN Acrylics, Gels, and Mediums. OPEN Acrylics resist skinning, remain wet on the palette for extended periods, and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, mono-printing, and screenprinting. OPEN Acrylics may be blended with other GOLDEN Acrylic Colors, Mediums, and Gels, with the open time of the resulting mixtures being proportionately reduced. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. See More
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Gamblin Artists Oil - Flake White Replacement, 32oz CanSave Up to25%Off listWhite Gamblin Artist's Oils, The only choice for professionals! Gamblin has deep history and transformed oils and pigments into luscious, rich oil paints. Gamblin Artist's Oil Paints are made with refined linseed oil, so the paint film is more flexible and yellows significantly less than traditional linseed oil. No adulterants are used, so each color retains its unique tinting strength, undertone, and texture. Gamblin oils have a luscious working properties, and the colors are radiant. We're sure you'll agree that the quality of these oil colors is exquisite. For everything from realism to contemporary abstraction, you'll find the colors you need in the Gamblin line. Key Features: * Oil Paints: Available in 37ml and 150ml tubes, plus 8 oz. and 16 oz. cans * Sets w/ painting panels: Set of 9, Set of 3 * Professional quality * Inorganic colors made from metals (Cadmium, Cobalt, Iron, etc.) * 19th-century colors of the Impressionists * Classical and Renaissance era colors * High pigment load, low oil absorption * Colors easily grey-down in mixtures * Mostly opaque with a few semi-transparent and transparent colors * Made in Portland OR, USA * Perfect For: * Professional oil painters * Plein air artists * Alla prima painting * Vibrant portraits * Painting natural colors and light * Accurately reflecting the hues of nature * Smooth consistency and buttery feel * Outstanding lightfastness * Everyday studio use! Gamblin Metals- Gamblin Copper, Rich Gold, Pale Gold, and Silver are made by suspending bronze and aluminum powders in an alkyd binder. It's the light reflecting from all those bits of metal that create the "metal finish." The real metal flakes scatter light in many different directions giving surfaces painted with Metals a soft, lustrous appearance. Gamblin Metals have distinctive mixing characteristics. When mixed with transparent colors, they maintain their metallic luster and give glaze layers a unique sparkling quality. Gamblin Artists' Colors Introductory Set of 9 Colors Includes nine 37ml. tubes and a ready-to-use, This set contains one 6.5" x 12" pre-primed painting panel with 1.5in cradle depth.pre-primed birch painting panel handcrafted in North America from sustainable forests. Made in the USA. 37ml Colors include: Cadmium Yellow Light, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Viridian, Yellow Ochre, Burnt Umber, Ivory Black & Titanium White Reclaimed Earth Set of 3 Tubes: Colors in the set include Rust Red, Iron Violet, and Brown Ochre. The tubes are nestled in a 6"x6" primed panel made in Oregon by American Easel. The masterfully constructed panel has poplar cradled sides and a Baltic birch face. Every speck of pigment in these tubes has been painstakingly reclaimed from waters tainted by iron released from mines. Iron oxides make lightfast, natural, and safe oil paints. John Sabraw and engineer Guy Riefler figured out how to extract iron from the polluted rivers, restore ecosystems, and create economic opportunities in communities struggling with environmental damage left behind by the coal mining industry. By purchasing this limited edition set you are supporting hard-working communities and helping make the Ohio and Mississippi Rivers healthier ecosystems. Is Gamblin Oil Paint Professional Grade? Gamblin Artist's Oil Paints are Professional Grade made with refined linseed oil! Gamblin always wanted to give artists color at its maximum with a luscious texture. There is so much more to our work than fine raw materials and high pigment loads. Gamblin is dedicated to getting that balance right. Every color. Every batch. Every time. See More
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Liquitex Acrylic Fluid Mediums - Gloss, 32ozSave Up to40%Off list…non-yellowing, water-resistant film. Palette Wetting Spray: Slows drying time of acrylic color on palette or canvas and improves color blending. Spray and re-spray as needed to prevent acrylic paint from skinning over. Key Features: * Thin viscosity of heavier body paints, giving increased flow *… Lower the viscosity of heavier body paints >Liquitex Fluid Mediums are fluid and reduce the viscosity of heavier paints and gels, tend to self-level, and do not retain brushstrokes. Rather than using water, Liquitex Fluid Mediums modify acrylic paints in a variety of ways and contain acrylic resins to maintain or enhance adhesion and durability. With Liquitex Acrylic Fluid Mediums, you can give your paint a gloss or matte finish while thinning and extending its volume. Glazing Medium: Increases transparency, lowers viscosity, and enhances gloss. Perfect for creating brilliant, jewel-like glazes. The medium dries to a water-resistant, non-yellowing film. Gloss Medium: All-purpose medium for imparting gloss. Matte Medium: Mix into colors so that they dry uniformly matte. Satin Medium: Mix into colors so that they dry uniformly satin. You can thin and extend acrylic paint with Satin Medium or use the medium as a collaging adhesive. Slow-Dri Blending Medium: This fluid medium will increase the open working time of your acrylics by up to 40%. Increases transparency when shading, blending, and mixing colors. Blending medium dries to a clear, flexible, non-yellowing, water-resistant film. Palette Wetting Spray: Slows drying time of acrylic color on palette or canvas and improves color blending. Spray and re-spray as needed to prevent acrylic paint from skinning over. Key Features: * Thin viscosity of heavier body paints, giving increased flow * Increases the color depth and transparency * Extends your color further without affecting acrylic stability * Maintain paint adhesion, durability, and archival quality * Archival and permanent * Intermixable with all Liquitex materials * Perfect For: * Acrylic painting * Minimizing paint waste * Collaging & mixed media * Photo transfers * Classroom, home, and studio * Teachers and students * All acrylic-friendly surfaces See More
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GOLDEN Acrylic Gel Mediums High Solid Gloss 32ozSave Up to30%Off list…drawing ground. Glass Bead Gel: made with genuine glass beads, the gel offers a unique effect similar to condensation on glass. The effect is best seen in thin films over a light color. Heavy Gel (Gloss, Matte, or Semi-Gloss): is a thick gel that may be blended with acrylic colors to increase paint… Add texture, enhance color, and increase transparency! GOLDEN Gel Mediums allow you to easily manipulate acrylic paint to achieve various effects and expressions. An acrylic gel medium makes adding texture, enhancing color, and increasing transparency easier. Key Features: * 100% acrylic polymer emulsion * Add texture, enhance color * Increase transparency * Variety of effects * Click on the notepad icon for more information Perfect For: * Modifying paint handling characteristics * Extending heavy body paint * Impasto, relief, or sculptural effects * Adhesion and durability Clear Granular Gel: is made with granular acrylic solids and has excellent clarity and durability with a coarse texture that dries translucent. Clear Granular Gel can extend paint and add texture without altering color. Clear Leveling Gel: [formerly Self Leveling Clear Gel] produces an even film with excellent clarity. It has a unique resinous, stringy consistency resulting from its leveling property. Clear Leveling gel dries to a flexible, high gloss film while imparting a leveling quality when mixed with acrylic paint. It blends well with GOLDEN Acrylic colors to produce glazes. Clear Tar Resin Gel: GOLDEN Clear Tar Gel is a 100% acrylic polymer colorless gel with an extremely resinous, syrupy, stringy, and tar-like consistency. Clear Tar Gel can be used to generate fine, detailed lines by "dripping" it over painting surfaces. It can be blended with all GOLDEN Acrylic paints, offering a full range of colors with which to work, although Fluid Colors work best. Extra Heavy Gel (Gloss, Matte, or Semi-Gloss): Have the thickest consistency of any gel offered by GOLDEN. The gel may be blended with acrylic paint to increase the viscosity. Extra Heavy Gel is excellent for holding peaks and tool marks. Extra Coarse Pumice Gel: The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Extra Coarse Pumice Gel creates more coarse textures to yield concrete-like finishes. Fine Pumice Gel: The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Glass Bead Gel: made with genuine glass beads, the gel offers a unique effect similar to condensation on glass. The effect is best seen in thin films over a light color. Heavy Gel (Gloss, Matte, or Semi-Gloss): is a thick gel that may be blended with acrylic colors to increase paint viscosity. Heavy Gels are excellent for holding peaks and dry translucent. The body of the gel will remain flexible even with thick impasto work. High Solid Gel (Gloss or Matte): are similar in body to Heavy Gels. They contain more acrylic solids and shrink slightly less than other gels. They blend well with colors and will retain brush strokes upon drying. Available in gloss and matte. Pumice Gel: Available in fine, coarse, and extra coarse texture. The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Coarse Pumice Gel creates more coarse textures to yield concrete-like finishes. Regular Gel (Gloss, Matte, or Semi-Gloss): Regular Gel is ideal for extending paint and regulating transparency without changing consistency. Useful for impasto effects and holding moderate peaks of texture. They blend well with colors and will retain brush strokes upon drying. Soft Gel (Gloss, Matte, or Semi-Gloss):Thinner than GOLDEN Heavy Body Acrylic colors, Soft Gels are moderately pourable. Hold only slight peaks. The recommended acrylic to function as a glue for collaging. Useful as a non-removable isolation coat, applied over the painting and before the varnish (must be thinned with water - 2 parts Soft Gel Gloss to 1 part water). See More
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Princeton Catalyst Blade #03 15mmSave Up to40%Off listMore flexible than a palette knife and spreads like a brush! Catalyst blades work like palette knives yet hold paint even better. With 6 different blade tips to choose from in 3 different sizes each, the texturing possibilities are almost limitless. The Catalyst Blades are made from flexible… More flexible than a palette knife and spreads like a brush! Catalyst blades work like palette knives yet hold paint even better. With 6 different blade tips to choose from in 3 different sizes each, the texturing possibilities are almost limitless. The Catalyst Blades are made from flexible silicone for new forms of expression and are perfect for heavy and light body mediums such as oils, water-miscible oils, and acrylics. They are also versatile enough to work with encaustics and can stand heat up to 450 degrees Fahrenheit, or can be used with plaster, clay or even cake frosting. The blade ends are removable from the paintbrush-like handle for easy washing with soap and water or clean them in the dishwasher. You can even peel dried paint right off the solvent-resistant silicone blade! Key Features: * Blades are made from flexible silicone * 6 different styles in 15, 30 and 50mm * Easy to clean and dishwasher safe Perfect For:* Heavy body paints such as oils, acrylics and water-miscible oils * Encaustics and other mediums like clay, plaster and even cake frosting * Colour shaping and texturing See More
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Blank Silk Scarf Habotai 35?35"Save Up to49%Off list…cut. Dry cleaning is the recommended method of care for crepe de chine. Key Features: * 100% China Silk Scarves * 8 mm Thickness * Rolled Hemmed edges * lightweight fabric * Made in China * Lustrous glossy sheen * Ready for dye or silk paint Perfect For: * Silk painting * Tie-Dye * Fashion garments 100% China Silk These hand rolled 100% China Silk Scarves with finished edges are perfect for many decorative applications! Fabric selection includes traditional smooth Habotai fabric or classic shimmering Crepe De Chine. Both styles of these luxurious silk scarves have a thickness of 8 mm. Habotai, also known as "china silk" is one of the most basic weaves of silk fabric. The fabric is a lightweight, shimmering material once used mainly for making silk kimonos. This silk fabric has a soft and supple hand and a lustrous sheen. Perfect for silk painting as it has a smooth surface that lends itself to all painting techniques. Silk crepe de chine, from the French “crepe of China”, is lightweight and has a glossy luster and a subtle texture with excellent drape. Crepe de chine is the most durable of cultivated silks – those woven of single reeled strands – and is found to be remarkably uniform in texture. Silk crepe de chine is a popular fabric for clothing. The silk is also especially forgivable when it comes to sewing, as it takes thread well and will typically not fray when cut. Dry cleaning is the recommended method of care for crepe de chine. Key Features: * 100% China Silk Scarves * 8 mm Thickness * Rolled Hemmed edges * lightweight fabric * Made in China * Lustrous glossy sheen * Ready for dye or silk paint Perfect For: * Silk painting * Tie-Dye * Fashion garments See More
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Daler-Rowney Gesso Primers 32 ozSave Up to34%Off listWhite Gesso Primer That Dries quickly leaving a white matt surface Daler Rowney Gesso has been specifically formulated as a "value" Gesso Primer for use as a ground for both acrylic and oil painting. Daler Rowney Gesso provides great coverage at a fantastic price and comes in a convenient stackable rectangular container.* Gesso Primers in 32oz & 128oz* May be applied with a brush or a roller without diluting* Can be used on any non-oily surface i.e. plywood, canvas, cardboard, plaster* Dries quickly leaving a white matt surface* Can be tinted with any Daler-Rowney Acrylic colors (except metallic colors)* In sturdy rectangular tubs with handles See More
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Chroma Atelier Interactive Ground Preparations - Binder Medium, 32ozSave Up to40%Off listTake your painting grounds to the next level! With Chroma Atelier Interactive Grounds, you can prepare your own custom substrate for painting! Chroma Atelier Interactive Grounds have good adhesion and provide a flexible sealed barrier between the substrate and subsequent paint layers. You can use… Take your painting grounds to the next level! With Chroma Atelier Interactive Grounds, you can prepare your own custom substrate for painting! Chroma Atelier Interactive Grounds have good adhesion and provide a flexible sealed barrier between the substrate and subsequent paint layers. You can use Binder Medium to seal and prepare porous surfaces before using gesso. Create thick textural effects with Gesso Primer, or if you prefer a smoother painting surface, Liquid Gesso Primer has a thinner consistency that is easy to spread. All of the Chroma Atelier Interactive Grounds offer limitless creative possibilities. Key Features: * Good adhesion * Suitable tooth for overpainting * Improves adhesion & durability of canvas * Easy to spread * Ground preparation Perfect For: * Acrylic painting * Collaging & mixed media * Artists of all skill levels * All acrylic-friendly surfaces * Experimenting with different textures and techniques Binder Medium: is an acrylic emulsion and acts as a sealer to prepare porous surfaces before using gesso. It also provides a somewhat "slippery" ground preparation in its own right. It can be used as a medium when needed to toughen paint for conventional acrylic techniques like scratching back, or you can use it as glue for collage. Liquid Gesso Primer: has a thinner consistency that is easy to spread. Liquid Gesso Primer is perfect for preparing a smoother painting surface. See More
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Citrus Essence Brush Cleaner 32 oz BottleSave Up to50%Off list…clean oil paint from brushes. Made from 100% natural distilled citrus fruits, this extremely effective brush-cleaning solution is also gentle on the brush hairs helping them last longer! Use it to clean paint from brushes while painting, and to thoroughly clean brushes after painting. Key Features:*… Enjoy the Citrus Scent – a Safer alternative to toxic solvents! Cleans better and more thoroughly than almost all other Brush cleaners and solvents. Conditions the brush making the hair subtle and maintaining maximum working quality. A safer, natural alternative to turpentine, petroleum mineral spirits, and other toxic solvents. Made in the USA from Old World Master Techniques. Citrus Essence Brush Cleaner™ is a safer alternative to turpentine, petroleum mineral spirits, and other toxic solvents. NO Carcinogenic Fumes! Use it to clean oil paint from brushes. Made from 100% natural distilled citrus fruits, this extremely effective brush-cleaning solution is also gentle on the brush hairs helping them last longer! Use it to clean paint from brushes while painting, and to thoroughly clean brushes after painting. Key Features:* A safer alternative to turpentine* Citrus Essence * 100% Pure Distilled Citrus Fruits* NO Carcinogenic Fumes* NO Petroleum* NO Turpentine* No other toxic solvents* Lovely Citrus aroma* Available in 2 oz, 4 oz, 8 oz, 16 oz, and 32 oz bottles Perfect For:* Clean oil paint from brushes* Gentle on the brush hairs* Brushes will last longer* Keeping a clean, all-natural studio* Health-conscious artists* Use in studios or professional classrooms* Cleans better and more thoroughly* How to Use Citrus Brush Cleaner CCS Citrus Brush Cleaner™ can be used in the same way other cleaners are used: Rinse the brush with it during painting session to remove paint from the brush, and thoroughly clean your brush in it after painting to remove paint and medium. We recommend using a natural oil-based soap and warm water afterward to complete the brush cleaning, moisturize the brush hairs and help preserve them. Ventilation: All essential oils/solvents should be used appropriately and with ventilation. Skin contact: As with all essential oils, you should always avoid skin contact, especially if you have skin issues. Skin contact for some people will not cause any problems, but because of the high concentration please be aware and take precautions when using Spike Oil or any other solvents. Allergies: Spike Lavender, in rare cases, can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums, and varnishes) see warnings regarding safety and clear directions for usage. The main reason this solvent is considered “safer” is because there are no known carcinogens or a lot of the health issues associated with Turpentine or Petroleum Mineral Spirits. However, like with all solvents when used in oil painting, you should have ventilation and limit skin contact. See More
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Williamsburg Lead Oil Ground, 32oz CanSave Up to30%Off list…recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural… Prepare your surface before painting Williamsburg Lead Oil Ground is a traditional oil ground made with Basic Lead Carbonate and marble dust for the perfect amount of tooth and absorbency. A small amount of Titanium White is added to improve opacity and brightness. Ground in 100% alkali-refined linseed oil. The perfect amount of tooth and absorbency. It contains no zinc or alkyd. A combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting. Dries to a semi-absorbent, satin finish. Some separation of the product can occur due to settling. Key Features:* Size: 16oz & 32oz* Made with Basic Lead Carbonate and marble dust* Titanium White is added to improve opacity and brightness* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Videos and How To Instructions:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRYING TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas See More
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Williamsburg Titanium Oil Ground, 32oz CanSave Up to30%Off list…recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural… Prepare your surface before painting Williamsburg Titanium Oil Ground is an oil ground made with Titanium Dioxide and marble dust for the desired amount of tooth and absorbency. Ground in 100% alkali-refined linseed oil. Contains no zinc or alkyd. Just the right amount of tooth and absorbency. Combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting and dry to a semi-absorbent, satin finish. Key Features:* Size: 16oz & 32oz cans* Made with Titanium dioxide and marble dust * Spreads well, lays nicely, and dries quickly* Non toxic* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Instructions & Videos:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRY TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas Did you know that it is illegal to travel by plane with any oil color solvent? Did you know all you need to paint in oils are these oil pastels, brushes and some linseed oil? See More
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GOLDEN Gesso Pastel Ground 32 ozSave Up to30%Off list…Paints GOLDEN Pastel Ground Application Thinning Due to the weight of the solids in Ground for Pastels, it is produced very thick, and does not come ready to brush-apply. Thin 20-40% with water to desired consistency. Application Apply with brush, paint-roller, spray equipment, squeegee or palette… Acrylic preparation for pastels on canvas and other supports GOLDEN Pastel Ground is an acrylic preparation for pastels on canvas and other supports. It creates a toothy surface similar to papers used with pastel and chalk. For an even rougher texture, Fine or Coarse Pumice Gel can be added. GOLDEN Pastel Ground for Pastel can also be tinted with acrylic colors for colored grounds. (Golden acrylics). GOLDEN Pastel Ground is a 100% acrylic medium designed to prepare surfaces for the application of pastels, charcoal and other art media where a coarse tooth is desired. It contains finely ground sand (silica) in a pure acrylic emulsion. Pastel Ground can be applied to paper, canvas, wood or any primed support. This allows almost limitless applications for media typically confined to standard papers. Key Features:* Sizes: 8oz, 32oz & 1 Gallon* Creates toothy surface similar to papers* Acrylic preparation for pastels* Fine or Coarse Pumice Gel can be added* Can also be tinted with acrylic colors Pastel Ground can be used as a toothy, gritty ground for many different media, including: Dry Media:* Soft Pastels* Graphite Pencils* Colored Chalks* Charcoal* Powdered Charcoal Water-based Media: * Water-Soluble Pastels* Colored Pencils* Pastel Pencils* Wax Crayons* Watercolor Pencils* Acrylic Paints Oil-based Media: * Oil Pastels* Oil Sticks* Paint Sticks* Ink Sticks* Pigment Sticks* Oil Paints GOLDEN Pastel Ground Application Thinning Due to the weight of the solids in Ground for Pastels, it is produced very thick, and does not come ready to brush-apply. Thin 20-40% with water to desired consistency. Application Apply with brush, paint-roller, spray equipment, squeegee or palette knife. Mix up only as much as is needed for one day"s work, as the solids will settle rapidly and be extremely difficult to mix back into suspension. Surface Preparation Non-absorbent surfaces should be abraded for increased adhesion. Prime with GOLDEN Gesso or other suitable primers (depending on substrate). Apply one or more coats of GOLDEN Pastel Ground to achieve the desired tooth. On paper, use heavier weight stock to avoid buckling. Allow ground to fully dry before applying media. Color Additions Pastel Ground can be blended with GOLDEN Acrylic Paints to achieve colored grounds. However, add minimal amounts of color since all additions of paint to Ground will decrease the tooth. GOLDEN High Flow Acrylics and Fluid Acrylics blend easily into the ground without thickening the product. High Load Acrylics have the highest pigment load and therefore provide the most color in the least amount of paint. Unless transparency is desired, select paints that are inherently opaque, such as the Pyrroles or earth colors. This will allow lower additions as well. Airbrushing thin layers of color after the ground has dried will give the strongest saturation of color to the ground without affecting the gritty surface. See More
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GOLDEN Absorbent Ground White 32 ozSave Up to30%Off listWhite Create a porous, paper-like surface on many different substrates GOLDEN Absorbent Ground is an acrylic liquid surfacing medium that can be used to create a porous, paper-like surface on many different substrates. Applied over gessoed canvas, the Absorbent Ground allows for raw canvas-like staining on a protected substrate. It also allows watercolors to be used on canvas. It is uniquely formulated for unsurpassed absorbent action when dry. Key Features:* Sizes: 8oz, 16oz, 32oz & 1 Gallon* Create a porous, paper-like surface on many different substrates* Applied over gessoed canvas* Lightfast, permanent, and flexible* Allows watercolors to be used on canvas* Unsurpassed absorbent action when dry* Opaque acrylic primer for water media See More
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New York Central Acrylic White Gesso, 32oz BottleSave Up to55%Off listWhite Professional grade gesso for archival results New York Central® Gesso is a professional grade acrylic ground. It’s perfect for a variety of surfaces, from canvas to metal. You can apply the gesso with a palette knife to create a rough texture or sand between coats to achieve a smooth result. Once dry, New York Central® Gesso makes a sturdy base for graphite, charcoal, oil pastels, acrylic, and oil paints. You can even mix it with acrylic paint to create a toned background. Key Features: * Professional grade acrylic gesso * Matte white, opaque finish * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Optimal absorbency rate for paints Perfect For: * Priming raw canvas, panels, or paper * Acrylic and oil paints * Preparing wood and metal surfaces * Charcoal, pencil, and oil pastel * Creating a smooth or textured foundation * Adding a high level of tooth to a surface Acrylic Gesso Instructions: * Use at full strength or thin with up to 25% water. When thinning more than 25%, create an equal mix of water and matte medium. * Sand slick surfaces first. Apply a thin coat with a flat brush and let dry for 24 hours before painting. * To create a smoother base, sand the dried gesso and reapply. * Acrylic painters should apply at least two coats. * Oil painters should apply 2-4 coats and sand between applications. * To create a colored background, gradually add acrylic paint to the gesso until you reach your desired tone. Stir until thoroughly blended. Apply as normal. See More
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Jacquard Water Based Resist - Clear, 1 QuartSave Up to30%Off listClear Transparent Water Based Clear Resist - Jacquard has developed a superior water based resist, is used like a frisket to impede the flow of dye. It will completely wash out of fabric with warm water, even after steaming. It holds a crisp line without spreading and does not shrink or pucker when dry. It can be colored with any water based dye and is screenable, odorless, alcohol free and non-toxic. Water Based Permanent Metallic Resists - Use in the same way as Clear Resist but the color is permanent when washed or dry cleaned. Available in black, copper, gold and silver, these resists hold fine, crisp lines that do not spread. The consistency is perfect for production silkscreening or squeeze bottle application. Permanent Dyeset Concentrate - This concentrate is used to set Jacquard Silk Colors (Green Label) Dye. It also can be an alternative to steam setting. See More
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SoHo Urban Artist India Ink - 32oz BottleSave Up to40%Off listBlack Fast-drying India ink ideal for drawing, Sumi-E, calligraphy and more! New SoHo Urban Artist India Ink is a versatile and indispensable medium for nearly any visual artist! This fast-drying, permanent, deep black India ink is perfect for detailed works and gestural strokes, and while wet cleans up with just soap and water. Use SoHo India Ink for Sumi-E and Chinese calligraphy, for dip-pen drawing and comic book inking, for calligraphy on invitations and cards, for tonal under paintings and quick gestural sketches, or thin with water for use in airbrushes and fountain pens. The deep black ink thins beautifully with water into shades of grey and dries to a rich, permanent finish. India ink is a staple in any artists' supply arsenal, and now SoHo offers this high quality ink at incredible savings! Key Features:* Permanent India ink * Rich deep black color * Thins down with water * Easy clean-up when wet * 2 oz., 16 oz. & 32 oz. bottles Perfect For:* Detailed drawing and comic book inking * Sumi-E and Chinese calligraphy * Tonal under paintings * Expressive sketches * See More
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Ampersand Claybord Flat 1/8" Art Tile - 3.5"x3.5" (Pack of 4)Save Up to41%Off listWhite The Biggest Movement In Art Is Very Small! Ampersand Claybord Art Tiles are perfect for all your creative projects! These phenomenal art tiles have a smooth, highly absorbent Kaolin clay surface and strong Hardbord™ backing perfect for collage, smear-free rubber stamping, miniature paintings, mixed media, magnets, jewelry, embellishments, and for mounting paper, or fabrics. Thin applications of paint or ink can be removed, reapplied, or scratched through to add contrast, texture, and exquisite details. Key Features: * Kaolin clay surface accepts a variety of media * Ultra-smooth and highly absorbent ground * 1/8" thick flat panels * Available in 5 mini sizes * "Mini" is on-trend * Artist Trading Card size available * Made in the USA Perfect For: * Inks, oils, acrylics, acrylic gouache, and mixed media * Mid-level to professional artists * Collage work and miniature paintings * Mounting paper or fabrics * Inks and as a scratchboard surface * Image transfers and as a printing surface * Additive and subtractive processes * Designing pendants or brooches See More
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GOLDEN Gesso White 32 ozSave Up to30%Off listWhite A variety of ways to prepare materials for acrylic paintings GOLDEN Acrylic Gesso in Black, White & Sandable offer artists a variety of ways to prepare materials for acrylic paintings or other art media such as oil, alkyds, charcoal, pastels and even watercolor! GOLDEN Gesso is designed to penetrate supports and provide a surface to which paint can adhere. Proper preparation with GOLDEN Gesso increases the life span of artwork. GOLDEN's Gesso is formulated to be flexible and is highly pigmented for greater opacity. White Gesso (Semi-Opaque Acrylic Primer) and Black Gesso (Opaque Acrylic Primer) The gesso is rich, opaque, and creates an excellent surface on which to paint! * GOLDEN White and Black Gesso: White Gesso (Semi-Opaque Acrylic Primer) and Black Gesso (Opaque Acrylic Primer) are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers to conform to a variety to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds. GOLDEN White Gesso* GOLDEN Sandable Hard Gesso: GOLDEN Sandable Hard Gesso (Semi-Opaque Acrylic Primer) is formulated with 100% acrylic dispersion polymer and can be sanded to provide surfaces that are smoother and more even than those created using regular gesso. GOLDEN Sandable Hard Gesso is formulated with 100% acrylic polymer emulsion. It contains high levels of titanium dioxide, calcium carbonate and talc to produce an easily sanded surface. NOTE: This product is designed for rigid substrates only and is NOT to be used on flexible materials, as cracking may occur. See More
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Liquitex Acrylic Gesso Surface Prep Super Heavy Gesso 32 ozSave Up to39%Off listWhite Create the perfect absorbency, texture and archival ground Liquitex Gesso is an acrylic-based gesso that provides excellent "tooth" and adhesion to a wide variety of supports and surfaces such as canvas, wood, paper, and metal. Liquitex professional gessoes usually take just one coat and are the perfect surface preparation for oil or acrylic paint. You can thin the gesso with up to 25% water depending on your thickness preferences. Compatible with Liquitex High Viscosity and Medium Viscosity Acrylics, you can create a custom-colored ground. With Liquitex Gesso, you can prime your substrates with an archival ground and create the perfect level of absorbency and texture at the same time. Key Features: * Primes surfaces and adds a high level of tooth * Stiffens canvases * Optimum absorbency for paint application * Professional archival base * Will last generations * Fully mixable with all Liquitex products * Use undiluted or thin with up to 25% water * If using as a base for oils, apply 2-4 coats and sand between applications Perfect For: * Acrylic and oil painters * Creating a surface for preliminary charcoal or pencil drawings * Dry ground for oils * Custom colored grounds * A uniform painting surface * Artwork in acrylics, oils & alkyds * Professional artists Clear Gesso - Use for masking under-paintings and unique grounds in presentation for over-paintings. Ideal high tooth surface for pastel, oil pastel, graphite, and charcoal. Flexible and non-yellowing when dry Super Heavy Gesso - An innovative Titanium White gesso that holds structural shape until dry. It has all the attributes of traditional acrylic gesso and is ideal for thick and sculptural applications. AP non-toxic. White Gesso - A white priming ground to be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Tint with acrylic colors before application for toned grounds. Black Gesso - This Colored Gesso usually covers in one coat and is flexible, non-cracking, and non-yellowing. It provides the right amount of tooth and adhesion to a variety of surfaces. Use it alone or dilute with up to 25% water. Neutral Gray Gesso - This colored gesso contains a blend of pigments that produce a matte grey opaque finish, which allows you to build depth from a neutral grey base. Usually covers in one coat and is flexible, non-yellowing, and non-cracking. Use it alone or dilute with up to 25% water. Liquitex Colored Gesso is hue balanced and can be tinted with Soft or Heavy Body Acrylics. See More
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Chelsea Classical Studio Lavender Brush Cleaner 32ozSave Up to50%Off list…holistic practices. It is very effective at cleaning oil paints from brushes during or after painting. Use it to clean paint from brushes while painting, and to thoroughly clean brushes after painting. What: Effective oil painting brush cleaner made from 100% natural distilled oil essences… A Safer natural alternative to turpentine that actually smells like lavender! Cleans Better and More Thoroughly Than Almost All Other Brush Cleaners and Solvents. Conditions Brushes Making The Hair Subtle Maintaining Maximum Working Quality. CCS Lavender Brush Cleaner™ is a safer, natural alternative to turpentine, petroleum mineral spirits and other toxic solvents. Made from 100% natural distilled fruits and flowers, featuring lavender, Chelsea Classical Studio's Lavender Brush Cleaner is a safer natural alternative to turpentine, petroleum mineral spirits and other toxic solvents. Lavender not only is more natural than harsh chemicals such as turpentine, but it also has a nice aroma that is often used in aromatherapy and other therapeutic holistic practices. It is very effective at cleaning oil paints from brushes during or after painting. Use it to clean paint from brushes while painting, and to thoroughly clean brushes after painting. What: Effective oil painting brush cleaner made from 100% natural distilled oil essences of fruits, flowers, and lavender. Why: Naturally safe, Safer alternative to turpentine; cleans brushes as well but with a lovely lavender scent! * Less abrasive to brushes than turpentine or mineral spirits * Pleasant scented, safe, natural alternative Key Features: * Safer natural alternative to turpentine * Pleasant aroma * Less abrasive to brushes than turpentine / mineral spirits * Made from natural oil essences of fruit, flowers and lavender * Made in the USA from Old World Master Techniques * Available in: 2 oz., 4 oz., 8 oz., 16 oz. and 32 oz. bottles Perfect For: * Cleaning brushes and palette knives * A cleaner and safer workspace * Artists looking for natural, environmentally friendly, cleaning products * Cleans better and more thoroughly "There is only one correct way to clean and preserve brushes of any kind. Immediately after use, the paint or varnish should be thoroughly rinsed out with the appropriate solvent..." -Ralph Mayer, the Artist's Handbook How To Use Lavender Brush Cleaner CCS Lavender Brush Cleaner™ can be used in the same way other cleaners are used: Rinse the brush with it during painting session to remove paint from brush, and thoroughly clean your brush in it after painting to remove paint and medium. We recommend using a natural oil based soap and warm water afterwards to complete the brush cleaning, moisturize the brush hairs and help preserve them. Ventilation: All essential oils/solvents should be used appropriately and with ventilation and common sense usage. Skin contact: As with all essential oils, you should always avoid skin contact, especially if you have skin issues. Skin contact for some people will not cause any problems, but because of the high concentration please be aware and take precautions when using Spike Oil or any other solvents. Allergies: Spike Lavender, in rare cases can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums and varnishes) see warnings regarding safety and clear directions for usage. The main reason this solvent is considered “safer” is because there are no known carcinogens or a lot of the health issues associated with Turpentine or Petroleum Mineral Spirits. However, like with all solvents when used in oil painting, you should have ventilation and limit skin contact. See More
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Chelsea Classical Studio Medium Clarified Extra Pale Cold Pressed Linseed Oil 32ozSave Up to50%Off listMeticulously handcrafted Extra Pale Linseed Oil that will darken and yellow less unlike traditional linseed oils! Brighten Up Your Paintings - The Chelsea Classical Medium, Clarified, Pale, Cold-Pressed Linseed Oil undergoes a multitude of steps and processes to achieve its professional level of… Meticulously handcrafted Extra Pale Linseed Oil that will darken and yellow less unlike traditional linseed oils! Brighten Up Your Paintings - The Chelsea Classical Medium, Clarified, Pale, Cold-Pressed Linseed Oil undergoes a multitude of steps and processes to achieve its professional level of purity. This linseed oil is washed and de-yellowed by traditional, natural processes that strive to make the palest, cleanest pure linseed oil for artists’ use. Washing the oil and filtering it with natural minerals, the mucilage and fat is removed which greatly improves the acidity and drying of the oil, and the unnecessary coloration caused by impurities is removed. Cold-Pressed Linseed Oil is traditionally known as the best extracted linseed oil, as opposed to pressing extractions by heat or chemicals. This professional-quality linseed oil will not darken like traditional linseed oils and provides brighter and richer tones and hues when used with oil colors. Oil Painting Cube Sample Set - This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. What: The palest, cleanest pure linseed oil available to artists; washed and de-yellowed by natural processes. Why: Won't darken like other linseed oils; washed and filtered to remove impurities- improves acidity and drying of oil. * Handmade using finest quality ingredients * Created with Old Masters methods * Made in the USA from Old World Master Techniques Key Features: * Handmade from the highest quality ingredients * Dries quickly * Will darken and yellow less unlike traditional linseed oils * Created through reproducing the methods of the Old Masters * Free from impurities * No harsh chemicals used in production! Perfect For: * Decreasing average drying time * Use with fine oil colors * Material-conscious artists * Professional artists * Use in final works of art * Creating a strong, flexible surface! * Stretched canvases * Use in studios or professional classrooms Read Blog Article A Truly Revolutionary Bright Idea for Oil Colorists - Brighten Up Your Paintings The Chelsea Classical Medium Clarified Pale, Cold-Pressed Linseed Oil undergoes a multitude of steps and processes to achieve its professional level of purity. This linseed oil is washed and de-yellowed by traditional, natural processes that strive to make the palest, cleanest pure linseed oil for artists’ use. Revolutionary Bright Idea for Oil Colorists Painting fat over lean See More
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