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Related Categories: Gesso Paint | Stretcher Brace | Mottler | Extra Large Stretched Canvas | Da Vinci Fit Synthetic | Gessoed Canvas | Jack Richeson Stretcher Bars | Primer
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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to30%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Jack Richeson Grey Matters Series 9815 Sz 2/0 Synthetic Signing BrushSave Up to28%Off list…or softness Can a grey Matters Oil Brush be used for acrylic painting? YES!!! If the painter desires a softer brush head when painting. Can I use my brushes for both Oil and Acrylic paint (Interchange)? Once used with a medium or paint type – it should ONLY be used for that medium – it… Grey Matters Brushes solve the issue! Artists from all over the country approached Richeson to solve a problem not solved by other brush manufacturers: annoying glare and reflections from studio lights and sun. Finally! Grey Matters brushes solve this issue. Richeson Grey Matters brushes are free of distracting colors and reflective metals — perfect for plein air or in the studio, and ideal for toned palettes and canvas. These interlocked long-handled bristle brushes are painstakingly crafted by hand. Interlocked brushes ensure that the bristles maintain their shape and last for long time. Key Features: * Non-reflective / anti-glare * Create a neutral grey value space between your eye and your artwork * Minimize color distortion * Non-reflective hair, ferrule, and handle * Synthetic hair for oil, acrylic and water media * Natural bristle for oil & acrylic * Special signing brushes Perfect For: * Defined brush strokes * Creating fine details * Professionals, teachers, students Questions and Answers Does Grey Matter? YES!!!!! The human brain is compensating in ways we cannot imagine when we have colored handles and reflective ferrules. The Neutral Grey top to bottom brush makes a painting without interference from other colors make sense! Does a nonreflective ferrule matter? Yes, The reflection of light off of the ferrule is a distraction. When you regularly use the Grey Matters Brushes it becomes apparent how the reflection off of a ferrule has affected concentration! Are all Synthetic Brush heads the same? NO! The filaments that make a synthetic brush can range wildly from Student to Professional grade. Brush quality is determined by the number of different fibers and type of bristles that make up the brush head. The fewer Different types of filaments – typically the lower grade. Does the color of the brush fibers affect the quality? NO! A color such as the Grey in Grey Matters is done to accomplish a result that is neutral to the eye What is the quality of a Richeson Grey Matters Brush? Only the Highest quality synthetic fibers are selected for Grey Matters Brushes – different bristles are mixed to accomplish very specific firmness or softness Can a grey Matters Oil Brush be used for acrylic painting? YES!!! If the painter desires a softer brush head when painting. Can I use my brushes for both Oil and Acrylic paint (Interchange)? Once used with a medium or paint type – it should ONLY be used for that medium – it is not possible to sufficiently clean a brush to use for different mediums at best it is risky See More
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Da Vinci Colineo Series 5522 Synthetic Kolinsky Brush, Size 2x0 RoundSave Up to30%Off listSynthetic brushes made to mimic Kolinsky Sable Can you spot the difference between Colineo and real sable? For many years, brush makers have worked to find a synthetic that could imitate Kolinsky Red Sable hair. This research has been going on for years because of the intricate nature of sable,… Synthetic brushes made to mimic Kolinsky Sable Can you spot the difference between Colineo and real sable? For many years, brush makers have worked to find a synthetic that could imitate Kolinsky Red Sable hair. This research has been going on for years because of the intricate nature of sable, which is now very rare and expensive. da Vinci has finally cracked the code with its Colineo Watercolor Brushes. Each brush is made with a balanced blend of different lengths of straight and wavy synthetic fibers. These fibers have extra fine tips that taper to a point and mimic natural sable. At the same time, the Colineo brushes have a lot of spring and are highly absorbent. All these features help Colineo give a convincing imitation of Red Sable hair. The family-owned da Vinci brush company has designed quality brushes for three generations in Germany. They produce well-made, elegant, and durable brushes utilizing the latest innovations. Key Features: * Synthetics made to mimic Kolinsky Sable * Extra fine tips taper to a point * The fibers have a lot of spring * Unsurpassed water-holding capacity * Made in Germany Perfect For: * Watercolor, rendering, and illustration * Watercolor, gouache, and oil * Area work or fine details * Students, teachers, professionals * Watercolorists and artists of all skill levels * Finessing delicate glazes with ease Why choose da Vinci Colineo Synthetic Kolinsky Red Sable for Watercolor: * A new crimped fiber, multi diameter synthetic to mimic Kolinsky * This new synthetic fiber is unique to da Vinci, developed over the last 5 years * Composition of straight and wavy synthetic fibers in different lengths with extra fine tips, precise point, high elasticity and color absorption * Ideal for Watercolor, Gouache, Liquid Acrylics and ink work * Beautiful hand milled handles from sustainable European forests * Made in Germany, da Vinci is family owned and committed to artists since 1890 See More
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New York Central Steinberg Superior Kolinsky Brush, Round Size #2X0Save Up to63%Off listBlack Stiffness Watercolors Acrylics Oils Best of the best Kolinsky (only the strongest and largest male winter tails) Handmade in Germany, the New York Central® Steinberg Superior Kolinsky Watercolor Brushes have a reliable split-proof point. Only the strongest and largest male Kolinsky winter tails are used. Brush makers specially coat the 24kt gold plated seamless brass ferrules to be tarnish-resistant, which helps your brush maintain its esthetic beauty. Made exclusively by the best master brush makers, each brush is handmade and tested to be a master tool. With a Steinberg brush, you can count on a resilient split-proof point, large color holding capacity, and flow control. An absolutely stunning brush! Made exclusively by the very best master brush makers in Germany. Only the strongest Kolinsky hair is used! Key Features:* Handmade in Germany* Hair quality: Best of the best Kolinsky (only the strongest and largest tails) - dental brush quality* Made of the strongest male winter tail and resilient kolinsky pure red sable* Hair: Split proof point with large belly to hold lots of color for long strokes* Ferrule: 24kt gold plated with special coating making them resistant to staining* Handle: Special medium long wave handle design for supreme balance while painting* Handle: Medium long wave line handles in black shiny color (4 coatings) Perfect For:* Professional Watercolorists* Watercolor and Gouache painting* Holding large color loads in full bellies* Even, consistent control* See More
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SoHo True Color Peel Off Palette Neutral Grey Butcher Tray Large 11x15"Save Up to54%Off list…Peel Off Neutral Grey Palettes not only provide a neutral grey surface, they also are incredibly easy to clean up after painting with acrylic paints. This palette is excellent for plein air use, because the neutral grey surface reflects sunlight much less than a white palette. Acrylics will… The palette that’s true to color and easy to clean! Surfaces that are a neutral grey color offer artists results that are more true to color. The SoHo "Magic" True Color Peel Off Neutral Grey Palettes not only provide a neutral grey surface, they also are incredibly easy to clean up after painting with acrylic paints. This palette is excellent for plein air use, because the neutral grey surface reflects sunlight much less than a white palette. Acrylics will not stain the surface of the SoHo Magic True Color Peel Off Palette, and once the paint dries on the palette, you can peel it right off! The palette looks brand new with every use. Oil colors can also be used on this neutral grey palette. However, they cannot be peeled off once dried. These magical palettes are available in three different styles: an oval arm palette, a small butcher tray and a large butcher tray. Key Features: * Features a true-color, neutral grey surface* Incredibly easy to clean up after painting with acrylic paints* Made of a unique plastic blend* Dried acrylic paint peels right off the palette surface** Easy and fun clean up!* Acrylic colors will not stain the surface of the palette* Available in 3 different styles: Oval arm palette, Small butcher tray& Large butcher tray Perfect For: * Use with acrylic or oil colors* Easy clean up* Use en plein air – palettes will not reflect the harsh sunlight* Reflects sunlight much less than a white palette* See colors more accurately* Artists of all skill levels Students, classrooms, and educators *Please note: Fully dried, un-thinned acrylic paint peels easily from palette due to the strength of acrylic resins. Acrylic paint thinned with water (or acrylic gouache) may not peel easily due to the resin strength being broken down in the paint film. Palette can be soaked or washed with soap and water to clean thinned paint. See More
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Turner Acryl Gouache Modeling Paste Pastel 350 ml JarSave Up to70%Off list…used as a final gloss coat on a completed painting or as a mix-in medium with other acrylic paints. The varnish has a milky-white appearance but dries clear and creates a water-resistant film. When mixed with a significant amount of Acryl Gouache paint, it produces a glossy translucent effect.… High-quality acrylic medium pastes and primers Turner has a rich tradition of manufacturing top-quality art supplies and has been supplying professional quality colors and mediums to artists since 1947. The Turner Company has a range of carefully created primers and mediums designed to fulfill any painter's ideas. You can paint on metal, wood, or glass with one of Turner's special primers or apply a final coat of varnish. Turner Retarder can also be mixed with traditional acrylics or acryl gouache to slow down drying and create special effects. Key Features:* Uses highest quality acrylic resins and materials* Create complex ground structures with Pastes* Surface primers for glass, wood, or metal* Perfect For:* Acrylic Painters* Faux Finishers* Artists of all skill levels* Experimenting with different textures and techniques Glass Primer: Used as an undercoat on glass with excellent adhesion. Brush out directly or with about 10% water. Apply one or two coats as thinly as possible for the best finish. Dry thoroughly for more than one day before overpainting with Acryl Gouache. Wood Primer: Used as an undercoat on wood to create good covering power and adhesion with acrylic paint. Wood Primer will block stains and seal porous surfaces to prevent colors from excessive soaking into the wood. Dilute with about 30% water to make a smooth and beautiful finish. Dry thoroughly for more than one day before overpainting with Acryl Gouache. Metal Primer: Used as an undercoat on metal with good water and weather resistance. Brush out directly or with about 10% water. Apply one or two coats as thinly as possible for the best results. Dry thoroughly for more than one day before overpainting with Acryl Gouache. Fabric Medium: Turner Fabric Medium allows you to use Turner Acryl Gouache on fabric. It works well with water-based acrylic paints. Modeling Paste Pastel: Water-based paste in white color with high viscosity, which enables opaque and matte impasto. It gives an elastic film after drying and a pastel tone when mixed with acrylic paint. Please note that it shrinks by approximately 40% after drying. Impasto of about 3cm thickness will take about 3 to 6 days to dry at an ambient temperature of 20 C thoroughly. Gloss Varnish: Turner Gloss Varnish can be used as a final gloss coat on a completed painting or as a mix-in medium with other acrylic paints. The varnish has a milky-white appearance but dries clear and creates a water-resistant film. When mixed with a significant amount of Acryl Gouache paint, it produces a glossy translucent effect. Retarder: Turner Retarder slows the drying time of acrylic gouache paints. The clear retarder forms a water-resistant film once dry. Using too much Turner Retarder may cause the painting surface to be tacky for a few days. See More
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Yasutomo Black Sumi Ink 12oz KY12 Liquid Water ResistantSave Up to30%Off listLiquid Inks Formulated for Sumi painting and Calligraphy Yasutomo Sumi Inks are formulated for Sumi painting and Calligraphy and are in a convenient liquid form with no need for grinding. KF Shellac-Based Waterproof Sumi Ink is made from high-quality vegetable oil soot. A small amount of shellac is… Liquid Inks Formulated for Sumi painting and Calligraphy Yasutomo Sumi Inks are formulated for Sumi painting and Calligraphy and are in a convenient liquid form with no need for grinding. KF Shellac-Based Waterproof Sumi Ink is made from high-quality vegetable oil soot. A small amount of shellac is included in the formula for water resistance. KY Water Resistant Sumi Ink is made out of pure vegetable soot with no additives or preservatives. The ink contains no shellac and dries to a matte water-resistant finish once dry. The Bokuju Sumi Set contains two Sumi brushes, one bottle of Bokuju (liquid Sumi ink), and a porcelain saucer in a beautiful paper box. An illustrated instruction sheet is included, along with a QR code for video instructions. KV2 Vermilion, 2oz: Vermilion is an ancient red-orange Sumi ink used to hand-letter manuscripts, seal scrolls, and ink paintings. Many Asian calligraphy teachers still use Vermilion Sumi to correct or critique students' work. This water-resistant ink is opaque and dries to a matte finish. KF2 & KF12 Black Sumi Ink (Bokuju): * Waterproof liquid sumi ink * Contains shellac and is waterproof once dry * Made from quality vegetable oil soot * Convenient liquid form * Permanent and lightfast once dry KY2 & KY12 Black Sumi Ink (Bokuju): * Water-resistant liquid sumi ink * No additives or preservatives * Made from pure vegetable soot * Dries to a matte finish * Dense black ink is lightfast and water-resistant once dry See More
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Fabriano 1264 Watercolor Spiral-Bound Cold-Press Pad - 11x15 Portrait, 140lb (30-Sheet)Save Up to33%Off listWhite Perfect for all lifting and scrubbing techniques! Fabriano 1264 Watercolor Pads feature 140lb. (300gsm) Cold Press, acid-free, Bright White paper. The paper's Cold Press finish is very forgiving, enabling all lifting and scrubbing techniques while enhancing color vibrancy. Each paper sheet is made using Hydro-Power in Italy and is FSC Certified. Available in spiral-bound (with micro-perforations) and glue-bound (fold-over sheet) format. Fabriano 1264 Watercolor Pads satisfy the needs of student and professional watercolorists. The paper is ideal for watercolor, gouache, and acrylic ink. Key Features: * 140lb (300gsm) weight * Bright White * Cold Press texture * Super color retention and intensity * Spiral-bound or glue-bound pad * Spiral-bound pads have micro-perforated sheets * Glue-bound pads feature fold-over sheets * FSC certified paper * Made in Italy Perfect For: * Watercolor, gouache, and acrylic ink * Bold washes of color * Students and professionals alike * Beginner and classroom use * All watercolor techniques * Lifting and scrubbing techniques * Spontaneous sketching and Plein air work See More
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Fluid Watercolor Paper Pad 140lb Cold Press 11" x 15"Save Up to35%Off listWhite Quality Cold Press Watercolor Paper Fluid™ Watercolor Paper is an acid-free, 140lb paper perfect for watercolors, colored pencils, pastels, acrylic washes, and more! The paper is made by milling small batches of alpha-cellulose very slowly. Each Fluid sheet is crafted in a European mill that has been making fine art papers since 1618. The paper machine runs very slowly to create a more robust watercolor paper that is stronger. High-quality watercolor paper in easy-to-use pads! Key Features: * 140 lb (300 GSM) cold press paper * Archival and acid-free * 20 sheets per pad * Made with high-quality alpha cellulose * Crafted in a 400-year-old European mill Perfect For: * Watercolors and mixed media * Fine artists * Colored pencil, pastel, and light acrylic washes * Artists, students, studios, classrooms and teachers See More
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Mona Lisa Pink Soap, 12oz BottleSave Up to26%Off list…Studio essentials include a Brush cleaner tank and cleaning solutions, Odorless thinners for painting, and Omni-Gel Image Transfer medium. Key Features:* Studio essentials* Cleaning and conditioning paint brushes* No odors Perfect For:* Oil painters* Broad mix of techniques* Cleaning greasy stains… Studio Essentials for a Diverse Range of Techniques! Speedball's rich history of manufacturing fine art materials began in Camden, NJ, in 1899. Since that time, Speedball's offerings have grown and evolved, but our dedication to providing our customers with superior products and services at an affordable price remains the same. Speedball studio essentials has a broad mix of high-quality necessities your workspace requires. The Studio essentials include a Brush cleaner tank and cleaning solutions, Odorless thinners for painting, and Omni-Gel Image Transfer medium. Key Features:* Studio essentials* Cleaning and conditioning paint brushes* No odors Perfect For:* Oil painters* Broad mix of techniques* Cleaning greasy stains See More
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Williamsburg Pure Beeswax Block, 12ozSave Up to30%Off list…of mediums and varnishes, or as an additive when making oil paint. In oil painting, beeswax can be added in a small amount to slow the drying, reduce yellowing, create a more buttery paint consistency, improve the stability of the paint, and make it more suitable for impasto effects. It can also be… Alter the sheen of mediums and varnishes or add to Oil Paint Williamsburg Pure Beeswax medium is made from 100% natural, bleached beeswax. Williamsburg Pure Beeswax Blocks and Pellets are useful for altering sheen of mediums and varnishes, or as an additive when making oil paint. In oil painting, beeswax can be added in a small amount to slow the drying, reduce yellowing, create a more buttery paint consistency, improve the stability of the paint, and make it more suitable for impasto effects. It can also be blended with oils, resins, and diluents to create an oil medium, giving a matting or satin effect. In Encaustic painting, beeswax is the chief binding medium with pigment. Key Features:* Beeswax Block 12oz* Beeswax Pellets 16oz* Made from 100% natural, bleached beeswax* Altering sheen of mediums and varnishes* Use as an additive when making oil paint* As a binding medium for encaustic painting See More
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Blair Digi-Finish (Matte) 12oz CanSave Up to32%Off list…acid-free Damar resin sprays allow you to obtain greater depth and definition in your oil painting. Made with 100% pure Damar resin. They are for use with fully cured paintings. They will enhance the finished paintings colors, shading and blending with either a handsome gloss or non-reflective matte… Acid-Free Mounting Adhesive - Creates both a permanent or repositionable bond on paper, board, wood, glass, foil, mylar and acetate. This spray provides for a uniform mist pattern for even glue distribution and clean bonding. Acrylic Spray Varnish - This removable acid-free spray varnish protects fully dried acrylics. It is easily applied and provides a lovely, non-yellowing gloss finish.  May even be removed for periodic cleaning! Digi-Finish - Digi-Finish coatings add UV durability to digital photographs, prints, and other paper creations by creating a clear moisture barrier. Both coatings are VOC and MIR compliant to meet the stringent regulatory requirements of both California and the Ozone Transport Commission. Acid-free and archival safe, these fastdrying, non-yellowing, permanent coatings conform to ASTM D-4236. 11 oz. cans. Glaze Supreme - Just maybe the most lustrous spray of its kind. Its super gloss finish enhances paintings on virtually any surface. It forms a rich, glazed coating creating depth and luminosity with a porcelain like finish.  Gloss or Matte Damar Sprays - These acid-free Damar resin sprays allow you to obtain greater depth and definition in your oil painting. Made with 100% pure Damar resin. They are for use with fully cured paintings. They will enhance the finished paintings colors, shading and blending with either a handsome gloss or non-reflective matte finish.  Spray Var® Retouch Varnish - An acid-free Damar resin spray allowing you to obtain greater depth and definition in your oil painting. Spay Var Retouch is used for ground sizing, to isolate paint layers and to restore dried areas. It is intended for use with uncured paintings.  Very Low Odor Spray Fix - Use this incredible product in the studio since it has no noticeable odor, is acid-free and imparts superb protection. Provides smudge proof protection for pencil, Conte Crayon, charcoal, soft pastel and chalk. It will stop bleeding between layers of gouache, watercolor and casein colors. Dries to a workable tooth and will not curl thin paper. All products in this category are considered Hazardous Materials: Cannot ship by Air/ Next Day Services. Ground only. See More
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Pebeo Studio Acrylics Mediums - Crackling Effect Modeling Paste, 100ml & 250ml TubesSave Up to25%Off list…mediums—once dry—can be used beneath acrylics as well as resins, solvent-based paints, ceramic paints, and more! Key Features: * Thick, richly pigmented acrylic mediums * Retain brush and painting knife strokes * Easily mixable with great light-fastness * Available in iridescent Dyna… Unlimited opportunities for experimenting with creative inspiration Pébéo Mixed Media Studio Mediums offer an extensive line of acrylic mediums for creating an array of textures and dimensional effects. Ideal for mixed media applications, these mediums—once dry—can be used beneath acrylics as well as resins, solvent-based paints, ceramic paints, and more! Key Features: * Thick, richly pigmented acrylic mediums * Retain brush and painting knife strokes * Easily mixable with great light-fastness * Available in iridescent Dyna Perfect For: * Uncomplicated, spontaneous creativity! * Mixed media applications * Adding texture to portraits * Pebeo Liquid Art Panels * Canvas, cardboard, wood & metal * Children, students, and professionals Studio Acrylics Gloss Gel –non-yellowing acrylic gloss gel with translucent gloss finish. Studio Acrylics Matt Gel –non-yellowing acrylic gel with translucent matte finish. Studio Acrylics Bindex –non-yellowing fluid acrylic binder—dries translucent with a satin finish. Studio Acrylics Dyna Bindex –non-yellowing fluid acrylic binder with interference pigments for reflective, color-changing effects--available in blue, violet and green. Studio Acrylics Modeling Paste –highly textured, opaque white modeling paste used for creating impastos and dimension—may be used alone or mixed with colors—retains tool imprints, keeps volume and dries to a matte finish. Studio Acrylics Modeling Paste High Density -highly textured, opaque white modeling paste formulated with fine grain used for creating impastos and dimension—may be used alone or mixed with colors—retains tool imprints, keeps volume and dries to a white-gray porous surface. Studio Acrylics Crackling Effect Modeling Paste –opaque white paste used to create impastos with crackle effect—may be used alone or mixed with colors (75% modeling paste / 25% color)—to increase adherence and enhance the crackling effect, recommended to prime the surface at least 1 hour prior to applying the modeling paste. Studio Acrylics Sand Textured Gels –acrylic polymer with colored sand-based gel available in black, white, red, and yellow—apply with a painting knife and dilute with water or Bindex as needed. See More
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SpectraFix Degas Pastel Fixative 12 oz BottleSave Up to19%Off list…ceramic, stone, leather, and glass. SpectraFix it the ideal fixative for soft pastel, Pan Pastel and oil pastel, colored pencil, graphite, charcoal, and chalk. You can even use the fixative to layer other media into Encaustic. Use it under Oil or Acrylic paints to stop underdrawings from smudging.… SpectraFix Fixative Is The Natural Choice! Degas SpectraFix Non-toxic Fixative contains casein, water, and alcohol. The formula is an update on a recipe used by French Impressionist Edgar Degas. It seals and protects your artwork while leaving colors brilliant! Degas Fixative is perfect for chemically sensitive people. You can spray it indoors and keep on working because the fixative does not release toxic fumes or odors. The spray dries to a hard, water-resistant, matte finish; and provides the traction you need to apply extra layers of dry media. There are no toxic fumes or odors You may spray the fixative on all papers (except LaCarte), primed and unprimed canvas, wood panels, unglazed ceramic, stone, leather, and glass. SpectraFix it the ideal fixative for soft pastel, Pan Pastel and oil pastel, colored pencil, graphite, charcoal, and chalk. You can even use the fixative to layer other media into Encaustic. Use it under Oil or Acrylic paints to stop underdrawings from smudging. Casein bonds forever with the covering layer of paint. Like egg tempera, artists have used casein for centuries to protect underpaintings. Easily refill one of our Aerosol Spray Bottles to spray a fine mist on your work! Please note: Not for use as a final topcoat over acrylic or oil paint. Key Features: * Seals and protects artwork * Rapid drying pastel fixative * Contains casein, water, and alcohol * Protects fragile dry media * Prevents underpainting from smudging * No toxic fumes * 100% Archival * Non-yellowing * It does not dull colors * You can paint over it Perfect For: * Spraying indoors * Working with deep layers * Soft pastel, pan pastel and oil pastel * Colored pencil, graphite, charcoal, and chalk * Protecting watercolor paintings * All pastel papers (except LaCarte) * Primed and unprimed canvas * Wood panels, unglazed ceramic, stone, leather, and glass * Classrooms Dries quickly to an invisible matte finish and allows deep layering as well as providing extra traction on thickly layered, slippery media such as color pencil or oil pastel. Combines well with almost all media, and dries to a hard, water-resistant finish. Should not be used as a final top coat over acrylic or oil paint. Use with Soft Pastel, Pan Pastel and Oil Pastel, Colored Pencil, Graphite, Charcoal, Chalk or in combination with Watercolor, Gouache, Casein, Ink or to layer other media into Encaustic. Perfect for crafts, it holds a wide variety of media without dulling their sheen or brilliance. Use under Oil or Acrylic paints to prevent underdrawings from smudging. Casein actually bonds permanently with the covering layer of oil paint, and similar to egg tempera, has been used for centuries for grisaille or colorful underpainting which can then be glazed with oil. Remember, it is not recommended as a final top coating for acrylic or oils See More
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Enkaustikos Encaustic Mediums Soy Wax 12 ozSave Up to20%Off listA variety of mediums and sundries for your encaustic painting applications! Enkaustikos offers a variety of wax mediums and encaustic sundries to complement their extensive line of encaustic paints. Bleached Beeswax – Purified beeswax featuring a chemically-achieved bright white color Carnauba… A variety of mediums and sundries for your encaustic painting applications! Enkaustikos offers a variety of wax mediums and encaustic sundries to complement their extensive line of encaustic paints. Bleached Beeswax – Purified beeswax featuring a chemically-achieved bright white color Carnauba Wax – A Pale yellow wax used to raise the melting point of encaustics or beeswax, creating more durable paint Damar Resin – Increases the shine, hardness, translucency and melting point of beeswax Impasto Wax – Builds texture and dimension when used with encaustics to produce sculptural effects Luster Wax – This white, translucent synthetic wax can be used with encaustic paint or beeswax to add shine or hardness and to increase the melting point Microcrystaline Wax – Produces a more flexible encaustic paint—ideal for building layers and texture Rabbit Skin Glue – Works great as a ground for encaustic work and is used to make a traditional gesso Slick Wax – A solvent-free blend of synthetic waxes used for cleaning brushes, tools and palettes Soy Wax – An environmentally-friendly alternative wax for cleaning brushes, tools and palettes USP Refined White Beeswax – Purified, USP-grade beeswax—free of additives or bleaching agents USP Refined Yellow Beeswax – Purified, USP-grade yellow beeswax—free of additives or bleaching agents Wax Medium – Perfect for use as a base coat, topcoat, glaze medium or extender. Made from a blend of USP white beeswax and dakar resin. Also available in natural yellow. XD Wax Medium – The addition of extra damar resin makes this medium provide a harder, shiny and transparent finish—making it ideal for glazes, topcoats and as a paint extender See More
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