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Jack Richeson Grey Matters Series 9815 Sz 3/0 Synthetic Signing BrushSave Up to28%Off list…or softness Can a grey Matters Oil Brush be used for acrylic painting? YES!!! If the painter desires a softer brush head when painting. Can I use my brushes for both Oil and Acrylic paint (Interchange)? Once used with a medium or paint type – it should ONLY be used for that medium – it… Grey Matters Brushes solve the issue! Artists from all over the country approached Richeson to solve a problem not solved by other brush manufacturers: annoying glare and reflections from studio lights and sun. Finally! Grey Matters brushes solve this issue. Richeson Grey Matters brushes are free of distracting colors and reflective metals — perfect for plein air or in the studio, and ideal for toned palettes and canvas. These interlocked long-handled bristle brushes are painstakingly crafted by hand. Interlocked brushes ensure that the bristles maintain their shape and last for long time. Key Features: * Non-reflective / anti-glare * Create a neutral grey value space between your eye and your artwork * Minimize color distortion * Non-reflective hair, ferrule, and handle * Synthetic hair for oil, acrylic and water media * Natural bristle for oil & acrylic * Special signing brushes Perfect For: * Defined brush strokes * Creating fine details * Professionals, teachers, students Questions and Answers Does Grey Matter? YES!!!!! The human brain is compensating in ways we cannot imagine when we have colored handles and reflective ferrules. The Neutral Grey top to bottom brush makes a painting without interference from other colors make sense! Does a nonreflective ferrule matter? Yes, The reflection of light off of the ferrule is a distraction. When you regularly use the Grey Matters Brushes it becomes apparent how the reflection off of a ferrule has affected concentration! Are all Synthetic Brush heads the same? NO! The filaments that make a synthetic brush can range wildly from Student to Professional grade. Brush quality is determined by the number of different fibers and type of bristles that make up the brush head. The fewer Different types of filaments – typically the lower grade. Does the color of the brush fibers affect the quality? NO! A color such as the Grey in Grey Matters is done to accomplish a result that is neutral to the eye What is the quality of a Richeson Grey Matters Brush? Only the Highest quality synthetic fibers are selected for Grey Matters Brushes – different bristles are mixed to accomplish very specific firmness or softness Can a grey Matters Oil Brush be used for acrylic painting? YES!!! If the painter desires a softer brush head when painting. Can I use my brushes for both Oil and Acrylic paint (Interchange)? Once used with a medium or paint type – it should ONLY be used for that medium – it is not possible to sufficiently clean a brush to use for different mediums at best it is risky See More
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Colineo Series 5526 Synthetic Kolisnky Brush - Size #3X0, Extra Short RetouchSave Up to30%Off list…have a lot of spring * Unsurpassed water-holding capacity * Made in Germany Perfect For: * Short handle: watercolor and gouache * Long handle: oil paint * Area work or fine details * Students, teachers, professionals * Watercolorists and artists of all skill levels * Finessing delicate glazes with… Synthetic brushes made to mimic Kolinsky Sable Can you spot the difference between Colineo and real sable? For many years, brush makers have worked to find a synthetic that could imitate Kolinsky Red Sable hair. This research has been going on for years because of the intricate nature of sable, which is now very rare and expensive. da Vinci has finally cracked the code with its Colineo Brushes. Each brush is made with a balanced blend of different lengths of straight and wavy synthetic fibers. These fibers have extra fine tips that taper to a point and mimic natural sable. At the same time, the Colineo brushes have a lot of spring and are highly absorbent. All these features help Colineo give a convincing imitation of Red Sable hair. The family-owned da Vinci brush company has designed quality brushes for three generations in Germany. They produce well-made, elegant, and durable brushes utilizing the latest innovations. Key Features: * Synthetics made to mimic Kolinsky Sable * Extra fine tips taper to a point * The fibers have a lot of spring * Unsurpassed water-holding capacity * Made in Germany Perfect For: * Short handle: watercolor and gouache * Long handle: oil paint * Area work or fine details * Students, teachers, professionals * Watercolorists and artists of all skill levels * Finessing delicate glazes with ease Why choose da Vinci Colineo Synthetic Kolinsky Red Sable for Watercolor: * A new crimped fiber, multi-diameter synthetic to mimic Kolinsky * This new synthetic fiber is unique to da Vinci, developed over the last 5 years * Composition of straight and wavy synthetic fibers in different lengths with extra fine tips, precise point, high elasticity and color absorption * Ideal for watercolor, gouache, oil and ink work * Beautiful hand-milled handles from sustainable European forests * Made in Germany, da Vinci is family owned and committed to artists since 1890 See More
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Creative Mark English Glazed Porcelain Slant PaletteSave Up to60%Off list…Well Palette: has 20 deep paint wells and a matching cover that doubles as a mixing tray. Use the paint wells to hold watercolor, gouache, or oil paints. The palette wells are big enough to hold most half-pans and are also excellent for storing tiny beads or small craft items. Flower Palette -… Easy to clean and store! Creative Mark English Glazed Porcelain Palettes are an excellent surface for color mixing. Many watercolorists depend on porcelain palettes because they are easy to clean and are weighty enough that they don't move around while in use. Choose from a variety of palette shapes and sizes that can easily fit into your daily studio routine! Key Features: * Easy to clean * Sturdy construction * English glazed porcelain Perfect For: * Watercolor and gouache * Color mixing * Everyday studio use The 20 Well Palette: has 20 deep paint wells and a matching cover that doubles as a mixing tray. Use the paint wells to hold watercolor, gouache, or oil paints. The palette wells are big enough to hold most half-pans and are also excellent for storing tiny beads or small craft items. Flower Palette - Measures 4 ¾" in diameter and features six petal-shaped wells and a center section. Giant Covered Watercolor Dish - Measures 7" in diameter and 2 1⁄16" high with cover. The mixing tray has six, 1" deep perimeter wells and a 3 ¾" diameter center well. The cover doubles as a huge mixing tray. Slant Palette - The palette measures 4 ¼" × 7 ½" in size and features five circle-well and five slants mixing areas. Stacking Style Palette - Features five 3" diameter and ½" high nesting trays with a matching cover. See More
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Sennelier Egg Tempera - Ivory Black, 34ml TubeSave Up to35%Off listBlack A highly pigmented, professional tempera medium Sennelier Egg Tempera paint is a semi-opaque, water-soluble and permanent painting medium used for fine art painting and restoration (and can even be used as an underpainting for oil paints). Unlike oils, egg tempera does not age or yellow, due to being egg emulsion-based instead of oil based. Varnished egg tempera paintings are difficult to distinguish from oils due to their vibrancy and brilliance in how the pigment suspends in the emulsion. It is a popular medium with oil painters who seek a health alternative to the harsh and dangerous solvents involved with oil colors, as it requires nothing more than soap and water cleanup. Like their other paint lines, Sennelier Egg Tempera paints are professional quality pigments with the highest pigment loads possible. Key Features:* Classical painting medium* Water soluble, no need for solvents* Highly archival* Rich satin-matte finish* Highly pigmented paints* Authentic egg tempera made in the traditional manner* Use varnish over egg tempera paintings for an oil painting like appearance Perfect For:* Fine art painting, restoration, and icon painting* Underpainting for oil painters* Restoration Work * Icon Painting* Technical illustrative painting styles Intro Set of 5- Contains five 21 ml tubes including: Titanium White, Lemon Yellow, Rose Madder Lake, Ultramarine Blue, and Ivory Black Light Wooden Box Set Of 15 - Contains: One 34 ml tube of Titanium White, one 60 ml jar of Egg Tempera Binding Medium, a wooden palette, one metal palette cup, two brushes, a Flat #4 and a Round #5, 15, 21 ml tubes of Egg Tempera: Burnt Sienna, Cadmium Yellow Deep Genuine, Carmine, Cobalt Violet Hue, Emerald Green, Ivory Black, Lemon Yellow, Naples Yellow, Permanent Intense Red, Prussian Blue, Raw Umber, Ultramarine Blue, Vermilion, Viridian, and Yellow Ochre. Capable of creating detailed and complex effects, the medium of egg tempera can be traced back as early as ancient Greece. During the early Italian Renaissance, egg tempera reached its’ zenith, and was the predominant medium for religious icon panel paintings done between the 12th and 15th centuries. Even with the rise in popularity of oils beginning in the 15th century, Renaissance masters such as Michelangelo and Botticelli continued to prefer the deep luminosity of the medium. Even with the decline of the medium in favor to oils, artists like Marc Chagall (who exclusively used Sennelier) in the early 1900’s led to the medium’s revival, and it became more popular with the use by American painters such as Andrew Wyeth and Thomas Hart Benton. In 1892, chemist and fine arts purveyor Gustave Sennelier created his own line of Sennelier Egg Tempera paints, after extensive research into classical, authentic Renaissance formulas. Egg Tempera is a semi-opaque, water-soluble and permanent painting medium used for fine art painting and restoration (and can even be used as an underpainting for oil paints). Unlike oils, egg tempera does not age or yellow, due to being egg emulsion-based instead of oil based. The egg emulsion recipe binder produces a satin-matte finish that is water resistant when dry, and is thinned with water or egg tempera medium when painting. Varnished egg tempera paintings are difficult to distinguish from oils due to their vibrancy and brilliance in how the pigment suspends in the emulsion. It is a popular medium with oil painters who seek a health alternative to the harsh and dangerous solvents involved with oil colors, as it requires nothing more than soap and water cleanup. Like their other paint lines, Sennelier Egg Tempera paints are professional quality pigments with the highest pigment loads possible. Unlike oil paint, egg emulsion binder is stiffer and more brittle, so it does not lend well to impasto painting techniques. Traditionally, due to the brittle nature, egg tempera is best used on wood or canvas panels, or heavy primed paper that has been mounted on a hard surface. Note: Sennelier recommends artists give their finished egg tempera works a coating of charcoal or pastel fixative before applying a final oil paint picture varnish, to seal and protect the work. See More
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Claessens Linen #112 Double Universal Primed Moderately Fine Texture Cut Piece, 41" x 18"Save Up to69%Off listWhite The Ideal Choice for Artists Working With several Mediums! Claessens provides artists with professional quality canvases. Each canvas passes through its own unique manufacturing steps before it is inspected. Quality control carefully examines the canvas by hand for faults and removes any abnormally thick threads. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. Universal acrylic primed canvases are coated twice with an acrylic-based paint that is troweled on expertly by hand with a large knife. Then the canvas is dried in a dry air oven for a secound time. This produces a perfectly cured, completely dry canvas. The Universal priming is designed to allow for 50% absorbency, making it suitable for all media types. The finished canvases are again carefully inspected one last time before they are placed on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Key Features: * Professional Quality Linen * Multiple surface textures offered * glue layer protect before priming * Universal acrylic primed by hand * Versatility for using different media! * Perfect For: * Professional Painters of all types * Portraits, landscapes, and more * Using acrylics, oils, alkyds, mixed media * Aspiring students & amateurs * Artists who paint in more than one media Double Universal Primed Polyester Roll #101 - features an extra-fine texture ideal for portraits and painting genres that require a smooth surface. Warp 39 cm / 20.5 cm weft; unprimed weight 7.23 oz. Double Universal Primed Linen Roll #109 - features a pronounced, heavy weave and a single layer of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where smooth texture is not needed and is popular with landscape, abstract, and large-scale muralists. Warp 11 cm / 14c m weft; weighs 10.71 oz. Single Universal Primed Linen Roll #112 - features a moderately fine texture and a single layer of universal acrylic primer for acrylics, alkyds, and oils. Painters who paint in multiple applications and styles will enjoy this linen. Ideal for use with portraits and painting genres that requires s smoother surface for detailed work. Warp 20 cm / 16 cm weft; weighs 12.17 oz. Double Universal Primed Linen Roll #120 - features a pronounced, heavier texture and a double layer of universal acrylic primer for acrylics, alkyds, oils, and even mixed media. It accepts most painting techniques where smooth texture is not needed and is popular with landscape and abstract artists, large-scale easel painters, and muralists. Warp 14.3 cm/ 10.5 cm weft; weighs 11.50 oz. Double Universal Primed Linen Roll #129 - features a more pronounced heavy weave, with two layers of universal acrylic primer for acrylics, alkyds, oils, and even mixed media. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape and abstract artists, large scale easel painters, mixed media artists, and muralists. Warp 21.6cm/12.5cm weft; weighs 15.40 oz. Double Universal Primed Linen Roll #166 - features a more pronounced medium texture, with two layers of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where a smooth texture is not needed and is popular with large-scale muralists. Warp 17 cm / 14.5 cm weft; weighs 12.24 oz. Double Universal Primed Linen Roll #170 - features a rough texture with two layers of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where smooth texture is not needed and is an excellent multi-purpose surface. #170 is popular with landscape artists, abstract painters, mixed media artists, large-scale easel painters, and muralists. Warp 25.4 cm / 26.7 cm weft; weighs 11.8 oz. See More
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