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Related Categories: Gesso Paint | Stretcher Brace | Mottler | Extra Large Stretched Canvas | Da Vinci Fit Synthetic | Gessoed Canvas | Jack Richeson Stretcher Bars | Primer
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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to30%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Awagami Sekishu 35gsm White 24" x 39" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Matisse Structure Acrylic 4 Liter Jar - Mars BlackSave Up to50%Off listBlack A Heavy Body Acrylic Suited to Impasto Techniques Matisse Structure Acrylics come in 98 highly pigmented lightfast colors! Because of their heavy body and high viscosity, Matisse Structure Acrylic Colors are ideally suited to impasto techniques and thick textured applications. You can easily apply the paint with a brush or palette knife straight from the tube. Matisse Mediums can be mixed in to alter the body and texture, gloss and sheen, or working time of the paint. Key Features: * Heavy body, high viscosity acrylic * Excellent lightfastness * No masking agents! * Brilliant and highly pigmented * 98 Brilliant professional colors Perfect For: * Impasto painting techniques * Painting colorful backgrounds * Mixing with acrylic mediums * Large-scale acrylic paintings * Intermediate to professional artists Artist Review & Testimonial Professional Artist Andy Russell - "Matisse Acrylic Paints have proven to be a pleasure to work with in so many ways. They are of the highest quality, richly pigmented and creamy smooth and perfect for the professional artist." “I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas." “I love colors and they come in a full range, which makes me feel like a kid in a candy store. I almost think of them as flavors. I really like their unique colors such a Cadmium Orange Deep, Australian Red Violet and Australian Blue Gum, Australian Salmon Gum and Australian Sienna. After years of painting in acrylics, it is exciting and refreshing to use these new colors. Discovering them was like getting a ‘booster shot’ of creativity for my work." See Full Review and Videos In Our Blog - Click here > See More
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Old Holland Hand-Painted Professional Color ChartSave Up to44%Off listAssorted Colors Considered one of the Finest Oil Paints In the World! Manufacturing pigments since 1664, Old Holland Classic Oil Colors are still considered today as one of the top oil paints in the world! Boasting artists like Van Gogh, Vermeer, and other Dutch Masters that used their pigments and paints, Old Holland uses only pure, cold-pressed linseed oil as a binder with the highest possible pigment loads, creating brilliantly concentrated paints that provide exceptional covering power, strength of color, and color intensity. All Old Holland Classic Oil Paints are completely lightfast except for the Madder Lakes and Cremnitz White, which are nearly lightfast. All Old Holland oils are manufactured using stone rollers only, as the colors of the paint will not change due to metal oxidations (which will alter Cadmium colors). All colors are completely free of cheap fillers and artificial dryers like other premium paints contain. Although Old Holland Oils initially may seem very expensive, the heavy concentration of pigment is actually an exceptional value, given the covering power of the paint and minimum amount needed for color mixing. One tube of their highest possible concentration of pigment equals the pigment contained in 2 to three tubes of other professional brands! Old Holland Classic Oil Colors come in 40ml and 225ml tubes. Cremnitz White, Flake White, Mixed White, Titanium White, and Zinc White can be purchased in 125ml and 225ml tubes, as well as 475ml cans. Key Features: * Oil Paints used by Van Gogh and Vermeer * 40ml, 125ml, 225ml tubes / 475ml Cans * 40 ml or 18ml tube sets of 10 * Highest Professional Quality * Highest possible pigment loads * Manufacturing Pigments Since 1664 * Completely lightfast * Cold Pressed Linseed Oil Binder * Exceptional covering power * Strength of color and color intensity * Paint will not change due to metal oxidations * Free of cheap fillers Perfect For: * Professional Oil Painters * Pigment Afficionados * Making paint go further * Upgrading to Professional Oils * Highest Quality Paints You Can use Old Holland Oil Sets of 10: Want to blow the oil painter in your life away and make their artist friends swoon with envy? Old Holland Classic Oil Colors Sets are the perfect gift for just that! "Lake" means transparent glazing colours. "Extra" means traditional colour made from lightfast pigment See More
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Schmincke Aqua Drop Liquid Watercolor Empty Brush Tip LinerSave Up to23%Off list…endless. You can paint, draw, sketch, or create beautiful calligraphy with the Aqua Drop Liner. Key Features: * Easily fill with liquid Aqua Drops * Long flexible felt brush tip * Super resilient fine point * Leak-proof barrel * Easy to fill and handle Perfect For: * Sketching and painting virtually… A brush pen so easy to use and handle, you'll wish you ordered more! The Schmincke Aqua Drop Liner is an empty brush pen that you can fill with Aqua Drop liquid watercolors. The flexible felt brush tip comes to a perfect point. This tip design allows for thick to thin lines and broad sweeping strokes. It's perfect for calligraphy and hand lettering because you can write with custom colors. All you have to do is fill the barrel with the Aqua Drop pipette color of your choice. Or fill the pen with plain water to create a watercolor blending pen. The possibilities are endless. You can paint, draw, sketch, or create beautiful calligraphy with the Aqua Drop Liner. Key Features: * Easily fill with liquid Aqua Drops * Long flexible felt brush tip * Super resilient fine point * Leak-proof barrel * Easy to fill and handle Perfect For: * Sketching and painting virtually anywhere! * Hand lettering and calligraphy * Illustration * Use with pan or tube watercolors as a water brush * Smooth satin-finished papers * Plein air use Please note: Not for use with Schmincke Aqua Drop Opaque White or colors mixed with Opaque White. Clogging will occur if Opaque White is added to the barrel. Aqua Drop Liner Filling * Remove the black locking part by turning. * Leave the felt brush tip in the liner. * Fill the barrel with the pipette drop by drop (approx. 20-30 drops for first filling). * Assemble and wait until the brush tip fills completely with color by itself (hold upright, do not pump!). * The Aqua Drop Liner is ready for use. If the paint application is dwindling, refill. See More
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Matisse Medium 11 Satin Varnish 4 LiterSave Up to50%Off listProtect your paintings with Australia's finest varnishes! Protecting your valuable artwork from damage and debris is an indispensable final step in the creation process! This versatile line of water- and solvent-based varnishes from Matisse are specially designed to provide your paintings with the… Protect your paintings with Australia's finest varnishes! Protecting your valuable artwork from damage and debris is an indispensable final step in the creation process! This versatile line of water- and solvent-based varnishes from Matisse are specially designed to provide your paintings with the protection they need, ensuring vibrancy of color and definition of detail for years to come! Satin Varnish - Polyurethane varnish for a satin finish on rigid surfaces. Poly-U-Gloss Varnish - Durable, quick-drying polyurethane varnish for rigid surfaces. * "I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas….I am completely sold on Matisse Acrylics. I highly encourage every artist, professional or pleasure painter, to experience these paints for themselves." - Andy Russell, Professional Artist Read More See More
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Matisse Medium 18 Pre-Antiquing Medium 4 Litre PailSave Up to50%Off list…mediums from Matisse! Part of the beauty of acrylic paint is its adaptability to any myriad of artistic and decorative effects. Now you can use your Matisse acrylic paints for folk art, crafts, and interior decorating as well as fine art painting! This collection of antiquing and patina mediums is… Achieve brilliant decorative effects with these versatile mediums from Matisse! Part of the beauty of acrylic paint is its adaptability to any myriad of artistic and decorative effects. Now you can use your Matisse acrylic paints for folk art, crafts, and interior decorating as well as fine art painting! This collection of antiquing and patina mediums is sure to inspire you with their exciting decorative effects! Faux Finish & Marbling Gel - Also known as 'scumble glaze,' this medium is ideal for creating painted finish techniques using sponges, squeegees, rollers, plastic wrap, stencils, stiff brushes and more! Thins acrylic paints and improves flow for glazing, and is also excellent at creating faux marble finishes as it can prevent colors from mixing. Patina (Oil Antiquing Medium) - Designed to be used with artists' oil paint over acrylics to give an aged, weathered appearance. Apply Patina Medium over the piece to be antiqued, using a lint free cotton cloth, then rub a small amount of dark oil paint over the surface, on a cloth also soaked in medium. Then just wipe back oil color with a clean cloth to reveal your newly-antiqued piece! Pre-Antiquing Medium - Creates a special barrier layer between your base painting and any antiquing or patina final finishes, preventing abrasion or shifting of the underpainting. Secures base paint layer while still providing a low-tooth finish excellent for continued artwork or final antique finishing. Water-Based Patina - An ideal glazing medium for mixtures of as little as 5% paint, this Water-Based Patina contains extra binder so that even the lightest of glazes still remain permanent and water-fast. An excellent way to achieve antique patina effects without using solvents. Simply coat your piece in Water-Based Patina, then rub a small amount of dark Matisse acrylic paint over the piece and wipe back with a clean cloth! "I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas….I am completely sold on Matisse Acrylics. I highly encourage every artist, professional or pleasure painter, to experience these paints for themselves." - Andy Russell, Professional Artist Read More See More
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Pebeo Colorex Watercolor Marker, Fluorescent PinkSave Up to25%Off listFluorescent Easy To Refill Watercolor Markers Pebeo Colorex Refillable Markers are ideal for illustrators, watercolorists, manga artists, and calligraphers. The markers have a flexible brush tip and contain transparent dye-based inks. Colorex Inks, are luminous and dry to a uniform velvety finish. You can dilute the color with water or use it full-strength. As with all inks, Colorex Ink is sensitive to ultraviolet rays. Coat finished works with a UV varnish to protect against fading. Key Features: * Vivid, dye-based watercolor ink marker * Holds up to 45 ml of color * Dilute with water or use full-strength * Quick refill system * Easy, fast, and clean application * Markers compatible with 56 Colorex colors * Sensitive to ultraviolet rays * Protect using a UV absorbent varnish Perfect For: * Use on watercolor paper, bristol, and more * The customized creation of shades * Calligraphers and illustrators * Cartoonists, designers, and tattoo artists * Bringing out intense details * Use with graphic India ink Filling Instructions: * Take a pipette of Colorex ink * Directly load the pipette into the marker through the black valve. Full load = 5 pipettes. If necessary, wipe off excess ink around the valve. Wait a few minutes for the ink to soak in. * The marker is ready to use * After use, clip the cap tightly to prevent the lead from drying out, and store the marker horizontally Brush Tip Removal: * Remove the used tip with the pliers from the support tool * Place the new tip into the marker cavity * Push the tip into the marker until the tool stops Please Note: The colors White, Rich Gold, Pale Gold, and Silver Metallic don't work with the marker. They have pigments that can clog the brush tip. See More
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