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Related Categories: Mottler | Extra Large Stretched Canvas | Gesso Paint | Jack Richeson Stretcher Bars | 72" Stretcher Bars | Gessoed Canvas | Da Vinci Fit Synthetic | Natural Canvas
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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to30%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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New York Central Grinding Plate 17-¾" x 17-¾"Save Up to56%Off listQuality Glass Mullers and Grinding Plates Artisans have been making paint for thousands of years with mullers and grinding plates. Manually milling the paint gives you control of the creative process from start to finish. New York Central® Glass Mullers are perfect for mixing ground pigments… Quality Glass Mullers and Grinding Plates Artisans have been making paint for thousands of years with mullers and grinding plates. Manually milling the paint gives you control of the creative process from start to finish. New York Central® Glass Mullers are perfect for mixing ground pigments with oil or water-based binders. Available in two sizes, each Muller is made of strong, break-resistant, tempered glass. The short-domed handle comfortably fits in the palm of your hand and allows you to bare down as you grind pigments. This manual process allows you to mill the paint as fine or as coarse as you like. The smooth bottom of the Muller plus your added body weight helps to mix a smoother paint. Make sure your handmade paints have the smoothest consistency possible by pairing your Muller with a fine glass grinding plate from New York Central®! One side of the plate is smooth, and the other side is sandblasted for grinding pigments to the finest particle size. Mill The Paint As Fine Or As Coarse As You Like With Your Own Muller and Grinding Plate! Glass Muller: * Strong, break-resistant, tempered glass mullers * Short domed ergonomic handle * Comfortable to hold while grinding * Small: 2.16 in diameter x 1.96 in tall * Medium: 3.22 in diameter x 2.75 in tall Perfect For: * Grinding pigments to the finest possible powders * Making water-based or oil paints * Professionals and students * Making paints by hand! * Customized color mixing Grinding Plate: * Made of heavy-duty tempered glass * 0.47" (12mm) thick * Sandblasted for optimum grinding * Available in two sizes: * 11-¾" x 17-¾" (30 x 45 cm) * 17-¾" x 17-¾" (45 x 45 cm) Perfect For: * Grinding pigments to the finest possible powders * Achieving the necessary friction for grinding pigments * Evenly dispersing and mixing pigments with binder * Professionals and students * Making paints by hand * Customized color mixing See More
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Arches Natural White 300lb Watercolor Paper, 29.5"x41" Rough (20 Sheets)Save Up to40%Off list…watercolor painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from… Natural White 100% Cotton Paper, Lasting Whiteness with Strength and Longevity The Artists' Choice For Watercolor Papers Since 1492! Mould-made in France, Arches Natural White Watercolor Paper is 100% cotton rag watercolor paper. Considered the most popular in the world, each gelatin-sized Arches watercolor paper sheet has four deckle edges and may be repeatedly erased and over-painted while still maintaining its beautiful surface quality and integrity. Arches natural white watercolor paper is available in all three popular watercolor paper finishes, hot press, cold press and rough grain Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Arches natural white watercolor paper has been a favorite among artists for over 500 years, and it's easy to see why! Made from 100% cotton linters and both internally and externally gelatin sized, acid-free Aquarelle watercolor paper is one of the finest art papers in the world. Sized to the core with natural gelatin, a process exclusive to ARCHES®. Even if it is soaked for a long time, the paper will still retain enough gelatin not to become too absorbent. Arches Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Cold Pressed surface is a particular favorite of illustrators, watercolorists, and airbrush artists. For a bolder, more robust surface, Arches Rough provides just enough texture allowing for easy working, and is strong enough to maintain its character even after reworking. The Rough texture is also used by watercolorists, airbrush artists, and acrylic painters. 260 lb. is approximately the same weight as 140 lb. paper but in double elephant (available in larger sizes than 22x30"). Key Features:* 100% long rag cotton* Mould-made in France* Available in hot press, cold press and rough grain!* Two natural deckle edges, two torn deckle edges* Acid-free, no optical brightening agents* Natural color* Sized to the core with natural gelatin Perfect For:* Watercolorists* Maintaining the integrity of the paper after repeated erasing and painting* Finished artwork* Wet techniques such as ink, gouache, and acrylic Arches Watercolor Paper, Natural White Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould Uses: ideal for watercolor painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from penetrating into the thickness of the paper. See More
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Ampersand Claybord Flat 1/8" Art Tile - 2.5"x3.5" (Pack of 5)Save Up to41%Off listWhite The Biggest Movement In Art Is Very Small! Ampersand Claybord Art Tiles are perfect for all your creative projects! These phenomenal art tiles have a smooth, highly absorbent Kaolin clay surface and strong Hardbord™ backing perfect for collage, smear-free rubber stamping, miniature paintings, mixed media, magnets, jewelry, embellishments, and for mounting paper, or fabrics. Thin applications of paint or ink can be removed, reapplied, or scratched through to add contrast, texture, and exquisite details. Key Features: * Kaolin clay surface accepts a variety of media * Ultra-smooth and highly absorbent ground * 1/8" thick flat panels * Available in 5 mini sizes * "Mini" is on-trend * Artist Trading Card size available * Made in the USA Perfect For: * Inks, oils, acrylics, acrylic gouache, and mixed media * Mid-level to professional artists * Collage work and miniature paintings * Mounting paper or fabrics * Inks and as a scratchboard surface * Image transfers and as a printing surface * Additive and subtractive processes * Designing pendants or brooches See More
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Ampersand Encausticbord Artist Trading Card - 2-1/2"x3-1/2" (Pack of 5)Save Up to41%Off list…An archival panel designed from a collaboration between Ampersand and R&F Handmade Paints, only Encausticbord has a ready to use surface formulated for the unique demands of encaustic painting and mixed media. This combination of Ampersand’s archival panel coating technology… The innovative Encausticbord surface is ready to use and requires no preparation An archival panel designed from a collaboration between Ampersand and R&F Handmade Paints, only Encausticbord has a ready to use surface formulated for the unique demands of encaustic painting and mixed media. This combination of Ampersand’s archival panel coating technology and R&F’s expertise in encaustics led to Encausticbord™, a unique wood panel that has the tooth to hold encaustic and mixed media unlike any other surface. Key Features:* Revolutionary encaustic ground is heat resistant* Designed to bond strongly with encaustic wax and collage* Archival, eco-friendly, and formaldehyde-free * Manufactured from sustainable forest products Perfect For:* Encaustic and Multi-Media Artists* Encaustic Paints* Oil Paints and Oil Sticks* Collage, Image Transfer, and Incising The Encausticbord™ ground has been specially formulated to provide superb adhesion between the encaustic paint and the surface. The ground is formulated with a very high solids to acrylic binder ratio which results in a very porous and absorbent surface. In addition, mineral aggregates are carefully selected in size and shape and added to the ground to yield a surface with a higher degree of surface roughness than typical acrylic gesso, which allows for better adhesion of encaustic wax. The ground is not only heat resistant and highly absorbent, but also holds tight to layers of wax and collage without the fear of cracking or separation. The innovative Encausticbord surface is ready to use and requires no preparation. The bright and velvety ground is perfect not only for encaustics, but for mixed media applications including oil paints and sticks, collage, image transfer, incising and more, and the durable bond offered by the ground means that fantastic textures and thick layers can be built up on its outstandingly receptive surface. Encausticbord is available in various depths for multiple display options: 1/8" and 1/4" flat panels, 7/8" and 1 1/2" cradled panels, and 2 1/8" DEEP gallery cradled panels for maximum support. Deeper cradled panels give artists the benefit of a gallery-style, frameless presentation. See More
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