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Related Categories: Gesso Paint | Mottler | Stretcher Brace | Extra Large Stretched Canvas | Jack Richeson Stretcher Bars | Primer Brush | Da Vinci Fit Synthetic | Gessoed Canvas
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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to30%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Turner Acryl Gouache Modeling Paste Pastel 350 ml JarSave Up to70%Off list…used as a final gloss coat on a completed painting or as a mix-in medium with other acrylic paints. The varnish has a milky-white appearance but dries clear and creates a water-resistant film. When mixed with a significant amount of Acryl Gouache paint, it produces a glossy translucent effect.… High-quality acrylic medium pastes and primers Turner has a rich tradition of manufacturing top-quality art supplies and has been supplying professional quality colors and mediums to artists since 1947. The Turner Company has a range of carefully created primers and mediums designed to fulfill any painter's ideas. You can paint on metal, wood, or glass with one of Turner's special primers or apply a final coat of varnish. Turner Retarder can also be mixed with traditional acrylics or acryl gouache to slow down drying and create special effects. Key Features:* Uses highest quality acrylic resins and materials* Create complex ground structures with Pastes* Surface primers for glass, wood, or metal* Perfect For:* Acrylic Painters* Faux Finishers* Artists of all skill levels* Experimenting with different textures and techniques Glass Primer: Used as an undercoat on glass with excellent adhesion. Brush out directly or with about 10% water. Apply one or two coats as thinly as possible for the best finish. Dry thoroughly for more than one day before overpainting with Acryl Gouache. Wood Primer: Used as an undercoat on wood to create good covering power and adhesion with acrylic paint. Wood Primer will block stains and seal porous surfaces to prevent colors from excessive soaking into the wood. Dilute with about 30% water to make a smooth and beautiful finish. Dry thoroughly for more than one day before overpainting with Acryl Gouache. Metal Primer: Used as an undercoat on metal with good water and weather resistance. Brush out directly or with about 10% water. Apply one or two coats as thinly as possible for the best results. Dry thoroughly for more than one day before overpainting with Acryl Gouache. Fabric Medium: Turner Fabric Medium allows you to use Turner Acryl Gouache on fabric. It works well with water-based acrylic paints. Modeling Paste Pastel: Water-based paste in white color with high viscosity, which enables opaque and matte impasto. It gives an elastic film after drying and a pastel tone when mixed with acrylic paint. Please note that it shrinks by approximately 40% after drying. Impasto of about 3cm thickness will take about 3 to 6 days to dry at an ambient temperature of 20 C thoroughly. Gloss Varnish: Turner Gloss Varnish can be used as a final gloss coat on a completed painting or as a mix-in medium with other acrylic paints. The varnish has a milky-white appearance but dries clear and creates a water-resistant film. When mixed with a significant amount of Acryl Gouache paint, it produces a glossy translucent effect. Retarder: Turner Retarder slows the drying time of acrylic gouache paints. The clear retarder forms a water-resistant film once dry. Using too much Turner Retarder may cause the painting surface to be tacky for a few days. See More
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Fredrix 70/580 Universal Primed Canvas Roll 53" x 30 YardsSave Up to5%Off listWhite Universal Primed for any media! Style 70/580 Cotton! This Fredrix Style 070/580 cotton duck canvas rolls are acrylic primed for all types of media especially acrylic paints, gouache or tempera. Fredrix Acrylic Primed Cotton Roll Canvas is made from selected cotton yarn and coated with acid-free acrylic titanium priming Key Features:* Fine quality* Universal cotton canvas rolls* 6.5oz / 220g raw, 10.5 oz / 339g primed.* Medium texture, good strength* Pure duck cotton* Medium weight cotton duck* Perfect For:* All media* Stretching your own canvas* Odd sized canvas needs* Universally primed to accept oil colors, acrylics, alkyd paints and more See More
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Claessens Linen #66 Single Oil Primed Medium Texture Roll, 122" x 10.9 ydSave Up to66%Off listWhite Claessens Oil Primed Medium Textured Linen Rolls Feature Meticulous Craftsmanship - Their Most Popular All-Purpose Surfaces! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in the premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #15 - Single OP #15 - Claessens Linen features a pronounced medium weave and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 13.12oz. Double Oil Primed Linen Roll #15 - Double OP #15 - Claessens Linen features a pronounced medium weave and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 14.75oz. Single Oil Primed Linen Roll #66 - Single OP #66 - A favorite of many famous artists world wide due to its even medium texture, a tight weave and strength. The world’s most popular linen for landscape painting. It has a 43.2 TPI warp and 36.8 TPI weft. Single primed weighs 13.48 oz. per square yard. 2 coat sizing. Key Features: * Professional Quality Linen * Popular Medium (all purpose) weave * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, still life, general purpose * General painting techniques * Aspiring students & amateurs See More
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Claessens Linen #20 Single Oil Primed Heavy Texture Roll, 122" x 10.9 ydSave Up to66%Off listWhite Claessens Oil Primed Rough Linen Rolls Feature Meticulous Craftsmanship With Close Attention To Detail! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create a archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #20 - Single OP #20 Claessens Linen features a pronounced, heavier texture and a single layer of primer for oil and alkyd painting. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape artists, large scale easel painters, and muralists. Warp 14.3cm/10.5cm weft; weighs 12.39oz. Single Oil Primed Linen Roll #29 - Single OP #29 Claessens Linen features a pronounced, heavy weight and rough texture with oil priming for oil and alkyd painting. Painters who enjoy a very hearty, heavy texture will enjoy this linen. Perfect for landscapes, large scale easel painters, and muralists. Warp 21.6cm/12.5cm weft; weighs 16.52oz. Single Oil Primed Linen Roll #70 - Single OP #70 Claessens Linen features a pronounced rough texture, with a single layer of primer for oil and alkyd painting. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape artists, large scale easel painters, and muralists. Warp 25.4cm/26.7cm weft; weighs 13.71oz. Key Features: * Professional Quality Linen * Heavy and Rough textures * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, murals, large scale works * Techniques complimenting a rough surface * Aspiring students & amateurs See More
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Claessens Linen #120 Double Universal Primed Rough Texture Roll, 122" x 10.9 ydSave Up to69%Off listWhite The Ideal Choice for Artists Working With several Mediums! Claessens provides artists with professional quality canvases. Each canvas passes through its own unique manufacturing steps before it is inspected. Quality control carefully examines the canvas by hand for faults and removes any abnormally thick threads. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. Universal acrylic primed canvases are coated twice with an acrylic-based paint that is troweled on expertly by hand with a large knife. Then the canvas is dried in a dry air oven for a secound time. This produces a perfectly cured, completely dry canvas. The Universal priming is designed to allow for 50% absorbency, making it suitable for all media types. The finished canvases are again carefully inspected one last time before they are placed on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Key Features: * Professional Quality Linen * Multiple surface textures offered * glue layer protect before priming * Universal acrylic primed by hand * Versatility for using different media! * Perfect For: * Professional Painters of all types * Portraits, landscapes, and more * Using acrylics, oils, alkyds, mixed media * Aspiring students & amateurs * Artists who paint in more than one media Double Universal Primed Polyester Roll #101 - features an extra-fine texture ideal for portraits and painting genres that require a smooth surface. Warp 39 cm / 20.5 cm weft; unprimed weight 7.23 oz. Double Universal Primed Linen Roll #109 - features a pronounced, heavy weave and a single layer of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where smooth texture is not needed and is popular with landscape, abstract, and large-scale muralists. Warp 11 cm / 14c m weft; weighs 10.71 oz. Single Universal Primed Linen Roll #112 - features a moderately fine texture and a single layer of universal acrylic primer for acrylics, alkyds, and oils. Painters who paint in multiple applications and styles will enjoy this linen. Ideal for use with portraits and painting genres that requires s smoother surface for detailed work. Warp 20 cm / 16 cm weft; weighs 12.17 oz. Double Universal Primed Linen Roll #120 - features a pronounced, heavier texture and a double layer of universal acrylic primer for acrylics, alkyds, oils, and even mixed media. It accepts most painting techniques where smooth texture is not needed and is popular with landscape and abstract artists, large-scale easel painters, and muralists. Warp 14.3 cm/ 10.5 cm weft; weighs 11.50 oz. Double Universal Primed Linen Roll #129 - features a more pronounced heavy weave, with two layers of universal acrylic primer for acrylics, alkyds, oils, and even mixed media. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape and abstract artists, large scale easel painters, mixed media artists, and muralists. Warp 21.6cm/12.5cm weft; weighs 15.40 oz. Double Universal Primed Linen Roll #166 - features a more pronounced medium texture, with two layers of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where a smooth texture is not needed and is popular with large-scale muralists. Warp 17 cm / 14.5 cm weft; weighs 12.24 oz. Double Universal Primed Linen Roll #170 - features a rough texture with two layers of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where smooth texture is not needed and is an excellent multi-purpose surface. #170 is popular with landscape artists, abstract painters, mixed media artists, large-scale easel painters, and muralists. Warp 25.4 cm / 26.7 cm weft; weighs 11.8 oz. See More
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Claessens Linen #020 Unprimed Rough Texture Roll, 122" x 10.9 ydSave Up to66%Off listNatural Quality linen worthy of your finest masterpiece! Claessens makes its linen with only the finest flax. A quality control agent inspects the raw canvas by hand for weaving faults and removes abnormally thick threads. These precise steps create an archival linen canvas worthy of your next masterpiece! Claessens unprimed linen canvases are free of treatments, glues, sizings, and priming. The canvas comes ready for you to custom treat according to your needs. Key Features: * Professional Quality Raw Linen * Multiple surface textures offered * No sizings, glues, or primers * Quality checked by hand * Prime to suit your painting needs! * Perfect For: * Professional Painters of all types * Artists who custom prime and stretch * Using acrylics, oils, alkyds, mixed media * Aspiring students & amateurs * Portraits, landscapes, and more Unprimed Linen Roll #09 - Unprimed #09 Claessens Linen features a fine texture with no priming or sizings. Ideal for use with portraits and painting genres that need a smooth surface. Warp 11 cm / 14 cm weft; unprimed weight 5.13 oz. Unprimed Linen Roll #012 - Unprimed #012 Claessens Linen features a moderately fine texture with no priming or sizing. Ideal for use with general painting techniques and most painting genres. Warp 20 cm / 16 cm weft; unprimed weight 6.19 oz. Unprimed Linen Roll #013 - Unprimed #013 Claessens Linen features an extra fine texture with no priming or sizings. Ideal for use with portraits and painting genres that need a smooth surface. Warp 23 cm / 23 cm weft; unprimed weight 6.19 oz. Unprimed Linen Roll #20 - features a pronounced, heavier texture with no priming or sizing. It accepts most painting techniques where smooth texture is not needed and is popular with landscape artists, large-scale easel painters, and muralists. Warp 14.3 cm / 10.5 cm weft; weighs 6.64 oz. Unprimed Linen Roll #026 - Unprimed #026 Claessens Linen features a rough texture with no priming or sizing. Perfect for most styles of painting and most general applications. With a width of 161.417, this linen is ideal for any artist working on large-scale easel and mural works. Warp 20.5 cm / 14.5 cm weft; unprimed weight 12.7oz. Unprimed Linen Roll #029 - Unprimed #029 Claessens Linen features a pronounced, beefy texture that is popular with landscape and abstract painters who like to work on a large scale. Great for mural painters. Warp 21.6 cm / 12.5 cm weft; unprimed weight 10.62 oz. Unprimed Linen Roll #066 - Unprimed #066 Claessens Linen features a medium texture with no priming or sizing. Perfect for most styles of painting and most general applications. Warp 17 cm / 14.5 cm weft; unprimed weight 8.11 oz. Unprimed Linen Roll #070 - Unprimed #070 Claessens Linen features a pronounced, rough texture with no priming or sizing. Ideal for use with abstract and large-scale mural works. Warp 25.4 cm / 26.7 cm weft; unprimed weight 6.49 oz. See More
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Yasutomo Origami Paper Brilliant Colors 6-3/4" (Pack of 100)Save Up to21%Off listAssorted Colors Perfect For Folding Origami! Yasutomo Origami Paper is excellent for practicing and perfecting the art of paper folding. Paper packs are available in a variety of bright colors and patterns. The thickness of the paper is specifically designed for the crisp, sharp folds needed for origami. Key Features: * Assorted square paper sizes * Available in bright solid colors and patterns * 8 to 1000 sheets per pack Perfect For: * Practicing origami * Mixed media art * School or group projects * Parties See More
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Pebeo Studio Acrylics Mediums - Crackling Effect Modeling Paste, 100ml & 250ml TubesSave Up to25%Off list…mediums—once dry—can be used beneath acrylics as well as resins, solvent-based paints, ceramic paints, and more! Key Features: * Thick, richly pigmented acrylic mediums * Retain brush and painting knife strokes * Easily mixable with great light-fastness * Available in iridescent Dyna… Unlimited opportunities for experimenting with creative inspiration Pébéo Mixed Media Studio Mediums offer an extensive line of acrylic mediums for creating an array of textures and dimensional effects. Ideal for mixed media applications, these mediums—once dry—can be used beneath acrylics as well as resins, solvent-based paints, ceramic paints, and more! Key Features: * Thick, richly pigmented acrylic mediums * Retain brush and painting knife strokes * Easily mixable with great light-fastness * Available in iridescent Dyna Perfect For: * Uncomplicated, spontaneous creativity! * Mixed media applications * Adding texture to portraits * Pebeo Liquid Art Panels * Canvas, cardboard, wood & metal * Children, students, and professionals Studio Acrylics Gloss Gel –non-yellowing acrylic gloss gel with translucent gloss finish. Studio Acrylics Matt Gel –non-yellowing acrylic gel with translucent matte finish. Studio Acrylics Bindex –non-yellowing fluid acrylic binder—dries translucent with a satin finish. Studio Acrylics Dyna Bindex –non-yellowing fluid acrylic binder with interference pigments for reflective, color-changing effects--available in blue, violet and green. Studio Acrylics Modeling Paste –highly textured, opaque white modeling paste used for creating impastos and dimension—may be used alone or mixed with colors—retains tool imprints, keeps volume and dries to a matte finish. Studio Acrylics Modeling Paste High Density -highly textured, opaque white modeling paste formulated with fine grain used for creating impastos and dimension—may be used alone or mixed with colors—retains tool imprints, keeps volume and dries to a white-gray porous surface. Studio Acrylics Crackling Effect Modeling Paste –opaque white paste used to create impastos with crackle effect—may be used alone or mixed with colors (75% modeling paste / 25% color)—to increase adherence and enhance the crackling effect, recommended to prime the surface at least 1 hour prior to applying the modeling paste. Studio Acrylics Sand Textured Gels –acrylic polymer with colored sand-based gel available in black, white, red, and yellow—apply with a painting knife and dilute with water or Bindex as needed. See More
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