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Related Categories: Gesso Paint | Mottler | Extra Large Stretched Canvas | Da Vinci Fit Synthetic | Stretcher Brace | Primer | Acrylic Gesso | Gessoed Canvas
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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to32%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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New York Central Grinding Plate 11-3/4" x 17-3/4"Save Up to56%Off listQuality Glass Mullers and Grinding Plates Artisans have been making paint for thousands of years with mullers and grinding plates. Manually milling the paint gives you control of the creative process from start to finish. New York Central® Glass Mullers are perfect for mixing ground pigments… Quality Glass Mullers and Grinding Plates Artisans have been making paint for thousands of years with mullers and grinding plates. Manually milling the paint gives you control of the creative process from start to finish. New York Central® Glass Mullers are perfect for mixing ground pigments with oil or water-based binders. Available in two sizes, each Muller is made of strong, break-resistant, tempered glass. The short-domed handle comfortably fits in the palm of your hand and allows you to bare down as you grind pigments. This manual process allows you to mill the paint as fine or as coarse as you like. The smooth bottom of the Muller plus your added body weight helps to mix a smoother paint. Make sure your handmade paints have the smoothest consistency possible by pairing your Muller with a fine glass grinding plate from New York Central®! One side of the plate is smooth, and the other side is sandblasted for grinding pigments to the finest particle size. Mill The Paint As Fine Or As Coarse As You Like With Your Own Muller and Grinding Plate! Glass Muller: * Strong, break-resistant, tempered glass mullers * Short domed ergonomic handle * Comfortable to hold while grinding * Small: 2.16 in diameter x 1.96 in tall * Medium: 3.22 in diameter x 2.75 in tall Perfect For: * Grinding pigments to the finest possible powders * Making water-based or oil paints * Professionals and students * Making paints by hand! * Customized color mixing Grinding Plate: * Made of heavy-duty tempered glass * 0.47" (12mm) thick * Sandblasted for optimum grinding * Available in two sizes: * 11-¾" x 17-¾" (30 x 45 cm) * 17-¾" x 17-¾" (45 x 45 cm) Perfect For: * Grinding pigments to the finest possible powders * Achieving the necessary friction for grinding pigments * Evenly dispersing and mixing pigments with binder * Professionals and students * Making paints by hand * Customized color mixing See More
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FW Mixed Media Large Marker & 8-15mm Flat NibSave Up to22%Off listPaint Markers - Create new marker colors Empty FW Mixed Media Paint Markers enable an artist to create a selection of custom colors that can be used across a variety of surfaces. The hard nibs on these markers make them perfect for use on surfaces like concrete, stone, and canvas. FW Mixed Media… Paint Markers - Create new marker colors Empty FW Mixed Media Paint Markers enable an artist to create a selection of custom colors that can be used across a variety of surfaces. The hard nibs on these markers make them perfect for use on surfaces like concrete, stone, and canvas. FW Mixed Media Markers are available in nine different sets varying from large to small barrel sizes and can be outfitted with a variety of different nibs fit for technical drawing, street art, and illustration. Ideal for FW Acrylic Ink, once filled the empty markers can be used to formulate new colors by mixing and dilution. Volume measurements on each empty marker barrel allow for precise color mixing. The Markers can also be filled with calligraphy inks or watered down watercolor. Empty markers can be washed for re-use. For best results, shake well and pump gently. Markers should be stored horizontally. Not intended for use with FW Pearlescent Inks. Key Features: * Variety of nib widths and types * Small and large barrel sizes * Volume measurements on each empty marker * Empty markers can be washed for re-use * Formulate new marker colors * Extend the life of your markers with replacement nibs. Perfect For: * Mixed Media * Technical drawing, street art, and illustration * Concrete, stone, and canvas * FW acrylic water-resistant artists Inks * Ink and liquid watercolor See More
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SoHo Urban Artist Hemp #25 Unprimed Roll 25.4 oz, 86.6" x 30 ydSave Up to53%Off listNatural Quality canvas worthy of your finest masterpiece! Are you tired of painting on standard cotton duck canvas but find better fabrics too expensive? SoHo Urban Artist has the answer with their new line of professional quality, unprimed artists' canvas in a wide range of fibers and textures — all at an affordable price! Only the highest quality natural fibers are used to weave the canvas. Because the canvas is raw, you have the opportunity to select the special gesso or primer that you want to use as your base. If you want the canvas to be ultra-smooth, you can sand the gesso in between coats or apply more texture if that is the effect you want. Linen, jute, and hemp are superior fibers that, when properly cared for, will survive for centuries — and so will your art! These premium raw unprimed canvases are available in generous 30-yard rolls, 6-yard folded blankets, and convenient 1-yard samples to make it easy to find your favorite. Find the perfect painting surface with SoHo Urban Artist Professional Unprimed Canvas! Key Features: * Professional quality linen, jute, and hemp * Multiple surface textures offered * Raw canvas ready to prime * Prime to suit your painting needs! Perfect For: * Professional painters of all types * Custom priming and stretching your own canvas * Creating a textured or smooth canvas * Portrait artists and detail painters * Archival art that will last! #42 Linen – 66.9" wide; 12.7 oz. - Slightly heavier than 12 oz cotton but not as bulky. It has a beautiful, tight weave that is perfect for detailed realistic techniques and more abstract applications. For portrait artists, three coats of priming sanded between layers would yield a very pleasing surface. #38 Linen – 66.9" wide; 14.1 oz. - This linen is about 10% heavier than the #42. It has a medium weave and texture and falls into our all-purpose range. You can use this linen for portraiture, but we generally do not recommend it for this purpose. This linen is ideal for all other realistic, representative, and modern expressions. #133 Linen – 82.67" wide; 15.17 oz. - This hearty linen has a robust weave and uniform surface. Perfect for expressive works and abstract pieces. #31 Linen – 90.55" wide; 17.99 oz. - The heaviest linen with a medium texture and weave. It is intended for large-sized works, but you can use it for any size piece. It weighs in at 17.99 oz. or 510 gms, which is heavier than any commercially produced pre-stretched linen canvas product on the market. #24 Jute – 74.8" wide; 24.51 oz. - Jute is a delightful departure from the smoothness associated with hemp and linens as it is delectably coarse, soft, and shiny with a beautiful golden color. The fiber lengths are incredibly long, so the strength of the jute is unrivaled. It has a large, coarse weave and is wonderful for glue-sizing, leaving the natural color of the canvas, or for traditional priming with oil or acrylic-based primers. #25 Hemp – 86.6" wide; 25.4 oz. - Hemp is for any artist looking for a heavyweight, durable fabric that is strong and soft. A robust, tight weave characterizes this fabric. The archival nature of hemp rivals that of the finest linen, but it is economical enough to use on the largest of paintings. See More
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R&F Pigment Stick 188ml - Blending StickSave Up to20%Off listClear Transparent Designed for blending edges, heightening transparency, and glazing colors! R&F Blending Sticks & Mediums are the same as R&F Pigment Sticks without the pigment. Excellent for glazing, blending edges, and heightening transparency, the medium can be worked directly into color, or you can use it to blend colors on a surface. R&F uses only natural beeswax, plant wax, and linseed oil in its mediums. The medium is available in a jar or stick format with or without Cobalt Drier. The blending medium with drier contains Cobalt Drier, which helps speed up pigment drying time. Cobalt Drier can affect color, so the best method is to work colors on top of the medium after some of it is spread on canvas. Key Features: * Blending medium adds body * Available with or without drier * Sticks or jars * Cobalt Drier speeds up drying time * Best to work colors on top of medium Perfect For: * Extending oil paint * R&F Pigment Sticks * Creating glazes * Blending colors and lines * Heightening transparency * Adding body and extending oil colors See More
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R&F Pigment Stick 188ml - Mars Yellow LightSave Up to20%Off listYellow Handmade oil paints in a convenient drawing stick form! R&F Pigment Sticks are oil paints manufactured with enough wax for the paint to be molded into stick form. Pigment Sticks allow the artist to draw or paint directly onto a surface without brushes, palettes, paint tubes or solvents. Blending only traditional materials: finely milled pigments, natural wax (beeswax & plant wax), and alkali refine linseed oil, R&F Pigment Sticks have none of the additives, extenders, and substitutes that traditional tube oils contain. While the use of these adulterations can save a lot of work and reduce the cost of materials, they lower the quality of the paint. Consequently the formulas are complex and manufacturing is labor intensive, and thus handmade in small batches where they are carefully milled and molded. The result is a professional quality oil Pigment Stick with a buttery, lipstick-like soft consistency that glides onto the painting surface. Paint Sticks can be thinned with traditional solvents, mixed with or used under or over traditional oils, or worked with a palette knife to a softer consistency to allow brushing or knifing onto a surface. Curing to a durable film like standard oils, Pigment Sticks can also be used with Encaustic paints for a variety of effects. Blending sticks are offered in two types, and are colorless sticks that can be worked into a Pigment Stick color to increase transparency, or blend colors together on the painting. Like with traditional oils, R&F Pigment Sticks should be used on primed surfaces that are oil or acrylic gesso primed, to protect the surface from the natural acid in linseed oil. What is the difference between R&F Pigment Sticks and Oil Pastels? Although both are made with pigments, waxes, and oils, they are completely different! Oil pastels typically contain a much higher wax content than an oil stick or bar, and are manufactured with a non-drying oil such as mineral oil or castor oil. Works done in Pigment Stick will oxidize (dry) over time like traditional oil paints, whereas oil pastels will always remain tacky and never dry, thus needing the protection of glass to protect the finished work. Explore the versatility and loosely gestural qualities this medium has to offer, with professional quality Pigment Sticks from R&F! Key Features: * Made solely of pigment, pure alkali refined linseed oil, and purified plant and bees waxes * Lipstick-like, soft creamy consistency * Contains no additives, extenders, or substitutes like tube oils * 2 types of Blending sticks for colorless blending * Perfect For: * Use with Traditional Oils and Encaustic Paints * Gestural drawing with oils in stick form * Immediacy of paint without the need for brushes or tools * Works on any surface primed for traditional oils * Thinning with solvents and oil mediums See More
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