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Pro Lite Artist Stretcher Bars Box of 50 16"Save Up to77%Off list…a uniform beaded edge, so the canvas is slightly offset, to ensure that there will be no "ghost" impressions on the canvas. For re-stretching a painting, the bead is on both sides; therefore, you can turn the frame around and staple into raw wood on the back if you ever need to re-stretch. Pro-Lite… Genuine Pine Wood Stretcher Bars, 3/4" Deep, 1.75" Wide Pro-Lite Bars measure 1-3/4" in width and are a genuine 3/4" deep, while most brand leaders are only 1-5/8" wide and 5/8" deep. This 1/8" difference creates a sturdier frame. Although some stretcher bars do not use consistent types of wood, (some are Pine, some are Poplar, and some could be Bass), Pro-Lite bars are always made of Pine, so you know you are getting consistent quality. The stretcher bars feature the traditional tongue and groove corner ends that you can quickly assemble by interlocking two strips to form a canvas corner. They also feature a uniform beaded edge, so the canvas is slightly offset, to ensure that there will be no "ghost" impressions on the canvas. For re-stretching a painting, the bead is on both sides; therefore, you can turn the frame around and staple into raw wood on the back if you ever need to re-stretch. Pro-Lite Artist Stretcher Bars are the perfect solution for custom sized canvases! Key Features: * Made From Genuine Pine Wood * 1-3/4" Wide and 3/4" Deep * Tongue and groove design * Beaded edge on both sides * Quickly assemble by interlocking two strips * Lightweight for shipping and storage * Minimum purchase of 12 bars of assorted sizes Perfect For: * Stretching canvas at home * Easy to use * Professional Artists * Artists of all skill levels * Custom Canvas up to 50 × 50" Please note: A minimum purchase of 12 assorted bars is required. Special Bulk Pricing for Boxes of 25 or 50! See More
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Creative Mark Pro-Bar 1-1/2" Deep Heavy Duty Wood Stretcher Bars 16" (Box of 6)Save Up to73%Off list…for strength Perfect For: * Building heavy-duty frames at substantial savings * Artists who stretch canvas * Easy to use * Artists who paint large scale * Artists who demand quality * Gallery edge paintings that don’t require framing * Easier stretching with rounded back edges * Extra Heavy Duty White Pine Wood Stretcher Bars! 1.5” deep x 2” wide Only about 15% of artists use heavy-duty stretcher bars when building their canvases, due to the prohibitive cost of quality constructed bars in their price range. With this in mind, Creative Mark set about to provide sturdy kiln-dried White Pine stretchers to artists so that they can build heavy-duty frames at substantial savings. Creative Mark Pro-Bar, Heavy Duty Wood Stretcher Bars, are sturdy with a depth of 1-1/2” x 2” wide, providing maximum durability with tongue and groove corners for easy assembly. Bars are finger-jointed for strength, creating straight stretcher bars with incredible durability and warp-resistance. Stretcher profiles have a deep front beaded edge, to prevent any ghosting of the stretcher on the canvas when working. On the back, the edges are gently rounded, making it easier to stretch and staple the canvas while also creating a clean paintable style canvas edge. Creative Mark Pro-Bar, Heavy Duty Wood Stretcher Bars, are made of sturdy White Pine with a depth of 1-1/2” x 2” wide, providing maximum durability Heavy Duty Pro Bar Stretchers go up to a massive 96 in length, perfect for the painter who works large scale. You can use Heavy Duty Pro-Bar Cross Braces to brace larger works. The cross braces can be attached easily with flat head screws. Please note: A minimum purchase of 2 assorted boxes is required. Strips and Cross Braces may be assorted. Sold in boxes of 6. Key Features: * Genuine White Pine Wood, Kiln-Dried * 1.5” deep x 2” wide * Tongue and groove design, tight fitting corners * Beaded lip prevents ghosting impressions * 1/2” depth edges * Lightweight for shipping and storage * Bars are finger-jointed for strength Perfect For: * Building heavy-duty frames at substantial savings * Artists who stretch canvas * Easy to use * Artists who paint large scale * Artists who demand quality * Gallery edge paintings that don’t require framing * Easier stretching with rounded back edges * See More
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Gallery Pro Medium Duty Stretcher Bar-Single 16"Save Up to66%Off listFlush frame and rigid support that is sturdy! 1-1/2" Deep by 1-1/2" Wide These all wood, kiln-dried solid pine stretcher bars combine rigid support at an economical price! The stretcher bars feature the traditional tongue and groove corner ends that you can quickly assemble by interlocking two… Flush frame and rigid support that is sturdy! 1-1/2" Deep by 1-1/2" Wide These all wood, kiln-dried solid pine stretcher bars combine rigid support at an economical price! The stretcher bars feature the traditional tongue and groove corner ends that you can quickly assemble by interlocking two strips to form a canvas corner. They also feature a uniform beaded edge, so the canvas is slightly offset, to ensure that there will be no "ghost" impressions on the canvas. The profile measures 1-1/2" wide by 1-1/2" deep. Unlike other stretcher bar systems, these create an ideal flush frame that is sturdy. Gallery Pro Medium Duty Stretcher Bars are the perfect solution for custom sized canvases! Key Features: * 1½" × 1½" profile * Tongue and groove design * Kiln-dried solid pine * Quickly assemble by interlocking two strips * All wood solid pine stretcher Perfect For: * Stretching canvas at home * Easy to use * Professional Artists * Artists of all skill levels * Custom Canvas up to 72 × 72" See More
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Creative Mark 16" Solid Pine Wood Stretcher Strips (Pack of 2)Save Up to79%Off list…precision cut, they are smoothly sanded and finished. They also feature a uniform beaded edge, so the canvas is slightly offset, to provide a good painting feel. Sold in pairs of 2 stretcher strips (bars), which are shrink-wrapped for shipping, to seal out moisture. The ends measure 1-5/8" wide by… Solid Pine Wood, Reliable Strength & Easy To Assemble! 3/4" deep by 1-5/8" Wide Creative Mark Stretcher Strips are made of solid, high-quality, kiln-dried, pine wood - Not particle board! These strips feature the traditional slotted and rounded corners, which offer easy assembly by interlocking two strips to form a canvas corner. With their carefully applied precision cut, they are smoothly sanded and finished. They also feature a uniform beaded edge, so the canvas is slightly offset, to provide a good painting feel. Sold in pairs of 2 stretcher strips (bars), which are shrink-wrapped for shipping, to seal out moisture. The ends measure 1-5/8" wide by 3/4" deep. These stretcher strips are the perfect solution for custom sized canvases! Key Features: * Crafted from solid pine wood! * Each strip is sanded to a smooth, professional finish * Slotted and rounded corners * Straightforward assembly * Sold in pairs * Also: Pack of 100 (50 pairs) and Pack of 40 (20 pairs) * Ends measure 1-5/8 x 3/4" Perfect For: * Stretching professional canvases * Creating custom sized canvases * Discerning artists * Students, teachers, classrooms, and studios! Artist Review and Testimonial These stretcher strips are more than adequate for my needs. Creative Mark strips are easy to join. Later we stretched a number of artworks. All standards of a professional presentation were met. If you're looking for quality as well as price be sure to order them in the convenient packages of two! See More
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Berlin Synthetic Long-Handle Acrylic Brush, Bright Size #16Save Up to74%Off listStiffness Watercolors Acrylics Oils The Finest Brushes for Painting with Acrylic Colors in the World Or Your Money Back! Today there are hosts of synthetic brushes available, but there has never been an acrylic brush able to outperform natural hair, that is until now. The motivation for creating the… Stiffness Watercolors Acrylics Oils The Finest Brushes for Painting with Acrylic Colors in the World Or Your Money Back! Today there are hosts of synthetic brushes available, but there has never been an acrylic brush able to outperform natural hair, that is until now. The motivation for creating the Berlin Synthetic Long Handle Brush series were artists just like you! We set out to eliminate all of the drawbacks associated with synthetic acrylic brushes. Specifically: synthetic hair that did not hold color or perform with the control and precision of natural hair. With the help of our German brush manufacturer and customer input, we created the Berlin series. As a result of our research, all Berlin brushes are interlocked using a special heat treatment process that creates a bounce-back memory effect and produces a brush with great shape and resistance. Berlin brushes use a blend of four different filament diameter sizes between .1mm to .28mm. The mix of filament hair is dependent on the size and shape of the brush. The synthetic filament hair is also treated and shaped so that each brush closely parallels natural hair in texture and tapers to create a very robust brush body with a soft feel at the tip. Each Berlin brush features a nickel-plated silver ferrule and a long Blue Turquoise handle made of wood from sustainable forests. The handles are dipped in a high-grade varnish four times, which helps to keep them in good condition if properly cleaned. Simply put, these brushes are a modern marvel that will allow you to translate your ideas through your hand and onto the canvas with unparalleled ease. There has never been an acrylic brush able to outperform natural hair, that is until now. Berlin brushes use a blend of four different filament diameter sizes between .1mm to .28mm. Ultimate precision and outperforms natural hair! Synthetic hair that will hold color and perform with the control and precision of natural hair. Simply put, these brushes are a modern marvel! Key Features: * Handmade in Germany * Mottlers, Flats, Brights, Filberts, Rounds & Sets * Interlocked bristles * Bounce back memory effect with great shape and resistance * A blend of four different filament diameters * Synthetic filament hair * Holds color & performs with the control & precision of natural hair * Closely parallels real hair in texture & shape * Long handles * Nickel-plated silver ferrules * Wood from sustainable forestry used * Handle dipped in a high-grade varnish four times * Acrylic Brush Set of 6 w/ Brush Easel Case * Acrylic Brush Set of 12 w/ Brush Easel Case Perfect For: * Acrylics, oils, or alkyds * Easel painting * Fine details * Precise lay down of color * Professionals and art enthusiasts * Students and teachers * Professional acrylic painters * Artists wanting the best experience Berlin Synthetic Long Handle Acrylic Brush Sets Berlin Long Handle Acrylic Brush Set of 6 With Brush Easel Case: Set includes: Size #2 Flat, #12 Flat, #2 Bright, #6 Bright, #24 Filbert, #2 Round, and Creative Mark Folding Long Handle Brush Easel Berlin Long Handle Acrylic Brush Set of 12 With Brush Easel Case: Set includes: Long Handle Size #2 Flat, #12 Flat, #2 Bright, #6 Bright, #12 Bright, #24 Bright, #2 Filbert, #6 Filbert, #16 Filbert, #24 Filbert, #2 Round, #12 Round and Creative Mark Folding Long Handle Brush Easel Berlin Acrylic Brush Script Liner Set of 3 Long Handle Series 9980: Set includes size #0, #2, and #6 Script Liner. Berlin Acrylic Brush Long Handle Script Liner Set of 3 (Box of 12): Set includes size #0 , #2 , and #6 Script Liner times twelve. Berlin Series 1018M General Mottler Set: Set contains 1-inch Mottler, 1.5-inch Mottler, and 2-inch Mottler. Berlin Series 1018M Large Painting Mottler Set: Set contains 1-inch Mottler, 1.5-inch Mottler, 2-inch Mottler, 3-inch Mottler, and 4-inch Mottler. Berlin Series 1018M The Works Mural Mottler Set: Set contains the 1-inch, 1.5-inch, 2-inch, 3-inch, 4-inch, 5-inch, and 6-inch Mottler. See More
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Gamblin Oil Painting Ground 16oz CanSave Up to25%Off listMakes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium… Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More
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Creative Inspirations Acrylic Paint Value Box Set of 12, 16oz BottlesSave Up to72%Off listCurated Acrylic Painting Sets For a Way Better Painting Experience! Not all Acrylic paints are created equal!! It is so important that as you begin your acrylic painting journey that you choose higher quality acrylic paints. Alot of low priced and cheap acrylic paints come with mostly fillers and… Curated Acrylic Painting Sets For a Way Better Painting Experience! Not all Acrylic paints are created equal!! It is so important that as you begin your acrylic painting journey that you choose higher quality acrylic paints. Alot of low priced and cheap acrylic paints come with mostly fillers and way less pigment. The less pigment the less vibrancy, ease of use and your final outcome will not yield the results desired. At Jerry's we believe in ONLY better art supplies and materials. That is our business and only business! We work with artists develop acrylic painting sets for you that are not just low priced to help you get started but are real acrylic paints packed with pigments so your experience is so much better and you are encouraged to keep going on your journey of creating more art! Acrylics are the perfect introduction to "real" paints for beginning artists and have so many malleable attributes that in the hands of a professional painter they can behave like virtually any art medium out there. We've put together sets to help get started or to continue the journey into acrylics. Shop the best acrylic painting sets for beginners, acrylic paint sets with easels, acrylic paint sets with brushes & acrylic paint sets with canvas and easels, see full listings below Key Features:* Acrylic paint sets perfect for beginners* Better paints for better results* More pigments, better outcome* Higher quality acrylic paint sets* Acrylic paint sets with easels, brushes & supplies* Perfect For:* Ideal for working professionals on a budget* First-time artists* Acrylic painting for anyone* Practice To view set contents, please click on the Yellow icon next to the product listing. See More
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Gamblin Burnt Plate Oil #000 8oz BottleSave Up to25%Off listBrown True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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Williamsburg Cold Pressed Linseed Oil, 16oz BottleSave Up to30%Off list…Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film… The Perfect Accompaniment to Williamsburg Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film strength and durability. Williamsburg is proud to offer a unique selection of drying oils and mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss. Useful as an ingredient in painting mediums. Cold Pressed Linseed Oil - Genuine, cold-pressed linseed oil. Extracted through pressure alone. Less processed than alkali-refined oil. Closer to what was traditionally used in the past. Stand Oil - a thick, honey-like linseed oil with excellent leveling properties. Increases flow, transparency, and gloss. Useful as an ingredient in painting mediums. Slower drying and less yellowing than other linseed oils, it creates a smooth, durable, flexible film. Wax Medium - Pure beeswax, damar resin, and refined linseed oil. No paraffins or microcrystalline. Use in moderation to thicken paint; imparts a short, buttery texture. Increases transparency, dries to a satin sheen. Alkyd Resin - Made from a slow-drying pure alkyd resin with the consistency of a thick stand oil. Dries to a glossy, flexible, and enamel-like film. Useful in making other mediums or added directly into oil paints to modify transparency and flow. WARNING: Combustible. Vapor harmful. Key Features:* Professional, Handmade Oil Mediums* Quality cold-pressed drying oils* Oils to make custom mediums* Wax Medium to thicken paint* Perfect For:* Making custom painting mediums* Professional Oil Painters* Discerning students & amateurs* Using with professional quality oils See More
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The Original Stephen Sawyer 16"Canvas Bridge (Set of 2)Save Up to68%Off list…Use for Plein Aire Painting. Works with french easels. NOTE: Each set comes with top and bottom bridge piece. Has pins that will leave holes in canvas. Holes can easily be covered and painted over. NOTE: the 8" model is also designed for french easels and plein aire painting. Has special grooves… Canvas Bridge that allows for edge-to-edge painting, stabilizes the canvas and eliminates sagging! This patented easel accessory fits almost any easel. It is crafted from beech wood, making it sturdy and durable, but also flexible. The Original Sawyer Canvas Bridge fits under the top and over the bottom canvas supports of your easel. The natural offset feature allows artists to paint edge to edge, while enhancing and maintaining the canvas’ stability. This is achieved by points at the base of the bridges which firmly cradle the canvas. The canvas holders employ pressure at the center of the canvas bridge, which flexes and places even pressure towards the strongest part of the canvas, the corners. Whether a canvas is linen, cotton, primed or unprimed, the center is the weakest part of the canvas and causes sagging of the canvas fabric. Unlike most canvas holders, it avoids the need to put the most pressure on the canvas from the center, which eliminates sagging. The Original Sawyer Canvas Bridge securely holds the canvas, as the two ends are sharp enough to extend about 1/8" to ¼" into the canvas frame making it an extremely stable and secure canvas. This canvas accessory is available in 3 sizes; 8", 16" and 24": 8" is used for panels and canvas up to 24", 16" is used for any canvas up to 40" wide and the 24" would be used for canvas up to 60" wide. Key Features: * A patented accessory that fits almost all easels* 3 sizes available; 8" Use with canvases and panels up to 24" | 16" up to canvas width of 40" | 24" up to canvas width of 60"* Crafted from sturdy and durable beechwood* Features points to firmly cradle the canvas* Flexes to place even pressure on canvas corners* Each set comes with two bridge pieces * Perfect For: * Edge-to-edge painting* Improving upon canvas stability, eliminating canvas sag* Removing force away from the middle of the canvas* Use with canvases and panels up to 24" wide (8" model)* Use with canvases up to 40" wide (16" model)* Use with canvases up to 60" wide (24" model)* Use with linen, cotton, primed or unprimed canvas* Students, artists, studios, classrooms and teachers* 8" model. Use for Plein Aire Painting. Works with french easels. NOTE: Each set comes with top and bottom bridge piece. Has pins that will leave holes in canvas. Holes can easily be covered and painted over. NOTE: the 8" model is also designed for french easels and plein aire painting. Has special grooves for securing panels. Makes painting outdoors better than ever. Secure your panels easily. Use with any French Easel See More
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Creative Inspirations Acrylic Paint Value Box Set of 12, 16oz BottlesSave Up to83%Off list…Acrylic Sets include brilliant colors with great coverage. The paint has a smooth, creamy, and free-flowing consistency. Creative Inspirations Acrylics were recently voted educators' favorite acrylic for classroom use, and the paint is internationally recognized as superior by classroom educators… High-Value High-quality Acrylics- In Convenient Sets! The Creative Inspirations Acrylic Sets are ideal for educators, classrooms, social art parties, and art businesses. With Creative Inspirations Acrylics, educators and artists do not have to settle for water-downed acrylics made from inferior materials. Creative Inspirations Acrylic Sets include brilliant colors with great coverage. The paint has a smooth, creamy, and free-flowing consistency. Creative Inspirations Acrylics were recently voted educators' favorite acrylic for classroom use, and the paint is internationally recognized as superior by classroom educators and the art party industry. You can also clean up these acrylics quickly and easily with soap and water. **Special bulk pricing is available upon request for Creative Inspirations Acrylics Sets. Contact us at 1-800-827-8478 Key Features: * Smooth, creamy consistency * Great coverage * Medium to heavy body * Colors are bright, vibrant, and very pigmented * Can be thinned with water * Dry with a permanent film * Clean up with soap and water * Perfect For: * Mural and Studio Art * Educators * Artists on a budget that demand quality! * Social art parties * Art party businesses * Classrooms Artists on a budget! * Quick and easy cleanup * Better paint at a better value Like other lesser paints, when mixing colors, you will get vibrant results, not "muddy" colors. Click on the white paper icon to view the contents of each set. See More
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GOLDEN Heavy Body Acrylics, Fluorescent Set of 8, 16oz JarsSave Up to30%Off listFluorescent Heavy Body Acrylic Paint Sets from GOLDEN As the original line of paints from GOLDEN, these Heavy Body acrylics are exceptionally smooth with a thick, buttery consistency. Each set contains the most extensive assortment of unique pure pigments suspended in a 100% acrylic emulsion. GOLDEN acrylics offer excellent lightfastness with no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. More reactive colors do not accept high pigment loads and will often dry to a glossy finish that is more transparent. GOLDEN Heavy Body colors contain no additives, such as matting agents; therefore, each color's gloss will differ. Click on the item number to view set information Key Features: * Exceptionally smooth, rich, buttery consistency * Permanent and archival in quality * Ability to "stand up" and retain brush strokes * Heavy Body colors are thixotropic * Retain excellent flexibility when dry, diminishing the possibility of cracking * Mix with all of our GOLDEN Mediums, Gels, and other paint lines * 100% acrylic binder * No flattening agents * No opacifiers added to colors * Clearest and cleanest quality * Large assortment of unique pure pigments Perfect For: * Artists of every skill level * Freeze-thaw stability * Creating expressive brush strokes or palette knife marks * Small and large works of art * Plein Air * Heavy body impasto techniques * Mixing with acrylic mediums * See More
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GOLDEN Fluid Acrylics Iridescent Gold Deep (Fine) 8 ozSave Up to30%Off listIridescent GOLDEN Fluid Acrylics provide a highly intense, permanent acrylic with a consistency similar to india ink. Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying (particularly when mixed with GOLDEN Airbrush Medium), staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. Fluids allow for smooth flowing applications while retaining color intensity, tinting strength, film integrity, and adhesion. Fluids blend easily with all acrylic colors, and readily tint gels, mediums, gessoes and grounds. Fluid Acrylics are extremely versatile, and ideal for fine brushwork, glazing, staining, water media techniques and many more. Mix Fluid Acrylics with Airbrush Medium for airbrush application of artwork including textiles. Key Features: * Smooth flowing applications * Permanent and lightfast colors * Extremely versatile * High tinting strength * Low-viscosity, pigment-saturated paint * Retain excellent flexibility when dry * High pigment levels suspended in an acrylic polymer vehicle * Perfect For: * Fine brushwork * Glazing and staining * Water media techniques * Dry brush application * Spraying, brushing, and staining * Allowing for longer, more uniform brush strokes * Absorbing the constant stress and strain placed on canvas Golden Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility, and good adhesion. * Golden Fluid Acrylics Interference Colors which reflect their own colors in intense direct light and transmit a complement in indirect light. This "flip" varies according to the surface and the surface color. Adding a small amount of black will produce brighter colors. * Golden Fluid Acrylics Iridescent Colors reflect their own light. They appear differently dependent on the light source being either direct or indirect. Mix these colors into other GOLDEN colors to produce the greatest array of pearlescent colors imaginable. Experiment for unique and fascinating effects. See More
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GOLDEN Open Acrylic Paints Pyrrole Red 8 ozSave Up to30%Off listRed Slow-drying acrylic paint that enables painters to explore techniques GOLDEN OPEN paint is a slow-drying acrylic paint that enables painters to explore techniques traditionally reserved for oil paints. The slow-drying quality gives artists longer working time for easier blending and even subtractive techniques. There is a unique thinner and mediums for use with OPEN, but the paints are compatible with regular fast-drying acrylics and clean up with soap and water like regular acrylics. OPEN Acrylics are formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion to produce a paint with a uniquely relaxed set of working characteristics and a versatility that allows artists to explore a wider range of techniques such as portraiture and landscape painting that rely on softening, shading, glazing, and creating fine detail. Increased working time of these colors expands their range to include more traditional techniques once only possible with oils Key Features:* Resists skinning, remain wet on the palette for extended periods* Feels like no other paint* Stays wet longer* Expands the boundaries of acrylics* Formulated with an optimum balance* Tubes: 2oz. & 5oz. / Jars: 4oz. & 8oz.* Titanium White: 32oz. Jar* 100% acrylic polymer dispersion* Perfect For:* A uniquely relaxed set of working characteristics and versatility* Allowing artists to explore a wider range of techniques* Portraiture and landscape painting* Softening, shading, glazing, and creating fine detail* Plein air painting, mono-printing, and screenprinting* Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors* Reducing the amount of paint wasted and preserving color mixtures for future use How long does it take for Golden Open acrylics to dry? GOLDEN OPEN typically dries in 3-5 hrs. To control viscosity while maintaining the maximum working time Use OPEN Mediums and Thinner. To accelerate drying time, OPEN Acrylics may be blended with faster-drying GOLDEN Acrylics, Gels, and Mediums. OPEN Acrylics resist skinning, remain wet on the palette for extended periods, and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, mono-printing, and screenprinting. OPEN Acrylics may be blended with other GOLDEN Acrylic Colors, Mediums, and Gels, with the open time of the resulting mixtures being proportionately reduced. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. See More
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GOLDEN SoFlat Matte Acrylic - Fluorescent Yellow, 16oz JarSave Up to30%Off listFluorescent Saturated color that dries to an even, glare-free surface! GOLDEN SoFlat Matte Acrylic Paints are a professional grade acrylic paint that is completely matte and self-leveling, leaving no brush strokes once dry. GOLDEN formulated SoFlat for the growing number of artists who want to create uniform fields of rich matte color in fewer paint layers. GOLDEN SoFlat artwork is easier to photograph and looks fantastic online. GOLDEN'S stringent paint quality requirements demand high pigment concentration and a creamy, fluid, dense paint consistency with optimal covering power. With GOLDEN SoFlat paint, you can brush out a smooth, saturated field of color that dries to an even glare-free surface. See Sets of 6 in 2oz. Jars: Zing and Pop Key Features: * Super opaque acrylic * Self-leveling- no visible brush strokes once dry * Available in 2, 4, and 16 oz. jars * Available in 2oz. jar sets (ZING, POP) * Smooth, viscous, fluid consistency * Most colors are opaque in one or two coats * Glare-free once dry * 100% acrylic composition * Compatible with GOLDEN paints and mediums * Perfect For: * Acrylic painters of all levels * Creating large, graphic, matte artworks * Flat manufactured look once dry * Photographing glare-free artwork * Muralists, street artists, students * Applying with ease onto the palette or directly onto canvas SoFlat Pop Set Of 6, Colors in 2oz. Jars: Cadmium Primrose, Naphthol Red Light, Ultramarine Blue, Permanent Green, Black, and Titanium White. SoFlat Zing Set Of 6, Colors in 2oz. Jars: Bismuth Vanadate Yellow, Cadmium Orange, Naphthol Pink, Red Violet, Cobalt Teal, and Yellow Green. See More
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Gamblin Artists Oil - Cadmium Red Light, 8oz CanSave Up to25%Off listRed Gamblin Artist's Oils, The only choice for professionals! Since 1980, Gamblin has transformed oils and pigments into luscious, rich oil paints. Gamblin Artist's Oil Paints are made with refined linseed oil, so the paint film is more flexible and yellows significantly less than traditional linseed oil. No adulterants are used, so each color retains its unique tinting strength, undertone, and texture. Gamblin Artist's Colors have luscious working properties, and the colors are radiant. We're sure you'll agree that the quality of these oil colors is exquisite. For everything from realism to contemporary abstraction, you'll find the colors you need in the Gamblin line. Key Features: * Oil Paints: Available in 37ml and 150ml tubes, plus 8 oz. and 16 oz. cans * Sets w/ painting panels: Set of 9, Set of 3 * Professional quality * Inorganic colors made from metals (Cadmium, Cobalt, Iron, etc.) * 19th-century colors of the Impressionists * Classical and Renaissance era colors * High pigment load, low oil absorption * Colors easily grey-down in mixtures * Mostly opaque with a few semi-transparent and transparent colors * Made in Portland OR, USA * Perfect For: * Professional oil painters * Plein air artists * Alla prima painting * Vibrant portraits * Painting natural colors and light * Accurately reflecting the hues of nature * Smooth consistency and buttery feel * Outstanding lightfastness * Everyday studio use! Gamblin Metals- Gamblin Copper, Rich Gold, Pale Gold, and Silver are made by suspending bronze and aluminum powders in an alkyd binder. It's the light reflecting from all those bits of metal that create the "metal finish." The real metal flakes scatter light in many different directions giving surfaces painted with Metals a soft, lustrous appearance. Gamblin Metals have distinctive mixing characteristics. When mixed with transparent colors, they maintain their metallic luster and give glaze layers a unique sparkling quality. Gamblin Artists' Colors Introductory Set of 9 Colors Includes nine 37ml. tubes and a ready-to-use, This set contains one 6.5" x 12" pre-primed painting panel with 1.5in cradle depth.pre-primed birch painting panel handcrafted in North America from sustainable forests. Made in the USA. 37ml Colors include: Cadmium Yellow Light, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Viridian, Yellow Ochre, Burnt Umber, Ivory Black & Titanium White Reclaimed Earth Set of 3 Tubes: Colors in the set include Rust Red, Iron Violet, and Brown Ochre. The tubes are nestled in a 6"x6" primed panel made in Oregon by American Easel. The masterfully constructed panel has poplar cradled sides and a Baltic birch face. Every speck of pigment in these tubes has been painstakingly reclaimed from waters tainted by iron released from mines. Iron oxides make lightfast, natural, and safe oil paints. John Sabraw and engineer Guy Riefler figured out how to extract iron from the polluted rivers, restore ecosystems, and create economic opportunities in communities struggling with environmental damage left behind by the coal mining industry. By purchasing this limited edition set you are supporting hard-working communities and helping make the Ohio and Mississippi Rivers healthier ecosystems. Is Gamblin Oil Paint Professional Grade? Gamblin Artist's Oil Paints are Professional Grade made with refined linseed oil! Gamblin always wanted to give artists color at its maximum with a luscious texture. There is so much more to our work than fine raw materials and high pigment loads. Gamblin is dedicated to getting that balance right. Every color. Every batch. Every time. See More
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GOLDEN Acrylic Gel Mediums High Solid Gloss 8ozSave Up to30%Off list…drawing ground. Glass Bead Gel: made with genuine glass beads, the gel offers a unique effect similar to condensation on glass. The effect is best seen in thin films over a light color. Heavy Gel (Gloss, Matte, or Semi-Gloss): is a thick gel that may be blended with acrylic colors to increase paint… Add texture, enhance color, and increase transparency! GOLDEN Gel Mediums allow you to easily manipulate acrylic paint to achieve various effects and expressions. An acrylic gel medium makes adding texture, enhancing color, and increasing transparency easier. Key Features: * 100% acrylic polymer emulsion * Add texture, enhance color * Increase transparency * Variety of effects * Click on the notepad icon for more information Perfect For: * Modifying paint handling characteristics * Extending heavy body paint * Impasto, relief, or sculptural effects * Adhesion and durability Clear Granular Gel: is made with granular acrylic solids and has excellent clarity and durability with a coarse texture that dries translucent. Clear Granular Gel can extend paint and add texture without altering color. Clear Leveling Gel: [formerly Self Leveling Clear Gel] produces an even film with excellent clarity. It has a unique resinous, stringy consistency resulting from its leveling property. Clear Leveling gel dries to a flexible, high gloss film while imparting a leveling quality when mixed with acrylic paint. It blends well with GOLDEN Acrylic colors to produce glazes. Clear Tar Resin Gel: GOLDEN Clear Tar Gel is a 100% acrylic polymer colorless gel with an extremely resinous, syrupy, stringy, and tar-like consistency. Clear Tar Gel can be used to generate fine, detailed lines by "dripping" it over painting surfaces. It can be blended with all GOLDEN Acrylic paints, offering a full range of colors with which to work, although Fluid Colors work best. Extra Heavy Gel (Gloss, Matte, or Semi-Gloss): Have the thickest consistency of any gel offered by GOLDEN. The gel may be blended with acrylic paint to increase the viscosity. Extra Heavy Gel is excellent for holding peaks and tool marks. Extra Coarse Pumice Gel: The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Extra Coarse Pumice Gel creates more coarse textures to yield concrete-like finishes. Fine Pumice Gel: The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Glass Bead Gel: made with genuine glass beads, the gel offers a unique effect similar to condensation on glass. The effect is best seen in thin films over a light color. Heavy Gel (Gloss, Matte, or Semi-Gloss): is a thick gel that may be blended with acrylic colors to increase paint viscosity. Heavy Gels are excellent for holding peaks and dry translucent. The body of the gel will remain flexible even with thick impasto work. High Solid Gel (Gloss or Matte): are similar in body to Heavy Gels. They contain more acrylic solids and shrink slightly less than other gels. They blend well with colors and will retain brush strokes upon drying. Available in gloss and matte. Pumice Gel: Available in fine, coarse, and extra coarse texture. The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Coarse Pumice Gel creates more coarse textures to yield concrete-like finishes. Regular Gel (Gloss, Matte, or Semi-Gloss): Regular Gel is ideal for extending paint and regulating transparency without changing consistency. Useful for impasto effects and holding moderate peaks of texture. They blend well with colors and will retain brush strokes upon drying. Soft Gel (Gloss, Matte, or Semi-Gloss):Thinner than GOLDEN Heavy Body Acrylic colors, Soft Gels are moderately pourable. Hold only slight peaks. The recommended acrylic to function as a glue for collaging. Useful as a non-removable isolation coat, applied over the painting and before the varnish (must be thinned with water - 2 parts Soft Gel Gloss to 1 part water). See More
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Creative Inspirations Acrylic Paint Value Box Set of 12, 16oz BottlesSave Up to72%Off list…* Cleans up easily with soap and water * Perfect For: * Creating beautiful expressions * Giving as a gift * Young and new artists * Learning the basics of acrylic painting and professional color lines * Better acrylic for school, painting parties, home childhood development or just plain economy Perfect introductory acrylic set for young and new artists! Inspiring young and new artists is the goal of all Creative Inspiration products. These colors are smooth, rich, creamy, and free-flowing. Create beautiful expressions. Unlike many of the colors in the value area, these colors will provide the brilliance associated with acrylics and clean up easily with soap and water. The twelve 16oz bottles are packed in a heavy corrugated box with carrying handle. If you are looking for a better acrylic for school, painting parties, home, childhood development, or just plain economy, this is the set to buy. All colors are non-toxic and safe for all ages. All colors are non-toxic and safe for all ages - Smooth, rich, creamy and free-flowing colors 12 piece set includes one 16oz bottle each of the following colors: Titanium White, Cadmium Yellow Hue, Cadmium Orange Hue, Permanent Red, Crimson, Phthalo Blue, Ultramarine Blue, Purple Lake, Light Green, Yellow Ochre, Burnt Sienna and Lamp Black. Key Features: * Set includes 12, 16 oz. Bottles * Convenient heavy corrugated box with handle * The very best in its class to inspire artists of any age * Color names that match professional color lines * Smooth, rich, creamy and free-flowing colors * All colors are non-toxic and safe for all ages * Cleans up easily with soap and water * Perfect For: * Creating beautiful expressions * Giving as a gift * Young and new artists * Learning the basics of acrylic painting and professional color lines * Better acrylic for school, painting parties, home childhood development or just plain economy See More
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Golden 8oz Gloss Color Pouring Mediums Set 5 Fluid Acrylic 1oz ColorsSave Up to30%Off list…intended to be used alone as a clear layer, topcoat or varnish* Use as a paint extender for pours or puddles * As little as 20:1 medium to paint can be used for color glazes, or increase the paint amount to 3:1 (medium to paint) for more opaque color layers* May be applied in wet film thickness up… GOLDEN Gloss & Matte Color Pouring Sets With Fluid Acrylics With a choice of either Gloss or Matte Color Pouring Medium and five Fluid Acrylic colors, these sets are a great starting point for artists. Each set also includes a guide with tips for creating successful pours. Color Pouring Mediums are based on 100% acrylic polymers and used to extend acrylic paints for various pouring techniques. They may be blended with most acrylic paints, although GOLDEN Fluid and High Flow Acrylic paints are most suitable for pouring applications. CPM (Gloss) and (Matte) can be combined to create a range of sheens. Color Pouring Medium (Gloss) dries to a uniform smooth, glossy paint layer; Color Pouring Medium (Matte) dries to a very flat, thin, and smooth layer. GOLDEN Gloss Pouring Medium Set* Create beautiful glossy pours with GOLDEN Color Pouring Medium Gloss, a leveling, low crazing extender for pouring acrylic colors. The set includes an 8 oz. bottle of Colour Pouring Medium Gloss along with 1 oz. Fluid Acrylic Titanium White, Naphthol Red Light, Primary Yellow, Teal and Primary Cyan. GOLDEN Matte Pouring Medium Set* GOLDEN Colour Pouring Medium Matte is a leveling, low crazing extender for pouring acrylic colors, allowing artists to create pours with a velvety matte surface. The set includes an 8 oz. bottle of Color Pouring Medium Matte along with 1 oz. Fluid Acrylic Titanium White, Benzimidazolone Yellow Medium, Alizarin Crimson Hue, Prussian Blue Hue and Green Gold. GOLDEN Color Pouring Medium (Gloss) Features:* Resists “Crazing” (formation of crevices or valleys on an acrylic pour surface from uneven drying) better than other acrylic mediums* Dries to a glossy, flexible, and level finish with moderate clarity. Note: not intended to be used alone as a clear layer, topcoat or varnish* Use as a paint extender for pours or puddles * As little as 20:1 medium to paint can be used for color glazes, or increase the paint amount to 3:1 (medium to paint) for more opaque color layers* May be applied in wet film thickness up to 1/8” (3 mm)* Mixtures should be premixed and allowed to sit overnight before use, and may be stored for future use (in properly labeled, tightly sealed HDPE plastic containers)* Color Pouring Medium (Gloss) dries thicker than Color Pouring Medium (Matte)* May be used on a variety of painting surfaces that accept acrylic products. Most substrates commonly used by artists are acceptable. Each substrate has unique properties that impact the pour GOLDEN Color Pouring Medium (Matte) Features:* Mixtures can be used immediately. Air bubbles should dissipate during drying* Resists crazing* Improves leveling of paint mixtures* Dries to a thin, smooth, matte finish* Uniquely suited for large color fields* As little as 20:1 medium to paint can be used for color glazes, or increase the paint amount to 3:1 (medium to paint) for more opaque color layers* Mixable with Iridescent and Interference Colors for satin metallic effects* Mixtures may be stored for future use (in properly labeled, sealed HDPE plastic containers)* Color Pouring Medium (Matte) dries thinner than Color Pouring Medium (Gloss)* May be used on a variety of painting surfaces that accept acrylic products. Most substrates commonly used by artists are acceptable. Each substrate has unique properties that impact the pour,/lI> See More
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Danube Professional Watercolor Quill Brush #16Save Up to77%Off listStiffness Watercolors Acrylics Oils Superb Kazan Squirrel Quill Brushes, Great… Stiffness Watercolors Acrylics Oils Superb Kazan Squirrel Quill Brushes, Great for All Watercolor Techniques! Experience the precision of Danube Professional Watercolor Quill Professional range of Superb Kazan Squirrel brushes only from Creative Mark. Handmade in Germany, these Kazan squirrel's tail and synthetic blend brushes feature a long point for controlling linear strokes and detail. With a huge brush belly, these brushes hold a large amount of color and does not leave hair behind. Superb brush response--perfect for watercolorists looking for superior control. The key combination to creating this perfect brush was painstakingly balancing the combination of soft (yet resilient) synthetic fiber hair in specific lengths, and adding the right balance of natural hair. Thanks to new state of the art synthetics, this ideally balanced relationship of the mix works flawlessly and has provided near universal acclaim for the Danube Professional Watercolor Quills. For natural hair, we use the sought-after winter coat of the Kazan Squirrel's tail. This hair gets its name from the Kazan Russian Province, native to this animal and the bitter, extreme cold that this thick, strong, bushy coat protects it from. This fullness and coat strength, coupled with modern synthetics, allows the hair in these brushes to stand up to textured watercolor papers better than all others. Key Features:* Handmade in Germany* Kazan squirrel's tail & synthetic blend* Huge Brush Belly* Long point for linear strokes* Holds large amounts of color* Superb brush response Perfect For:* Textured watercolor paper* Heavy washes* Watercolorists looking for superior control* Scripting, holds a lot of ink* Large areas and tiny corners* Studio or Travel Specs:* Kazan squirrel and synthetic blend* Varnished gold wire* Sizes based on diameter in mm Danube Watercolor Quill Set - This set includes a size 6, 10 and 14 along with a black bamboo brush roll up. Great for travel or in the studio! See More
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Williamsburg Genuine Rabbit Skin Glue, 16ozSave Up to30%Off list…traditional ground for oil painting Williamsburg Rabbit Skin Glue is 100% genuine, and comes in a fine crystallized powder form. It acts as an excellent sizing for preparing canvas as well as an adhesive. Rabbit Skin Glue is used to size canvas or linen before oil painting in order to coat and… A traditional ground for oil painting Williamsburg Rabbit Skin Glue is 100% genuine, and comes in a fine crystallized powder form. It acts as an excellent sizing for preparing canvas as well as an adhesive. Rabbit Skin Glue is used to size canvas or linen before oil painting in order to coat and protect the fibers from deterioration caused by the oxidation of linseed oil that would otherwise penetrate the fibers. Rabbit Skin Glue will tighten the fabric as well as make it stiff.Key Features:* Size: 16 oz* Genuine rabbit skin glue* Comes in a fine crystallized powder form* A traditional ground for oil painting* Will tighten the fabric as well as make it stiff* Excellent sizing and adhesive for preparing canvas* Protects fibers from deterioration caused by the oxidation* Contains no hoof or hide See More
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Williamsburg Lead Oil Ground, 16oz CanSave Up to30%Off list…recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural… Prepare your surface before painting Williamsburg Lead Oil Ground is a traditional oil ground made with Basic Lead Carbonate and marble dust for the perfect amount of tooth and absorbency. A small amount of Titanium White is added to improve opacity and brightness. Ground in 100% alkali-refined linseed oil. The perfect amount of tooth and absorbency. It contains no zinc or alkyd. A combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting. Dries to a semi-absorbent, satin finish. Some separation of the product can occur due to settling. Key Features:* Size: 16oz & 32oz* Made with Basic Lead Carbonate and marble dust* Titanium White is added to improve opacity and brightness* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Videos and How To Instructions:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRYING TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas See More
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Williamsburg Titanium Oil Ground, 16oz CanSave Up to30%Off list…recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural… Prepare your surface before painting Williamsburg Titanium Oil Ground is an oil ground made with Titanium Dioxide and marble dust for the desired amount of tooth and absorbency. Ground in 100% alkali-refined linseed oil. Contains no zinc or alkyd. Just the right amount of tooth and absorbency. Combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting and dry to a semi-absorbent, satin finish. Key Features:* Size: 16oz & 32oz cans* Made with Titanium dioxide and marble dust * Spreads well, lays nicely, and dries quickly* Non toxic* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Instructions & Videos:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRY TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas Did you know that it is illegal to travel by plane with any oil color solvent? Did you know all you need to paint in oils are these oil pastels, brushes and some linseed oil? See More
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GOLDEN Gesso Pastel Ground 8 ozSave Up to30%Off list…Paints GOLDEN Pastel Ground Application Thinning Due to the weight of the solids in Ground for Pastels, it is produced very thick, and does not come ready to brush-apply. Thin 20-40% with water to desired consistency. Application Apply with brush, paint-roller, spray equipment, squeegee or palette… Acrylic preparation for pastels on canvas and other supports GOLDEN Pastel Ground is an acrylic preparation for pastels on canvas and other supports. It creates a toothy surface similar to papers used with pastel and chalk. For an even rougher texture, Fine or Coarse Pumice Gel can be added. GOLDEN Pastel Ground for Pastel can also be tinted with acrylic colors for colored grounds. (Golden acrylics). GOLDEN Pastel Ground is a 100% acrylic medium designed to prepare surfaces for the application of pastels, charcoal and other art media where a coarse tooth is desired. It contains finely ground sand (silica) in a pure acrylic emulsion. Pastel Ground can be applied to paper, canvas, wood or any primed support. This allows almost limitless applications for media typically confined to standard papers. Key Features:* Sizes: 8oz, 32oz & 1 Gallon* Creates toothy surface similar to papers* Acrylic preparation for pastels* Fine or Coarse Pumice Gel can be added* Can also be tinted with acrylic colors Pastel Ground can be used as a toothy, gritty ground for many different media, including: Dry Media:* Soft Pastels* Graphite Pencils* Colored Chalks* Charcoal* Powdered Charcoal Water-based Media: * Water-Soluble Pastels* Colored Pencils* Pastel Pencils* Wax Crayons* Watercolor Pencils* Acrylic Paints Oil-based Media: * Oil Pastels* Oil Sticks* Paint Sticks* Ink Sticks* Pigment Sticks* Oil Paints GOLDEN Pastel Ground Application Thinning Due to the weight of the solids in Ground for Pastels, it is produced very thick, and does not come ready to brush-apply. Thin 20-40% with water to desired consistency. Application Apply with brush, paint-roller, spray equipment, squeegee or palette knife. Mix up only as much as is needed for one day"s work, as the solids will settle rapidly and be extremely difficult to mix back into suspension. Surface Preparation Non-absorbent surfaces should be abraded for increased adhesion. Prime with GOLDEN Gesso or other suitable primers (depending on substrate). Apply one or more coats of GOLDEN Pastel Ground to achieve the desired tooth. On paper, use heavier weight stock to avoid buckling. Allow ground to fully dry before applying media. Color Additions Pastel Ground can be blended with GOLDEN Acrylic Paints to achieve colored grounds. However, add minimal amounts of color since all additions of paint to Ground will decrease the tooth. GOLDEN High Flow Acrylics and Fluid Acrylics blend easily into the ground without thickening the product. High Load Acrylics have the highest pigment load and therefore provide the most color in the least amount of paint. Unless transparency is desired, select paints that are inherently opaque, such as the Pyrroles or earth colors. This will allow lower additions as well. Airbrushing thin layers of color after the ground has dried will give the strongest saturation of color to the ground without affecting the gritty surface. See More
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GOLDEN Absorbent Ground White 8 ozSave Up to30%Off listWhite Create a porous, paper-like surface on many different substrates GOLDEN Absorbent Ground is an acrylic liquid surfacing medium that can be used to create a porous, paper-like surface on many different substrates. Applied over gessoed canvas, the Absorbent Ground allows for raw canvas-like staining on a protected substrate. It also allows watercolors to be used on canvas. It is uniquely formulated for unsurpassed absorbent action when dry. Key Features:* Sizes: 8oz, 16oz, 32oz & 1 Gallon* Create a porous, paper-like surface on many different substrates* Applied over gessoed canvas* Lightfast, permanent, and flexible* Allows watercolors to be used on canvas* Unsurpassed absorbent action when dry* Opaque acrylic primer for water media See More
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GOLDEN Gesso White 16 ozSave Up to30%Off list…gesso is rich, opaque, and creates an excellent surface on which to paint! * GOLDEN White and Black Gesso: White Gesso (Semi-Opaque Acrylic Primer) and Black Gesso (Opaque Acrylic Primer) are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers… A variety of ways to prepare materials for acrylic paintings GOLDEN Acrylic Gesso in Black, White & Sandable offer artists a variety of ways to prepare materials for acrylic paintings or other art media such as oil, alkyds, charcoal, pastels and even watercolor! GOLDEN Gesso is designed to penetrate supports and provide a surface to which paint can adhere. Proper preparation with GOLDEN Gesso increases the life span of artwork. GOLDEN's Gesso is formulated to be flexible and is highly pigmented for greater opacity. White Gesso (Semi-Opaque Acrylic Primer) and Black Gesso (Opaque Acrylic Primer) The gesso is rich, opaque, and creates an excellent surface on which to paint! * GOLDEN White and Black Gesso: White Gesso (Semi-Opaque Acrylic Primer) and Black Gesso (Opaque Acrylic Primer) are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers to conform to a variety to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds. GOLDEN White Gesso* GOLDEN Sandable Hard Gesso: GOLDEN Sandable Hard Gesso (Semi-Opaque Acrylic Primer) is formulated with 100% acrylic dispersion polymer and can be sanded to provide surfaces that are smoother and more even than those created using regular gesso. GOLDEN Sandable Hard Gesso is formulated with 100% acrylic polymer emulsion. It contains high levels of titanium dioxide, calcium carbonate and talc to produce an easily sanded surface. NOTE: This product is designed for rigid substrates only and is NOT to be used on flexible materials, as cracking may occur. See More
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Grumbacher Pre-Tested Turpentine, 8 oz BottleSave Up to42%Off list…arts oil paintings. Add to oil painting medium in drops as opposed to adding directly to oil paint. Cobalt Drier is a powerful additive for oil paints and should be used sparingly. Test medium before applying it to an oil painting. Overuse may cause cracking of paint film when drying. Copal Painting… Designed to achieve various techniques! Grumbacher painting mediums guarantee that paint attributes are not compromised but enhanced. These mediums thicken or thin without harming the color's adhesive, binding, or film-forming qualities. Myriad effects such as increased flow and open time or rapid drying of color are all possible. Grumbacher has selected oils, resins, and solvents to guard against yellowing and cracking, and the ingredients have proven themselves over many generations of use. Key Features: * Accelerate or slow drying time * Increases gloss & translucency * Outstanding working properties * Made in the USA * Perfect For: * Traditional or alkyd oil paints * Enhancing paint characteristics * Dry transparent or translucent * Maintaining consistency * Preserving gloss Alkyd Painting Medium: Speeds drying time and gives a nice painterly consistency to alkyd and oil colors. Alkyd Medium enhances transparency and clarity of the paint. The color appears rich and intense. Cobalt Drier: The recommended drier for fine arts oil paintings. Add to oil painting medium in drops as opposed to adding directly to oil paint. Cobalt Drier is a powerful additive for oil paints and should be used sparingly. Test medium before applying it to an oil painting. Overuse may cause cracking of paint film when drying. Copal Painting Medium: has a resinous consistency perfect for glazing and wet-on-wet techniques. Copal painting medium is an oil paint additive that speeds drying time. This medium increases paint flow and imparts a high gloss and hardness when dried. Copal painting medium may cause yellowing or darkening of colors over long periods. Only dilute with turpentine or Grumtine as petroleum-based solvents, and odorless thinners are not compatible with this product. Damar Varnish: A final varnish for oil painting that imparts a high gloss finish. Processed with pure gum damar, Damar Varnish protects oil paintings from dirt and scuffing. Japan Drier: A solid alkyd resin-based liquid drier for artists' oil colors. Japan Drier is used primarily for oil gilding. It is an alkali based drier that may cause yellowing or darkening of colors over time. Odorless Thinner: is a clear, organic solvent for thinning oil colors, cleaning brushes, and painting accessories. Oil Painting Medium No. 1: Use when a matte finish is desired, especially on absorbent gesso grounds. Made from poppy seed oil, copaiba, balsam, and solvent. Oil Painting Medium No. 2: For use with oils to retard drying time. It contains poppy seed oil, mastic resin, alkyd resin, and grumtine. Oil Painting Medium No. 3: Accelerates drying time. It contains copaiba, balsam, stand oil, mastic resin, alkyd resin, cobalt, and manganese driers. Pale Drying Oil: Accelerates drying time of oil colors. Consists of linseed oil and manganese drier. Poppy Seed Oil: An excellent quality, slow drying, purified oil that retards drying time. It provides superior color retention and resistance to yellowing. PreTested Linseed Oil: Linseed oil has several uses in oil painting. It can be used as a paint binder ingredient when mixing colors from powdered pigments, in oil painting medium recipes, and added directly to oil paints to make colors glossy and fluid. This oil is made from the finest quality purified alkali-refined linseed oil. Retouch Varnish: For brightening uneven areas of oil paintings. An excellent varnish for protecting pictures until the final varnishing. Stand Oil: A flexible, very heavy-bodied purified oil for use in preparing mediums—excellent resistance to yellowing. Sun-Thickened Linseed Oil: Sun-thickened linseed oil is heavier in body and can be appplied directly to paint or used in glaze mediums, clear varnishes and emulsions. It is an extremely flexible medium derived from purified oil and can be pre-diluted with turpentine, Grumtine or Pre-tested odorless thinner. The linseed oil lends an enamel-like quality to oil color. See More
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ProFile 2.5" Extra Deep Box of 4 Stretcher Bars 16" (1 Slot)Save Up to72%Off listGallery quality, super heavy duty stretcher bars perfect for larger paintings! 2.5" deep by 1.5" wide Pro-File 2.5" Deep Super-heavy duty stretcher bars are the ultimate museum quality choice for large scale paintings! Precision-cut from sturdy, kiln-dried pine wood, Pro-File Extra Deep Stretcher… Gallery quality, super heavy duty stretcher bars perfect for larger paintings! 2.5" deep by 1.5" wide Pro-File 2.5" Deep Super-heavy duty stretcher bars are the ultimate museum quality choice for large scale paintings! Precision-cut from sturdy, kiln-dried pine wood, Pro-File Extra Deep Stretcher Bars are an impressive 2.5" deep by 1.5" wide, and feature a large 1/2" rounded offset lip to keep canvas away from the stretcher, preventing "ghost" impressions. The true advantage, however, is Pro-File's unique bracing system that allows cross braces to overlap without using an integrity-weakening dado cut, for the strongest, sturdiest frames! Each stretcher strip is slotted at 27" intervals on the front and back, meaning that cross braces slot right in and can cross over one another without needing to be cut. In addition, the slot location is specific to the stretcher bar size, being placed in the ideal spot for maximum durability, and taking the guesswork out of professional bracing! All corners are keyable, and stretcher strips are sold individually, or in boxes of 4. Create the largest canvases without worrying about their integrity: Pro-File Extra Deep Stretcher Bars are the strongest around! Make 2.5" Thick Canvases! Super-heavy duty stretcher bars are the ultimate museum quality choice Key Features: * Super strong, museum quality stretcher bars * Made from sturdy kiln-dried pine wood * Measure 2.5" deep by 1.5" wide, with 1/2" rounded offset lip * Feature a unique cross-bracing system! * Rounded offset lip to keep canvas away from the stretcher * Cross braces can overlap without a dado cut, that can reduce the integrity of the brace * Stretchers are pre-slotted to accept braces: one slot for sizes up to 27", 2 for sizes up to 56", 4 for sizes up to 82", and 6 slots for all other sizes * Take the guesswork out of professional bracing! * Pro-File Extra Deep Stretcher Bars are the strongest around * Stretchers are sold individually or in boxes of 4 strips Perfect For:* Building heavy-duty frames at substantial savings* The largest canvases without worrying about their integrity* Artists who stretch canvas* Easy to use* Artists who paint large scale* Artists who demand super strong, museum quality stretcher bar* Gallery edge paintings that don’t require framing* Easier stretching with rounded back edges* Please note: A minimum purchase of 24 assorted individual bars or 6 assorted boxes is required. See More
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Liquitex Professional Soft Body Acrylic 8oz Burnt UmberSave Up to32%Off listBrown Fluid and Creamy Acrylic Colors in Convenient Squeeze Bottles & Sets! Soft Body Artist Color by Liquitex, previously known as Medium Viscosity, was the original Liquitex acrylic formulation made in 1955. An extremely versatile artist paint, creamy and smooth with a concentrated pigment load producing intense, pure color. This pre-filtered consistency ensures good coverage, even-leveling and superb results in a variety of applications and techniques. The new squeeze bottle design lets you get to every last drop of paint. The tapered nozzle has a choice of cut marks allowing you to control how you dispense your paint. Liquitex Professional Soft Body Acrylics are naturally creamy and fluid. That makes them just right for professional and decorative arts, stenciling, murals, silk-screening, calligraphy, printmaking, graphic design, sculpture, photo retouching, hard edged painting, watercolor techniques and much more Key Features: * Professional colors & sets * Soft Body Acrylics 2oz / 8oz / 32oz convenient squeeze bottles * 7 NEW Cadmium-Free Colors * Remarkably low shrinkage * Consistency ensures excellent coverage * Retains little or no brush strokes and knife marks * High pigment concentration yields intense colors * Intense color without opacifiers or fillers * Contain rich, pure pigments Perfect For: * Professional and decorative arts * Small and large works of art * Artwork requiring a wide range of colors * Mixed media applications * Stenciling, murals, silk-screening, calligraphy * Printmaking, graphic design, sculpture, photo retouching* Hard edged painting, watercolor techniques and much more * See More
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Golden High Flow Acrylic - Primary Cyan, 16oz BottleSave Up to30%Off listBlue High-fluidity, ink-like acrylic colors perfect for airbrush, illustration, mixed media and more! Acrylic paint innovators GOLDEN have developed a versatile new line of ultra-fluid colors ideal for any application from calligraphy to crafts! High Flow acrylics flow like ink and are non-clogging but boast the same intense pigment load, high lightfast ratings, and superior permanence as exhibited in GOLDEN's other professional quality paint lines. High Flow Acrylics can be used in refillable paint markers, technical pens, and airbrushes but perform equally well with traditional brush work, pen and ink techniques, staining and washing, and even pouring directly from the bottle! The artistic possibilities are endless. Available in a wide range of 49 vibrant, intermixable colors, GOLDEN High-Flow acrylics work beautifully on almost any surface, including paper, raw or primed canvas, board, wood, fabric, and more. Whether doing technical drawings, airbrush art, calligraphy, graffiti, watercolor techniques, illustration, detailed or abstract art, new GOLDEN High Flow Acrylic Colors can keep up with your every artistic move! Key Features:* Super-fluid, high intensity acrylic paint* Superior pigment load & light fastness* 85 colors including iridescent & fluorescents* All compatible with GOLDEN acrylics & mediums* Can be used in refillable paint markers, technical pens, and airbrushes* High Flow acrylics work beautifully on almost any surface* * Available in 1 oz., 4 oz., 16 oz., & gallon bottles Perfect For:* Airbrush, technical pen & refillable marker* Traditional painting & illustration techniques* Staining, washing, & pouring straight from the bottle* A versatile, ink-like paint ideal for any artist!* Paper, raw or primed canvas, board, wood, fabric, and more* Traditional brush work, pen and ink techniques, staining and washing, and even pouring directly from the bottle What are High Flow Acrylics? High Flow Acrylics are GOLDEN'S newest acrylic paint that can go from brush to marker or from dip pen to airbrush and more. From fine lines to broad strokes, High Flow Acrylic has an ink-like consistency that lends itself to a wide range of techniques, including staining, leveling, calligraphy, and mixed media. See More
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Golden Color Pouring Medium Gloss 8ozSave Up to30%Off list…like plaster or weathered paint. Tips for use: * Gently mix 10 parts Golden Color Pouring Medium Gloss or Matte with 1 part acrylic color, allow mixture to sit covered (ideally overnight) to eliminate air bubbles. * Pour close to the surface to reduce air bubbles. * Paintings may need to dry for a… Matte or gloss acrylic polymer pouring medium! Artistic experimentation has driven the popularity of pouring acrylic colors. Golden Color Pouring Medium Matte opens the door to new creative possibilities, allowing artists to create pours with a velvety matte surface. Color Pouring Medium Gloss also known as GAC 800 is an excellent medium for creating glossy pours of acrylic colors. In addition to extending colors for pouring, this versatile medium is useful for improving adhesion to chalky surfaces like plaster or weathered paint. Tips for use: * Gently mix 10 parts Golden Color Pouring Medium Gloss or Matte with 1 part acrylic color, allow mixture to sit covered (ideally overnight) to eliminate air bubbles. * Pour close to the surface to reduce air bubbles. * Paintings may need to dry for a few days before moving. Do not pour thicker than 1/8” (3mm) or attempt to accelerate drying. Key Features: * Does not craze or crack * Designed to be poured in layers or puddles * 100% acrylic medium * High acrylic solids and reduced water content * Matte or glossy uniform surface * Use to adjust transparency or opacity Perfect For: * Acrylic paint * Dirty pour * Flip cup pour * Multiple color pour * Adhesion to chalky surfaces Color Pouring Medium may craze, but this is usually the result of too much paint being added and in turn, countering the acrylic solids level or the pour has been applied in too thick of a layer. This medium retains a slight cloudy quality making it a poor choice as a clear top coat or even transparent color layer. See More
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GOLDEN Acrylic 16oz High Flow MediumSave Up to30%Off list…hardness * Spraying and anti-clog properties * Made in the USA* Perfect For: * GOLDEN High Flow Acrylics * Any acrylic paint viscosity * Extending paint color without losing paint integrity * Precise control of color transparency * Frisket techniques * Blending and gradation techniques * Airbrush… Create color effects without sacrificing film integrity! With excellent transparency and leveling properties, GOLDEN High Flow Medium is the perfect additive to create transparent acrylic colors with exceptional film integrity and permanency. Made of 100% acrylic binder High Flow Medium enhances the coating hardness and transparency of dried color. GOLDEN High Flow Medium is the ideal extender for thinning GOLDEN High Flow Acrylics, but you can also mix the medium with thicker acrylics that are considered heavy body. Due to its excellent spraying and anti-clog characteristics, you can mix the High Flow Medium with GOLDEN Airbrush Colors for spray gun application. You can also use it as a top coat finish on artwork that needs a tough hard film. Key Features: * Excellent transparency and leveling * 100% acrylic binder * Film integrity and permanence * Enhances coating hardness * Spraying and anti-clog properties * Made in the USA* Perfect For: * GOLDEN High Flow Acrylics * Any acrylic paint viscosity * Extending paint color without losing paint integrity * Precise control of color transparency * Frisket techniques * Blending and gradation techniques * Airbrush spray mixtures * Spraying Iridescent and Interference colors Mixing: High Flow Medium can be combined with GOLDEN Airbrush Colors or High Flow Acrylics in any ratio, allowing precise control of color transparency. Adding High Flow Medium will help create a faster drying film, without losing sprayability. Stir acrylic paint gently before blending with GOLDEN Airbrush Colors or High Flow Acrylics. Careful blending is required to minimize foam. Extreme shaking or stirring traps air bubbles, which may result in surface imperfections. Drying Recommendations: When working with frisket, allow sufficient time for the paint film to dry and avoid using unnecessary force during application. A ten minute drying time is recommended. You can use a hairdryer or heat lamp to shorten drying times. Use caution as excessive heat can create air bubbles, or interfere with film formation and produce a fragile film. General Information: Paint on non-oily surfaces. You should scuff-up non-absorbent surfaces with sandpaper for increased adhesion. Keep tools wet during use and clean with soap and water. Do not allow the product to dry in the airbrush—clean airbrush with water and ammonia or alcohol. See More
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GOLDEN Silverpoint / Drawing Ground 8oz BottleSave Up to30%Off list…warping. Artist Testimonial and Review Great Medium--Just Apply It Quickly! "This medium sets up very quickly, and can be colored with acrylic paint if desired. Ensure that a less absorbent paper or surface is used, as you will have more time to apply it before it dries (you will also use less… Allows greater fineness of line with diverse drawing media Silverpoint, or metal point, drawing as an art form has changed little over the centuries of its distinguished history. Formulated to meet the unique needs of metal point artists, GOLDEN Silverpoint / Drawing Ground offers a metal receptive ground, applicable to a range of drawing supports. Developed for easy application, the ground has a very fluid consistency that will level as it dries. A Single coat of Silverpoint / Drawing Ground provides a smooth, durable surface, ideal for mark making with a silverpoint stylus or other metal, such as brass, gold, copper, or even a steel paperclip. It is a low viscosity fluid that contains high levels of titanium dioxide and prepares surfaces to readily accept marks from a metal stylus.Key Features:* Size: 8oz Bottle* Formulated with 100% acrylic polymer emulsion* Designed for the achievement of fine, detailed lines * Permanent, lightfast* More flexible over time than traditional preparations* Silverpoint / Drawing Ground offers a metal receptive ground* Developed for easy application* Very fluid consistency that will level as it dries* Provides a smooth, durable surface* Allows greater fineness of line with diverse drawing media such as graphite, colored pencil, ink, and some markers The artist working in silverpoint today has an intimate connection to the work of such revered artists as da Vinci and Rembrandt, as well as more recently, Picasso and Joseph Stella. As tiny particles of metal are left behind on a slightly abrasive ground, metal point drawing offers the ability to achieve lasting, exquisitely detailed lines that won't smudge. If different types of metal are used within a piece, over time oxidation of the different metals will impart subtle shifts in the tonality of the lines. As the time honored art form of metal point drawing experiences a resurgence, Golden Artist Colors responds to the requests of practicing artists by introducing Silverpoint/Drawing Ground. Designed for the achievement of fine, detailed lines, Silverpoint/Drawing Ground is permanent, lightfast and more flexible over time than traditional preparations. While many artists enjoy the fineness of line and delicate qualities achieved with a metal stylus on Silverpoint/Drawing Ground, the scope of this product should not be limited to a singular use. When used as a general drawing ground, other media may be intermixed with metal point drawing or used alone to create new effects. It is possible to adjust the absorbent qualities of substrates with Silverpoint/Drawing Ground. By putting a very thin layer of the ground over the entire surface, the substrate's absorbency is decreased. This allows greater fineness of line with Perse drawing media such as graphite, colored pencil, ink, and some markers. In addition, small amounts of other GOLDEN Fluid Acrylic colors can be added to this ground for tinting purposes without a significant drop in performance. GOLDEN SILVERPOINT/DRAWING GROUND APPLICATIONS GOLDEN Silverpoint / Drawing Ground is designed for thin applications only. When applied too thickly the film may crack upon curing. A single thin coat is typically sufficient. Silverpoint / Drawing Ground can generally be tinted with a maximum of 15% GOLDEN Fluid Acrylics without negatively affecting its performance It can be brush or spray applied to paper, primed canvas, wood or any surface that will accept a water-based coating. The most common substrate for metal point drawing is heavy weight hot pressed watercolor paper. Note: Because lower weight papers are susceptible to buckling from the moisture in the Silverpoint / Drawing Ground, some artists may find taping the edges down will help prevent extensive warping. Artist Testimonial and Review Great Medium--Just Apply It Quickly! "This medium sets up very quickly, and can be colored with acrylic paint if desired. Ensure that a less absorbent paper or surface is used, as you will have more time to apply it before it dries (you will also use less of it). Great product-I will definitely purchase this again." See More
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Gamblin Cold Wax Medium 16ozSave Up to25%Off list…a whole genre of painting associated with it, but Cold Wax Medium is one such medium. Cold Wax Painting is not defined by subject matter nor the degree of realism or abstraction, Cold Wax Painting is unified by artists’ shared interest in experimentation, texture and the physicality of paint layers. Makes oil colors thicker and more matte Gamblin Cold Wax Medium a mixture of natural beeswax (wax pastilles), Gamsol and a small amount of alkyd resin. The term “cold” in Cold Wax Medium and Cold Wax Painting refers to the fact that heat is not required for working with this wax medium – as it dries by solvent evaporation (Gamsol), rather than the cooling of the wax, as in encaustic painting. As the Gamsol evaporates out of the medium, the soft wax hardens to the density of a beeswax candle. Unlike other Gamblin painting mediums, which increase the flow and gloss of oil colors to varying degrees, Cold Wax Medium makes oil colors thicker and more matte. It has a “short” characteristic and gives a clean break off of the brush or knife, retaining the sharp peaks of impasto. These working properties allow for expressive brushmarks and the ability to carve into paint layers with palette knives. Cold Wax also gives oil colors a beautiful translucent quality, similar to the seductive surfaces of encaustic paintings. * Cold Wax - Made from natural white unbleached beeswax.* Mix directly into colors* Cold Wax creates an ultra-thick, matte impasto* For greater shine and flexibility mix with Galkyd medium* Excellent in creating a variety of textures within a painting What is Cold Wax Painting? Cold Wax Painting is any type of painting that heavily utilizes Cold Wax Medium into oil colors. In its own way, Cold Wax Painting blurs the line between oil painting and encaustic painting. Cold Wax Painting It’s a rare occurrence for one specific painting medium to have a whole genre of painting associated with it, but Cold Wax Medium is one such medium. Cold Wax Painting is not defined by subject matter nor the degree of realism or abstraction, Cold Wax Painting is unified by artists’ shared interest in experimentation, texture and the physicality of paint layers. See More
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Williamsburg Damar Crystals, 16ozSave Up to30%Off list…make a glazing medium. Damar can be used in oil paint mediums to speed drying and add gloss. Key Features:* Damar Crystals 16oz* can be used as a final picture varnish* Used in oil paint mediums* Speed drying and add gloss* Used on finished paintings as a transparent, removable high-gloss protective… Highest quality, natural damar crystals from Indonesia Damar crystals come from the damar resin which is tapped from a family of trees found mostly in India and East Asia. Damar crystals are yellow and irregularly shaped with a dusty appearance. When dissolved in pure gum turpentine, it yields a varnish which can be used as a final picture varnish or thinned with more turpentine and stand oil to make a glazing medium. Damar can be used in oil paint mediums to speed drying and add gloss. Key Features:* Damar Crystals 16oz* can be used as a final picture varnish* Used in oil paint mediums* Speed drying and add gloss* Used on finished paintings as a transparent, removable high-gloss protective coating The crystals must be soaked in pure gum turpentine to produce traditional damar varnish See More
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GOLDEN GAC 900 Medium, 8oz BottleSave Up to30%Off list…as acrylic paints and mediums dry. The addition of GAC 800 promotes drying with a smooth, even film, good gloss and flexibility, but with moderate clarity. GAC 800 is also useful for adhesion to chalky surfaces. * GAC 900 Fabric Medium: Fabric painting medium. Heat set fabric painting medium, offers… GAC 100% acrylic polymer mediums GOLDEN GAC mediums are useful as mediums or modifiers of acrylic paints. GAC (short for Golden Artist Colors) Specialty Acrylic Polymers are based on 100% acrylic polymer emulsions. GAC mediums can be used to extend acrylic colors, to regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other GOLDEN Mediums and Gels, GOLDEN GAC Acrylic Polymers have only a minimum amount of thickeners, levelers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymer medium is very fluid, and thinner than other GOLDEN Mediums. Since they do not have thickeners added, these polymers will reduce the thickness of most GOLDEN Acrylic Paints. Fluid Acrylics are slightly thicker than the GACs, but will be the color line least changed in viscosity with any addition of a GAC polymer. Each GAC medium represents a unique polymer that offers certain specific attributes. Therefore, each GAC medium will have its own unique benefits and applications. * GAC 100 Primer Extender Acrylic Polymer Medium: Universal acrylic polymer. Is a thin, translucent, gloss medium. Useful for thinning or extending colors as well as increasing flexibility. Wets out solids more readily than other polymers and is useful for creating homemade paints. GAC 100 provides basic protection from Support Induced Discoloration (SID) * GAC 200 Hard Acrylic Extender Polymer Medium: Promotes adhesion and film hardness. Hard acrylic extender for non-porous surfaces is the hardest and least flexible polymer we offer. It is Ideal for mixing with acrylic colors to increase film hardness, reduce dry film tack and to increase adhesion to many non-porous surfaces. Dries to a clear, high gloss, finish. GAC 200 is not recommended for flexible supports. * GAC 400 Low Crazing Acrylic Extender Polymer Medium: Stiffens textile fibers. Stiffens natural fibers and fabrics and is useful for stiffening unprimed canvas or sculpting and shaping fabric. Fibers saturated with GAC 400 will dry to a hard, stiff film. * GAC 500 Self-Leveling Acrylic Polymer Medium: Extends fluid acrylics. Gloss extender for Fluid Acrylic Colors is a unique balance of film hardness and flexibility offering increased leveling, increased mar resistance and decreased dry film tack. GAC 500 is particularly useful for extending Fluid Acrylic Colors with minimal property change. It can be mixed with Airbrush Transparent Extender for a fast-drying, sprayable isolation coat. * GAC 800 Low Crazing Acrylic Extender Polymer Medium (Pouring Medium): Reduces crazing. GAC 800 is a medium specifically produced to modify paints for pouring, such as when pouring a puddle onto a paint surface Is a low-crazing extender for pouring acrylic colors. "Crazing" is the formation crevices in surfaces that develop as acrylic paints and mediums dry. The addition of GAC 800 promotes drying with a smooth, even film, good gloss and flexibility, but with moderate clarity. GAC 800 is also useful for adhesion to chalky surfaces. * GAC 900 Fabric Medium: Fabric painting medium. Heat set fabric painting medium, offers a very soft hand and laundering stability. Mix with High Flow Acrylics to produce "tie-dye" effects, or blend with GOLDEN Heavy Body, Matte or Fluid Acrylics for brush or screen application.* See More
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