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GOLDEN Heavy Body Acrylics - Turquoise (Phthalo), 5oz TubeSave Up to30%Off listBlue Golden Heavy Body Acrylic Paints- Professionally Loved Acrylics! The original line of paints! GOLDEN Heavy Body acrylic paints are known to be exceptionally smooth with a thick, buttery consistency and contain the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body acrylic color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. Colors that are more reactive and do not accept high pigment loading, dry to a glossy finish and tend to be more transparent. Heavy Body colors contain no additives, such as matting agents, therefore the gloss of each color will be different. Key Features:* Exceptionally smooth, rich, buttery consistency* Dries quickly, permanent and archival in quality* Ability to "stand up" and retain brush strokes* All HB colors are thixotropic in nature* Retain excellent flexibility when dry, diminishing the possibility of cracking* Heavy Body viscosity can also be reduced successfully with water* No flattening agents* No opacifiers added to colors* Clearest and cleanest quality* 101 different colors, shades and tints* 30 colors are mixture colors, the rest of produced from single, unique pigments* Concentrated/Chemically Pure Cadmiums Perfect For:* Approved for professional artist* 100% acrylic binder* Freeze-thaw stability* "stand up" and retain brush strokes or palette knife marks on the canvas* Largest assortment of unique pure pigments* There are no fillers, extenders, opacifiers, toners, or dyes added* Can be mixed with all of our GOLDEN Mediums, Gels and other paint lines C.P. Cadmiums = A grade that has a high concentration of cadmium and is considered the highest quality. The C.P. designation has been associated with both “Chemically Pure” and "Concentrated Pigment". Which translation you come across will often depend on the source and context. In terms of “(CC)”, it refers to “Concentrated Cadmium” and was adopted by the ASTM (American Society for Testing and Materials) as a way to differentiate higher quality cadmiums from lesser quality cadmium-barium pigments. All Heavy Body colors are thixotropic in nature This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of our pigments Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More
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Richeson Casein Artist Colors Titanium White 5 ozSave Up to43%Off listWhite From rich opaques of oil to thin watercolor washes - One of the most durable mediums known to man Casein (kay'seen) is a quick-drying, aqueous medium using a milk-based binding agent, and is one of the most durable mediums known to man. Nine thousand year old casein cave paintings have been discovered in Asia, and later, the medium was used by Byzantine, Roman and Renaissance artists including the Old Masters. Richeson Casein is a versatile, professional, water-based medium known for its velvety finish! Richeson Casein Colors are fast-drying, reworkable water-soluble paints. Caseins are great for underpainting and work with oils! Key Features:* Milk protein-based paints* Dries to a natural matte finish* Apply in any manner from impasto to watercolor* Casein can be used on interior walls, metal, wood, laminates, metal, glass or ceramics* Archival: Yes. Properly done and with a protective varnish * Good choice for dry and light, wet media sketching* Perfect medium to use for underpainting* Dries quickly* From rich opaques of oil to thin watercolor washes Perfect For:* Suitable for a variety of surfaces* Great for illustration work* Casein can be used on canvas, although only in very thin application* All-purpose paper in a sketching format* You can paint on 140lb. watercolor paper if the painting will be properly framed shortly after completion* You can apply casein "juicy" like watercolors, impasto like oils, or anything in between "Casein is a water-based paint medium with working properties that resemble gouache, cel vinyl—and, in some respects, oil. I've used all of those latter paints quite a bit, but casein has qualities all its own. It can be used transparently, but it has great opacity when you need it, something often lacking in acrylic. It's one of the oldest paint mediums, dating all the way back to the Egyptians – JAMES GURNEY" What is Casein? Casein (kay'seen) is a quick-drying, aqueous medium using a milk-based binding agent, and is one of the most durable mediums known to man. Nine thousand year old casein cave paintings have been discovered in Asia. Later, the medium was used by Byzantine, Roman and Renaissance artists, including the Old Masters. Known for their versatility and array of capabilities, casein paints can be used to create a variety of effects from the rich opaques of oil to thin watercolor washes. Because casein has an exceptional integrity of color and always dries to a perfect matte finish, it is unexcelled for art reproduction. The velvety matte finish can also be buffed to a satin sheen or varnished to produce a resemblance to oils. Over time, casein pigments become resistant to moisture and as history has proven, the medium has a durability and permanence which has easily stood the test of time. Because it dries quickly, it is possible to lay down a glaze and move onto the next stage within a few hours instead of waiting for days, or even months, as with oils. Can I mix casein with other mediums? Yes you can! Use casein over watercolor or gouache or as an underpainting for acrylic, pastel or oils. If using casein under oils, apply a barrier layer of Damar varnish over the casein before the oil paint. Casein can also be used under oils as an excellent underpainting medium. See More
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Grumbacher Acrylic Medium - Gel 531 Acrylic Transparentizer, 5ozSave Up to45%Off listAssorted Colors Improve your Acrylics with Grumbacher Acrylic Mediums Grumbacher manufactures a wide variety of acrylic painting mediums to help the painter create different effects. Grumbacher has even developed a retarder to extend open time and enable the painter to produce more wet-on-wet techniques, traditionally reserved for oil painters. Grumbacher's extensive collection of pastes, gels, mediums, and varnishes pair well with Grumbacher acrylic paints. Key Features: * Highest quality acrylic resins * Create complex ground structures * Retarders for open time and wet-on-wet painting * Mediums & pastes to create different effects * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Maintaining consistency * Creating different effects * Preserving degree of gloss * Acrylic painters * Discerning students & amateurs Gel 531 Acrylic Transparentizer - Grumbacher 531 Acrylic Transparentizer Gel is a full-bodied acrylic painting medium designed to increase the transparency of semi-transparent and transparent acrylic colors while maintaining the consistency of tube colors. It's ideal for creating transparent impasto effects and textured glazes. Mix it directly with acrylic paints or use it alone for transparent surface effects. It dries absolutely clear. Acrylic Matte Medium & Varnish - Excellent for mixed media applications, the acrylic gloss medium and varnish has myriad uses. Traditionally this medium is mixed with acrylic paint for smoother brush strokes and a uniform gloss finish, or as a final gloss varnish. This medium thins with water and can also be used for glazing, as an adhesive, in thick applications in molds or armatures for a flexible, plastic-like effect, and in papier mache projects. This is the ideal primer for oil painting on vellum. Dries clear, is flexible and water resistant when dry. Made in the USA. Acrylic Medium Gesso - Non-yellowing, ready-to-use, prepared painting ground made with acrylic emulsion and Titanium White. Dries rapidly. Application to any clean, nonoily surface can be made with a brush, knife or roller. Accepts oil colors, acrylic colors, pastels, charcoal, pencil, and crayons and is specially formulated to have both tooth and absorbency. Acrylic Medium Modeling Paste - A ready-to-use paste made with acrylic emulsion and ground marble. Has excellent adhesive qualities. Can be shaped and textured when wet; cut, carved and sanded when dry. Dries rapidly, becoming hard, resilient, durable and water resistant. Acrylic Retarder - A colorless acrylic medium that slows drying time. Can be mixed into acrylic paint or brushed directly onto the support and painted over. Ideal for detailed blending work. Made in the USA. See More
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Speedball Block Printing Water-Soluble Ink 5oz - GreenSave Up to46%Off listGreen The unquestionable industry-leader! Created from pigments ground and milled to the perfect consistency for block-relief printing. Speedball® Water-Soluble Block Printing Inks print in bold color and dry to a rich, satiny finish. They have amazing tack guaranteeing even scope and consistent amazing results. They may be mixed to create custom colors creating unique outcomes. Great for printing with linoleum wood or soft block surfaces, flexible printing plates or polyfoam. This printing technique traces its history back over 5,000 years and is a must try for any artist. Available in 16 brilliant colors. Fluorescent colors are listed on a separate page. All colors clean up easily with soap and water. Key Features:* Bold colors* Dries to rich, satiny finish* Excellent tack for even coverage* Easy clean-up with soap & water Perfect For:* All artists* Printing with linoleum, wood or soft block surfaces All colors are AP non-toxic. All colors except Magenta are considered lightfast. Available in 5 oz tubes and 8 oz jars. See More
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Speedball 5 oz Fabric Block Print Ink BrownSave Up to34%Off listBrown A Block Printing Ink That Takes To Fabric As Well As It Does Paper! With Speedball Fabric Block Printing Ink, you can animate your fabric designs with a vivid range of opaque colors that remain permanent through the wash, and over time with no heat setting required! These Fabric Block Printing inks won't crack or peel over time and work on fabrics such as cotton, polyester blends, linen, and other synthetic fibers. The inks are easy to clean from brayers and work surfaces with soap and water. Eliminate the guessing game of whether acrylics or screen printing ink will stick better to fabric and pick Speedball Fabric Block Printing Ink, the ultimate printing ink for textiles! Key Features: * Available In: 2.5oz & 5oz Tubes / Kits and Sets * Permanent oil-based ink * Won't crack or peel over time * No heat-setting required * Laundry safe * Bold opaque color * Workstation cleans up easily with soap and water * ACMI AP non-toxic, conforming to ASTM D-4236 * Perfect For: * Printing bold, opaque color with a soft hand * Cotton, linen, polyester blends, rayon, and other synthetic fibers * Use on paper and cardboard * Bright and personalized fabrics * Long-lasting fabric block printmaking See More
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Golden OPEN Acrylic 5 oz Iridescent Pearl (Fine)Save Up to30%Off listIridescent Slow-drying acrylic paint that enables painters to explore techniques GOLDEN OPEN paint is a slow-drying acrylic paint that enables painters to explore techniques traditionally reserved for oil paints. The slow-drying quality gives artists longer working time for easier blending and even subtractive techniques. There is a unique thinner and mediums for use with OPEN, but the paints are compatible with regular fast-drying acrylics and clean up with soap and water like regular acrylics. OPEN Acrylics are formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion to produce a paint with a uniquely relaxed set of working characteristics and a versatility that allows artists to explore a wider range of techniques such as portraiture and landscape painting that rely on softening, shading, glazing, and creating fine detail. Increased working time of these colors expands their range to include more traditional techniques once only possible with oils Key Features:* Resists skinning, remain wet on the palette for extended periods* Feels like no other paint* Stays wet longer* Expands the boundaries of acrylics* Formulated with an optimum balance* Tubes: 2oz. & 5oz. / Jars: 4oz. & 8oz.* Titanium White: 32oz. Jar* 100% acrylic polymer dispersion* Perfect For:* A uniquely relaxed set of working characteristics and versatility* Allowing artists to explore a wider range of techniques* Portraiture and landscape painting* Softening, shading, glazing, and creating fine detail* Plein air painting, mono-printing, and screenprinting* Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors* Reducing the amount of paint wasted and preserving color mixtures for future use How long does it take for Golden Open acrylics to dry? GOLDEN OPEN typically dries in 3-5 hrs. To control viscosity while maintaining the maximum working time Use OPEN Mediums and Thinner. To accelerate drying time, OPEN Acrylics may be blended with faster-drying GOLDEN Acrylics, Gels, and Mediums. OPEN Acrylics resist skinning, remain wet on the palette for extended periods, and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, mono-printing, and screenprinting. OPEN Acrylics may be blended with other GOLDEN Acrylic Colors, Mediums, and Gels, with the open time of the resulting mixtures being proportionately reduced. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. See More
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Speedball Professional Relief Ink - Diarylide Yellow 5ozSave Up to34%Off listYellow Produce stunning professional quality prints with these vibrant, premium relief inks! Speedball Professional Relief Inks Formulated to possess all of the working properties that artists demand, Speedball Professional® Relief Inks are made from the highest quality, lightfast pigments and contain no fillers. They roll out consistently and transfer beautifully, resulting in intense, crisp, archival prints. Containing (10) single-pigment colors and a Transparent Base, these professional-grade inks all carry the AP Seal and can clean up easily with soap and water or traditional window cleaner. Most notably, the Speedball Professional Relief series boasts its flagship color-Speedball® Supergraphic Black, created by world-renowned relief artist, Bill Fick. Key Features: * Highest quality, lightfast pigments * Contain no fillers * Designed for accomplished printmakers * Produces intense, crisp, archival quality prints * Holds fine details with beautiful transfer quality * Water miscible oil base makes for easy clean up * Professional-grade inks all carry the AP Seal Perfect For: * Professional printmakers * Block printing * Student artists * Linocut printing * Cleans up easily with soap and water or traditional window cleaner Speedball Professional Relief Inks are designed specifically for professional level printmakers. These premium quality relief inks offer viscosity similar to that of oil-based inks, rolling out consistently, transferring beautifully, and holding fine details to produce intense, crisp, archival quality prints. Extend the color range by combining these inks with Extender to produce transparent layers. With a water-miscible oil base, these true process relief inks are lightfast and easily cleaned up with a little soap and water. See More
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Jack Richeson Printmaking Supplies Clear Carve 22x30"Save Up to42%Off listFlexible and durable material that makes carving linoleum easy!Jack Richeson's Lino Grip and Clear Carve are the best tools for getting started in printmaking. These products are ideal for students and beginners, but artists of any skill level will enjoy the benefits that these products have. *… Flexible and durable material that makes carving linoleum easy!Jack Richeson's Lino Grip and Clear Carve are the best tools for getting started in printmaking. These products are ideal for students and beginners, but artists of any skill level will enjoy the benefits that these products have. * Clear Carve- Clear Carve from Jack Richeson is a perfect clear surface for carving an image over any image, photo or sketch. Made from flexible and durable material that is easy to carve, Clear Carve wont crack or dry out and eliminates the need for any sort of messy image transfer paper. * Lino Grip- This lightweight linoleum block stop flawlessly holds linoleum in place as you carve better than any piece of wood or metal rest. Compact for easy storage, this slim, flexible, and grippy lino grip is easy to wash and perfect for aiding in the safe use of carving tools. It's great for beginners. Key Features: Made from flexible and durable materials Easy to clean Clear Carve is available in several sizes Easy to carve Speeds up block printing Perfect For: Beginners and students Tracing works of art, photographs and more! Learning the basics of block printing Holding linoleum in place (Lino Grip) Use with carving and other printmaking tools See More
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Fabriano Tiepolo Paper - White, 22"x30" (50-Sheets)Save Up to45%Off listWhite Exceptionally versatile and strong paper that can withstand the wear and tear of rigorous techniques Fabriano Tiepolo Printmaking Paper is Created with 100% cotton, this paperboard is indicated for all printmaking techniques (engraving, lithography, silk-screening, xylography and linocuts) and has a traditional Italian soft white color with a particularly smooth surface texture. Tiepolo Printmaking Paper is mould-made out of 100% acid-free cotton paper with a beautiful watermark and four deckle edges. It is superb for printmaking, screen printing, embossing, digital printing, drawing, light washes and other fine art media. Tiepolo is just shy of 140lb weight and is 22×30" in size. It is pH neutral, assuring inalterability over the time. The watermark is fixed point and placed below right on the sheet. It reproduces the CMF trademark surmounted by a star and enclosed in a circle. * For all printmaking techniques (engraving, lithography, silk-screening, xylography and linocuts) * 100% cotton, 140lb sheets * Watermarked, 4 Deckle Edges (Trademarked: C. M. FABRIANO 100% COTTON) * Mould-made out of 100% acid-free cotton paper * Acid Free, lignin free - Tiepolo is pH neutral, assuring inalterability over the time. * Upscale watercolor paper See More
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Arches 88 22X30 printmaking paper 140lb 25 sheetsSave Up to40%Off list100% cotton – Made on a cylinder mould! Originally formulated decades ago for silkscreen printing, Arches 88 has gained a following for various printmaking techniques. The crisp white 140lb (300gsm) paper is dimensionally stable and provides a smooth level surface perfect for serigraphy. Arches 88… 100% cotton – Made on a cylinder mould! Originally formulated decades ago for silkscreen printing, Arches 88 has gained a following for various printmaking techniques. The crisp white 140lb (300gsm) paper is dimensionally stable and provides a smooth level surface perfect for serigraphy. Arches 88 is a 100% cotton fiber paper that is acid-free and pH neutral. The buffered paper is unsized for high absorption. A silkscreen printer can easily layer 50 to 100 colors on a single sheet of Arches 88. Because the paper is unsized, it is unforgiving, so a single ink spot or splatter will show up. This paper has many of the characteristics of blotter paper and must be handled with purpose and sensitivity. When working in intaglio, a misting or dampening is all that is required. The paper is ideal for other printmaking mediums such as etching or lithography and takes all pencil applications well. Each sheet of paper is watermarked and has four natural deckle edges. Key Features: * Unsized and highly absorbent * 100% cotton – Made on a cylinder mould * 140lb (300gsm) weight * Very smooth texture * 4 deckle edges * Alkaline reserve, acid-free, no optical brightening * Made in France Perfect For: * Screen-printing * Letterpress, blind embossing, gold tooling * Intaglio * Etching and lithography * Pencil drawings * Laying down 50 to 100 screen colors on one sheet See More
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Guerrilla Painter Tom Lynch Secret Plein Air Tool Version 2.0, 3"x5"Save Up to12%Off listAccurately Plan The Layout Of Your Painting On The Go! Use The Tom Lynch Secret Plein Air Tool™ to help find the right proportion for a scene and to help transfer it to your sketch. This is an incredibly helpful tool for arranging and settling the layout of your intended subject matter… Accurately Plan The Layout Of Your Painting On The Go! Use The Tom Lynch Secret Plein Air Tool™ to help find the right proportion for a scene and to help transfer it to your sketch. This is an incredibly helpful tool for arranging and settling the layout of your intended subject matter before you start painting. Please note: Only draw on the plexiglass sleeve, not on the inserts. Key Features:* Dimensions 3" x 5" x 0.2"* Plexiglas sheath* Clear plastic sheet with composition grid and gray scale* White background sheet* Transparent red sheet to determine value relationships* Dry erase pocket pen Perfect For:* Plein air painting* Finding the right proportion for a scene* Planning composition's* Determining value relationships* Carrying on the go See More
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Guerrilla Painter Full Sheet Watercolor Board V2.0Save Up to15%Off listThe Watercolorboard™ is an easy way to keep your watercolor paper wrinkle free. The board is made of extruded aluminum and hardboard. It is easy to attach the board to a standard camera tripod for in-the-field painting. The Watercolorboard™ is designed to tightly stretch watercolor paper… The Watercolorboard™ is an easy way to keep your watercolor paper wrinkle free. The board is made of extruded aluminum and hardboard. It is easy to attach the board to a standard camera tripod for in-the-field painting. The Watercolorboard™ is designed to tightly stretch watercolor paper and keep it flat as it drys. As the screws on the frame of the board are tightened, tension is placed on the outside edges of the paper. After the paper has dried, the paper will stay flat and buckle-free during wet washes. The Watercolorboard™ has a comfortable carrying handle and can hold 140lb - 300lb paper. Carrying Portfolios - A high-quality nylon sack with zipper and a sturdy handle makes it easy to take your Watercolorboard™ anywhere. Key Features:* Lightweight Aluminum Frame* Attaches to standard tripod* Easy to use Perfect For:* Artists and students* Outdoor painting* Watercolor See More
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Arches Cover Paper 22" x 30", Cream - Pack of 10 sheetsSave Up to40%Off listWhite Mould made in France! This famous heavyweight, Mould made sheet is 100% cotton, acid-free, and buffered. Arches Cover paper has a visible, slightly flattened grain, two deckle edges, and a registered watermark. An excellent choice for Printmaking and publishing, as well as drawing, embossing, foil stamping, lithography, intaglio, and silkscreening. Perfect for an archival cover for prints and antique documents. Arches Cover is 100% cotton fiber, pH neutral, acid-free, internally sized, and buffered. Mould made in France. Key Features:* Heavyweight, Mould made papers* 100% cotton fiber* Acid-free and pH neutral* Internally sized and buffered Perfect For:* Archival covers for prints and antique documents * Printmaking and publishing* Drawing, Silkscreening, Lithography, and more! See More
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Canson Edition Antique White Paper, 22"x30" 250gsm (100 Sheets)Save Up to33%Off listWhite A Versatile Art Paper Ideal for Drawing and Traditional Art Printing Canson Edition Papers offer lasting performance and are 100% cotton, acid-free and made without optical brighteners. Complies with the ISO 9706 standard on permanence, a guarantee of optimal conservation to deliver professional results with a variety of media and printmaking. Versatile and affordably priced, Edition is an excellent choice for drawing, lithography, offset, intaglio, typography and suitable for silk screen. Each sheet of Canson Edition paper features two deckle edges and two distinct surfaces, one smooth, one textured ideal for printmaking, drawing and multi-media expression. Available in 2 colors and sizes, Canson Edition papers are 100% cotton, acid-free and made without optical brighteners. * Antique White or Bright White * Comes in 2 sizes * 250 gsm sheets* * 100% cotton * ISO 9706 standard on permanence, a guarantee of optimal conservation * Double sided: light grain and smooth * 2 deckle edges * Acid-free, No optical brighteners * Ideal for drawing, lithography, offset, intaglio, typography, printmaking, drawing and multi-media expression * Also suitable for silk screen See More
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Somerset Velvet Printmaking Paper 22"x30", Satin White, 250gsm (25 Pack)Save Up to42%Off listWhite The choice of artisans and printmakers worldwide Somerset Velvet Printmaking Paper is a very popular grade of printmaking paper from the historic St. Cuthbert’s Mill in the UK, first introduced in the early 1970’s. Somerset is a beautiful paper to work with, boasting a lightfastness rating of 7 on the Blue Wool Scale for all colors. Originally intended as a printmaking paper, they have been 'discovered' to also be highly suitable for pastel drawing. Mould-made 100% cotton, acid free with four deckle edges. The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. Each sheet comes with 4 deckle edges and is watermarked (except for the book papers) for authenticity. It remains flat after printing and offers durability and long life to finished editions of work. Key Features:* Mouldmade in UK* Acid free acrylic primer* 100% Cotton* Neutral pH, Acid-Free* Chlorine Free* 4 deckles (2 natural deckles, 2 tear deckles)* Lightly sized, gentle texture surface* Specialty Paper, printmaking papers* Lightfastness rating of 7 on the Blue Wool Scale Perfect For:* The choice of artisans and printmakers worldwide* Any printmaking application* Highly suitable for drawing, charcoal & pastels* Letterpress, engraving, foil stamping and offset* Remaining flat after printing* Durability and long life to finished editions of work See More
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Strathmore 400 Series 280gsm 22" x 30" Heavyweight Printmaking Paper (25 Sheets)Save Up to33%Off listStrathmore printmaking paper meets the versatile range of needs from beginners to professionals! 300 Series printmaking paper is ideal for beginners, 400 Series printmaking paper is ideal for intermediate printmaker. Perfect for techniques such as relief, lithography, intaglio, and screen print,… Strathmore printmaking paper meets the versatile range of needs from beginners to professionals! 300 Series printmaking paper is ideal for beginners, 400 Series printmaking paper is ideal for intermediate printmaker. Perfect for techniques such as relief, lithography, intaglio, and screen print, Strathmore printmaking papers feature a strong and durable surface that is still soft enough to absorb many layers of ink. Its natural white color offers artists a crisp, clean surface to lay prints. All Strathmore printmaking papers are acid-free and made in the USA! 300 Series Lightweight printmaking papers Ideal for Beginners: This range of printmaking papers feature a weight of 120 gsm, a soft and durable medium surface texture, is acid-free, and contains high alpha cellulose wood fiber. These lightweight papers are ideal for printmaking, relief printing, and practicing. It is available in 4 popular sized, glue-bound pads. These sizes include 5x7" (40 pages), 8x10" (40 pages), 11x14" (30 pages), and 18x24" (30 pages). 400 Series Heavyweight printmaking papers Ideal for intermediate printmakers: This range of printmaking papers feature a weight of 240 gsm, a soft and durable medium surface texture, is acid-free, and contains high alpha cellulose wood fiber. These heavyweight papers are ideal for printmaking, lithography, intaglio, and screen printing. It is available in 4 popular sized, glued-bound pads and a pack of loose sheets. The pad sizes include 5x7" (20 pages), 8x10" (20 pages), 11x14" (15 pages), and 18x24" (15 pages). The pack of loose sheets is sized 22x30" and includes 25 sheets! Key Features: * Natural white papers are strong and durable, yet soft enough to absorb many layers of ink * Convenient sizes and formats, including pads and large sheets * Pads feature easy-to-use flip-over covers that allow sheets to tear out cleanly * Full size sheets are ideal for larger finished prints and proofing * Acid free * Made in the U.S.A. * Ideal for a wide variety of printmaking techniques * Including relief, lithography, intaglio, screen print and more See More
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Gelli Arts Gel Printing Plate 3x5", RectangleSave Up to10%Off listGel Plates For Monoprinting Without A Press! Gelli Arts® Gel Printing Plates work like gelatin monoprinting plates but are more durable and can be stored at room temperature. Perfect for getting started in printmaking, making artist trading cards, and even quilt-making. Gel Printing Plates… Gel Plates For Monoprinting Without A Press! Gelli Arts® Gel Printing Plates work like gelatin monoprinting plates but are more durable and can be stored at room temperature. Perfect for getting started in printmaking, making artist trading cards, and even quilt-making. Gel Printing Plates are portable, flexible, easy to use, and can be used without a press, making them revolutionary to the art of printmaking. And the best part is they can be cleaned with just gel hand sanitizer or soap and water. Click on the item number to view the contents of each kit! Key Features: * Reusable monoprinting plates * Gel plate can be stored at room temperature * Thick paper does not curl when printed on! * Latex and silicone free * No animal by-products used * Made in USA Perfect For: * Ages 8+ * Printing a daily monoprint design * Working with acrylic paints * Creating texture and layers in your prints * Daily journaling * Easy cleanup See More
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Gel Press Reusable Gel Printing Plate Rectangular 3x5"Save Up to10%Off listThe creative possibilities are endless with these reusable gel mono-printing plates! Polygel Gel Press Printmaking Plates allow artists to create beautifully detailed mixed media artwork and craft projects, no press needed! A super sensitive, nontoxic gel surface picks up the finest details making… The creative possibilities are endless with these reusable gel mono-printing plates! Polygel Gel Press Printmaking Plates allow artists to create beautifully detailed mixed media artwork and craft projects, no press needed! A super sensitive, nontoxic gel surface picks up the finest details making it easy to play with textures and layers. These nontoxic, latex-free gel printing plates are easy to clean, reusable and can be stored at room temperature. A minimal mess, low maintenance alternative to traditional monoprinting, these Gel Press Printmaking Plates are great for all artists, from budding artists to professionals! Key Features: * Vegan gel plates require no press * Reusable and nontoxic * Ultra-sensitive surface prints the finest details * Easily cleaned and can be stored at room temperature Perfect For: * Acrylic paint and ink * Printmaking and water-soluble inks * Mixed media artists * Family art projects * Professional or budding printmakers * Printing on thick art papers See More
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Speedball Printmaking Paper 22" x 30" Sheet (10-Pack)Save Up to33%Off listWhite An artist favorite, this premium printmaking paper is now available in a convenient pad! Speedball Printmaking Paper Pads were developed through a collaboration between Speedball and Schut Papier of Holland. This fine art paper is made with strong, absorbent fibers, which accept multiple layers of ink beautifully. Suitable for all printmaking media, from water-based inks to traditional oil-based inks, this high-quality printmaking paper works very well damp or dry for a variety of techniques, including relief printing and intaglio. Each pad of printmaking paper contains 20 sheets of white, 90 lb/245 gsm, acid-free paper. These premium printmaking paper pads are an extremely versatile addition to your printmaking arsenal! Speedball Mulberry Paper is an artist-quality printmaking paper made with a mix of Kozo (mulberry) and bamboo fiber. The thin paper is very strong, which makes it ideal for lino block, wood block, and screen printing. Key Features: * White, 90 lb/245 gsm, acid-free paper * Mulberry paper unbleached, neutral pH. 45gsm. * Extremely versatile, suitable for all printmaking media * Made with strong, absorbent fibers Perfect For: * Water-based or oil-based inks * Student printmaking projects * Relief printing and intaglio * Printmaking artists See More
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Jack Richeson Clear Carve Etching Plate, 22"x30"Save Up to21%Off listThese clear printmaking plates make it easy to introduce printmaking to beginner artists! Jack Richeson Clear Carve Etching Plates are non-porous, transparent printmaking plates perfect for drypoint, monotype, etching and calligraphy. Each 0.03” (0.75 mm) thick printmaking plate is made of clear… These clear printmaking plates make it easy to introduce printmaking to beginner artists! Jack Richeson Clear Carve Etching Plates are non-porous, transparent printmaking plates perfect for drypoint, monotype, etching and calligraphy. Each 0.03” (0.75 mm) thick printmaking plate is made of clear PETG plastic, making it very easy to trace and etch designs. Available in 5 sizes, these easy to use clear plastic etching plates are a great way to introduce your class to printmaking. Just put an image under the transparent plate, use an etching tool to trace the image or create your own freehand design, and you’re ready to print! Key Features: * Non-porous transparent etching plates * 0.03”/0.75 cm thick PETG plastic * Available in 5 sizes * Easy to trace and etch freehand designs Perfect For: * Introducing printmaking * Monotype & calligraphy * Beginner printers * Drypoint & etching See More
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SoHo Artist All Media Canvas Panel 3"x5", (Pack of 3)Save Up to66%Off listWhite State of the Art Acid-Free C-Bond Core Canvas Panels! The SoHo Urban Artist Cotton Canvas All Media Panels use a state of the art core to allow the panel to be flexible in case it slightly bows due to high or low moisture in the atmosphere. This elastic core enables artists to flex the board the other way so paintings will not bow over time. In fact, many low-cost wood core panels bow, and this can never be corrected. These panels can always be made to lie flat. They are handsomely crafted with a turned edge construction. Key Features: * Available in assorted sizes * 3mm (1/8") panels C-bond core panels * Non Warping * 10oz. Double Primed Cotton * Acid-free panel and core * Two coats of Universal Acrylic Gesso Primer * Crafted with a turned edge construction Perfect For: * All media applications * Acrylics, Oils with either knives or brushes* Color studies and color charts* Plein aire painting * Classrooms and artists * Artists working in humid conditions * See More
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Creative Mark 3x5" Canvas Panels Pack of 120Save Up to89%Off listWhite Fine Weave Acrylic Primed 100% Cotton Canvas Panels! Creative Mark Canvas Panels are made of a fine weave, double all media primed cotton canvas that is hand turned on select quality boards. The acrylic primed surface texture provides a very definite paint-gripping "tooth," providing the perfect support for painting in oil, casein, tempera, or acrylic paints. The lightweight canvas boards take up little storage space and are perfect for traveling to workshops or painting outdoors. Backing boards are firm and stable, with clean, hand-turned canvas edges; they provide the ideal surface for studies or initial renderings in the studio, classroom, or outdoors. Key Features: * Acrylic gesso primed * Fine weave, durable 100% cotton canvas * Wonderful canvas texture * Turned under and glued edges will not fray * Sturdy panel board * Will not take up a ton of storage space * Bulk buying options available * Not recommended as an archival support * Great value, great panel! Perfect For: * Painting with acrylics, oil colors, or tempera * Sturdy enough for mixed media and impasto * Artists of all levels * Teachers and students * Studies or initial renderings * Studio, classroom, or Plein air * Great for practice and studies * Acrylic image transfers * Lightweight travel * Quick and easy framing See More
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BFK Rives Printmaking Papers Grey, 22" x 30" 280gsm (100 Sheets)Save Up to50%Off listGrey Professional 100% cotton and no optical brightening agents Arches BFK Rives Printmaking paper is mould-made in France and has a smooth, absorbent surface. Soft, yet with enough body and substance to give good support to the print. It is half sized to give a good balance between good ink absorption and ink holdout. Acid-free and buffered. White has 4 deckle edges, Cream has 3 deckle edges. Rives BFK Paper is made of 100% cotton, are soft-sized, and buffered. Rives is perfectly suited for lithography, intaglio, screen printing, relief printing, linocut, collotype, and drawing. As a result of using 100% cotton rag and the time-honoured manufacturing process, the paper has a very soft and supple feel. The paper has a natural white tone and is completely free of any optical brighteners (OBAs). 100% cotton – Made on a cylinder mould Key Features: * Composition: 100% cotton – Made on a cylinder mould * Grammages: 250, 270, 280gsm * Texture: Cold Pressed- light fine grain with a smooth surface * Colors: white, cream, grey, tan and black * Edges (sheet): 4 deckle edges * Watermark (sheet): "BFK Rives® France" * Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706) * Uses: lithography, intaglio engraving, letterpress, screen-printing, blind embossing, gold tooling, linocut, gravure process, calligraphy drawing * Free of any optical brighteners (OBAs) See More
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Pintura Painting Canvas 3x5" Wood Panels, Pack of 2Save Up to57%Off listWhite Acid-Free Fine Textured Canvas! Made from special (approximately 5/32" thick) compressed wood and covered with an even textured canvas that has an acid-free, all media priming. They offer artists the ability to upgrade from Canvas Panels made of cardboard and canvas. With these painting panels you still get the classic appeal of a true canvas support with the stiffness and lasting quality of wood. Sold in packs of 2. Key Features:* Made in Italy* Panels made of (5/32" thick) compressed wood* Acid-Free textured canvas* All media priming* Durable and lightweight * Fine tooth Perfect For:* Frames with shallow rabbets* Plein aire painting* Portraiture* Oil and Acrylic "These panels are lightweight, fit in frames with shallow rabbets, do not puncture and are therefore sturdy in transit, and are reasonable priced. The only personal variable to consider is if you like the texture of the canvas covering. I keep buying these because I do like to paint on them." - Anonymous See More
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Lenox 100 Cotton Drawing Pads Papers By Legion 250 gram 22" x 30" (Pack of 10)Save Up to44%Off listWhite 100% cotton, medium-texture fine art paper Legion Lenox 100 Cotton Drawing Pad is a 100% cotton, medium-texture fine art paper that is ideal for a variety of drawing and printing techniques with colored pencils, graphite, pastels, and charcoal. The smooth white surface also works well for silkscreening, offset lithography, etching, and embossing. Key Features:* 100% Cotton paper* Produced by an American mill* Soft textured finish* Acid-free* Pads: Tapebound/Top -92 lb / 15 sheets, 250 Gr/M2 weight* Papers are Neutral pH, no deckles 250 gsm weight Perfect For:* Graphite* Pastels* Colored pencils* Charcoal* Drawing with pastels* Silkscreening* Offset lithography* Etching and embossing See More
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Stonehenge Printmaking & Drawing Paper Sheets 22"x30", Kraft (Pack of 100)Save Up to52%Off listBrown An American-made Drawing & Printmaking Classic! Stonehenge by Legion, a traditional fine art paper! This machine made sheet has a slight, even texture that compliments many artistic pursuits. It combines a 250gsm beefy weight, 2 deckle edges, strong surface, excellent acceptance of ink and wet media and pleasant feel. Internally sized, made of 100% cotton. * 22 × 30" Sheets 250 Gr/M2 weight. - 90lb.* Use it for watercolor, printmaking, pen-and-ink, pencil, or pastel.* Smooth, flawless surface* Machine-made in the United States* 100% cotton fibers, Acid-Free* Each sheet has two deckle edges* Sold In: Packs(10,25,100) & Rolls It is a favorite not only with printmakers but with artists that specialize in drawing and painting techniques in a variety of media including graphite, artist crayons, pastels, watercolor and colored pencils, inks, and light gouache. Stonehenge continues to be made in the USA as a high quality affordable paper that never compromises fiber composition, archival properties or its suitability for multiple mediums. Stonhenge papers are the "paper of choice" by the Colored Pencil Society of America See More
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Arches Watercolor Paper 300lb Cold Press - Bright White, 22" x 30" (5 Sheets)Save Up to40%Off listBright White 100% Cotton Rag Watercolor Paper Without Brighteners Arches Bright White Watercolor Paper is mould-made in France, bright white 100% cotton rag watercolor paper without brighteners and considered the most popular in the world and a favorite among artists for over 500 years. The paper… Bright White 100% Cotton Rag Watercolor Paper Without Brighteners Arches Bright White Watercolor Paper is mould-made in France, bright white 100% cotton rag watercolor paper without brighteners and considered the most popular in the world and a favorite among artists for over 500 years. The paper pulp is brighter than natural white, each gelatin-sized sheet has four deckle edges and may be repeatedly erased and over-painted on, while still maintaining its beautiful surface quality and integrity. Arches bright white paper is available in all three popular paper surface types and in 140lb & 300lb. The artists' choice for watercolor paper since 1492. Arches Bright White Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Bright White Cold Pressed surface is a particular favorite of illustrators, watercolorists, and airbrush artists. For a bolder, more robust surface, Arches Bright White Rough provides just enough texture allowing for easy working, and is strong enough to maintain its character even after reworking. The Rough texture is also used by watercolorists, airbrush artists, and acrylic painters. Key Features:* Bright white, mould-made* 100% long rag cotton* 140lb & 300lb* Mould-made in France* Available in hot press, cold press and rough grain!* 4 deckle edges: 2 natural deckled edges and 2 torn edges* Acid-free, no optical brightening agents Perfect For:* Watercolorists* Maintaining the integrity of the paper after repeated erasing and painting* Finished artwork* Wet techniques such as ink, gouache and acrylic Arches Bright White 100% Cotton Watercolor Paper Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould Uses: ideal for watercolour painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from penetrating into the thickness of the paper. See More
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Arhnem 1618 Printmaking Paper 245 Gsm - Kraft, 22" x 30" Sheet (Pack of 10)Save Up to49%Off listBrown A Premium 100% Rag Printmaking Paper! Speedball's Arnhem Printmaking Papers are made near the city of Arnhem in Holland by Schut Papier, a paper mill that has been creating fine paper since 1618. Offering a semi-smooth surface with a smooth appearance that accepts a variety of printmaking techniques and media. Every sheet of Arnhem Printmaking Papers accepts multiple layers of ink brilliantly and can handle dry and damp printing. Key Features:* Available in: White & Warm White & 245gsm or 320gsm* Premium 100% rag printmaking paper* Vellum finish * Two deckled edges* Made from strong fibers* Excellent wet strength and absorbency* Subtle grain and smooth appearance* Accepts multiple layers of ink brilliantly* Available in: White & Warm White Perfect For:* All printmaking media* Excellent results in a variety of media* Intricate details* Dry or damp printing* Multiple layers of ink* Extremely versatile* Graphic relief and silkscreen images* Delicate and rich intaglio prints Arnhem 1618 paper offers a semi-smooth surface with a substantial feel to the touch. The subtle grain combined with a smooth appearance allows a variety of media to take to the paper, while remaining a reliable surface for intricate detail. Arnhem’s strong and highly absorbent fibers make it ideal for dry or damp printing, allowing it to accept multiple layers of ink brilliantly. Arnhem Printmaking Paper Review "The way it absorbs ink was really important to me. Akua inks dried faster on this paper than others I've used. Also, the substantial weight of the paper-that made it seem like a higher quality paper. It has a "presence" to it that other papers don't." - PRINTMAKING PROFESSOR See More
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Centurion All-Media Primed Linen Panels 3"x5" (Pack of 3)Save Up to60%Off listWhite Professional 11oz. Universal Acrylic Primed Linen Painting Panels Centurion LX All-Media Primed Linen Panels are manufactured using the world famous 11oz., universally acrylic primed Centurion Linen Canvas. Acid-free and archival, the primed medium-textured linen is cleanly wrapped and adhered to a solid 3mm MDF wood board. Centurion’s beautiful non-mechanical surface is ideal for oils (traditional and water-soluble), acrylics, Caseins, and more brittle media like Egg Tempera and Acrylic Gouache. Perfect for traveling and pochade boxes, the linen panels are lightweight and take up around 1/4 the depth of a 3/4” canvas, so you can travel with more work surfaces! An ideal way to try high quality linen for the first time, at affordable low prices. Key Features: * Universal/Acrylic linen panels * Acid-free, Archival Linen * 11oz., universally acrylic primed * Mounted on 3mm MDF wood board * Convenient Packs of 3 * Bulk Packs of 3packs available! * Universal Acrylic Priming * Medium-textured linen * Non warping * A Jerry's recommended best seller! Perfect For: * Artists of all skill levels * Linen Lovers on a budget! * Traveling, takes up 1/4 the space of a 3/4” canvas * Oils, Acrylics, Alkyds, Caseins, Egg Tempera, Water-Mixable Oils "I paint in acrylics and found these panels to be excellent. The canvas texture seems just right, and the panels resist warping. I have only used them in fairly small sizes, maybe up to 9 x 12 at most, so can't attest to the stability of larger sizes, but have been very happy with what I've used." See More
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Senso Multi-Media Clear Primed, 3"x5" Linen Panels (Pack of 3)Save Up to56%Off listWhite Draw on it, Print on it, Transfer on it, Collage on it and of course, Paint on it! These incredibly versatile Senso Clear Primed Linen Multi-Media Panels are the perfect surface for exploring and trying out new media. Senso Painting Panels feature a clear acrylic priming that can be painted on or drawn on with all kinds of media. Use it as a surface for acrylic gouache, acrylics, egg tempera, caseins, oil colors, pastels, graphite, charcoal and even micron pens. Each panel is especially stiff for building the heaviest layers of paint or collaging/decoupage. Sold in a variety of sizes, these heavyweight board panels are built beautiful and strong to last a lifetime. Key Features: * Primed with clear, acrylic primer gesso * Medium tooth natural linen weave surface * 3mm Archival MDF board backer and acid free glue * Available in a wide variety of sizes * Stiff surface for use with oils, acrylics, graphite, pastels, technical drawing pens and collage * Perfect For: * Oils, acrylics, graphite, pastels, technical drawing pens and collage * Painting, drawing, screen printing and more * Artists of all skill levels Is linen or cotton canvas better? Linen is strong and durable, and remains the preferred surface for many artists. Linen is more expensive than cotton and retains its natural oils, which helps to preserve the fiber's flexibility and stops the canvas from becoming brittle. It is also regarded as having a more “natural” weaved finish than cotton. See More
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Yes! All Media Cotton Canvas Panel 3"x5", (Pack of 3)Save Up to83%Off listWhite All-Media Panels! Perfect for All Wet Media! Yes! If it goes on wet it goes on Yes! Watercolors, oil colors, acrylics, inks, sprays, casein, permanent markers, shellac and acrylic-based inks, airbrush colors, egg tempera, alkyds and anything else you may want to use on your paintbrush. Yes! All Media Cotton Canvas allows for multiple layers for a lovely 3d effect without messing up the medium and also makes it easy to repair mistakes. They are also very easy to carry and work with outside with. The 11oz weight 100% unbleached cotton canvas panels accept almost any media! Patented priming accepts all media! Watercolors, Water-Soluble Oils, Inks, Sprays, Oils, Acrylics, Pastels, Oil Pastels, Markers & More! Key Features:* Triple-primed plate smooth finish* Patented priming accepts all media!* 11oz weight 100% unbleached cotton canvas* 3mm composite board backer* Triple-primed with acid-free special wet media primer* Nice fine tooth that grabs the paint perfectly * Perfect For:* Watercolors, Pastels, Oil Pastels* Inks, Sprays, Ink Washes* Acrylics, Oil colors* Caseins* Water Mixable Oils* Permanent markers* Shellac and acrylic-based inks* Airbrush colors* Egg tempera or alkyds* Collage The Portrait Cotton - Portrait artists and super realistic technique artists craved for a surface that was plate smooth but also affordable. Yes, is plate smooth using only the finest close weaved cotton and primed three times to a super smooth surface. So smooth you can quickly draw on it. But here's the twist you can also paint on it with any media! The priming is the key. Imagine a canvas so versatile that it will accept any paint, ink, or marker you have in your studio. Imagine the possibilities. The Watercolor Surface - Many watercolorists draw with permanent marker as they create their watercolors. With this surface, you can draw right into your watercolor without feathering or smudging, or you can paint on top of the drawing. A unique twist to this canvas is that you can draw with a permanent marker and use the lines to form a resist for your watercolors. For traditional watercolor painting, the color sits right up on the surface and allows for easy lifting, scratching into the paint film, reworking the painted surface, and even layering for unique effects. Use with opaque or transparent colors. This canvas works best with tube watercolor and provides rich, vibrant expressions. Acrylics and Watercolors - You may want to start off playing with watercolors and gouache reworking or even removing areas then fine-tuning and finally finishing off the top layers with permanent acrylics. Of course, you don't need to use watercolors with your acrylics but you can if you want. You'll find this surface to be fantastic with virtually any acrylic based paint from heavy body to acrylic based inks to airbrush colors. Before applying watercolor, we suggest that you clean the canvas thoroughly with high-strength Isopropyl alcohol to remove any hand-oils from the canvas. Surface oils may have accumulated from manufacturing, packaging, or unwrapping the canvas. Cleaning the canvas should prevent the paint from beading up on the surface. See More
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Arches Watercolor Paper 140 lb Cold Press - Natural White, 22" x 30" (10 Sheets)Save Up to40%Off listNatural White 100% Cotton Paper, Lasting Whiteness with Strength and Longevity The Artists' Choice For Watercolor Papers Since 1492! Mould-made in France, Arches Natural White Watercolor Paper is 100% cotton rag watercolor paper. Considered the most popular in the world, each gelatin-sized Arches… Natural White 100% Cotton Paper, Lasting Whiteness with Strength and Longevity The Artists' Choice For Watercolor Papers Since 1492! Mould-made in France, Arches Natural White Watercolor Paper is 100% cotton rag watercolor paper. Considered the most popular in the world, each gelatin-sized Arches watercolor paper sheet has four deckle edges and may be repeatedly erased and over-painted while still maintaining its beautiful surface quality and integrity. Arches natural white watercolor paper is available in all three popular watercolor paper finishes, hot press, cold press and rough grain Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Arches natural white watercolor paper has been a favorite among artists for over 500 years, and it's easy to see why! Made from 100% cotton linters and both internally and externally gelatin sized, acid-free Aquarelle watercolor paper is one of the finest art papers in the world. Sized to the core with natural gelatin, a process exclusive to ARCHES®. Even if it is soaked for a long time, the paper will still retain enough gelatin not to become too absorbent. Arches Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Cold Pressed surface is a particular favorite of illustrators, watercolorists, and airbrush artists. For a bolder, more robust surface, Arches Rough provides just enough texture allowing for easy working, and is strong enough to maintain its character even after reworking. The Rough texture is also used by watercolorists, airbrush artists, and acrylic painters. 260 lb. is approximately the same weight as 140 lb. paper but in double elephant (available in larger sizes than 22x30"). Key Features:* 100% long rag cotton* Mould-made in France* Available in hot press, cold press and rough grain!* Two natural deckle edges, two torn deckle edges* Acid-free, no optical brightening agents* Natural color* Sized to the core with natural gelatin Perfect For:* Watercolorists* Maintaining the integrity of the paper after repeated erasing and painting* Finished artwork* Wet techniques such as ink, gouache, and acrylic Arches Watercolor Paper, Natural White Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould Uses: ideal for watercolor painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from penetrating into the thickness of the paper. See More
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Centurion Deluxe Oil Primed 3"x5" Linen Panel, 12 PackSave Up to84%Off listWhite Master Quality Archival Deluxe Linen Panels! Superb performance and color retention! Exclusive OP enhanced oil priming As an oil colorist it is important to work on oil primed surfaces and not universal primed surfaces. The reason is that universal primed surfaces are semi-absorbent. Gesso is absorbent even if it is plate smooth. The paint does not get absorbed as much and sits on the surface more making it easy to blend and manipulate. Granted it is not highly absorbent but the fact remains that some oil will get into the primer and flatten the image. You can get around this by using an under-painting oil ground on top of the surface of a universal ground canvas but this is very time consuming and expensive. Unlike universal ground, our oil priming chemically bonds with the oil paint and is non-absorbent allowing the paint to sit up on the surface with the correct refraction quality of the oil binder. If you use any high-quality oil color we urge you to use an oil primed surface and now we make it affordable! Exclusive OP Enhanced Oil Priming! Centurion Deluxe Professional Oil Primed Linen Panels, specifically designed for oil painters. Superb receptive surface accepts even the thinnest oil color lay down without fragmenting on the surface and is a permanent surface as colors adhere better on it than any other oil primed canvas on the market today! Acid-free and archival, the primed medium-textured linen is cleanly wrapped and adhered to a solid 3mm MDF wood board. Key Features:* Acid-free, Archival Linen Panels* 11oz. Oil Primed* Made of medium weight linen* Exclusive OP enhanced oil priming* Mounted on 3mm (1/8") MDF wood board* Medium weight and texture* Non warping Perfect For:* Artists of all skill levels* Oil and Alkyd Painting* Archival Longevity* Linen Lovers expecting the best!* Professional Artists, Commissioned work* Traveling, takes up 1/4 the space of a 3/4" canvas For a good value on a smooth linen panel, this is it! The fine linen weave makes details easy when painting still life. Our Centurion canvas is used throughout the world by serious artists ranging from dedicated students to the most world-famous artists. It is the teachers and famous artists that asked us to try to come up with an oil primed linen canvas that if affordable. Not only did we wow them with quality but we also wowed them with the final price. You can buy Centurion Oil Primed canvas mounted to hardboard 3mm panels (1/8" thick), in canvas pads that can be stapled or taped to painting boards, in rolls for stretching your own canvas and in an Elite style stretched canvas engineered to maintain the integrity of the canvas even in the largest sizes. See More
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Strathmore 500 Illustration Board, Vellum Lightweight 22" x 30" (Pack of 15)Save Up to38%Off list500 Series Sheets Mounted to Archival White BoardStrathmore 500 Series Illustration Boards are 100% cotton fine art 500 series drawing sheets mounted to both sides of a high quality archival, lignin-free, white board to create a balanced tension that resists warping. 500 Series Illustration Board is… 500 Series Sheets Mounted to Archival White BoardStrathmore 500 Series Illustration Boards are 100% cotton fine art 500 series drawing sheets mounted to both sides of a high quality archival, lignin-free, white board to create a balanced tension that resists warping. 500 Series Illustration Board is a higher quality paper designed for graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel, light wash and collage. America's finest drawing paper for over a century. Surface: Vellum / Plate * Weight: Heavyweight Vellum - 72 pt * Heavyweight Plate - 68 pt * Lightweight Vellum - 42 pt Media Applications: Vellum: graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel, light wash and collage Plate: graphite pencil, colored pencil, pen & ink, marker, mixed media and collage See More
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Legion Coventry Rag Paper 290gsm 22" x 30" (Pack of 10)Save Up to37%Off listA beefy sheet with a lovely vellum surface that can be used for pencil, charcoal or pastel as well as wide range of printmaking techniques and watercolor painting. This sheet is made of 100% cotton and is neutral ph, sized for offset and buffered with calcium carbonate. 290 gram similar in feel and… A beefy sheet with a lovely vellum surface that can be used for pencil, charcoal or pastel as well as wide range of printmaking techniques and watercolor painting. This sheet is made of 100% cotton and is neutral ph, sized for offset and buffered with calcium carbonate. 290 gram similar in feel and weight to 140 lb watercolor paper. White color, 22 × 30" sheets. See More
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Strathmore Watercolor Paper Imperial 140 lb 22" x 30", Pack of 25Save Up to33%Off listThese watercolor papers adapt to a wide range of techniques! Strathmore Watercolor Papers are acid-free and buffered to neutralize acids absorbed from the atmosphere. Imperial Series - This professional 140 lb. Cold press watercolor paper is known for its hard surface sizing, which supports color… These watercolor papers adapt to a wide range of techniques! Strathmore Watercolor Papers are acid-free and buffered to neutralize acids absorbed from the atmosphere. Imperial Series - This professional 140 lb. Cold press watercolor paper is known for its hard surface sizing, which supports color lifting and blending. 100% cotton with two deckled edges. Available in a pack of 25 sheets. Gemini Series - Acid-free, neutral pH, 100% cotton sheets with 4 deckle edges. The 140 lb. cold press paper is available in packs of 10 sheets. 300 Series - This popular 140 lb. weight, acid-free Cold press watercolor paper is a favorite for adapting various techniques. Available in a pack of 25 sheets. Key Features: * 140 lb. acid-free paper * Cold press texture * Manufactured to exact specifications Perfect For: * Professionals and students * Any watercolor technique * Any level of expertise See More
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