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GOLDEN Heavy Body Acrylics - Turquoise (Phthalo), 5oz TubeSave Up to30%Off listBlue Golden Heavy Body Acrylic Paints- Professionally Loved Acrylics! The original line of paints! GOLDEN Heavy Body acrylic paints are known to be exceptionally smooth with a thick, buttery consistency and contain the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body acrylic color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. Colors that are more reactive and do not accept high pigment loading, dry to a glossy finish and tend to be more transparent. Heavy Body colors contain no additives, such as matting agents, therefore the gloss of each color will be different. Key Features:* Exceptionally smooth, rich, buttery consistency* Dries quickly, permanent and archival in quality* Ability to "stand up" and retain brush strokes* All HB colors are thixotropic in nature* Retain excellent flexibility when dry, diminishing the possibility of cracking* Heavy Body viscosity can also be reduced successfully with water* No flattening agents* No opacifiers added to colors* Clearest and cleanest quality* 101 different colors, shades and tints* 30 colors are mixture colors, the rest of produced from single, unique pigments* Concentrated/Chemically Pure Cadmiums Perfect For:* Approved for professional artist* 100% acrylic binder* Freeze-thaw stability* "stand up" and retain brush strokes or palette knife marks on the canvas* Largest assortment of unique pure pigments* There are no fillers, extenders, opacifiers, toners, or dyes added* Can be mixed with all of our GOLDEN Mediums, Gels and other paint lines C.P. Cadmiums = A grade that has a high concentration of cadmium and is considered the highest quality. The C.P. designation has been associated with both “Chemically Pure” and "Concentrated Pigment". Which translation you come across will often depend on the source and context. In terms of “(CC)”, it refers to “Concentrated Cadmium” and was adopted by the ASTM (American Society for Testing and Materials) as a way to differentiate higher quality cadmiums from lesser quality cadmium-barium pigments. All Heavy Body colors are thixotropic in nature This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of our pigments Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More
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Richeson Casein Artist Colors Titanium White 5 ozSave Up to43%Off listWhite From rich opaques of oil to thin watercolor washes - One of the most durable mediums known to man Casein (kay'seen) is a quick-drying, aqueous medium using a milk-based binding agent, and is one of the most durable mediums known to man. Nine thousand year old casein cave paintings have been discovered in Asia, and later, the medium was used by Byzantine, Roman and Renaissance artists including the Old Masters. Richeson Casein is a versatile, professional, water-based medium known for its velvety finish! Richeson Casein Colors are fast-drying, reworkable water-soluble paints. Caseins are great for underpainting and work with oils! Key Features:* Milk protein-based paints* Dries to a natural matte finish* Apply in any manner from impasto to watercolor* Casein can be used on interior walls, metal, wood, laminates, metal, glass or ceramics* Archival: Yes. Properly done and with a protective varnish * Good choice for dry and light, wet media sketching* Perfect medium to use for underpainting* Dries quickly* From rich opaques of oil to thin watercolor washes Perfect For:* Suitable for a variety of surfaces* Great for illustration work* Casein can be used on canvas, although only in very thin application* All-purpose paper in a sketching format* You can paint on 140lb. watercolor paper if the painting will be properly framed shortly after completion* You can apply casein "juicy" like watercolors, impasto like oils, or anything in between "Casein is a water-based paint medium with working properties that resemble gouache, cel vinyl—and, in some respects, oil. I've used all of those latter paints quite a bit, but casein has qualities all its own. It can be used transparently, but it has great opacity when you need it, something often lacking in acrylic. It's one of the oldest paint mediums, dating all the way back to the Egyptians – JAMES GURNEY" What is Casein? Casein (kay'seen) is a quick-drying, aqueous medium using a milk-based binding agent, and is one of the most durable mediums known to man. Nine thousand year old casein cave paintings have been discovered in Asia. Later, the medium was used by Byzantine, Roman and Renaissance artists, including the Old Masters. Known for their versatility and array of capabilities, casein paints can be used to create a variety of effects from the rich opaques of oil to thin watercolor washes. Because casein has an exceptional integrity of color and always dries to a perfect matte finish, it is unexcelled for art reproduction. The velvety matte finish can also be buffed to a satin sheen or varnished to produce a resemblance to oils. Over time, casein pigments become resistant to moisture and as history has proven, the medium has a durability and permanence which has easily stood the test of time. Because it dries quickly, it is possible to lay down a glaze and move onto the next stage within a few hours instead of waiting for days, or even months, as with oils. Can I mix casein with other mediums? Yes you can! Use casein over watercolor or gouache or as an underpainting for acrylic, pastel or oils. If using casein under oils, apply a barrier layer of Damar varnish over the casein before the oil paint. Casein can also be used under oils as an excellent underpainting medium. See More
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Winsor & Newton University Brush Series 232 Mop 3/4"Save Up to40%Off listThe best multi-purpose brush for students Winsor & Newton University brushes are made of white polyester fibers and have distinctive red handles with white tips. The synthetic bristle is stiff enough to use with fluid oils and acrylics yet soft enough to use with watercolors. Its bristles make… The best multi-purpose brush for students Winsor & Newton University brushes are made of white polyester fibers and have distinctive red handles with white tips. The synthetic bristle is stiff enough to use with fluid oils and acrylics yet soft enough to use with watercolors. Its bristles make smooth marks on canvas panels and boards. The affordable pricing makes these brushes perfect for beginners and students looking for an inexpensive option. Key Features: * Synthetic polyester bristle * Easy to control brush with excellent spring * Distinctive red handles with white tips * Designed to last a long time when properly cared for Perfect For: * Oils, acrylics, and watercolors * Soft painting techniques * Reducing the visibility of brush strokes * Students and those looking for a multi-purpose brush See More
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Jack Richeson Grey Matters Series 9836 Short Handle 3/4In Synthetic Filbert RakeSave Up to28%Off listGrey Matters Brushes solve the issue! Artists from all over the country approached Richeson to solve a problem not solved by other brush manufacturers: annoying glare and reflections from studio lights and sun. Finally! Grey Matters brushes solve this issue. Richeson Grey Matters brushes are free of… Grey Matters Brushes solve the issue! Artists from all over the country approached Richeson to solve a problem not solved by other brush manufacturers: annoying glare and reflections from studio lights and sun. Finally! Grey Matters brushes solve this issue. Richeson Grey Matters brushes are free of distracting colors and reflective metals — perfect for Plein air or in the studio, and ideal for toned palettes and canvas. These interlocked short-handled bristle brushes are painstakingly crafted by hand. Interlocked brushes ensure that the bristles maintain their shape and last a long time. Key Features:* Non-reflective / anti-glare* Create a neutral grey value space between your eye and your artwork* Minimize color distortion* Non-reflective hair, ferrule, and handle* Synthetic hair for oil, acrylic and water media* Interlocking bristles for oil & acrylic* Special signing brushes Perfect For:* Defined brush strokes* Creating fine details* Professionals, teachers, students Questions and Answers Does Grey Matter? YES!!!!! The human brain is compensating in ways we cannot imagine when we have colored handles and reflective ferrules. The Neutral Grey top to bottom brush makes a painting without interference from other colors make sense! Does a nonreflective ferrule matter? Yes, The reflection of light off of the ferrule is a distraction. When you regularly use the Grey Matters Brushes it becomes apparent how the reflection off of a ferrule has affected concentration! Are all Synthetic Brush heads the same? NO! The filaments that make a synthetic brush can range wildly from Student to Professional grade. Brush quality is determined by the number of different fibers and type of bristles that make up the brush head. The fewer Different types of filaments – typically the lower grade. Does the color of the brush fibers affect the quality? NO! A color such as the Grey in Grey Matters is done to accomplish a result that is neutral to the eye What is the quality of a Richeson Grey Matters Brush? Only the Highest quality synthetic fibers are selected for Grey Matters Brushes – different bristles are mixed to accomplish very specific firmness or softness Can a Grey Matters Oil Brush be used for acrylic painting? YES!!! If the painter desires a softer brush head when painting. Can I use my brushes for both Oil and Acrylic paint (Interchange)? Once used with a medium or paint type – it should ONLY be used for that medium – it is not possible to sufficiently clean a brush to use for different mediums at best it is risky See More
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Grumbacher Acrylic Medium - Gel 531 Acrylic Transparentizer, 5ozSave Up to45%Off listAssorted Colors Improve your Acrylics with Grumbacher Acrylic Mediums Grumbacher manufactures a wide variety of acrylic painting mediums to help the painter create different effects. Grumbacher has even developed a retarder to extend open time and enable the painter to produce more wet-on-wet techniques, traditionally reserved for oil painters. Grumbacher's extensive collection of pastes, gels, mediums, and varnishes pair well with Grumbacher acrylic paints. Key Features: * Highest quality acrylic resins * Create complex ground structures * Retarders for open time and wet-on-wet painting * Mediums & pastes to create different effects * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Maintaining consistency * Creating different effects * Preserving degree of gloss * Acrylic painters * Discerning students & amateurs Gel 531 Acrylic Transparentizer - Grumbacher 531 Acrylic Transparentizer Gel is a full-bodied acrylic painting medium designed to increase the transparency of semi-transparent and transparent acrylic colors while maintaining the consistency of tube colors. It's ideal for creating transparent impasto effects and textured glazes. Mix it directly with acrylic paints or use it alone for transparent surface effects. It dries absolutely clear. Acrylic Matte Medium & Varnish - Excellent for mixed media applications, the acrylic gloss medium and varnish has myriad uses. Traditionally this medium is mixed with acrylic paint for smoother brush strokes and a uniform gloss finish, or as a final gloss varnish. This medium thins with water and can also be used for glazing, as an adhesive, in thick applications in molds or armatures for a flexible, plastic-like effect, and in papier mache projects. This is the ideal primer for oil painting on vellum. Dries clear, is flexible and water resistant when dry. Made in the USA. Acrylic Medium Gesso - Non-yellowing, ready-to-use, prepared painting ground made with acrylic emulsion and Titanium White. Dries rapidly. Application to any clean, nonoily surface can be made with a brush, knife or roller. Accepts oil colors, acrylic colors, pastels, charcoal, pencil, and crayons and is specially formulated to have both tooth and absorbency. Acrylic Medium Modeling Paste - A ready-to-use paste made with acrylic emulsion and ground marble. Has excellent adhesive qualities. Can be shaped and textured when wet; cut, carved and sanded when dry. Dries rapidly, becoming hard, resilient, durable and water resistant. Acrylic Retarder - A colorless acrylic medium that slows drying time. Can be mixed into acrylic paint or brushed directly onto the support and painted over. Ideal for detailed blending work. Made in the USA. See More
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Winsor & Newton Sceptre Gold II Short Handle Brush Series 606 Wash 3/4"Save Up to40%Off listThis brush combines red sable hair with golden synthetic fiber. All brushes have good durability, excellent spring and lots of color holding capacity. Each brush with polished maroon wood handles and seamless polished gold tone metal ferrules. Great for watercolor, oil color, alkyds and acrylic… This brush combines red sable hair with golden synthetic fiber. All brushes have good durability, excellent spring and lots of color holding capacity. Each brush with polished maroon wood handles and seamless polished gold tone metal ferrules. Great for watercolor, oil color, alkyds and acrylic color! See More
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Creative Mark Ebony Splendor Brush Short Handle Mop 3/4"Save Up to78%Off listStiffness Watercolors Acrylics Oils Impeccably crafted for the feel, look, and performance of fine red sable with water media - but in a full synthetic! These quality brushes are impeccably crafted by hand using Teijin multi-filament hairs, long considered one of the best, most durable synthetics in… Stiffness Watercolors Acrylics Oils Impeccably crafted for the feel, look, and performance of fine red sable with water media - but in a full synthetic! These quality brushes are impeccably crafted by hand using Teijin multi-filament hairs, long considered one of the best, most durable synthetics in the world. The fiber closely parallels natural red sable in look, feel, and performance, and is the perfect answer for wash and detail brushes for artists of all skill levels. Fine yet firm, the hair provides the perfect shape for washes, dry brush techniques, blending, and tight detail. Perfect for water media of all types, Ebony Splendor Short Handled Brushes Synthetic Red Sable Brushes excel when used with watercolor, gouaches and inks. Handmade construction on brushes is careful and painstaking. Hair is cupped into anodized, plated black seamless ferrules and are finished with red wooden handles with a super strong Dura-Last lacquered finish, with ends dipped in black. Popular with traveling professional artists, they can take abuse and are easily replaced at a modest cost if lost or damaged.Ebony Splendor Short Handled Brushes Synthetic Red Sable Brushes provide a luxury feel comparable to fine European sable watercolor brushes. Easily worth more than the suggested retail, you can purchase these with an unconditional guarantee to meet your complete satisfaction! Available in Rounds, Shaders, Riggers, Fans, Angulars, Mops, and Wash Brushes. Key Features:* Synthetic Teijin multi-filament hair* Superb edges & split-proof tips* Anodized plated seamless ferrules* Dura-Last lacquered handles* Handmade & inspected* Perfect For:* Painters that want the best!* Ideal for watercolor, gouache, and inks* Travel & outfitting pochade boxes* Fine Artists/Professionals and Art Students* Animal hair alternative - fully synthetic See More
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Winsor & Newton Artists' Water Colour Sable Brush Kolinsky One Stroke 3/4"Save Up to40%Off listThe most popular and useful brush shapes for watercolorists The Winsor & Newton Professional Watercolour Sable Brushes have a balanced, contoured handle that provides ultimate control. The elegant blue Birchwood handle with satin matte finish provides a secure grip for the high quality Kolinsky… The most popular and useful brush shapes for watercolorists The Winsor & Newton Professional Watercolour Sable Brushes have a balanced, contoured handle that provides ultimate control. The elegant blue Birchwood handle with satin matte finish provides a secure grip for the high quality Kolinsky sable hair. Specially selected from the finest available sable hair to create a brush with excellent spring, a pronounced belly, and a crisp point. These brushes have all of the qualities expected of the finest watercolor brushes, except the expensive price. Each brush is hand crafted in England by a skilled brush maker. A fine birch wood handle with the unique Winsor & Newton double bodied shape and a satin matte finish provide comfort while painting. See More
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Speedball Block Printing Water-Soluble Ink 5oz - GreenSave Up to46%Off listGreen The unquestionable industry-leader! Created from pigments ground and milled to the perfect consistency for block-relief printing. Speedball® Water-Soluble Block Printing Inks print in bold color and dry to a rich, satiny finish. They have amazing tack guaranteeing even scope and consistent amazing results. They may be mixed to create custom colors creating unique outcomes. Great for printing with linoleum wood or soft block surfaces, flexible printing plates or polyfoam. This printing technique traces its history back over 5,000 years and is a must try for any artist. Available in 16 brilliant colors. Fluorescent colors are listed on a separate page. All colors clean up easily with soap and water. Key Features:* Bold colors* Dries to rich, satiny finish* Excellent tack for even coverage* Easy clean-up with soap & water Perfect For:* All artists* Printing with linoleum, wood or soft block surfaces All colors are AP non-toxic. All colors except Magenta are considered lightfast. Available in 5 oz tubes and 8 oz jars. See More
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Simply Simmons Original Decorative Brush Angle Shader 3/4"Save Up to31%Off listHigh quality, low price decorative brushes for any effect! The original Simply Simmons brushes are the perfect choice for creating texture, detail, effects and more in watercolors, acrylics, and oils! These handmade short-handled brushes feature finely tapered, dark-tipped synthetic hair that lends… High quality, low price decorative brushes for any effect! The original Simply Simmons brushes are the perfect choice for creating texture, detail, effects and more in watercolors, acrylics, and oils! These handmade short-handled brushes feature finely tapered, dark-tipped synthetic hair that lends itself well to any effect in any painting medium. Crafted from quality materials, and featuring seamless brass or aluminum ferrules and lacquered wooden handles, these brushes are made to last. A wide range of specialty shapes and sizes makes for a limitless selection of special painting effects! However, one of the best features of Simply Simmons Original Decorative painting brushes is their incredible value, with one low price for each fantastic brush! * Quality brushes at incredible value! * Fine synthetic hair * Crimped ferrules and lacquered wood handles * Wide range of decorative shapes and sizes * Work well with watercolors, acrylics, and oils alike * Perfect for creating texture and special effects! See More
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Speedball 5 oz Fabric Block Print Ink BrownSave Up to34%Off listBrown A Block Printing Ink That Takes To Fabric As Well As It Does Paper! With Speedball Fabric Block Printing Ink, you can animate your fabric designs with a vivid range of opaque colors that remain permanent through the wash, and over time with no heat setting required! These Fabric Block Printing inks won't crack or peel over time and work on fabrics such as cotton, polyester blends, linen, and other synthetic fibers. The inks are easy to clean from brayers and work surfaces with soap and water. Eliminate the guessing game of whether acrylics or screen printing ink will stick better to fabric and pick Speedball Fabric Block Printing Ink, the ultimate printing ink for textiles! Key Features: * Available In: 2.5oz & 5oz Tubes / Kits and Sets * Permanent oil-based ink * Won't crack or peel over time * No heat-setting required * Laundry safe * Bold opaque color * Workstation cleans up easily with soap and water * ACMI AP non-toxic, conforming to ASTM D-4236 * Perfect For: * Printing bold, opaque color with a soft hand * Cotton, linen, polyester blends, rayon, and other synthetic fibers * Use on paper and cardboard * Bright and personalized fabrics * Long-lasting fabric block printmaking See More
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Golden OPEN Acrylic 5 oz Iridescent Pearl (Fine)Save Up to30%Off listIridescent Slow-drying acrylic paint that enables painters to explore techniques GOLDEN OPEN paint is a slow-drying acrylic paint that enables painters to explore techniques traditionally reserved for oil paints. The slow-drying quality gives artists longer working time for easier blending and even subtractive techniques. There is a unique thinner and mediums for use with OPEN, but the paints are compatible with regular fast-drying acrylics and clean up with soap and water like regular acrylics. OPEN Acrylics are formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion to produce a paint with a uniquely relaxed set of working characteristics and a versatility that allows artists to explore a wider range of techniques such as portraiture and landscape painting that rely on softening, shading, glazing, and creating fine detail. Increased working time of these colors expands their range to include more traditional techniques once only possible with oils Key Features:* Resists skinning, remain wet on the palette for extended periods* Feels like no other paint* Stays wet longer* Expands the boundaries of acrylics* Formulated with an optimum balance* Tubes: 2oz. & 5oz. / Jars: 4oz. & 8oz.* Titanium White: 32oz. Jar* 100% acrylic polymer dispersion* Perfect For:* A uniquely relaxed set of working characteristics and versatility* Allowing artists to explore a wider range of techniques* Portraiture and landscape painting* Softening, shading, glazing, and creating fine detail* Plein air painting, mono-printing, and screenprinting* Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors* Reducing the amount of paint wasted and preserving color mixtures for future use How long does it take for Golden Open acrylics to dry? GOLDEN OPEN typically dries in 3-5 hrs. To control viscosity while maintaining the maximum working time Use OPEN Mediums and Thinner. To accelerate drying time, OPEN Acrylics may be blended with faster-drying GOLDEN Acrylics, Gels, and Mediums. OPEN Acrylics resist skinning, remain wet on the palette for extended periods, and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, mono-printing, and screenprinting. OPEN Acrylics may be blended with other GOLDEN Acrylic Colors, Mediums, and Gels, with the open time of the resulting mixtures being proportionately reduced. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. See More
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Speedball Professional Relief Ink - Diarylide Yellow 5ozSave Up to34%Off listYellow Produce stunning professional quality prints with these vibrant, premium relief inks! Speedball Professional Relief Inks Formulated to possess all of the working properties that artists demand, Speedball Professional® Relief Inks are made from the highest quality, lightfast pigments and contain no fillers. They roll out consistently and transfer beautifully, resulting in intense, crisp, archival prints. Containing (10) single-pigment colors and a Transparent Base, these professional-grade inks all carry the AP Seal and can clean up easily with soap and water or traditional window cleaner. Most notably, the Speedball Professional Relief series boasts its flagship color-Speedball® Supergraphic Black, created by world-renowned relief artist, Bill Fick. Key Features: * Highest quality, lightfast pigments * Contain no fillers * Designed for accomplished printmakers * Produces intense, crisp, archival quality prints * Holds fine details with beautiful transfer quality * Water miscible oil base makes for easy clean up * Professional-grade inks all carry the AP Seal Perfect For: * Professional printmakers * Block printing * Student artists * Linocut printing * Cleans up easily with soap and water or traditional window cleaner Speedball Professional Relief Inks are designed specifically for professional level printmakers. These premium quality relief inks offer viscosity similar to that of oil-based inks, rolling out consistently, transferring beautifully, and holding fine details to produce intense, crisp, archival quality prints. Extend the color range by combining these inks with Extender to produce transparent layers. With a water-miscible oil base, these true process relief inks are lightfast and easily cleaned up with a little soap and water. See More
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Jack Richeson Printmaking Supplies Clear Carve 22x30"Save Up to42%Off listFlexible and durable material that makes carving linoleum easy!Jack Richeson's Lino Grip and Clear Carve are the best tools for getting started in printmaking. These products are ideal for students and beginners, but artists of any skill level will enjoy the benefits that these products have. *… Flexible and durable material that makes carving linoleum easy!Jack Richeson's Lino Grip and Clear Carve are the best tools for getting started in printmaking. These products are ideal for students and beginners, but artists of any skill level will enjoy the benefits that these products have. * Clear Carve- Clear Carve from Jack Richeson is a perfect clear surface for carving an image over any image, photo or sketch. Made from flexible and durable material that is easy to carve, Clear Carve wont crack or dry out and eliminates the need for any sort of messy image transfer paper. * Lino Grip- This lightweight linoleum block stop flawlessly holds linoleum in place as you carve better than any piece of wood or metal rest. Compact for easy storage, this slim, flexible, and grippy lino grip is easy to wash and perfect for aiding in the safe use of carving tools. It's great for beginners. Key Features: Made from flexible and durable materials Easy to clean Clear Carve is available in several sizes Easy to carve Speeds up block printing Perfect For: Beginners and students Tracing works of art, photographs and more! Learning the basics of block printing Holding linoleum in place (Lino Grip) Use with carving and other printmaking tools See More
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Fabriano Tiepolo Paper - White, 22"x30" (50-Sheets)Save Up to45%Off listWhite Exceptionally versatile and strong paper that can withstand the wear and tear of rigorous techniques Fabriano Tiepolo Printmaking Paper is Created with 100% cotton, this paperboard is indicated for all printmaking techniques (engraving, lithography, silk-screening, xylography and linocuts) and has a traditional Italian soft white color with a particularly smooth surface texture. Tiepolo Printmaking Paper is mould-made out of 100% acid-free cotton paper with a beautiful watermark and four deckle edges. It is superb for printmaking, screen printing, embossing, digital printing, drawing, light washes and other fine art media. Tiepolo is just shy of 140lb weight and is 22×30" in size. It is pH neutral, assuring inalterability over the time. The watermark is fixed point and placed below right on the sheet. It reproduces the CMF trademark surmounted by a star and enclosed in a circle. * For all printmaking techniques (engraving, lithography, silk-screening, xylography and linocuts) * 100% cotton, 140lb sheets * Watermarked, 4 Deckle Edges (Trademarked: C. M. FABRIANO 100% COTTON) * Mould-made out of 100% acid-free cotton paper * Acid Free, lignin free - Tiepolo is pH neutral, assuring inalterability over the time. * Upscale watercolor paper See More
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Arches 88 22X30 printmaking paper 140lb 25 sheetsSave Up to40%Off list100% cotton – Made on a cylinder mould! Originally formulated decades ago for silkscreen printing, Arches 88 has gained a following for various printmaking techniques. The crisp white 140lb (300gsm) paper is dimensionally stable and provides a smooth level surface perfect for serigraphy. Arches 88… 100% cotton – Made on a cylinder mould! Originally formulated decades ago for silkscreen printing, Arches 88 has gained a following for various printmaking techniques. The crisp white 140lb (300gsm) paper is dimensionally stable and provides a smooth level surface perfect for serigraphy. Arches 88 is a 100% cotton fiber paper that is acid-free and pH neutral. The buffered paper is unsized for high absorption. A silkscreen printer can easily layer 50 to 100 colors on a single sheet of Arches 88. Because the paper is unsized, it is unforgiving, so a single ink spot or splatter will show up. This paper has many of the characteristics of blotter paper and must be handled with purpose and sensitivity. When working in intaglio, a misting or dampening is all that is required. The paper is ideal for other printmaking mediums such as etching or lithography and takes all pencil applications well. Each sheet of paper is watermarked and has four natural deckle edges. Key Features: * Unsized and highly absorbent * 100% cotton – Made on a cylinder mould * 140lb (300gsm) weight * Very smooth texture * 4 deckle edges * Alkaline reserve, acid-free, no optical brightening * Made in France Perfect For: * Screen-printing * Letterpress, blind embossing, gold tooling * Intaglio * Etching and lithography * Pencil drawings * Laying down 50 to 100 screen colors on one sheet See More
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Lineco ATG Tape 1/2"x36yd Roll Box of 12Save Up to5%Off listPerfect for Framing and Mounting Art Lineco's reverse-wound ATG Tapes are made of clear double-sided adhesive reinforced with fiber mesh. The adhesive can bond to paper, foil, film, metal, glass, and wood. Use to attach matt boards, mount paper materials, or for general use. ATG rolls work with the… Perfect for Framing and Mounting Art Lineco's reverse-wound ATG Tapes are made of clear double-sided adhesive reinforced with fiber mesh. The adhesive can bond to paper, foil, film, metal, glass, and wood. Use to attach matt boards, mount paper materials, or for general use. ATG rolls work with the 3M series 700 dispenser or Jerry's ATG applicator gun. Key Features: * Double-sided and acid-free * Adhesive transfer tape * Solvent acrylic adhesive * Non-yellowing and pH neutral * Reversed wound tape * Bonding surfaces must be clean and dry Perfect For: * Use with 3M ATG 700 series hand-held applicators * Matting and framing pictures, artwork, and documents * Memory and scrapbooks * General crafts * Artists of all skill levels ATG Tape: Lineco's ATG Tape is designed to be used in a 3M ATG gun or similar. The 1/2" adhesive transfer tape is acid-free and reverse wound. A fiber mesh reinforces the clear solvent acrylic adhesive. The tape's powerful adhesive creates a strong bond for picture framing and mounting paper, wood, plastics, and metals. Hand Held ATG Tape: The Hand Held ATG Tape has the same features as regular ATG tape, but no gun or applicator is required to use the tape. High-Tack ATG Tape: Lineco's High-Tack ATG Tape is a reverse wound pH neutral, high tack 1/2" adhesive transfer tape. A fiber mesh reinforces the clear solvent acrylic adhesive. For use in 3M ATG guns or similar. The tape's powerful adhesive creates a strong bond. Use for framing, picture mounting, box assembly, fabric mounting, label adhesion, or POP displays. See More
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Creative Inspirations Dura-Handle, Brush Long Handle, Flat 3/4" (12 Pack)Save Up to78%Off listLonger Lasting Resin Short & Long Handle Taklon Hair Brushes - Won't Chip or Crack Stiffness Watercolors Acrylics Oils While wood handles are traditionally the preferred style for artists the world over there is a growing need to have handles that do not crack or chip when soaked in water or… Longer Lasting Resin Short & Long Handle Taklon Hair Brushes - Won't Chip or Crack Stiffness Watercolors Acrylics Oils While wood handles are traditionally the preferred style for artists the world over there is a growing need to have handles that do not crack or chip when soaked in water or solvents. This is particularly true in classroom, public, private or social settings. Creative Inspirations Dura-Handle™ brushes are available with both long or short handles and are made to last longer than the traditional brushes that artists use in their private studios. The synthetic filament hair shapes to a square edge or super fine point. Brushes exhibit a wonderful brush response for superb control. The brush head is fashioned into a professional, high quality seamless nickel plated brass ferrule. The Dura-Handle™ has a balanced feel as it is solid resin and not cheap plastic. These brushes may be relied upon longer than conventional brushes but with a high end feel and performance. Use for all traditional media including oils, acrylics and watercolors. Elegant Design+ : Solid resin handles (not cheap plastic), Champagne and Wine Color Handles w/ Nickel Plated Brass Ferrules Key Features: * Dura-Handle™ solid resin handles* High Performance Taklon Synthetic Hair* Seamless Nickel Plated Brass Ferrules * Dura-Handle™ solid resin handles (not cheap plastic) * Handles will not chip or crack when soaked in water * Lasts longer than wood, cleans easily. * Can be reused after cleaned * Available in long and short handle brushes Perfect For: * Classes, workshops, businesses * Students, teachers, and professionals * Use with oils, acrylics and watercolors * Heavy-handed Artists * Discerning Artists * Painting parties and businesses, schools and classrooms * Multiple session use See More
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Guerrilla Painter Full Sheet Watercolor Board V2.0Save Up to15%Off listThe Watercolorboard™ is an easy way to keep your watercolor paper wrinkle free. The board is made of extruded aluminum and hardboard. It is easy to attach the board to a standard camera tripod for in-the-field painting. The Watercolorboard™ is designed to tightly stretch watercolor paper… The Watercolorboard™ is an easy way to keep your watercolor paper wrinkle free. The board is made of extruded aluminum and hardboard. It is easy to attach the board to a standard camera tripod for in-the-field painting. The Watercolorboard™ is designed to tightly stretch watercolor paper and keep it flat as it drys. As the screws on the frame of the board are tightened, tension is placed on the outside edges of the paper. After the paper has dried, the paper will stay flat and buckle-free during wet washes. The Watercolorboard™ has a comfortable carrying handle and can hold 140lb - 300lb paper. Carrying Portfolios - A high-quality nylon sack with zipper and a sturdy handle makes it easy to take your Watercolorboard™ anywhere. Key Features:* Lightweight Aluminum Frame* Attaches to standard tripod* Easy to use Perfect For:* Artists and students* Outdoor painting* Watercolor See More
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Arches Cover Paper 22" x 30", Cream - Pack of 10 sheetsSave Up to40%Off listWhite Mould made in France! This famous heavyweight, Mould made sheet is 100% cotton, acid-free, and buffered. Arches Cover paper has a visible, slightly flattened grain, two deckle edges, and a registered watermark. An excellent choice for Printmaking and publishing, as well as drawing, embossing, foil stamping, lithography, intaglio, and silkscreening. Perfect for an archival cover for prints and antique documents. Arches Cover is 100% cotton fiber, pH neutral, acid-free, internally sized, and buffered. Mould made in France. Key Features:* Heavyweight, Mould made papers* 100% cotton fiber* Acid-free and pH neutral* Internally sized and buffered Perfect For:* Archival covers for prints and antique documents * Printmaking and publishing* Drawing, Silkscreening, Lithography, and more! See More
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Canson Edition Antique White Paper, 22"x30" 250gsm (100 Sheets)Save Up to33%Off listWhite A Versatile Art Paper Ideal for Drawing and Traditional Art Printing Canson Edition Papers offer lasting performance and are 100% cotton, acid-free and made without optical brighteners. Complies with the ISO 9706 standard on permanence, a guarantee of optimal conservation to deliver professional results with a variety of media and printmaking. Versatile and affordably priced, Edition is an excellent choice for drawing, lithography, offset, intaglio, typography and suitable for silk screen. Each sheet of Canson Edition paper features two deckle edges and two distinct surfaces, one smooth, one textured ideal for printmaking, drawing and multi-media expression. Available in 2 colors and sizes, Canson Edition papers are 100% cotton, acid-free and made without optical brighteners. * Antique White or Bright White * Comes in 2 sizes * 250 gsm sheets* * 100% cotton * ISO 9706 standard on permanence, a guarantee of optimal conservation * Double sided: light grain and smooth * 2 deckle edges * Acid-free, No optical brighteners * Ideal for drawing, lithography, offset, intaglio, typography, printmaking, drawing and multi-media expression * Also suitable for silk screen See More
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Somerset Velvet Printmaking Paper 22"x30", Satin White, 250gsm (25 Pack)Save Up to42%Off listWhite The choice of artisans and printmakers worldwide Somerset Velvet Printmaking Paper is a very popular grade of printmaking paper from the historic St. Cuthbert’s Mill in the UK, first introduced in the early 1970’s. Somerset is a beautiful paper to work with, boasting a lightfastness rating of 7 on the Blue Wool Scale for all colors. Originally intended as a printmaking paper, they have been 'discovered' to also be highly suitable for pastel drawing. Mould-made 100% cotton, acid free with four deckle edges. The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. Each sheet comes with 4 deckle edges and is watermarked (except for the book papers) for authenticity. It remains flat after printing and offers durability and long life to finished editions of work. Key Features:* Mouldmade in UK* Acid free acrylic primer* 100% Cotton* Neutral pH, Acid-Free* Chlorine Free* 4 deckles (2 natural deckles, 2 tear deckles)* Lightly sized, gentle texture surface* Specialty Paper, printmaking papers* Lightfastness rating of 7 on the Blue Wool Scale Perfect For:* The choice of artisans and printmakers worldwide* Any printmaking application* Highly suitable for drawing, charcoal & pastels* Letterpress, engraving, foil stamping and offset* Remaining flat after printing* Durability and long life to finished editions of work See More
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Strathmore 400 Series 280gsm 22" x 30" Heavyweight Printmaking Paper (25 Sheets)Save Up to33%Off listStrathmore printmaking paper meets the versatile range of needs from beginners to professionals! 300 Series printmaking paper is ideal for beginners, 400 Series printmaking paper is ideal for intermediate printmaker. Perfect for techniques such as relief, lithography, intaglio, and screen print,… Strathmore printmaking paper meets the versatile range of needs from beginners to professionals! 300 Series printmaking paper is ideal for beginners, 400 Series printmaking paper is ideal for intermediate printmaker. Perfect for techniques such as relief, lithography, intaglio, and screen print, Strathmore printmaking papers feature a strong and durable surface that is still soft enough to absorb many layers of ink. Its natural white color offers artists a crisp, clean surface to lay prints. All Strathmore printmaking papers are acid-free and made in the USA! 300 Series Lightweight printmaking papers Ideal for Beginners: This range of printmaking papers feature a weight of 120 gsm, a soft and durable medium surface texture, is acid-free, and contains high alpha cellulose wood fiber. These lightweight papers are ideal for printmaking, relief printing, and practicing. It is available in 4 popular sized, glue-bound pads. These sizes include 5x7" (40 pages), 8x10" (40 pages), 11x14" (30 pages), and 18x24" (30 pages). 400 Series Heavyweight printmaking papers Ideal for intermediate printmakers: This range of printmaking papers feature a weight of 240 gsm, a soft and durable medium surface texture, is acid-free, and contains high alpha cellulose wood fiber. These heavyweight papers are ideal for printmaking, lithography, intaglio, and screen printing. It is available in 4 popular sized, glued-bound pads and a pack of loose sheets. The pad sizes include 5x7" (20 pages), 8x10" (20 pages), 11x14" (15 pages), and 18x24" (15 pages). The pack of loose sheets is sized 22x30" and includes 25 sheets! Key Features: * Natural white papers are strong and durable, yet soft enough to absorb many layers of ink * Convenient sizes and formats, including pads and large sheets * Pads feature easy-to-use flip-over covers that allow sheets to tear out cleanly * Full size sheets are ideal for larger finished prints and proofing * Acid free * Made in the U.S.A. * Ideal for a wide variety of printmaking techniques * Including relief, lithography, intaglio, screen print and more See More
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Speedball Printmaking Paper 22" x 30" Sheet (10-Pack)Save Up to33%Off listWhite An artist favorite, this premium printmaking paper is now available in a convenient pad! Speedball Printmaking Paper Pads were developed through a collaboration between Speedball and Schut Papier of Holland. This fine art paper is made with strong, absorbent fibers, which accept multiple layers of ink beautifully. Suitable for all printmaking media, from water-based inks to traditional oil-based inks, this high-quality printmaking paper works very well damp or dry for a variety of techniques, including relief printing and intaglio. Each pad of printmaking paper contains 20 sheets of white, 90 lb/245 gsm, acid-free paper. These premium printmaking paper pads are an extremely versatile addition to your printmaking arsenal! Speedball Mulberry Paper is an artist-quality printmaking paper made with a mix of Kozo (mulberry) and bamboo fiber. The thin paper is very strong, which makes it ideal for lino block, wood block, and screen printing. Key Features: * White, 90 lb/245 gsm, acid-free paper * Mulberry paper unbleached, neutral pH. 45gsm. * Extremely versatile, suitable for all printmaking media * Made with strong, absorbent fibers Perfect For: * Water-based or oil-based inks * Student printmaking projects * Relief printing and intaglio * Printmaking artists See More
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Jack Richeson Clear Carve Etching Plate, 22"x30"Save Up to21%Off listThese clear printmaking plates make it easy to introduce printmaking to beginner artists! Jack Richeson Clear Carve Etching Plates are non-porous, transparent printmaking plates perfect for drypoint, monotype, etching and calligraphy. Each 0.03” (0.75 mm) thick printmaking plate is made of clear… These clear printmaking plates make it easy to introduce printmaking to beginner artists! Jack Richeson Clear Carve Etching Plates are non-porous, transparent printmaking plates perfect for drypoint, monotype, etching and calligraphy. Each 0.03” (0.75 mm) thick printmaking plate is made of clear PETG plastic, making it very easy to trace and etch designs. Available in 5 sizes, these easy to use clear plastic etching plates are a great way to introduce your class to printmaking. Just put an image under the transparent plate, use an etching tool to trace the image or create your own freehand design, and you’re ready to print! Key Features: * Non-porous transparent etching plates * 0.03”/0.75 cm thick PETG plastic * Available in 5 sizes * Easy to trace and etch freehand designs Perfect For: * Introducing printmaking * Monotype & calligraphy * Beginner printers * Drypoint & etching See More
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BFK Rives Printmaking Papers Grey, 22" x 30" 280gsm (100 Sheets)Save Up to50%Off listGrey Professional 100% cotton and no optical brightening agents Arches BFK Rives Printmaking paper is mould-made in France and has a smooth, absorbent surface. Soft, yet with enough body and substance to give good support to the print. It is half sized to give a good balance between good ink absorption and ink holdout. Acid-free and buffered. White has 4 deckle edges, Cream has 3 deckle edges. Rives BFK Paper is made of 100% cotton, are soft-sized, and buffered. Rives is perfectly suited for lithography, intaglio, screen printing, relief printing, linocut, collotype, and drawing. As a result of using 100% cotton rag and the time-honoured manufacturing process, the paper has a very soft and supple feel. The paper has a natural white tone and is completely free of any optical brighteners (OBAs). 100% cotton – Made on a cylinder mould Key Features: * Composition: 100% cotton – Made on a cylinder mould * Grammages: 250, 270, 280gsm * Texture: Cold Pressed- light fine grain with a smooth surface * Colors: white, cream, grey, tan and black * Edges (sheet): 4 deckle edges * Watermark (sheet): "BFK Rives® France" * Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706) * Uses: lithography, intaglio engraving, letterpress, screen-printing, blind embossing, gold tooling, linocut, gravure process, calligraphy drawing * Free of any optical brighteners (OBAs) See More
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First Impressions Black Bristle Brush Short Handle (Set of 24)Save Up to91%Off listLong and short handled brushes perfect for kids! These sturdy brushes are the best bet for getting your darling Dalí started at easel painting! Made from stiff black hog bristle with natural, lacquered wooden handles and seamless crimped ferrules, Black Bristle Easel Brushes can withstand heavy use… Long and short handled brushes perfect for kids! These sturdy brushes are the best bet for getting your darling Dalí started at easel painting! Made from stiff black hog bristle with natural, lacquered wooden handles and seamless crimped ferrules, Black Bristle Easel Brushes can withstand heavy use by the most enthusiastic young artists! Flat brushes are available in four sizes ranging from 1/4" to 1" in width, and with either long or short handles to suit any child's artistic preference. Perfect for painting with tempera and acrylics, either sitting or standing, as the longer handles allow for great reach for smaller painters! All sorts of artistic expression are now available for kids with this great line of Black Bristle Easel Brushes from First Impressions! Key Features: * Strong, natural black hog bristle brushes * Lacquered wooden handle and seamless ferrule * Short or long handles for painting at easels * 1/4", 1/2", 3/4" and 1" Flat sizes Perfect For: * Tempera, watercolor, acrylics, and poster paint * Any young artist! * Classrooms and workshops! See More
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Really Good School Painting Brush Flat 3/4"Save Up to92%Off listNatural Ox Hair Sableline Bristle Brushes, Holds Alot of Color! Make sure your mini Monet is working with the best kids' art supplies available! These Really Good School Painting Brushes from First Impressions are the perfect painting tool for young artists. With natural ox hair Sableline bristles,… Natural Ox Hair Sableline Bristle Brushes, Holds Alot of Color! Make sure your mini Monet is working with the best kids' art supplies available! These Really Good School Painting Brushes from First Impressions are the perfect painting tool for young artists. With natural ox hair Sableline bristles, they absorb a lot of water and color for extended painting sessions. The wooden handles are color-coded by size in bright primary and secondary colors, and the seamless crimped ferrules provide the feel of professional brushes. Perfect for virtually any type of paint from tempera and watercolor to poster paint and acrylics the brushes are available in six Round and four Flat sizes. These Really Good School Painting Brushes are sure to give your child a great First Impression of art! Key Features: * Natural ox hair Sableline bristles* Holds lots of color * 6 Round and 4 Flat sizes * Brightly colored wooden handles and crimped ferrules Perfect For: * Tempera, watercolor, acrylics, and poster paint* Any young artist* Homeschool art programs* Classrooms and workshops!* Craft and hobby See More
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Lenox 100 Cotton Drawing Pads Papers By Legion 250 gram 22" x 30" (Pack of 10)Save Up to44%Off listWhite 100% cotton, medium-texture fine art paper Legion Lenox 100 Cotton Drawing Pad is a 100% cotton, medium-texture fine art paper that is ideal for a variety of drawing and printing techniques with colored pencils, graphite, pastels, and charcoal. The smooth white surface also works well for silkscreening, offset lithography, etching, and embossing. Key Features:* 100% Cotton paper* Produced by an American mill* Soft textured finish* Acid-free* Pads: Tapebound/Top -92 lb / 15 sheets, 250 Gr/M2 weight* Papers are Neutral pH, no deckles 250 gsm weight Perfect For:* Graphite* Pastels* Colored pencils* Charcoal* Drawing with pastels* Silkscreening* Offset lithography* Etching and embossing See More
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Stonehenge Printmaking & Drawing Paper Sheets 22"x30", Kraft (Pack of 100)Save Up to52%Off listBrown An American-made Drawing & Printmaking Classic! Stonehenge by Legion, a traditional fine art paper! This machine made sheet has a slight, even texture that compliments many artistic pursuits. It combines a 250gsm beefy weight, 2 deckle edges, strong surface, excellent acceptance of ink and wet media and pleasant feel. Internally sized, made of 100% cotton. * 22 × 30" Sheets 250 Gr/M2 weight. - 90lb.* Use it for watercolor, printmaking, pen-and-ink, pencil, or pastel.* Smooth, flawless surface* Machine-made in the United States* 100% cotton fibers, Acid-Free* Each sheet has two deckle edges* Sold In: Packs(10,25,100) & Rolls It is a favorite not only with printmakers but with artists that specialize in drawing and painting techniques in a variety of media including graphite, artist crayons, pastels, watercolor and colored pencils, inks, and light gouache. Stonehenge continues to be made in the USA as a high quality affordable paper that never compromises fiber composition, archival properties or its suitability for multiple mediums. Stonhenge papers are the "paper of choice" by the Colored Pencil Society of America See More
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Arches Watercolor Paper 300lb Cold Press - Bright White, 22" x 30" (5 Sheets)Save Up to40%Off listBright White 100% Cotton Rag Watercolor Paper Without Brighteners Arches Bright White Watercolor Paper is mould-made in France, bright white 100% cotton rag watercolor paper without brighteners and considered the most popular in the world and a favorite among artists for over 500 years. The paper… Bright White 100% Cotton Rag Watercolor Paper Without Brighteners Arches Bright White Watercolor Paper is mould-made in France, bright white 100% cotton rag watercolor paper without brighteners and considered the most popular in the world and a favorite among artists for over 500 years. The paper pulp is brighter than natural white, each gelatin-sized sheet has four deckle edges and may be repeatedly erased and over-painted on, while still maintaining its beautiful surface quality and integrity. Arches bright white paper is available in all three popular paper surface types and in 140lb & 300lb. The artists' choice for watercolor paper since 1492. Arches Bright White Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Bright White Cold Pressed surface is a particular favorite of illustrators, watercolorists, and airbrush artists. For a bolder, more robust surface, Arches Bright White Rough provides just enough texture allowing for easy working, and is strong enough to maintain its character even after reworking. The Rough texture is also used by watercolorists, airbrush artists, and acrylic painters. Key Features:* Bright white, mould-made* 100% long rag cotton* 140lb & 300lb* Mould-made in France* Available in hot press, cold press and rough grain!* 4 deckle edges: 2 natural deckled edges and 2 torn edges* Acid-free, no optical brightening agents Perfect For:* Watercolorists* Maintaining the integrity of the paper after repeated erasing and painting* Finished artwork* Wet techniques such as ink, gouache and acrylic Arches Bright White 100% Cotton Watercolor Paper Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould Uses: ideal for watercolour painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from penetrating into the thickness of the paper. See More
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Arhnem 1618 Printmaking Paper 245 Gsm - Kraft, 22" x 30" Sheet (Pack of 10)Save Up to49%Off listBrown A Premium 100% Rag Printmaking Paper! Speedball's Arnhem Printmaking Papers are made near the city of Arnhem in Holland by Schut Papier, a paper mill that has been creating fine paper since 1618. Offering a semi-smooth surface with a smooth appearance that accepts a variety of printmaking techniques and media. Every sheet of Arnhem Printmaking Papers accepts multiple layers of ink brilliantly and can handle dry and damp printing. Key Features:* Available in: White & Warm White & 245gsm or 320gsm* Premium 100% rag printmaking paper* Vellum finish * Two deckled edges* Made from strong fibers* Excellent wet strength and absorbency* Subtle grain and smooth appearance* Accepts multiple layers of ink brilliantly* Available in: White & Warm White Perfect For:* All printmaking media* Excellent results in a variety of media* Intricate details* Dry or damp printing* Multiple layers of ink* Extremely versatile* Graphic relief and silkscreen images* Delicate and rich intaglio prints Arnhem 1618 paper offers a semi-smooth surface with a substantial feel to the touch. The subtle grain combined with a smooth appearance allows a variety of media to take to the paper, while remaining a reliable surface for intricate detail. Arnhem’s strong and highly absorbent fibers make it ideal for dry or damp printing, allowing it to accept multiple layers of ink brilliantly. Arnhem Printmaking Paper Review "The way it absorbs ink was really important to me. Akua inks dried faster on this paper than others I've used. Also, the substantial weight of the paper-that made it seem like a higher quality paper. It has a "presence" to it that other papers don't." - PRINTMAKING PROFESSOR See More
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Arches Watercolor Paper 140 lb Cold Press - Natural White, 22" x 30" (10 Sheets)Save Up to40%Off listNatural White 100% Cotton Paper, Lasting Whiteness with Strength and Longevity The Artists' Choice For Watercolor Papers Since 1492! Mould-made in France, Arches Natural White Watercolor Paper is 100% cotton rag watercolor paper. Considered the most popular in the world, each gelatin-sized Arches… Natural White 100% Cotton Paper, Lasting Whiteness with Strength and Longevity The Artists' Choice For Watercolor Papers Since 1492! Mould-made in France, Arches Natural White Watercolor Paper is 100% cotton rag watercolor paper. Considered the most popular in the world, each gelatin-sized Arches watercolor paper sheet has four deckle edges and may be repeatedly erased and over-painted while still maintaining its beautiful surface quality and integrity. Arches natural white watercolor paper is available in all three popular watercolor paper finishes, hot press, cold press and rough grain Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Arches natural white watercolor paper has been a favorite among artists for over 500 years, and it's easy to see why! Made from 100% cotton linters and both internally and externally gelatin sized, acid-free Aquarelle watercolor paper is one of the finest art papers in the world. Sized to the core with natural gelatin, a process exclusive to ARCHES®. Even if it is soaked for a long time, the paper will still retain enough gelatin not to become too absorbent. Arches Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Cold Pressed surface is a particular favorite of illustrators, watercolorists, and airbrush artists. For a bolder, more robust surface, Arches Rough provides just enough texture allowing for easy working, and is strong enough to maintain its character even after reworking. The Rough texture is also used by watercolorists, airbrush artists, and acrylic painters. 260 lb. is approximately the same weight as 140 lb. paper but in double elephant (available in larger sizes than 22x30"). Key Features:* 100% long rag cotton* Mould-made in France* Available in hot press, cold press and rough grain!* Two natural deckle edges, two torn deckle edges* Acid-free, no optical brightening agents* Natural color* Sized to the core with natural gelatin Perfect For:* Watercolorists* Maintaining the integrity of the paper after repeated erasing and painting* Finished artwork* Wet techniques such as ink, gouache, and acrylic Arches Watercolor Paper, Natural White Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould Uses: ideal for watercolor painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from penetrating into the thickness of the paper. See More
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Richeson's Quiller Water Media Brush Series 7010 Flat 3/4"Save Up to28%Off listQuiller Synthetic Watercolor brushes are truly advanced synthetic brushes. When wet, they come to a magnificent razor's edge, allowing the thinnest line, a broad wash or anything in between. The ferrules on these short-handled 7010 flats have a round base up to the 1" size and the larger sizes have… Quiller Synthetic Watercolor brushes are truly advanced synthetic brushes. When wet, they come to a magnificent razor's edge, allowing the thinnest line, a broad wash or anything in between. The ferrules on these short-handled 7010 flats have a round base up to the 1" size and the larger sizes have a folded flat base. Richeson tapers the strands of fiber so that each synthetic strand comes to a fine point. With careful selection of 11 different weights of fiber strands, Richeson gently mixes these into a marvelous brush head. The mixing of the weights is critical and allows you to get just the right amount of hard snap to the brush. With the perfect mixture of a variety of thinner fibers Richeson has created the perfect color carrying blend. Stephen Quiller works very big and was really pleased when we developed a brush that could hold so much color while also retaining control. Key Features: * Synthetic Watercolor bristle * Short-handled * Razor's edge lines * Small flats have a round base * larger sizes have a folded flat base * Tapered strands of fiber * The right amount of hard snap to the brush Perfect For: * Watercolor & Gouache * Plein Air Artists * Thin lines or broad washes * Holding a lot of color * Backgrounds * Teachers and students * No-hassle, everyday use See More
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Robert Simmons White Sable Watercolor Brush Series 755 Sky Scraper 3/4"Save Up to42%Off listStiffness Watercolors Acrylics Oils The unique blend of synthetic filaments delivers all the benefits of pure red sable brushes White Sable brushes are all made with a miracle synthetic fiber called White Sable™ hair. The unique blend of synthetic filaments delivers all the benefits of pure… Stiffness Watercolors Acrylics Oils The unique blend of synthetic filaments delivers all the benefits of pure red sable brushes White Sable brushes are all made with a miracle synthetic fiber called White Sable™ hair. The unique blend of synthetic filaments delivers all the benefits of pure red sable brushes for point and spring back at a fraction of the cost. The line offers watercolor specialty brushes in larger sizes that duplicate the construction, shape, and performance of natural sable brushes. This ultra fine hair is extremely soft and responsive, making for an ideal brush for practically any purpose. All series are securely fashioned to attractively designed polished brown handles with white ring and gold tip. Key Features:* Material: Synthetic Sable* Remarkable combination of synthetic fibers* Sharp point and clean working edge of pure red sable* Seamless nickel plated brass ferrules* Lacquer dipped hard wood handles* Kiln-dried, then protected by five coats of lacquer* Hand mixed and handmade by skilled craftsmen* Ultra fine hair, extremely soft and responsive Perfect For:* Works well with all media and on a variety of surfaces* Highest quality and performance of art brushes* Superb point and spring at a fraction of the cost of red sable* Unique tapered mix simulates the spring and point of red sable* Unique blend of synthetic filaments delivers all the benefits of pure red sable brushes White Sable Watercolor Brushes - Details * Series 721 One Stroke Flat Wash - For thick to thin strokes, washes, glazing and edging. * Series 278 Sky-Flo Wash - For extra full bold wash strokes, paddle handle. * Series 748 Fan Blenders - For softening, blending and dry brush effects. * Series 748L - for long handle fans. * Series 752 Oval Wash - For regulated wet color flow, washes. * Series 755 Skyscraper Flat Wash - Large sized with beveled edge and handle. * Series 785 Round - Tapered mix for sharp point. Great for details, lines, precise strokes and washes. * Series 789 Goliath Wash XL Pointed Round - Tapered mix holds maximum color for large area coverage. See More
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Strathmore 500 Illustration Board, Vellum Lightweight 22" x 30" (Pack of 15)Save Up to38%Off list500 Series Sheets Mounted to Archival White BoardStrathmore 500 Series Illustration Boards are 100% cotton fine art 500 series drawing sheets mounted to both sides of a high quality archival, lignin-free, white board to create a balanced tension that resists warping. 500 Series Illustration Board is… 500 Series Sheets Mounted to Archival White BoardStrathmore 500 Series Illustration Boards are 100% cotton fine art 500 series drawing sheets mounted to both sides of a high quality archival, lignin-free, white board to create a balanced tension that resists warping. 500 Series Illustration Board is a higher quality paper designed for graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel, light wash and collage. America's finest drawing paper for over a century. Surface: Vellum / Plate * Weight: Heavyweight Vellum - 72 pt * Heavyweight Plate - 68 pt * Lightweight Vellum - 42 pt Media Applications: Vellum: graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel, light wash and collage Plate: graphite pencil, colored pencil, pen & ink, marker, mixed media and collage See More
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