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Winsor & Newton University Brush Series 232 Mop 3/4"Save Up to40%Off listThe best multi-purpose brush for students Winsor & Newton University brushes are made of white polyester fibers and have distinctive red handles with white tips. The synthetic bristle is stiff enough to use with fluid oils and acrylics yet soft enough to use with watercolors. Its bristles make… The best multi-purpose brush for students Winsor & Newton University brushes are made of white polyester fibers and have distinctive red handles with white tips. The synthetic bristle is stiff enough to use with fluid oils and acrylics yet soft enough to use with watercolors. Its bristles make smooth marks on canvas panels and boards. The affordable pricing makes these brushes perfect for beginners and students looking for an inexpensive option. Key Features: * Synthetic polyester bristle * Easy to control brush with excellent spring * Distinctive red handles with white tips * Designed to last a long time when properly cared for Perfect For: * Oils, acrylics, and watercolors * Soft painting techniques * Reducing the visibility of brush strokes * Students and those looking for a multi-purpose brush See More
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Jack Richeson Grey Matters Series 9836 Short Handle 3/4In Synthetic Filbert RakeSave Up to28%Off listGrey Matters Brushes solve the issue! Artists from all over the country approached Richeson to solve a problem not solved by other brush manufacturers: annoying glare and reflections from studio lights and sun. Finally! Grey Matters brushes solve this issue. Richeson Grey Matters brushes are free of… Grey Matters Brushes solve the issue! Artists from all over the country approached Richeson to solve a problem not solved by other brush manufacturers: annoying glare and reflections from studio lights and sun. Finally! Grey Matters brushes solve this issue. Richeson Grey Matters brushes are free of distracting colors and reflective metals — perfect for Plein air or in the studio, and ideal for toned palettes and canvas. These interlocked short-handled bristle brushes are painstakingly crafted by hand. Interlocked brushes ensure that the bristles maintain their shape and last a long time. Key Features:* Non-reflective / anti-glare* Create a neutral grey value space between your eye and your artwork* Minimize color distortion* Non-reflective hair, ferrule, and handle* Synthetic hair for oil, acrylic and water media* Interlocking bristles for oil & acrylic* Special signing brushes Perfect For:* Defined brush strokes* Creating fine details* Professionals, teachers, students Questions and Answers Does Grey Matter? YES!!!!! The human brain is compensating in ways we cannot imagine when we have colored handles and reflective ferrules. The Neutral Grey top to bottom brush makes a painting without interference from other colors make sense! Does a nonreflective ferrule matter? Yes, The reflection of light off of the ferrule is a distraction. When you regularly use the Grey Matters Brushes it becomes apparent how the reflection off of a ferrule has affected concentration! Are all Synthetic Brush heads the same? NO! The filaments that make a synthetic brush can range wildly from Student to Professional grade. Brush quality is determined by the number of different fibers and type of bristles that make up the brush head. The fewer Different types of filaments – typically the lower grade. Does the color of the brush fibers affect the quality? NO! A color such as the Grey in Grey Matters is done to accomplish a result that is neutral to the eye What is the quality of a Richeson Grey Matters Brush? Only the Highest quality synthetic fibers are selected for Grey Matters Brushes – different bristles are mixed to accomplish very specific firmness or softness Can a Grey Matters Oil Brush be used for acrylic painting? YES!!! If the painter desires a softer brush head when painting. Can I use my brushes for both Oil and Acrylic paint (Interchange)? Once used with a medium or paint type – it should ONLY be used for that medium – it is not possible to sufficiently clean a brush to use for different mediums at best it is risky See More
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Winsor & Newton Sceptre Gold II Short Handle Brush Series 606 Wash 3/4"Save Up to40%Off listThis brush combines red sable hair with golden synthetic fiber. All brushes have good durability, excellent spring and lots of color holding capacity. Each brush with polished maroon wood handles and seamless polished gold tone metal ferrules. Great for watercolor, oil color, alkyds and acrylic… This brush combines red sable hair with golden synthetic fiber. All brushes have good durability, excellent spring and lots of color holding capacity. Each brush with polished maroon wood handles and seamless polished gold tone metal ferrules. Great for watercolor, oil color, alkyds and acrylic color! See More
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Creative Mark Ebony Splendor Brush Short Handle Mop 3/4"Save Up to78%Off listStiffness Watercolors Acrylics Oils Impeccably crafted for the feel, look, and performance of fine red sable with water media - but in a full synthetic! These quality brushes are impeccably crafted by hand using Teijin multi-filament hairs, long considered one of the best, most durable synthetics in… Stiffness Watercolors Acrylics Oils Impeccably crafted for the feel, look, and performance of fine red sable with water media - but in a full synthetic! These quality brushes are impeccably crafted by hand using Teijin multi-filament hairs, long considered one of the best, most durable synthetics in the world. The fiber closely parallels natural red sable in look, feel, and performance, and is the perfect answer for wash and detail brushes for artists of all skill levels. Fine yet firm, the hair provides the perfect shape for washes, dry brush techniques, blending, and tight detail. Perfect for water media of all types, Ebony Splendor Short Handled Brushes Synthetic Red Sable Brushes excel when used with watercolor, gouaches and inks. Handmade construction on brushes is careful and painstaking. Hair is cupped into anodized, plated black seamless ferrules and are finished with red wooden handles with a super strong Dura-Last lacquered finish, with ends dipped in black. Popular with traveling professional artists, they can take abuse and are easily replaced at a modest cost if lost or damaged.Ebony Splendor Short Handled Brushes Synthetic Red Sable Brushes provide a luxury feel comparable to fine European sable watercolor brushes. Easily worth more than the suggested retail, you can purchase these with an unconditional guarantee to meet your complete satisfaction! Available in Rounds, Shaders, Riggers, Fans, Angulars, Mops, and Wash Brushes. Key Features:* Synthetic Teijin multi-filament hair* Superb edges & split-proof tips* Anodized plated seamless ferrules* Dura-Last lacquered handles* Handmade & inspected* Perfect For:* Painters that want the best!* Ideal for watercolor, gouache, and inks* Travel & outfitting pochade boxes* Fine Artists/Professionals and Art Students* Animal hair alternative - fully synthetic See More
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Winsor & Newton Artists' Water Colour Sable Brush Kolinsky One Stroke 3/4"Save Up to40%Off listThe most popular and useful brush shapes for watercolorists The Winsor & Newton Professional Watercolour Sable Brushes have a balanced, contoured handle that provides ultimate control. The elegant blue Birchwood handle with satin matte finish provides a secure grip for the high quality Kolinsky… The most popular and useful brush shapes for watercolorists The Winsor & Newton Professional Watercolour Sable Brushes have a balanced, contoured handle that provides ultimate control. The elegant blue Birchwood handle with satin matte finish provides a secure grip for the high quality Kolinsky sable hair. Specially selected from the finest available sable hair to create a brush with excellent spring, a pronounced belly, and a crisp point. These brushes have all of the qualities expected of the finest watercolor brushes, except the expensive price. Each brush is hand crafted in England by a skilled brush maker. A fine birch wood handle with the unique Winsor & Newton double bodied shape and a satin matte finish provide comfort while painting. See More
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Simply Simmons Original Decorative Brush Angle Shader 3/4"Save Up to31%Off listHigh quality, low price decorative brushes for any effect! The original Simply Simmons brushes are the perfect choice for creating texture, detail, effects and more in watercolors, acrylics, and oils! These handmade short-handled brushes feature finely tapered, dark-tipped synthetic hair that lends… High quality, low price decorative brushes for any effect! The original Simply Simmons brushes are the perfect choice for creating texture, detail, effects and more in watercolors, acrylics, and oils! These handmade short-handled brushes feature finely tapered, dark-tipped synthetic hair that lends itself well to any effect in any painting medium. Crafted from quality materials, and featuring seamless brass or aluminum ferrules and lacquered wooden handles, these brushes are made to last. A wide range of specialty shapes and sizes makes for a limitless selection of special painting effects! However, one of the best features of Simply Simmons Original Decorative painting brushes is their incredible value, with one low price for each fantastic brush! * Quality brushes at incredible value! * Fine synthetic hair * Crimped ferrules and lacquered wood handles * Wide range of decorative shapes and sizes * Work well with watercolors, acrylics, and oils alike * Perfect for creating texture and special effects! See More
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Jack Richeson Printmaking Supplies Clear Carve 22x30"Save Up to42%Off listFlexible and durable material that makes carving linoleum easy!Jack Richeson's Lino Grip and Clear Carve are the best tools for getting started in printmaking. These products are ideal for students and beginners, but artists of any skill level will enjoy the benefits that these products have. *… Flexible and durable material that makes carving linoleum easy!Jack Richeson's Lino Grip and Clear Carve are the best tools for getting started in printmaking. These products are ideal for students and beginners, but artists of any skill level will enjoy the benefits that these products have. * Clear Carve- Clear Carve from Jack Richeson is a perfect clear surface for carving an image over any image, photo or sketch. Made from flexible and durable material that is easy to carve, Clear Carve wont crack or dry out and eliminates the need for any sort of messy image transfer paper. * Lino Grip- This lightweight linoleum block stop flawlessly holds linoleum in place as you carve better than any piece of wood or metal rest. Compact for easy storage, this slim, flexible, and grippy lino grip is easy to wash and perfect for aiding in the safe use of carving tools. It's great for beginners. Key Features: Made from flexible and durable materials Easy to clean Clear Carve is available in several sizes Easy to carve Speeds up block printing Perfect For: Beginners and students Tracing works of art, photographs and more! Learning the basics of block printing Holding linoleum in place (Lino Grip) Use with carving and other printmaking tools See More
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Fabriano Tiepolo Paper - White, 22"x30" (50-Sheets)Save Up to45%Off listWhite Exceptionally versatile and strong paper that can withstand the wear and tear of rigorous techniques Fabriano Tiepolo Printmaking Paper is Created with 100% cotton, this paperboard is indicated for all printmaking techniques (engraving, lithography, silk-screening, xylography and linocuts) and has a traditional Italian soft white color with a particularly smooth surface texture. Tiepolo Printmaking Paper is mould-made out of 100% acid-free cotton paper with a beautiful watermark and four deckle edges. It is superb for printmaking, screen printing, embossing, digital printing, drawing, light washes and other fine art media. Tiepolo is just shy of 140lb weight and is 22×30" in size. It is pH neutral, assuring inalterability over the time. The watermark is fixed point and placed below right on the sheet. It reproduces the CMF trademark surmounted by a star and enclosed in a circle. * For all printmaking techniques (engraving, lithography, silk-screening, xylography and linocuts) * 100% cotton, 140lb sheets * Watermarked, 4 Deckle Edges (Trademarked: C. M. FABRIANO 100% COTTON) * Mould-made out of 100% acid-free cotton paper * Acid Free, lignin free - Tiepolo is pH neutral, assuring inalterability over the time. * Upscale watercolor paper See More
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Arches 88 22X30 printmaking paper 140lb 25 sheetsSave Up to40%Off list100% Cotton Paper Ideal for Screen Printing Originally formulated decades ago for silkscreen printing, Arches 88 has gained a following for various printmaking techniques. The crisp white 140lb (300gsm) paper is dimensionally stable and provides a smooth level surface perfect for serigraphy. Arches… 100% Cotton Paper Ideal for Screen Printing Originally formulated decades ago for silkscreen printing, Arches 88 has gained a following for various printmaking techniques. The crisp white 140lb (300gsm) paper is dimensionally stable and provides a smooth level surface perfect for serigraphy. Arches 88 is a 100% cotton fiber paper that is acid-free and pH neutral. The buffered paper is un-sized for high absorption. A silkscreen printer can easily layer 50 to 100 colors on a single sheet of Arches 88. Because the paper is un-sized, it is unforgiving, so a single ink spot or splatter will show up. This paper has many of the characteristics of blotter paper and must be handled with purpose and sensitivity. When working in intaglio, a misting or dampening is all that is required. The paper is ideal for other printmaking mediums such as etching or lithography and takes all pencil applications well. Key Features: * Un-sized and highly absorbent * 100% cotton – Made on a cylinder mould * White: Very white color ideal for screen-printing * 140lb (300gsm) weight * Very smooth texture 9Exceptionally smooth, satiny surface) * 4 deckle edges, watermarked * Absorbent capacity is very high, which avoids setting-off * Alkaline reserve, acid-free, no optical brightening * Conservation: With alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706) * Made in France Perfect For: * Screen-printing * Letterpress, blind embossing, gold tooling * Intaglio * Etching and lithography * Pencil drawings * Laying down 50 to 100 screen colors on one sheet See More
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Lineco ATG Tape 1/2"x36yd Roll Box of 12Save Up to5%Off listPerfect for Framing and Mounting Art Lineco's reverse-wound ATG Tapes are made of clear double-sided adhesive reinforced with fiber mesh. The adhesive can bond to paper, foil, film, metal, glass, and wood. Use to attach matt boards, mount paper materials, or for general use. ATG rolls work with the… Perfect for Framing and Mounting Art Lineco's reverse-wound ATG Tapes are made of clear double-sided adhesive reinforced with fiber mesh. The adhesive can bond to paper, foil, film, metal, glass, and wood. Use to attach matt boards, mount paper materials, or for general use. ATG rolls work with the 3M series 700 dispenser or Jerry's ATG applicator gun. Key Features: * Double-sided and acid-free * Adhesive transfer tape * Solvent acrylic adhesive * Non-yellowing and pH neutral * Reversed wound tape * Bonding surfaces must be clean and dry Perfect For: * Use with 3M ATG 700 series hand-held applicators * Matting and framing pictures, artwork, and documents * Memory and scrapbooks * General crafts * Artists of all skill levels ATG Tape: Lineco's ATG Tape is designed to be used in a 3M ATG gun or similar. The 1/2" adhesive transfer tape is acid-free and reverse wound. A fiber mesh reinforces the clear solvent acrylic adhesive. The tape's powerful adhesive creates a strong bond for picture framing and mounting paper, wood, plastics, and metals. Hand Held ATG Tape: The Hand Held ATG Tape has the same features as regular ATG tape, but no gun or applicator is required to use the tape. High-Tack ATG Tape: Lineco's High-Tack ATG Tape is a reverse wound pH neutral, high tack 1/2" adhesive transfer tape. A fiber mesh reinforces the clear solvent acrylic adhesive. For use in 3M ATG guns or similar. The tape's powerful adhesive creates a strong bond. Use for framing, picture mounting, box assembly, fabric mounting, label adhesion, or POP displays. See More
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Creative Inspirations Dura-Handle, Brush Long Handle, Flat 3/4" (12 Pack)Save Up to78%Off listLonger Lasting Resin Short & Long Handle Taklon Hair Brushes - Won't Chip or Crack Stiffness Watercolors Acrylics Oils While wood handles are traditionally the preferred style for artists the world over there is a growing need to have handles that do not crack or chip when soaked in water or… Longer Lasting Resin Short & Long Handle Taklon Hair Brushes - Won't Chip or Crack Stiffness Watercolors Acrylics Oils While wood handles are traditionally the preferred style for artists the world over there is a growing need to have handles that do not crack or chip when soaked in water or solvents. This is particularly true in classroom, public, private or social settings. Creative Inspirations Dura-Handle™ brushes are available with both long or short handles and are made to last longer than the traditional brushes that artists use in their private studios. The synthetic filament hair shapes to a square edge or super fine point. Brushes exhibit a wonderful brush response for superb control. The brush head is fashioned into a professional, high quality seamless nickel plated brass ferrule. The Dura-Handle™ has a balanced feel as it is solid resin and not cheap plastic. These brushes may be relied upon longer than conventional brushes but with a high end feel and performance. Use for all traditional media including oils, acrylics and watercolors. Elegant Design+ : Solid resin handles (not cheap plastic), Champagne and Wine Color Handles w/ Nickel Plated Brass Ferrules Key Features: * Dura-Handle™ solid resin handles* High Performance Taklon Synthetic Hair* Seamless Nickel Plated Brass Ferrules * Dura-Handle™ solid resin handles (not cheap plastic) * Handles will not chip or crack when soaked in water * Lasts longer than wood, cleans easily. * Can be reused after cleaned * Available in long and short handle brushes Perfect For: * Classes, workshops, businesses * Students, teachers, and professionals * Use with oils, acrylics and watercolors * Heavy-handed Artists * Discerning Artists * Painting parties and businesses, schools and classrooms * Multiple session use See More
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Guerrilla Painter Full Sheet Watercolor Board V2.0Save Up to15%Off listThe Watercolorboard™ is an easy way to keep your watercolor paper wrinkle free. The board is made of extruded aluminum and hardboard. It is easy to attach the board to a standard camera tripod for in-the-field painting. The Watercolorboard™ is designed to tightly stretch watercolor paper… The Watercolorboard™ is an easy way to keep your watercolor paper wrinkle free. The board is made of extruded aluminum and hardboard. It is easy to attach the board to a standard camera tripod for in-the-field painting. The Watercolorboard™ is designed to tightly stretch watercolor paper and keep it flat as it drys. As the screws on the frame of the board are tightened, tension is placed on the outside edges of the paper. After the paper has dried, the paper will stay flat and buckle-free during wet washes. The Watercolorboard™ has a comfortable carrying handle and can hold 140lb - 300lb paper. Carrying Portfolios - A high-quality nylon sack with zipper and a sturdy handle makes it easy to take your Watercolorboard™ anywhere. Key Features:* Lightweight Aluminum Frame* Attaches to standard tripod* Easy to use Perfect For:* Artists and students* Outdoor painting* Watercolor See More
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Arches Cover Paper 22" x 30", Cream - Pack of 10 sheetsSave Up to40%Off listWhite Papers Made Specifically for Printmaking, Publishing & Silkscreening Arches Cover paper is a premier mouldmade 100% cotton fine art paper. This famous heavyweight Cover Paper is acid-free, and buffered specifically for printmaking and publishing. Arches Cover paper has a visible, slightly flattened grain, two deckle edges, and a registered watermark. An excellent choice for Printmaking and publishing, as well as drawing, embossing, foil stamping, lithography, intaglio, and silkscreening. Perfect for an archival cover for prints and antique documents. Arches Cover is 100% cotton fiber, pH neutral, acid-free, internally sized, and buffered. Mouldmade in France. Key Features:* Heavyweight, Mouldmade papers* 100% cotton fiber* Acid-free and pH neutral* Internally sized and buffered Perfect For:* Archival covers for prints and antique documents * Printmaking and publishing* Drawing, Silkscreening, Lithography, and more! See More
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Canson Edition Antique White Paper, 22"x30" 250gsm (100 Sheets)Save Up to33%Off listWhite A Versatile Art Paper Ideal for Drawing and Traditional Art Printing Canson Edition Papers offer lasting performance and are 100% cotton, acid-free and made without optical brighteners. Complies with the ISO 9706 standard on permanence, a guarantee of optimal conservation to deliver professional results with a variety of media and printmaking. Versatile and affordably priced, Edition is an excellent choice for drawing, lithography, offset, intaglio, typography and suitable for silk screen. Each sheet of Canson Edition paper features two deckle edges and two distinct surfaces, one smooth, one textured ideal for printmaking, drawing and multi-media expression. Available in 2 colors and sizes, Canson Edition papers are 100% cotton, acid-free and made without optical brighteners. * Antique White or Bright White * Comes in 2 sizes * 250 gsm sheets* * 100% cotton * ISO 9706 standard on permanence, a guarantee of optimal conservation * Double sided: light grain and smooth * 2 deckle edges * Acid-free, No optical brighteners * Ideal for drawing, lithography, offset, intaglio, typography, printmaking, drawing and multi-media expression * Also suitable for silk screen See More
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Somerset Velvet Printmaking Paper 22"x30", Satin White, 250gsm (25 Pack)Save Up to42%Off listWhite The choice of artisans and printmakers worldwide Somerset Velvet Printmaking Paper is a very popular grade of printmaking paper from the historic St. Cuthbert’s Mill in the UK, first introduced in the early 1970’s. Somerset is a beautiful paper to work with, boasting a lightfastness rating of 7 on the Blue Wool Scale for all colors. Originally intended as a printmaking paper, they have been 'discovered' to also be highly suitable for pastel drawing. Mould-made 100% cotton, acid free with four deckle edges. The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. Each sheet comes with 4 deckle edges and is watermarked (except for the book papers) for authenticity. It remains flat after printing and offers durability and long life to finished editions of work. Key Features:* Mouldmade in UK* Acid free acrylic primer* 100% Cotton* Neutral pH, Acid-Free* Chlorine Free* 4 deckles (2 natural deckles, 2 tear deckles)* Lightly sized, gentle texture surface* Specialty Paper, printmaking papers* Lightfastness rating of 7 on the Blue Wool Scale Perfect For:* The choice of artisans and printmakers worldwide* Any printmaking application* Highly suitable for drawing, charcoal & pastels* Letterpress, engraving, foil stamping and offset* Remaining flat after printing* Durability and long life to finished editions of work See More
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Strathmore 400 Series 280gsm 22" x 30" Heavyweight Printmaking Paper (25 Sheets)Save Up to33%Off listStrathmore printmaking paper meets the versatile range of needs from beginners to professionals! 300 Series printmaking paper is ideal for beginners, 400 Series printmaking paper is ideal for intermediate printmaker. Perfect for techniques such as relief, lithography, intaglio, and screen print,… Strathmore printmaking paper meets the versatile range of needs from beginners to professionals! 300 Series printmaking paper is ideal for beginners, 400 Series printmaking paper is ideal for intermediate printmaker. Perfect for techniques such as relief, lithography, intaglio, and screen print, Strathmore printmaking papers feature a strong and durable surface that is still soft enough to absorb many layers of ink. Its natural white color offers artists a crisp, clean surface to lay prints. All Strathmore printmaking papers are acid-free and made in the USA! 300 Series Lightweight printmaking papers Ideal for Beginners: This range of printmaking papers feature a weight of 120 gsm, a soft and durable medium surface texture, is acid-free, and contains high alpha cellulose wood fiber. These lightweight papers are ideal for printmaking, relief printing, and practicing. It is available in 4 popular sized, glue-bound pads. These sizes include 5x7" (40 pages), 8x10" (40 pages), 11x14" (30 pages), and 18x24" (30 pages). 400 Series Heavyweight printmaking papers Ideal for intermediate printmakers: This range of printmaking papers feature a weight of 240 gsm, a soft and durable medium surface texture, is acid-free, and contains high alpha cellulose wood fiber. These heavyweight papers are ideal for printmaking, lithography, intaglio, and screen printing. It is available in 4 popular sized, glued-bound pads and a pack of loose sheets. The pad sizes include 5x7" (20 pages), 8x10" (20 pages), 11x14" (15 pages), and 18x24" (15 pages). The pack of loose sheets is sized 22x30" and includes 25 sheets! Key Features: * Natural white papers are strong and durable, yet soft enough to absorb many layers of ink * Convenient sizes and formats, including pads and large sheets * Pads feature easy-to-use flip-over covers that allow sheets to tear out cleanly * Full size sheets are ideal for larger finished prints and proofing * Acid free * Made in the U.S.A. * Ideal for a wide variety of printmaking techniques * Including relief, lithography, intaglio, screen print and more See More
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Speedball Printmaking Paper 22" x 30" Sheet (10-Pack)Save Up to33%Off listWhite An artist favorite, this premium printmaking paper is now available in a convenient pad! Speedball Printmaking Paper Pads were developed through a collaboration between Speedball and Schut Papier of Holland. This fine art paper is made with strong, absorbent fibers, which accept multiple layers of ink beautifully. Suitable for all printmaking media, from water-based inks to traditional oil-based inks, this high-quality printmaking paper works very well damp or dry for a variety of techniques, including relief printing and intaglio. Each pad of printmaking paper contains 20 sheets of white, 90 lb/245 gsm, acid-free paper. These premium printmaking paper pads are an extremely versatile addition to your printmaking arsenal! Speedball Mulberry Paper is an artist-quality printmaking paper made with a mix of Kozo (mulberry) and bamboo fiber. The thin paper is very strong, which makes it ideal for lino block, wood block, and screen printing. Key Features: * White, 90 lb/245 gsm, acid-free paper * Mulberry paper unbleached, neutral pH. 45gsm. * Extremely versatile, suitable for all printmaking media * Made with strong, absorbent fibers Perfect For: * Water-based or oil-based inks * Student printmaking projects * Relief printing and intaglio * Printmaking artists See More
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Jack Richeson Clear Carve Etching Plate, 22"x30"Save Up to21%Off listThese clear printmaking plates make it easy to introduce printmaking to beginner artists! Jack Richeson Clear Carve Etching Plates are non-porous, transparent printmaking plates perfect for drypoint, monotype, etching and calligraphy. Each 0.03” (0.75 mm) thick printmaking plate is made of clear… These clear printmaking plates make it easy to introduce printmaking to beginner artists! Jack Richeson Clear Carve Etching Plates are non-porous, transparent printmaking plates perfect for drypoint, monotype, etching and calligraphy. Each 0.03” (0.75 mm) thick printmaking plate is made of clear PETG plastic, making it very easy to trace and etch designs. Available in 5 sizes, these easy to use clear plastic etching plates are a great way to introduce your class to printmaking. Just put an image under the transparent plate, use an etching tool to trace the image or create your own freehand design, and you’re ready to print! Key Features: * Non-porous transparent etching plates * 0.03”/0.75 cm thick PETG plastic * Available in 5 sizes * Easy to trace and etch freehand designs Perfect For: * Introducing printmaking * Monotype & calligraphy * Beginner printers * Drypoint & etching See More
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BFK Rives Printmaking Papers Grey, 22" x 30" 280gsm (100 Sheets)Save Up to50%Off listGrey Professional 100% cotton and no optical brightening agents Arches BFK Rives Printmaking paper is mould-made in France and has a smooth, absorbent surface. Soft, yet with enough body and substance to give good support to the print. It is half sized to give a good balance between good ink absorption and ink holdout. Acid-free and buffered. White has 4 deckle edges, Cream has 3 deckle edges. Rives BFK Paper is made of 100% cotton, are soft-sized, and buffered. Rives is perfectly suited for lithography, intaglio, screen printing, relief printing, linocut, collotype, and drawing. As a result of using 100% cotton rag and the time-honoured manufacturing process, the paper has a very soft and supple feel. The paper has a natural white tone and is completely free of any optical brighteners (OBAs). 100% cotton – Made on a cylinder mould Key Features: * Composition: 100% cotton – Made on a cylinder mould * Grammages: 250, 270, 280gsm * Texture: Cold Pressed- light fine grain with a smooth surface * Colors: white, cream, grey, tan and black * Edges (sheet): 4 deckle edges * Watermark (sheet): "BFK Rives® France" * Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706) * Uses: lithography, intaglio engraving, letterpress, screen-printing, blind embossing, gold tooling, linocut, gravure process, calligraphy drawing * Free of any optical brighteners (OBAs) See More
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Arches Bright White 300lb Watercolor Paper, 22"x30" Cold Press (5 Sheets)Save Up to40%Off listBright White 100% Cotton Rag Watercolor Paper Without Brighteners Arches Bright White Watercolor Paper is mould-made in France, bright white 100% cotton rag watercolor paper without brighteners and considered the most popular in the world and a favorite among artists for over 500 years. The paper… Bright White 100% Cotton Rag Watercolor Paper Without Brighteners Arches Bright White Watercolor Paper is mould-made in France, bright white 100% cotton rag watercolor paper without brighteners and considered the most popular in the world and a favorite among artists for over 500 years. The paper pulp is brighter than natural white, each gelatin-sized sheet has four deckle edges and may be repeatedly erased and over-painted on, while still maintaining its beautiful surface quality and integrity. Arches bright white paper is available in all three popular paper surface types and in 140lb & 300lb. The artists' choice for watercolor paper since 1492. Arches Bright White Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Bright White Cold Pressed surface is a particular favorite of illustrators, watercolorists, and airbrush artists. For a bolder, more robust surface, Arches Bright White Rough provides just enough texture allowing for easy working, and is strong enough to maintain its character even after reworking. The Rough texture is also used by watercolorists, airbrush artists, and acrylic painters. Key Features:* Bright white, mould-made* 100% long rag cotton* 140lb & 300lb* Mould-made in France* Available in hot press, cold press and rough grain!* 4 deckle edges: 2 natural deckled edges and 2 torn edges* Acid-free, no optical brightening agents Perfect For:* Watercolorists* Maintaining the integrity of the paper after repeated erasing and painting* Finished artwork* Wet techniques such as ink, gouache and acrylic Arches Bright White 100% Cotton Watercolor Paper Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould Uses: ideal for watercolour painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from penetrating into the thickness of the paper. See More
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First Impressions Black Bristle Brush Short Handle (Set of 24)Save Up to91%Off listLong and short handled brushes perfect for kids! These sturdy brushes are the best bet for getting your darling Dalí started at easel painting! Made from stiff black hog bristle with natural, lacquered wooden handles and seamless crimped ferrules, Black Bristle Easel Brushes can withstand heavy use… Long and short handled brushes perfect for kids! These sturdy brushes are the best bet for getting your darling Dalí started at easel painting! Made from stiff black hog bristle with natural, lacquered wooden handles and seamless crimped ferrules, Black Bristle Easel Brushes can withstand heavy use by the most enthusiastic young artists! Flat brushes are available in four sizes ranging from 1/4" to 1" in width, and with either long or short handles to suit any child's artistic preference. Perfect for painting with tempera and acrylics, either sitting or standing, as the longer handles allow for great reach for smaller painters! All sorts of artistic expression are now available for kids with this great line of Black Bristle Easel Brushes from First Impressions! Key Features: * Strong, natural black hog bristle brushes * Lacquered wooden handle and seamless ferrule * Short or long handles for painting at easels * 1/4", 1/2", 3/4" and 1" Flat sizes Perfect For: * Tempera, watercolor, acrylics, and poster paint * Any young artist! * Classrooms and workshops! See More
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Really Good School Painting Brush Flat 3/4"Save Up to92%Off listNatural Ox Hair Sableline Bristle Brushes, Holds Alot of Color! Make sure your mini Monet is working with the best kids' art supplies available! These Really Good School Painting Brushes from First Impressions are the perfect painting tool for young artists. With natural ox hair Sableline bristles,… Natural Ox Hair Sableline Bristle Brushes, Holds Alot of Color! Make sure your mini Monet is working with the best kids' art supplies available! These Really Good School Painting Brushes from First Impressions are the perfect painting tool for young artists. With natural ox hair Sableline bristles, they absorb a lot of water and color for extended painting sessions. The wooden handles are color-coded by size in bright primary and secondary colors, and the seamless crimped ferrules provide the feel of professional brushes. Perfect for virtually any type of paint from tempera and watercolor to poster paint and acrylics the brushes are available in six Round and four Flat sizes. These Really Good School Painting Brushes are sure to give your child a great First Impression of art! Key Features: * Natural ox hair Sableline bristles* Holds lots of color * 6 Round and 4 Flat sizes * Brightly colored wooden handles and crimped ferrules Perfect For: * Tempera, watercolor, acrylics, and poster paint* Any young artist* Homeschool art programs* Classrooms and workshops!* Craft and hobby See More
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Lenox 100 Cotton Drawing Pads Papers By Legion 250 gram 22" x 30" (Pack of 10)Save Up to44%Off listWhite 100% cotton, medium-texture fine art paper Legion Lenox 100 Cotton Drawing Pad is a 100% cotton, medium-texture fine art paper that is ideal for a variety of drawing and printing techniques with colored pencils, graphite, pastels, and charcoal. The smooth white surface also works well for silkscreening, offset lithography, etching, and embossing. Key Features:* 100% Cotton paper* Produced by an American mill* Soft textured finish* Acid-free* Pads: Tapebound/Top -92 lb / 15 sheets, 250 Gr/M2 weight* Papers are Neutral pH, no deckles 250 gsm weight Perfect For:* Graphite* Pastels* Colored pencils* Charcoal* Drawing with pastels* Silkscreening* Offset lithography* Etching and embossing See More
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Stonehenge Printmaking & Drawing Paper Sheets 22"x30", Kraft (Pack of 100)Save Up to52%Off listBrown An American-made Drawing & Printmaking Classic! Stonehenge by Legion, a traditional fine art paper! This machine made sheet has a slight, even texture that compliments many artistic pursuits. It combines a 250gsm beefy weight, 2 deckle edges, strong surface, excellent acceptance of ink and wet media and pleasant feel. Internally sized, made of 100% cotton. * 22 × 30" Sheets 250 Gr/M2 weight. - 90lb.* Use it for watercolor, printmaking, pen-and-ink, pencil, or pastel.* Smooth, flawless surface* Machine-made in the United States* 100% cotton fibers, Acid-Free* Each sheet has two deckle edges* Sold In: Packs(10,25,100) & Rolls It is a favorite not only with printmakers but with artists that specialize in drawing and painting techniques in a variety of media including graphite, artist crayons, pastels, watercolor and colored pencils, inks, and light gouache. Stonehenge continues to be made in the USA as a high quality affordable paper that never compromises fiber composition, archival properties or its suitability for multiple mediums. Stonhenge papers are the "paper of choice" by the Colored Pencil Society of America See More
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Arhnem 1618 Printmaking Paper 245 Gsm - Kraft, 22" x 30" Sheet (Pack of 10)Save Up to49%Off listBrown A Premium 100% Rag Printmaking Paper! Speedball's Arnhem Printmaking Papers are made near the city of Arnhem in Holland by Schut Papier, a paper mill that has been creating fine paper since 1618. Offering a semi-smooth surface with a smooth appearance that accepts a variety of printmaking techniques and media. Every sheet of Arnhem Printmaking Papers accepts multiple layers of ink brilliantly and can handle dry and damp printing. Key Features:* Available in: White & Warm White & 245gsm or 320gsm* Premium 100% rag printmaking paper* Vellum finish * Two deckled edges* Made from strong fibers* Excellent wet strength and absorbency* Subtle grain and smooth appearance* Accepts multiple layers of ink brilliantly* Available in: White & Warm White Perfect For:* All printmaking media* Excellent results in a variety of media* Intricate details* Dry or damp printing* Multiple layers of ink* Extremely versatile* Graphic relief and silkscreen images* Delicate and rich intaglio prints Arnhem 1618 paper offers a semi-smooth surface with a substantial feel to the touch. The subtle grain combined with a smooth appearance allows a variety of media to take to the paper, while remaining a reliable surface for intricate detail. Arnhem’s strong and highly absorbent fibers make it ideal for dry or damp printing, allowing it to accept multiple layers of ink brilliantly. Arnhem Printmaking Paper Review "The way it absorbs ink was really important to me. Akua inks dried faster on this paper than others I've used. Also, the substantial weight of the paper-that made it seem like a higher quality paper. It has a "presence" to it that other papers don't." - PRINTMAKING PROFESSOR See More
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Arches Natural White 140lb Watercolor Paper, 22"x30" Cold Press (10 Sheets)Save Up to40%Off listNatural White 100% Cotton Paper, Lasting Whiteness with Strength and Longevity The Artists' Choice For Watercolor Papers Since 1492! Mould-made in France, Arches Natural White Watercolor Paper is 100% cotton rag watercolor paper. Considered the most popular in the world, each gelatin-sized Arches… Natural White 100% Cotton Paper, Lasting Whiteness with Strength and Longevity The Artists' Choice For Watercolor Papers Since 1492! Mould-made in France, Arches Natural White Watercolor Paper is 100% cotton rag watercolor paper. Considered the most popular in the world, each gelatin-sized Arches watercolor paper sheet has four deckle edges and may be repeatedly erased and over-painted while still maintaining its beautiful surface quality and integrity. Arches natural white watercolor paper is available in all three popular watercolor paper finishes, hot press, cold press and rough grain Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Arches natural white watercolor paper has been a favorite among artists for over 500 years, and it's easy to see why! Made from 100% cotton linters and both internally and externally gelatin sized, acid-free Aquarelle watercolor paper is one of the finest art papers in the world. Sized to the core with natural gelatin, a process exclusive to ARCHES®. Even if it is soaked for a long time, the paper will still retain enough gelatin not to become too absorbent. Arches Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Cold Pressed surface is a particular favorite of illustrators, watercolorists, and airbrush artists. For a bolder, more robust surface, Arches Rough provides just enough texture allowing for easy working, and is strong enough to maintain its character even after reworking. The Rough texture is also used by watercolorists, airbrush artists, and acrylic painters. 260 lb. is approximately the same weight as 140 lb. paper but in double elephant (available in larger sizes than 22x30"). Key Features:* 100% long rag cotton* Mould-made in France* Available in hot press, cold press and rough grain!* Two natural deckle edges, two torn deckle edges* Acid-free, no optical brightening agents* Natural color* Sized to the core with natural gelatin Perfect For:* Watercolorists* Maintaining the integrity of the paper after repeated erasing and painting* Finished artwork* Wet techniques such as ink, gouache, and acrylic Arches Watercolor Paper, Natural White Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould Uses: ideal for watercolor painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from penetrating into the thickness of the paper. See More
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Richeson's Quiller Water Media Brush Series 7010 Flat 3/4"Save Up to28%Off listQuiller Synthetic Watercolor brushes are truly advanced synthetic brushes. When wet, they come to a magnificent razor's edge, allowing the thinnest line, a broad wash or anything in between. The ferrules on these short-handled 7010 flats have a round base up to the 1" size and the larger sizes have… Quiller Synthetic Watercolor brushes are truly advanced synthetic brushes. When wet, they come to a magnificent razor's edge, allowing the thinnest line, a broad wash or anything in between. The ferrules on these short-handled 7010 flats have a round base up to the 1" size and the larger sizes have a folded flat base. Richeson tapers the strands of fiber so that each synthetic strand comes to a fine point. With careful selection of 11 different weights of fiber strands, Richeson gently mixes these into a marvelous brush head. The mixing of the weights is critical and allows you to get just the right amount of hard snap to the brush. With the perfect mixture of a variety of thinner fibers Richeson has created the perfect color carrying blend. Stephen Quiller works very big and was really pleased when we developed a brush that could hold so much color while also retaining control. Key Features: * Synthetic Watercolor bristle * Short-handled * Razor's edge lines * Small flats have a round base * larger sizes have a folded flat base * Tapered strands of fiber * The right amount of hard snap to the brush Perfect For: * Watercolor & Gouache * Plein Air Artists * Thin lines or broad washes * Holding a lot of color * Backgrounds * Teachers and students * No-hassle, everyday use See More
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Robert Simmons White Sable Watercolor Brush Series 755 Sky Scraper 3/4"Save Up to42%Off listStiffness Watercolors Acrylics Oils The unique blend of synthetic filaments delivers all the benefits of pure red sable brushes White Sable brushes are all made with a miracle synthetic fiber called White Sable™ hair. The unique blend of synthetic filaments delivers all the benefits of pure… Stiffness Watercolors Acrylics Oils The unique blend of synthetic filaments delivers all the benefits of pure red sable brushes White Sable brushes are all made with a miracle synthetic fiber called White Sable™ hair. The unique blend of synthetic filaments delivers all the benefits of pure red sable brushes for point and spring back at a fraction of the cost. The line offers watercolor specialty brushes in larger sizes that duplicate the construction, shape, and performance of natural sable brushes. This ultra fine hair is extremely soft and responsive, making for an ideal brush for practically any purpose. All series are securely fashioned to attractively designed polished brown handles with white ring and gold tip. Key Features:* Material: Synthetic Sable* Remarkable combination of synthetic fibers* Sharp point and clean working edge of pure red sable* Seamless nickel plated brass ferrules* Lacquer dipped hard wood handles* Kiln-dried, then protected by five coats of lacquer* Hand mixed and handmade by skilled craftsmen* Ultra fine hair, extremely soft and responsive Perfect For:* Works well with all media and on a variety of surfaces* Highest quality and performance of art brushes* Superb point and spring at a fraction of the cost of red sable* Unique tapered mix simulates the spring and point of red sable* Unique blend of synthetic filaments delivers all the benefits of pure red sable brushes White Sable Watercolor Brushes - Details * Series 721 One Stroke Flat Wash - For thick to thin strokes, washes, glazing and edging. * Series 278 Sky-Flo Wash - For extra full bold wash strokes, paddle handle. * Series 748 Fan Blenders - For softening, blending and dry brush effects. * Series 748L - for long handle fans. * Series 752 Oval Wash - For regulated wet color flow, washes. * Series 755 Skyscraper Flat Wash - Large sized with beveled edge and handle. * Series 785 Round - Tapered mix for sharp point. Great for details, lines, precise strokes and washes. * Series 789 Goliath Wash XL Pointed Round - Tapered mix holds maximum color for large area coverage. See More
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Strathmore 500 Illustration Board, Vellum Lightweight 22" x 30" (Pack of 15)Save Up to38%Off list500 Series Sheets Mounted to Archival White BoardStrathmore 500 Series Illustration Boards are 100% cotton fine art 500 series drawing sheets mounted to both sides of a high quality archival, lignin-free, white board to create a balanced tension that resists warping. 500 Series Illustration Board is… 500 Series Sheets Mounted to Archival White BoardStrathmore 500 Series Illustration Boards are 100% cotton fine art 500 series drawing sheets mounted to both sides of a high quality archival, lignin-free, white board to create a balanced tension that resists warping. 500 Series Illustration Board is a higher quality paper designed for graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel, light wash and collage. America's finest drawing paper for over a century. Surface: Vellum / Plate * Weight: Heavyweight Vellum - 72 pt * Heavyweight Plate - 68 pt * Lightweight Vellum - 42 pt Media Applications: Vellum: graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel, light wash and collage Plate: graphite pencil, colored pencil, pen & ink, marker, mixed media and collage See More
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Legion Coventry Rag Paper 290gsm 22" x 30" (Pack of 10)Save Up to37%Off listA beefy sheet with a lovely vellum surface that can be used for pencil, charcoal or pastel as well as wide range of printmaking techniques and watercolor painting. This sheet is made of 100% cotton and is neutral ph, sized for offset and buffered with calcium carbonate. 290 gram similar in feel and… A beefy sheet with a lovely vellum surface that can be used for pencil, charcoal or pastel as well as wide range of printmaking techniques and watercolor painting. This sheet is made of 100% cotton and is neutral ph, sized for offset and buffered with calcium carbonate. 290 gram similar in feel and weight to 140 lb watercolor paper. White color, 22 × 30" sheets. See More
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Strathmore Watercolor Paper Imperial 140 lb 22" x 30", Pack of 25Save Up to33%Off listThese watercolor papers adapt to a wide range of techniques! Strathmore Watercolor Papers are acid-free and buffered to neutralize acids absorbed from the atmosphere. Imperial Series - This professional 140 lb. Cold press watercolor paper is known for its hard surface sizing, which supports color… These watercolor papers adapt to a wide range of techniques! Strathmore Watercolor Papers are acid-free and buffered to neutralize acids absorbed from the atmosphere. Imperial Series - This professional 140 lb. Cold press watercolor paper is known for its hard surface sizing, which supports color lifting and blending. 100% cotton with two deckled edges. Available in a pack of 25 sheets. Gemini Series - Acid-free, neutral pH, 100% cotton sheets with 4 deckle edges. The 140 lb. cold press paper is available in packs of 10 sheets. 300 Series - This popular 140 lb. weight, acid-free Cold press watercolor paper is a favorite for adapting various techniques. Available in a pack of 25 sheets. Key Features: * 140 lb. acid-free paper * Cold press texture * Manufactured to exact specifications Perfect For: * Professionals and students * Any watercolor technique * Any level of expertise See More
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3M Acid-Free ATG Tape, 1/2" x 36 Yard Roll
Starting At: 11.79
The Perfect tape for tight spaces and small art! 3M Acid-Free 908 ATG Tape is an acrylic, double-sided reverse-wound adhesive that is pressure-sensitive with a removable kraft paper liner. The adhesive can bond to paper, foil, film, metal, glass, and sealed-wood. Used to bond matt board in picture… The Perfect tape for tight spaces and small art! 3M Acid-Free 908 ATG Tape is an acrylic, double-sided reverse-wound adhesive that is pressure-sensitive with a removable kraft paper liner. The adhesive can bond to paper, foil, film, metal, glass, and sealed-wood. Used to bond matt board in picture frames, attach paper and foils, or for general double-sided tape purposes. The 1/4" size is perfect for less waste, tight spaces and small art. ATG rolls work with the 3M series 700 dispenser or Jerry's ATG applicator gun. Key Features: * Double-sided and acid-free * Permanent adhesive transfer tape * Reversed wound tape * Photo safe * Bonding surfaces must be clean and dry Perfect For: * Use with Scotch® ATG 700 series hand-held applicators * Matting and framing pictures, artwork and documents * Memory and scrapbooks * General crafts * Artists of all skill levels See More -
L'Aquarelle Canson Heritage Watercolor Paper 300lb Hot Pressed 5 Sheet Pack 22X30"Save Up to29%Off listWhite Non-Animal Sizing Beautiful Bright White Watercolor Papers - Next Generation of Watercolor Papers L'Aquarelle Canson Heritage Watercolor Paper is a culmination of 500 years of expertise and technological advances in papermaking. Made of 100% cotton, this highly absorbent watercolor paper has an excellent texture and remains at peak saturation longer to give the artist plenty of time to work on larger areas. The innovative sizing ensures uniform washes without the build up of pigments which allows for vivid, ultra sharp brush strokes. This acid-free watercolor paper is easily correctable whether wet or dry and is available in Cold Pressed, Hot Pressed and Rough Grain finishes. Next Generation of Watercolor Paper! Non-Animal Sizing Beautiful Bright White Watercolor Papers Key Features: * Beautiful bright white watercolor paper * Balanced open wet time * Improved wet/dry color lifting * Excellent color lay down & brush to paper response * Acid-free and made of 100% cotton * Captures bright color and super sharp brush strokes * Easily correctable, whether wet or dry * Available in Cold Pressed, Hot Pressed and Rough Grain finishes Perfect For: * Watercolor artwork * Student & professional artists * Watercolor paints & pencils * Larger watercolor art pieces See More
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ATG Tape, Adhesive Transfer Tape 1/2" x 36 Yard RollSave Up to67%Off listClear Transparent PRO Atg Tape! Adhesive for matting, mounting and display work For Mounting & Framing! Designed for use with ATG tape guns. This thin film of double sided tape bonds instantly and permanently and will not dry out or deteriorate. For quick bonding of paper, wood, foil and board. Excellent for matting, mounting and display work. Comes in large economical 36 yard rolls. An excellent adhesive for flying splice applications. This product can be used for laminating, mounting and nameplate applications, aluminum foil identification plates, and miscellaneous holding. * Reverse wound adhesive transfer tape * Sticks and stays stuck* It doesn't dry out * Tape to mount craft paper to the back of frames * To seal the back of the frame with craft paper as a dust cover * Attach pencil portraits to the mat frame * Attach a backing to a framed portrait * Adhere work on paper to foamcore * Can be dispensed via an ATG gun See More
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Richeson Synthetic Watercolor Brush Series 9010 Flat Wash 3/4"Save Up to42%Off listPerformance minded super strong filament hair brushes that withstand harsh painting techniques even on rough surfaces. They offer a quick and flawless brush response coming to a split-proof, extrafine point or a neat hard edge. These brushes feature up to 1" seamless nickel plated ferrules attached… Performance minded super strong filament hair brushes that withstand harsh painting techniques even on rough surfaces. They offer a quick and flawless brush response coming to a split-proof, extrafine point or a neat hard edge. These brushes feature up to 1" seamless nickel plated ferrules attached to short black lacquered wood handles. Sizes 1½" or larger with paddle handles. See More
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Arches Oil Paper, 22"x30" 140lb Cold-Press Sheets, 10-PackSave Up to40%Off listUnique, archival paper for all oil painting and multimedia techniques! Arches Oil Paper, Cold pressed 140lb is acid-free and contains no optical brighteners, which means your artwork will stand the test of time. This revolutionary new paper is sure to inspire oil painters the world over! Arches of… Unique, archival paper for all oil painting and multimedia techniques! Arches Oil Paper, Cold pressed 140lb is acid-free and contains no optical brighteners, which means your artwork will stand the test of time. This revolutionary new paper is sure to inspire oil painters the world over! Arches of France have been creating fine artists' papers since 1492, and new Arches Oil Paper is no exception. This innovative surface is designed specifically for use with oil paints, yet retains the look and feel of traditional Arches paper that artists have come to know and love. Archival and made from 100% cotton, Arches Oil Paper features a powerful oil barrier that absorbs water, solvents and binder but allows paints and pigments to sit up on the surface for a vibrant effect. Thanks to its semi-absorbent surface, the paint stays on the surface for an excellent rendering of the colours and faster drying times. Requires no prior preparation is, "ready to use" Key Features:* 100% cotton Heavyweight 140 lb. (300 gsm.) Cold pressed paper * Texture: fine grain / Colour: white* Edges (sheet): 4 deckle edges plus watermark* Powerful oil barrier absorbs water, solvents and binder* Paint and pigment remain on the surface* Strong, toothy surface withstands vigorous techniques* Ready to use - no preparation required!* Easy to frame, store & transport* Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706) Perfect For:* Students, professionals and Plein air artists* Sketches and finished art in oil paints* Glazes and washes in thinned oils* Impasto and knife painting techniques* Multimedia artwork in oils and dry media* Convenient and portable oil painting surface* An essential surface for all oil painters! The even-toothed texture of Arches Oil Paper is classic and familiar, and is also perfect for working over oil washes with pastels, pencils, and other dry media for exciting multimedia techniques. With its strong, tough composition, Arches Oil can withstand vigorous painting techniques, rubbing and scraping, and is heavy enough to support impasto layers. Perhaps best of all is its convenience: there's no preparation necessary, no need to size, gesso or prime - Arches Oil Paper is ready to use right out of the package! Simply pull out a sheet and paint - than when finished, it's simple to store, transport, or frame completed paintings. Perfect for bringing on Plein air painting trips, for creating quick sketches or finished works in oils, for multimedia art and more, Arches Oil Paper is an essential addition to any oil painter's repertoire! See More
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