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Jacquard Cyanotype Potassium Ferricyanide, 1lb JarSave Up to15%Off listHarness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for… Harness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for indexing plant specimens with what were called photograms at the time. The Cyanotype process is incredibly simple and only employs two inexpensive chemicals and UV sunlight. Prints can be created on any natural fiber: paper, cotton, silk, wool, wood, etc. Jacquard has made Cyanotype printing easy as pie with pre-sensitized fabric that is ready for cyanotype printing. Simply pull the sheet out of the package, place objects or an inverted photographic negative on top, expose to light for three to fifteen minutes, submerge the fabric in water to reveal the blue cyanotype print, and finally hang the fabric to line dry. With Jacquard’s Cyanotype Pretreated Mural Fabric you can actually create a full-body print by laying on top of the mural fabric for the duration of exposure while not moving. The creative possibilities for Photographers, Mixed Media Artists, and Quilters are endless! If you would prefer to use your own papers or fabric Jacquard has made the chemistry of Cyanotype attainable with lightproof black bottles of Potassium Ferricyanide and Ferric Ammonium Citrate. The chemicals used for cyanotype are inexpensive and go a long way. Despite their perhaps alarming names, both are safe to handle and mix. That said, care should be taken to avoid ingestion, inhalation, and contact with skin. The instructions for the use of Potassium Ferricyanide and Ferric Ammonium Citrate are included in the link bellow Great for photographers, mixed media artists, printmakers, quilters, kids and more, the cyanotype process is easy, forgiving, quick, magical and fun. Capture the nuance of every shadow Key Features: * Harness the power of the sun to make detailed prints * Simply place the object on the sensitized surface and expose to sunlight (UV) * Sun exposure time is 3-15 minutes * Pre-sensitized Cyanotype fabric Perfect For: * Quilters and Surface Design Artists * Photographers * Mixed media artists, printmakers, quilters See More
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Gamblin Portland Litho Black Lithography Ink 1lbSave Up to15%Off listBlack High pigment load lithography ink! While most commercial lithography ink is petroleum-based, causing a low pigment load, Gamblin’s Portland Litho Black lithography ink is formulated with high-quality burn plate oil, from linseed oil. This formulation creates an artist’s grade lithography color that features a high pigment load for rich, detailed printing with plates or stone lithography. Richer than standard process blacks, Portland Litho Black is made to meet the long-unanswered demands of printmakers working in stone and plate. Key Features: * Crafted with burnt plate oil derived from linseed oil* High pigment load* Rich, detailed black printing Perfect For:* A richer alternative to standard process blacks* High pigment load lithography ink for printmakers using plates or stone* Printmakers looking for an ink that provides stark detail See More
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Premo Sculpey 1 lb. Bar - TranslucentSave Up to14%Off listPremo Sculpey is a professional quality modeling clay that bakes in any home oven. Premo Sculpey quickly reaches a workable state with minimal conditioning and remains soft and pliable while offering extra resistance without crumbling. Mix Premo Sculpey with other polymer clay colors, powders or… Premo Sculpey is a professional quality modeling clay that bakes in any home oven. Premo Sculpey quickly reaches a workable state with minimal conditioning and remains soft and pliable while offering extra resistance without crumbling. Mix Premo Sculpey with other polymer clay colors, powders or pigments for interesting colors and textural effects. Premo Sculpey should be cured at 275º F (130 C) in a preheated oven for 30 minutes per quarter inch of thickness. DO NOT MICROWAVE. Once cured, the colors intensify and deepen. Hint: Conditioning of all polymer clays may be facilitated with the use of a pasta machine. Simply cut the block in half and feed each half through the largest setting. Repeat 10 times more and your clay should be conditioned. Available in value size 1 pound bars, in Black, Translucent and White. See More
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Super Sculpey® 1 lb, Beige Polymer ClaySave Up to12%Off listSuper Sculpey is the Ultimate Sculpting Compound! Super Sculpey® is a unique polymer clay, loved by artists, doll makers and animation studios around the world. It has a ceramic like feel and allows for extremely detailed sculpting. Super Sculpey® features fine tooling and detailing characteristics,… Super Sculpey is the Ultimate Sculpting Compound! Super Sculpey® is a unique polymer clay, loved by artists, doll makers and animation studios around the world. It has a ceramic like feel and allows for extremely detailed sculpting. Super Sculpey® features fine tooling and detailing characteristics, and does not "fill in" after tooling. Tone sculpting compound that is shatter and chip resistant. Excellent for prototypes and works requiring the finest detail and that should be porcelain hard. It is used by movie studios and professionals worldwide and a favorite with doll makers! * Features fine tooling and detailing characteristics, and does not "fill in" after tooling * Stays soft until baked – Does not air dry. Remains soft until it is baked in your home oven * Extra clay can be stored and reused - won't dry out! * Works well for sculptures and figurines * Semi-translucent beige, that once baked, captures the glow of real skin * If you choose to bake your product, place it on a baking sheet or mat and put it in the oven at 275 °F (130 °C) for 15 minutes per 1/4 inch (6 mm) thickness. * After baking, it can be sanded, drilled, carved and painted with water-based acrylic paints Super Sculpey® works well for sculptures and figurines. While this option is beige, you can mix it with our other clays to make whatever color you desire for your project. It is an oven-baked clay that is a semi-translucent beige resembling skin once baked. This product remains soft until you bake it, allowing you to store it for a long time with ease. Our Super Sculpey® beige clay also can be painted, carved, sanded and drilled after baking, making it a versatile option. See More
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Super Sculpey® Firm 1 lb. Oven-Bake Clay, GraySave Up to16%Off listPerfect texture for sculpting fine details Super Sculpey® Firm Oven-Bake Clay is extra firm polymer clay that holds detail, photographs well, and stays pliable until cured in the oven! Answering the demands of sculptors requiring a firmer, stronger polymer clay, Sculpey developed Super Sculpey FIRM… Perfect texture for sculpting fine details Super Sculpey® Firm Oven-Bake Clay is extra firm polymer clay that holds detail, photographs well, and stays pliable until cured in the oven! Answering the demands of sculptors requiring a firmer, stronger polymer clay, Sculpey developed Super Sculpey FIRM to meet their needs. With the same non-drying consistency and oven-cured formulation as popular Super Sculpey, Super Sculpey FIRM takes the polymer clay medium a step further! Its extra firm consistency does not have the tendency to mush and blend when molded, and it holds detail extremely well without blurring. * Perfect texture for sculpting fine details * Shatter and chip resistant * Professional quality oven-bake clay * Clay can be sanded, drilled, carved and painted with water-based acrylic paint. Once cured in a standard home oven, Super Sculpey FIRM polymer clay can be further worked with extensive tooling, carving, sanding and subtractive techniques, and resists any chipping and shattering. The medium-grey coloring makes it excellent for determining value and for photographing, and can be painted with water-based acrylics or heat-set Genesis oils once cured. Super Sculpey FIRM polymer clay is a favorite of maquette makers in movie studios, professional sculptors and doll makers the world over! * Polymer clay remains pliable indefinitely, until cured in a home oven* Extra firm formulation will not blend or blur, holds details extremely well* Grey color is ideal for seeing and photographing detail* Can be painted with acrylics or heat-set Genesis oils once cured* Super strong, chip- and shatter-resistant* Can be carved, drilled, and sanded after curing * Perfect for maquettes, mold-making, doll sculpture and more! See More
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Claytoon Non-Hardening Modeling Clay - Neon Colors, 1lbSave Up to13%Off listAssorted Colors Non-toxic, non-hardening modeling compound perfect for any project! This vibrant and versatile modeling clay is a perfect medium for kids of all ages! Claytoon Modeling Clay is non-toxic and safe for kids' use, and since it never hardens and remains pliable, it is infinitely reusable for hours of sculpting fun! Claytoon clay is available in seven fun color combinations, each with a quarter pound of four brilliant colors. Each color is individually wrapped in cellophane for freshness and brilliance. Perfect for making figurines, finger puppets, school projects, sculpted characters and more, Claytoon Modeling Clay is sure to be a big hit for any budding sculptor! Key Features: * Non-toxic modeling clay * Never hardens, remains pliable * Sets of 4 colors (1 lb. clay total) * Each set includes basic project instructions Perfect For: * Making figurines & finger puppets * Animation & character modeling * School projects & crafts * Creative fun for kids of all ages! See More
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White Artist Tape 3"x60 Yard RollSave Up to57%Off listWhite Artist Tape for Everyday Use! Pro Tapes line of Artist Tape is ideal for labeling, drafting, and framing. The acid-free tape is PH neutral and will not yellow over time. The tape can be repositioned and removes cleanly without leaving a stain or ghost. Each 60-yard tape roll has a matte paper surface for easy labeling with a pen or marker. Artist Tape is easy to tear with a high edge tear resistance. Artists can use the tape for bookbinding or repair, labeling, drafting, photo edging, cropping, splicing, temporary holding, and framing Key Features: * Made in the USA * Acid-free, PH Neutral * Can be written on * Removes cleanly, no residual adhesive * Repositionable * Hand tearable * Easy to unwind * Waterproof backing * High adhesion and tack Perfect For: * Mounting, matting & framing artwork and prints * Framing * Labeling * Drafting * Photo Edging & Cropping * Splicing * Temporary holds * Everyday studio use! See More
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Gamblin Etching Ink - Hansa Yellow Light, 1lb CanSave Up to15%Off listYellow Strong reliable inks for edition printing Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of color mixing potential. Because of their high pigment load, Gamblin Etching Inks are a much better value than lower priced etching inks which are full of extenders. Inks are available in 1 lb. (300 ml) cans. Gamblin Etching Inks are all bound in the highest quality Burnt Plate Oil Key Features: * Inks are available in 1 lb. (300 ml) cans * High pigment load * Reliable inks for edition printing * Excellent working properties * Incredible sensitivity to the printmaker’s marks * Only the finest quality Burnt Plate Oil and lightfast pigments are used * Handcrafted in small batches at Gamblin’s factory in Portland, Oregon Perfect For: * Edition printing * Deep rich blacks * Engravers * Mezzotints * Strong lines & Medium plate tones Gamblin Printmaking Inks are made with the same respect for traditional materials that have made Gamblin Artists Oil Colors the choice for many of Americas finest painters Printmakers can count on a high pigment load and rich saturated colors in their prints. Gamblin Inks print with unparalleled intensity and sensitivity to printmakers most finely detailed marks. See More
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Koh-I-Noor 80lb Pen Paper Ink Block Panel Pad 7x10in-60 SheetSave Up to41%Off listWhite A very smooth 80lb/118 GSM bright white paper with a special ink receptive coating to ensure clean, crisp ink lines. The perfect paper for high contrast pen and ink drawings. Pad is constructed with an innovative InkBlock panel™. The InkBlock™ panel is inserted underneath the working sheet to prevent any marking or indentation to the sheet below. Innovative InkBlock panel - Prevents any marking or indentation to the sheet underneath Key Features: * 60 Sheets - 80lb/118 GSM * Ink receptive coating * Acid-free bright white paper * Extra smooth surface * InkBlock™ panel Perfect For: * Calligraphy & ink lovers * Fine detailed work * High contrast pen and ink drawings * Art of all kind * See More
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Bockingford Watercolor Paper 140lb Cold Press 7x10" Spiral PadSave Up to35%Off listWhite Extremely forgiving watercolour paper valued by professionals and artists Bockingford is a beautiful English watercolor paper, traditionally made on a cylinder mould machine at the centuries-old St Cuthbert's Mill. Its unique surface is created by using natural woollen felts that give it a distinctive random texture to the finished sheet. The paper is appreciated for its excellent color lifting abilities which enables you to make corrections and get back to the white base paper without issue. This paper can also take heavy washes without displaying any distortion or cockling. This is a high quality paper which is produced by using the purist materials to archival standards in all facets of manufacturing. Bockingford Paper offers quality watercolor paper at an affordable price. Suitable for Watercolor, Acrylic, Gouache, Pastel, Pane & Ink, Pencil and Charcoal. These sheets have a pleasing white hue, but without harmful brightening agents. Surface grain is a bit rougher than conventional cold pressed sheets. Key Features:* Fine Quality Papers* Purist materials to archival standards* Acid-Free and buffered sheets* Traditionally made on a cylinder mould machine* Pleasing white hue* Surface grain is a bit rougher than conventional cold press* No harmful brightening agents* Created by using natural woollen felts* Cold Press 140lb Spiral Pads, many sizes* Sold in 10 or 25 Packs* 22 × 30" rough sheets* 140 lb and 200 lb weights Perfect For:* Suitable for Watercolor, Acrylic, Gouache, Pastel, Pane & Ink, Pencil and Charcoal.* Extremely forgiving watercolor paper* Professionals and artists * Excellent color lifting abilities* Heavy washes without displaying any distortion * Make corrections and get back to the white base feel See More
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Canson Montval Field Books Watercolor 7" x 10"Save Up to43%Off listLuxurious Fine Grain Watercolor Paper Canson Montval Watercolor Papers have a lovely natural cold press texture. All the books have a stiff back and large spiral binding, so the pages lay flat while you're working in the field. Perfect for illustrating your memories by capturing them in real-time,… Luxurious Fine Grain Watercolor Paper Canson Montval Watercolor Papers have a lovely natural cold press texture. All the books have a stiff back and large spiral binding, so the pages lay flat while you're working in the field. Perfect for illustrating your memories by capturing them in real-time, the travel watercolor art book is easy to carry and offers incomparable paper quality! Key Features: * Cold press watercolor paper * Natural white color * 140 lb. (300gsm) weight * Acid-free paper * Spiral bound sheets lay flat Perfect For: * Watercolor and gouache * Acrylic and ink washes * Colored pencil and graphite * Working in the studio or field * Students and working artists Paint your thoughts in this travel watercolor art book The travel watercolor art book is an essential accessory for all travelers who like to express their inner creativity during their trips. Premium quality paper for all levels Whether you're an experienced draughtsman or a beginner, the travel watercolor art book helps you develop your artistic potential from anywhere in the world. Thanks to the special weight of Montval® paper, paint is not absorbed instantly, which is particularly useful for people who use wet techniques such as watercolor. See More
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Canson Field Sketch Book 7" x 10", 80 SheetsSave Up to33%Off listSturdy sketchbooks perfect for travel! Canson Artist Series Sketch Books are great for perfecting your artistic skills and providing inspiration. Each book features high-quality, acid-free paper that accepts various dry media types. The paper has a fine textured tooth, good erasability, and is… Sturdy sketchbooks perfect for travel! Canson Artist Series Sketch Books are great for perfecting your artistic skills and providing inspiration. Each book features high-quality, acid-free paper that accepts various dry media types. The paper has a fine textured tooth, good erasability, and is smudge-resistant. The high-quality construction and attention to detail make these books timeless and essential to any artist. Key Features: * Hardbound or spiral format available * Fine textured acid-free paper * Hard front and back covers Perfect For: * All dry media * Travel or plein air work * Journaling your thoughts and ideas See More
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Canson XL Black Drawing Pad 7"x10", 40 SheetsSave Up to33%Off listBlack High quality papers at low prices! An abundance of excellent quality paper at an exceptional value, XL pads are designed to provide artists of every level with a variety of surfaces for all their artistic experiments! This high-performance 70lb (114gsm) drawing paper is designed to appeal to students looking to combine value with quality. With a smooth white surface that erases cleanly, these pads have micro-perforated true size sheets that can be removed cleanly from the pads, and the strong wire binding and 14-point cover will stand up to heavy use in virtually any dry media. Perfect for students or advanced artists from middle school to college and beyond! Key Features:* 70lb (114gsm) weight* Micro-perforated true size sheets with easy removal* Strong wire-binding* Smooth white surface Perfect For:* Heavy use in virtually any dry media* Students & advanced artists Please note: Due to a recent packaging change, items received may appear different than those pictured, but will be of the same quality. See More
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Strathmore Vision Mixed Media 7x10 In Pad Wire Bound - Medium Surface - 70 SheetsSave Up to25%Off listWhite Vision Mixed Media Pads - Let the world see your vision Tear off the top sheet and reveal your own customizable cover! A medium weight, all-purpose paper in a sketching format. This versatile paper is a good choice for dry and light, wet media sketching. All sizes feature high sheet counts, sturdy chipboard backing and tear-off top sheets with customizable, steel blue, mixed media covers below. Tear off the top sheet and reveal your own customizable cover! Pad Features: Wire bound pads are micro-perforated. Tear-off top sheet with a blank, permanent mixed media cover underneath that can be customized with your own artwork. Drawing Paper Weight: 98 lb. 160 g/m2 Surface: Medium Customizable Cover Weight: 184 lb. 300 g/m2 Surface: Medium 5.5" x 8.5 Wire Bound (8.5") 70 Sheets 7" x 10" Wire Bound (10") 70 Sheets 9" x 10" Wire Bound (12") 70 Sheets 11" x 14" Wire Bound (14") 70 Sheets Key Features:* Mixed Media Paper Weight: 98 lb. 160 g/m2* Customizable Cover Weight: 184 lb.* Medium weight, all-purpose paper in a sketching format* Versatile paper * Permanent mixed media cover underneath* Good choice for dry and light, wet media sketching* Tear-off top sheet* Customized with your own artwork* Pads are micro-perforated* All sizes feature high sheet counts* Sturdy chipboard backing Perfect For:* Dry and light, wet media sketching* Sturdy chipboard backing and tear-off top sheets* Customizable, steel blue mixed media covers below* All-purpose paper in a sketching format* Pads are micro-perforated Strathmore® Vision™ Artists are as unique as their vision. That's why we listened to requests for a series of artist pads with covers that can be customized. For the first time ever, our new line of pads features a tear away fly sheet that reveals a heavyweight, CUSTOMIZABLE, blank cover made from high quality, steel blue mixed media paper.Featuring extra high sheet counts and extra durability, this affordable line delivers key performance characteristics for sketching, drawing, mixed media and watercolor art. See More
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Canson XL Mix-Media Pad 7"x10", 60 SheetsSave Up to33%Off listHigh-Quality Papers At Low Prices! Canson believes that even students and beginner artists deserve to practice and work on a high quality surface without having to spend a fortune to buy it. Working together with art teachers and professors, they developed their Canson XL Mixed Media Pad line to… High-Quality Papers At Low Prices! Canson believes that even students and beginner artists deserve to practice and work on a high quality surface without having to spend a fortune to buy it. Working together with art teachers and professors, they developed their Canson XL Mixed Media Pad line to serve just that purpose! An abundance of excellent quality paper at an exceptional value, XL pads are designed to provide artists of every level with a variety of surfaces for all their artistic experiments! XL Mix Media Pads - The heavy sizing on this fine-textured paper makes it perfect for both wet and dry media, and the 98lb (160gsm) weight makes for a sturdy surface that can even take light collage. Use it for anything from drawings and designs to washes and even paintings in watercolor or acrylic. With micro-perforated true size sheets in each wire-bound pad, you can create an entire body of work in just about any media you like! Key Features:* 98lb (160gsm) Weight* 60-30 Sheets* Acid-Free* Spiral Bound* Fine-Textured Perfect For:* Wet and Dry Media* Heavy Markers* Light Collage Please note: Due to a recent packaging change, items received may appear different than those pictured, but will be of the same quality. See More
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Stillman & Birn Nova Series 7X10 Wirebound Grey SketchSave Up to20%Off listGrey Premium Wirebound Sketchbooks - High-Performance Art Papers Stillman And Birn Nova Series Sketchbooks are ideal for a wide range of media. The medium grain 93lb (150 gsm) paper can withstand multiple erasures. The unique Nova Wirebound sketchbooks hold 50 sheets of a beige, black, or grey toned paper. With Stillman and Birn Nova Series Sketchbooks, anyone can confidently experiment on a paper that will support the most demanding techniques. Key Features:* High-performance, robust art papers* Rugged wire binding* Exceptional paper strength for layering and lifting wet media* Beige, Grey, or Black paper* 50 acid-free sheets / 100 pages* 93 lb (150 gsm)* Note: Click on Yellow Icon Next to each product for more details Perfect For:* Mixed Media* Colored pencils, inks, gel pens, paint markers* Watercolors, gouache, chalk pastels, oil pastels* Water-soluble graphite, charcoal, Conté crayons, colored dry pigments* Ink and liquid watercolor See More
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Stillman & Birn Nova Trio 7X10 Wirebound Mixed Sheet SketchSave Up to20%Off listAssorted Colors Premium Softbound & Wirebound Sketchbooks For Mixed Media! Stillman and Birn's Nova Trio Mixed Media line offers three shades of toned medium weight paper in one convenient wirebound or softbound sketchbook. You can use a wide range of dry and wet media on the medium grain 93 lb paper, including inks and light watercolor washes. Outdoor sketching is a breeze with the Novo Trio wirebound sketchbooks which feature high-density warp resistant covers. Each sketchbook holds 51 or 46 sheets of toned paper in a mixture of black, white, and grey tones. Key Features: * High-performance, robust paper * Wirebound or softbound * Black, white, & grey toned paper * 51 sheets wirebound, 46 sheets softbound * 93 lb (150 gsm) paper * Holds ink lines without feathering * Erase without pilling paper Perfect For: * Mixed media artwork * Wet or dry media * Colored pencils, inks, gel pens * Paint markers, watercolors, and more * Documenting ideas on the go * Art Journaling See More
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Fabriano 1264 Watercolor Spiral Cold-Press Pad - 7x10 Portrait, 140lb (30-Sheet)Save Up to43%Off listWhite Perfect for all lifting and scrubbing techniques! Fabriano 1264 Watercolor Pads feature 140lb. (300gsm) Cold Press, acid-free, Bright White paper. The paper's Cold Press finish is very forgiving, enabling all lifting and scrubbing techniques while enhancing color vibrancy. Each paper sheet is made using Hydro-Power in Italy and is FSC Certified. Available in spiral-bound (with micro-perforations) and glue-bound (fold-over sheet) format. Fabriano 1264 Watercolor Pads satisfy the needs of student and professional watercolorists. The paper is ideal for watercolor, gouache, and acrylic ink. Key Features: * 140lb (300gsm) weight * Bright White * Cold Press texture * Super color retention and intensity * Spiral-bound or glue-bound pad * Spiral-bound pads have micro-perforated sheets * Glue-bound pads feature fold-over sheets * FSC certified paper * Made in Italy Perfect For: * Watercolor, gouache, and acrylic ink * Bold washes of color * Students and professionals alike * Beginner and classroom use * All watercolor techniques * Lifting and scrubbing techniques * Spontaneous sketching and Plein air work See More
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Jacquard Dye Additive Urea 1 lb BagSave Up to10%Off listEssential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to… Essential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to protein-based fibers. Soda Ash promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. The humectant Urea attracts moisture from the air and slows the tie-dye process, providing more time for the dye to process and generate deeper shades. You can use Synthrapol® an industrial-strength, pH-neutral liquid detergent as a wetting agent, or wash your decorated fabrics with it. It is essential to practice studio safety when using dyes and chemicals. Please keep dyes, paints, and chemicals away from children and avoid unnecessary skin contact. Key Features: * Powdered chemicals * Complement Acid and Procion MX dyes * Sodium Alginate SH will thicken dyes * Citric Acid is used to fix acid dye * Soda Ash is used to fix Procion MX dye * Urea enhances Procion MX colors * pH-neutral detergent and wetting agent Perfect For: * Fabric dyeing * Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting, stamping, or screen printing. When working with thicker fabrics, use a thinner consistency of dye solution to guarantee dye penetration. Instructions: Mix 1 quart water with ¼ cup Urea. Then, add two teaspoons Sodium Alginate SH for hand painting or four teaspoons Sodium Alginate SH for screen printing. Slowly sprinkle Sodium Alginate SH over water/Urea mix. Stir constantly for 10 minutes, or mix in a blender until smooth. Let stand for 1 hour, then stir again. The solution may be stored in a refrigerator for a few months. Soda Ash: Soda Ash dye fixer is a mild alkali that promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. It is also known as sodium carbonate, washing soda, or salt soda. Soda Ash is necessary to activate and set Procion MX dye. For tie-dye (pre-soak method): Use one cup per gallon of warm water. Soak fabric in the mixture for 20 minutes. Squeeze/wring out the excess solution by hand. Do not rinse out. For immersion dyeing: Use 1/4 to 1/3 cup per three gallons of water. Add to dye bath per instructions. Dyeing cellulose fibers in a washing machine: Use 2-3 cups per load. Dissolve in one-quart hot water. Slowly add to dye bath in washer per instructions. Synthrapol®: Synthrapol® is an industrial-strength, pH-neutral liquid detergent used as a pre and after wash for dyed or painted fabrics. Synthrapol® can also be used as a wetting agent for fabric dyes and paints. The unique liquid detergent keeps loose dye pigment suspended during washing which prevents back staining and helps remove excess color. Pre wash: Prewashing fabric with Synthrapol® to remove oils, waxes, starches, and sizings helps ensure an even dye job and reduces the risk of blotchy color. Directions: Add three tablespoons Synthrapol® per 8 lb washing load. For cotton and other cellulose fibers, add two tablespoons soda ash. Wash for at least 10 minutes using hot water, and then rinse thoroughly. After wash: After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to a dye bath or fabric paint can increase color penetration. When dyeing wool and other hard-to-wet fibers, add 2 to 3 drops of Synthrapol® per 5 lb fabric. To increase fabric paint coverage on hard-to-wet textiles, add 1 to 2 drops Synthrapol® per 2 fl oz of fabric paint. Citric Acid: Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes and exhaust dye baths. Add one tablespoon of Citric Acid to the dye bath per 1 lb of fabric. Do not pour directly onto cloth. If further exhaustion of dye bath is necessary, add a little bit more. Avoid contact with eyes. In case of eye contact, flush immediately with water for at least 15 minutes. Keep out of reach of children. Urea: Urea is a humectant that attracts moisture from the air and slows the drying process; therefore, it allows more time for the dye to react with the fiber and helps develop deeper shades. Most artists use Urea when applying dye solutions directly to fabric or hand painting. Urea can be used with Sodium Alginate thickener for screen printing, direct painting, or tie-dye. Add one tablespoon Urea per 8 fl oz of dye solution (¼ cup per one quart of dye solution). See More
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Winsor & Newton Professional Watercolor Block 140 lb Cold Press 7x10Save Up to40%Off listWhite Durable, mould-made, 100% cotton watercolor paper! Winsor & Newton's 100% cotton Professional Watercolour Blocks and Sheets provide the best surface for smooth, even washes of transparent color. Cold and hot press sheets are formed on a traditional Italian cylinder mould for durability. Internally and externally sized cotton fibers make up the robust absorbent paper. Free from acids and optical brighteners, this paper is archival and resistant to yellowing. Portable bocks are glued on all four sides and contain 20 sheets each. Winsor & Newton Professional Watercolour Blocks and Sheets have precise sizing for superb absorbency and pigment dispersion. Key Features: * 100% Cotton paper * 140lb (300gsm) Bright natural white paper * Cold and hot press texture * Made on a traditional cylinder mould * Internally and externally sized * Acid-free and non-yellowing * Free of optical brighteners * Optimal water absorbency and pigment dispersion * Blocks glued on all four sides * Watermarked sheets * Crafted in Italy * Perfect For: * Professional watercolorists * Watercolor and gouache * Suitable surface for acrylic and soft pastel * All water media! * An endless array of techniques * Wet-on-wet or wet-on-dry techniques * Lifting and scrubbing * Multiple layers of wet media * Travel or use in the studio See More
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Winsor & Newton Mixed Media 135 lb Spiral 7x10 Pad 30-SheetsSave Up to41%Off listWhite Durable enough to withstand mixed media multi-layered work! With Winsor & Newtons, Mixed Media Pads, you can create dynamic mixed media drawings and paintings on tough multipurpose paper. Each spiral-bound pad contains thirty sheets of 135lb natural white fine-grain paper. The paper mill uses hydroelectric power to reduce greenhouse emissions and FSC certified pulp to protect forests. Winsor & Newton designed the Mixed Media Pad paper to withstand repeated manipulation and various wet and dry media layers, including graphite, pastel, acrylic, watercolor, and gouache. Free from acids and optical brighteners, this paper is archival and resistant to aging. Key Features: * 135lb, 250gsm Mixed media paper * 30-Sheets, spiral-bound * Micro-perforated sheets for easy removal * Heavyweight and non-absorbent paper * Soft white paper with a slightly grained texture * Archival acid-free and non-yellowing * Free of acids and optical brighteners * Hydroelectric power used to reduce greenhouse emissions * FSC certified pulp to protect forests * Perfect For: * Mixed media artists * Combining wet and dry mediums and techniques * Sketching and drawing * Graphite, pastel, acrylic, watercolor, and gouache * Illustrators, designers, fine arts * Withstanding mixed media multi-layered work * An endless array of techniques * Archival foundation for artwork See More
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Winsor & Newton Sketchbook 50 lb Wire Bound 7x10 Pad 80-SheetsSave Up to41%Off listWhite Ideal For drawing in-studio or on-the-go Winsor & Newton Sketchbooks are great for keeping a sketch diary and are portable enough for drawing on the go. These high-quality sketchbooks come in hardbound and spiral-bound styles with classic leather-like covers. Each sketchbook contains eighty sheets of 50lb medium grain extra white paper. The slightly grained cartridge paper is ideal for pencil, ink, and light watercolor washes. Winsor & Newton spiral-bound sketchbooks lay open flat and include easy-to-remove micro-perforated sheets. Key Features: * 50lb, 110gsm Cartridge paper * Extra white color * Slightly grained texture * Acid-free quality paper * Easy-to-remove micro-perforated sheets * Black hard "leather-like" cover * Hardbound or spiral-bound * Spiral-bound lays open flat Perfect For: * Graphite, colored pencil, and charcoal * Ink and light watercolor washes * All dry techniques * Keeping a sketch diary * Quick studies on-the-go * Colored pencil techniques * Line and value graduation See More
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Canson XL Fluid Mixed Media Pad 7"x10", 30 SheetsSave Up to32%Off listWhite Finally, a paper that does not warp under fluid acrylic pours! Canson XL Fluid Mixed Media Pads feature a 90lb. (250 gsm) heavyweight paper perfect for acrylic pouring techniques. Fluid acrylics flow evenly across the smooth, clean surface of the paper. You don't have to worry about the paper curling because the paper is durable and can withstand wet acrylic paint without warping. Bold, bright colors stand out against the super white background. The super-smooth surface is also perfect for precision drawing with technical pens, ink, and markers. Each pad contains 30 sheets. Key Features: * 90lb. (250 gsm) heavyweight paper * Each pad contains 30 sheets * Smooth white surface * Super white paper for color contrast * Acid-free and will not yellow * Sturdy cardboard backing provides stability for use on the go * Complies with the ISO longevity standard 9706 * Paper made from FSC® certified wood Perfect For: * Acrylic pouring techniques * India ink and acrylic ink * Liquid watercolor and markers * Fluid acrylic paintings * Illustrators and fluid acrylic artists * New artists wanting to try pouring without a big investment * At home painting parties * Artists of all skill levels See More
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Magnani 1404 Annigoni Drawing Paper Pad 117lb - 7" x 10" (25 Sheets)Save Up to40%Off listWhite A Truly Unique Paper Developed By A Maestro Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De Chirico, Annigoni, and Morandi. Magnani 1404 Annigoni Drawing Paper is perfect for anyone who desires the highest quality paper available. For over 70 years, Annigoni Drawing Paper has been made to the specifications of the famous portrait painter Pietro Annigoni. Annigoni is best known for his famous oil paintings of Queen Elizabeth II and John F Kennedy. Still, in his spare time, he worked closely with the Magnani mill to develop this unique paper for his preparatory sketches. Annigoni Drawing Paper is made by evenly distributing a mixture of beige-colored cotton and dark cellulosic fibers on a slowly rotating wire cylinder before it is pressed onto special Magnani marking felts and dried. The soft yet rough paper texture is ideal for using charcoal, graphite, pastel, and light ink washes. During his life, Pietro sometimes primed the paper with rabbit skin glue so that he could use oil paints on the surface. Annigoni is a truly unique paper not found anywhere else in the world. Want your art to withstand the test of time? Magnani's acid-free pH-neutral paper is UV resistant and can last for over a century, making it a wise investment for anyone who values longevity and quality. Key Features: * 100% cotton, acid-free archival drawing paper * Beige colorant and dark wool fibers give the paper depth * Soft yet rough surface texture * Mould made on a cylinder machine * Developed by the famous artist Pietro Annigoni * Very unique and one-of-a-kind paper * Available in pads or 2 deckle edge sheets * Acid-free, pH-neutral, and chlorine-free * No optical brighter agents used * No watermark * Can be treated with rabbit skin glue for use with paint * Made in Italy Perfect For: * Mixed media use * Sketches and finished artworks * Drawing with pencils, charcoal, sanguine, and pastel * Wet and dry media * Light scrubbing and erasing See More
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Magnani 1404 Arte Moderna Mix Media Pad 140lb - 7" x 10" (20 Sheets)Save Up to40%Off listWhite 100% Cotton Paper Made with 600 Years of Knowledge Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De Chirico, Annigoni, and Morandi. Magnani 1404 Arte Moderna Mixed Media Paper is perfect for anyone who desires the highest quality paper available. Magnani 1404 Arte Moderna Mixed Media Papers are made entirely from 100% cotton. Long cotton fibers are evenly distributed onto a slowly rotating wire cylinder before being pressed onto special Magnani marking felts and dried. Thanks to its vegan sizing, the paper has superior absorbency and can withstand multiple layers and washes. Its natural rough surface makes it ideal for dry and wet mixed media techniques. No optical brighteners are used to give Arte Moderna its extra bright white color. Want your art to withstand the test of time? Magnani's acid-free pH-neutral paper is UV resistant and can last for over a century, making it a wise investment for anyone who values longevity and quality. Magnani 1404 Arte Moderna Mixed Media Paper is ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Key Features: * 100% cotton, archival mixed media paper * Mould made on a cylinder machine * 140lb (300 gsm) weight * Extra white color * Rough natural surface texture * Acid-free, pH-neutral, and chlorine-free * No optical brighter agents used * Sheets have 4 deckled edges and a watermark * Made in Italy Perfect For: * Sketches, finished artworks, and drawings * Watercolor, gouache, ink, acrylic, graphite pencils, charcoal, sanguine, pastel, and colored pencils * Wet and dry media * Light scrubbing and erasing See More
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Magnani 1404 Firenze Acrylic Pad 188lb - 7" x 10" (15 Sheets)Save Up to40%Off listWhite 100% Cotton Paper Made with 600 Years of Knowledge Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De Chirico, Annigoni, and Morandi. Magnani 1404 Firenze Acrylic Paper is perfect for anyone who desires the highest quality paper available. Magnani 1404 Firenze Acrylic Paper is made entirely from 100% cotton. Long cotton fibers are evenly distributed onto a slowly rotating wire cylinder before being pressed onto special Magnani marking felts and dried. Thanks to its internal and external vegan sizing, the 188lb paper has superior absorbency and can withstand multiple layers of acrylic paint. Want your art to withstand the test of time? Magnani's acid-free pH-neutral paper is UV resistant and can last for over a century, making it a wise investment for anyone who values longevity and quality. Key Features: * 100% cotton, acid-free archival acrylic paper * Mould made on a cylinder machine * Heavy 188lb weight * Rough surface texture * Internal and external vegan sizing * Acid-free, pH-neutral, and chlorine-free * Traditional natural white color * No optical brighter agents used * Sheets have 4 deckled edges and a watermark * Made in Italy Perfect For: * Acrylic painters * Wet and dry media * Acrylic, gouache, ink, and watercolor * Working with graphite, colored pencils, pastels, and charcoal * Palette knife or brush application * Working with multiple layers * Painting on the go * Traveling See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off list…quick and easy brushable white gesso. Specially formulated white ground for encaustics. * Encaustic Medium - Perhaps the most essential encaustic supply, Encaustic Medium is a blend of beeswax and damar resin, and is used to increase transparency and extend encaustic paints. It is important to use… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. * Encaustic Gesso - This water-based ground is a modern version of the traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for encaustics. * Encaustic Medium - Perhaps the most essential encaustic supply, Encaustic Medium is a blend of beeswax and damar resin, and is used to increase transparency and extend encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto Modeling Wax - This heavy body wax medium is made from a mix of microcrystalline wax and beeswax. It is excellent for thick structural application, casting, carving, layering, and modeling. As Impasto Wax has a higher melting point than Encaustic Medium, you can apply standard encaustics over it without easily blunting sculptural shapes. Use for thick encaustic paint application and sculptural styles. * Damar Resin Crystals - A hard, clear resin from deciduous trees, Damar Resin Crystals are used to create encaustic mediums and paints. When mixed with beeswax, damar resin creates an encaustic binder that is stronger and more durable than beeswax alone, and also serves to raise the melting point of the wax. Damar is also used to create traditional oil painting mediums and varnishes. * White Beeswax (Pellets) - This natural beeswax has been whitened by mechanical filtration, instead of standard chemical bleaching, which can lead to negative pigment reactions and break wax down. Use White Beeswax as an ingredient in creating encaustic mediums and paints, along with Damar Resin, or as an initial priming layer for paper or board. Note that beeswax used alone in encaustics (without damar) is not as stable and is apt to bloom (become foggy). Use with damar resin to create encaustic paints and mediums. * Soy Wax (Pellets) - Made from partially hydrogenated soybean oil, Soy Wax is an environmentally friendly choice for cleaning encaustic brushes and tools. Unlike paraffin wax, which is made from petroleum products, Soy Wax is non-toxic, biodegradable, and made from an easily renewable resource. Use melted Soy Wax to remove color from painting materials, then wash tools or brushes in soapy water. Eco-friendly cleaning wax. See More
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Waterford Watercolor Block 140lb Cold Press 7x10" 20-SheetsSave Up to44%Off listWhite High-quality paper endorsed by the Royal Watercolor Society! The St Cuthberts Mill in Wells, England, has over 250 years of paper-making experience. They make Saunders Waterford® watercolor paper on a traditional cylinder mould. Natural woolen felts wrapped around the cylinder machine add a distinctive random texture to the 100% cotton paper. Because it's internally and externally sized, the paper can withstand rough techniques like scrubbing and scraping. Each sheet is buffered with calcium carbonate to protect against acid discoloration. Saunders Waterford® watercolor paper comes with the endorsement of the Royal Watercolor Society. The Royal Watercolor Society and is the oldest and most celebrated watercolor society in the world. Key Features: * 100% Cotton watercolor paper * Acid-free * No optical brighteners used * 250 years of paper-making experience * Made in England * Cylinder mould machine used * Internally and externally sized for strength * Buffered with calcium carbonate * Two natural and two tear deckle edges * Endorsed by the Royal Watercolor Society Perfect For: * Professional Watercolorists * Artists that want the best * Scrubbing and scraping techniques * Repeated erasing and painting * Wet-on-wet techniques * Ink and gouache painting * Charcoal and graphite drawing See More
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Plastalina Modeling Clay 1 lb. Bar - Turquoise
Starting At: 4.24
Green Non-toxic, colorful modeling compound stays pliable indefinitely! Van Aken Plastalina Modeling Clay is a pigmented, oil-based modeling clay is renowned the world over for its smooth consistency and brilliant color range. Plastalina modeling clay never hardens, remaining pliable and plastic for limitless reworking. It is favored by sculptors, model makers, clay animators, maquette makers and artists of all kinds as the finest colored modeling clay available. Sold in segmented 1lb. or 4.5lb. bars, wrapped in cellophane, Plastalina is an indispensible and versatile medium for any sculpture studio! Key Features:* Non-Toxic oil-based modeling clay* Brilliant, pigmented color range* Sulfur-free* Reusable / Non-hardening, remains pliable* Smooth consistency* Sold in 1 lb. and 4.5 lb. bars* 1 LB bars come in 24 vibrant colors* 4.5 LB bars come in Black, Ivory, Sculptor Grey, Terra Cotta & White * Made in U.S.A.* *Do not bake in oven* Perfect For:* Teachers and classrooms* Sculptors and fine artists* Maquette and model makers* Clay animation & 3D art* Molds for silicone rubber* Figurines* Limitless reworking & open time See More -
R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off listFine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Medium - Increases transparency and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets) - Eco-friendly cleaning wax. See More
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Fabriano 1264 Mixed Media Spiral Pad - 7"x10", 120lb Black (20-Sheet)Save Up to43%Off listBlack Various wet and dry media applications! Fabriano 1264 Mixed Media Pads feature 120 lb. (200gsm) acid-free paper sheets. The soft mixed media paper has a medium-textured surface finish with a unique sizing perfect for withstanding the demands of wet and dry techniques. Fabriano 1264 Mixed Media paper is excellent for those mixed media applications that blend dry and wet media with collage elements. Each paper sheet is made using Hydro-Power and is FSC certified. Pads are spiral-bound and contain micro-perforated sheets. Ideal for works in graphite, colored pencil, watercolor, marker, pen and ink, gouache, collage, and almost any art media combination! Key Features:* 120lb (200gsm) weight* AvaIlable in Soft White and Black* Acid-free medium textured paper* Spiral-bound pad* 25 or 40 micro-perforated sheets* FSC certified paper* Made in Italy Perfect For:* Colored pencil and graphite* Various wet and dry media applications* Finished artwork* Graphite, colored pencils, markers, watercolor, gouache, pen & ink, gel pens, and more!* Intricate drawings* Illustration* Students and professionals alike* Spontaneous sketching and Plein air work See More
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Stillman and Birn Premium Gamma Wirebound Sketchbook - 7”x10” (50-Sheets)Save Up to20%Off listWhite Premium Hardcover & Wirebound Sketchbooks for Mixed Media Stillman & Birn Sketchbooks allow artists to choose the paper weight, shade, and surface type best suited for their specific media. Whether you prefer to work with wet media, dry media or both, these premium durable sketchbooks can withstand multiple erasures and a wide variety of applications. Artists can confidently experiment with new ideas and materials on papers that support the most demanding techniques. These sketchbooks are made with high-density heavyweight board that is resistant to warping and adds strength and stability to these sketchbooks Key Features:* High-performance, robust art papers* Acid-free, pH neutral, and lignin-free* Available in different sizes, in both hardbound and wirebound* Exceptional paper strength for wet media and layering of media* Paper manufactured in the Netherlands Perfect For:* Mixed media artwork* Art Journaling* Sketching, drawing and coloring with dry or wet media* Documenting ideas on the go* Creating bullet journals Stillman & Birn Hardcover & Wirebound Sketchbook Series: * Alpha Series - Heavyweight (150 gsm) / Medium grain surface / White / Dry media, light washes, ink * Beta Series - Extra heavyweight (270 gsm) / Cold press surface / White / Dry & wet media, watercolor, ink * Gamma Series - Heavyweight (150 gsm) / Medium grain surface / Ivory / Dry media, light washes, ink * Delta Series - Extra heavyweight (270 gsm) / Cold press surface / Ivory / Dry & wet media, watercolor, ink * Epsilon Series - Heavyweight (150 gsm) / Smooth surface / White / Pen & ink, dry media, light wash * Zeta Series - Extra heavyweight (270 gsm) / Smooth surface / White / Dry & wet media, watercolor and ink *Artwork by Artist Ivory Baker, using Schmincke Horadam gouache using an abrasive impasto technique. The artist reports "The methods I employ in my sketchbook work are very harsh on the paper to be able to cope well with the wetting, scratching and thicker paint without creasing, wrinkling and tearing." See more at the "On Paper" Blog: Click Here > See More
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Arches Watercolor Block 7"x10", 140lb Cold Press, 20 SheetsSave Up to40%Off listConvenient pre-stretched 100% cotton watercolor blocks Arches watercolor blocks are a favorite among artists for more than 500 years manufactured in the same French mill since 1492. Made from 100% cotton linters and both internally and externally gelatin sized, these blocks are durable acid-free,… Convenient pre-stretched 100% cotton watercolor blocks Arches watercolor blocks are a favorite among artists for more than 500 years manufactured in the same French mill since 1492. Made from 100% cotton linters and both internally and externally gelatin sized, these blocks are durable acid-free, pH-neutral and air-dried paper. Arches Aquarelle watercolor blocks are one of the finest art papers in the world. You too can bring this historical, artist quality paper to your own works with these convenient, pre-stretched blocks! Glued on all four sides, eliminating the need to wet and stretch the paper before painting, as the glue prevents the sheet from curling and buckling during painting. Arches Aquarelle Watercolor Blocks are available in 3 surface finishes, 2 paper weights, and all in a Natural White shade. Excellent for all types of watercolor painting, ink drawing, washes — and the ideal portable painting surface, perfect for plein aire artists! Arches Aquarelle Watercolor Paper Blocks are available in 3 surface finishes, 2 paper weights, and all in a Natural White shade.* 140lb Blocks (300gsm, 20 sheets) - Available in Cold (medium texture), Hot (smooth texture) and Rough (high texture) Press surfaces. Each block contains 20 sheets glued on all four sides. * 300lb Blocks (640gsm, 10 sheets)Sizes: 9x12", 10x14" & 12x16" - These Cold Press (medium texture) blocks feature 10 sheets of heavyweight, 300lb Arches Natural White watercolor paper, glued on all four sides. Key Features:* 100% cotton watercolor paper* Both internally and externally gelatin sized* Durable acid-free, pH-neutral and air-dried paper* Glued on all four sides* Glue prevents the sheet from curling and buckling* 3 surface finishes: Cold Press, Hot Press & Rough* 2 paper weights: 140lb & 300lb * 20 sheets per block (140lb) / 10 sheets (300lb)* Natural White shade Perfect For:* Watercolor artists* Eliminating the need to wet and stretch the paper before painting* Watercolors, gouache, acrylics, and ink* Keeping paper perfectly flat* Not needing stretching, taping or clamping to stay flat* Painting right away without a lot of prep work* Drawing as it provides a sturdy support surface to work on* For traveling or spontaneous with watercolor creativity* Plein aire artists NOTE: Once a piece is finished, simply slip a craft knife or razor blade under the top sheet to lift it up and reveal a brand new sheet beneath. See More
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Fabriano Artistico Watercolor Hot Press Block - 7"x10" Extra White, 140lb (20 Sheets)Save Up to40%Off listWhite Master Quality Watercolor Papers That Will Stand The Test Of Time Fabriano Artistico Enhanced Watercolor Blocks now feature improved color lifting capabilities, increased surface resistance, and a vegan-friendly sizing! The paper is mold made of 100% cotton that is chlorine and acid-free, guaranteeing long conservation and stability over time. The paper is sized both internally and externally, making it ideally absorbent. Available in cold or hot press surfaces, the brilliant extra white paper is not bleached and is watermarked “FABRIANO+ARTISTICO” on the short side. Fabriano Artistico Enhanced Watercolor blocks are glued on all four sides and are high-quality watercolor papers to satisfy the demanding requirements of all professional artists. Made In Italy. The paper is ideal for watercolor, tempera, gouache, acrylic, ink, charcoal, graphite, and drawing. Key Features:* Extra White or Traditional White Paper Blocks* 100% cotton* 140lb / (300 gsm)* Chlorine-free, Acid-free* No bleach or optical brighteners* Mold-made in Italy* Watermarked* External and internal sizing* No animal by-products used in sizing* Guaranteeing long conservation and inalterability over time* Glued on all four sides* Perfect For:* Artists that want the best* Professional watercolorists* Watercolor, tempera, gouache* Acrylic, ink, charcoal, graphite, and drawing * Suitable for printmaking* All water media!* An endless array of techniques Fabriano Artistico uses cotton balls instead of stretched and beaten cotton fibers, as in other brands, for consistent and even water absorption across the surface. This construction also provides a more robust and durable surface that can take a lot of punishment, whether it be scrubbing, erasing, or any other standard watercolor technique. No animal by-products are used in the sizing. The internal and external sizing produces a more consistent, non-yellowing, non-smelling, more resilient non-scuffing surface with no blotchy spots. The paper also has an overall superior color-lifting response due to the sizing used. See More
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Stonehenge Aqua Watercolor Block 7"x10" - 140lb, Hot-Press (15 Sheets)Save Up to38%Off listWhite Stonehenge Aqua is everything an expensive paper is without the expense. Stonehenge Aqua Professional Watercolor Blocks and Papers are as finely crafted as it is affordable. Performing way beyond its price point, it has been tested to its limits, and as it turns out, it has no limits. Wet-on-wet or wet-on-dry, it has a wonderful crispness that anchors beautiful work across every task and technique. With Stonehenge Aqua, blending is effortless, and lifting is no longer a chore. It welcomes masking while never relinquishing the control you both demand and desire. Bright colors dry bright. Blocks or sheets it’s flat paper that dries flat. Making possibilities a reality is why Stonehenge Aqua Watercolor Papers came to be. Watercolor is all about possibilities. Because it’s not just about beautiful paint. There’s another factor: a wonderfully whimsical element – water. Together, they allow for form and flow, chaos and connection, beauty and structure. Key Features: * Professional watercolor papers (140lb & 300lb) * Blocks, pads, sheets, and rolls * Cold Press and Hot Press * 100% cotton - acid, chlorine, OBA, and Lignin-Free * Neutral pH * Same surface on both sides * Buckle-resistant, dries flat * Sized for watercolor * Superior quality Perfect For: * Wet-on-wet or wet-on-dry techniques * Lifting and scrubbing color * It’s flat paper that dries flat * Multiple layers of wet media * Effortless Blending * Bright colors dry bright See More
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NY Central Watercolor Block 140lb Hot Press - 7" x 10" (20 Sheets)Save Up to77%Off listWhite Premium 140lb & 300lb watercolor paper at an affordable price New York Central’s 100% Cotton Watercolor Paper is made on a slowly rotating cylinder mould. The machine evenly distributes long cotton fibers to make each durable sheet. Internal gelatin sizing prevents paint bleed-through and preserves color vibrancy. Each sheet has a balanced grain that softens as a unit when wet. The paper can withstand a multitude of techniques, including wet color blending, paper scratching, and scrubbing. New York Central Watercolor Blocks are available in a range of unique sizes, and come in 140lb and 300lb weights. The rigid backing board supports the paper and makes plein air painting simple. All four sides of the block are glued to prevent the top sheet from curling and buckling as you paint. There is no need to stretch the paper before using it! New York Central Watercolor Blocks are ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Key Features: * Bright white 140lb and 300lb paper made with 100% cotton * Acid-free and archival * Internally sized with gelatin sizing * Seven block sizes * Available in cold and hot press * Sizing preserves the luster and transparency of watercolors * Blocks eliminate the need to stretch paper * Superior surface stability * Made on a cylinder mould * Holds up to scrubbing and erasing Perfect For: * Wet and dry media * Watercolor, gouache, ink, and fluid acrylic * Scrubbing and color lift techniques * Professional watercolorists * Simplifying the painting process * Keeping paper perfectly flat * For traveling or painting on the go Please note: The bottom edge of each block has a one-inch section that is not glued. Insert a clean palette knife between the sheets in this section to separate the top sheet from the rest of the block. Gently slide the knife around all four edges until the top sheet is separated. See More
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