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New York Central® Professional Gessoed AlumaComp PanelsSave Up to47%Off list…premium gesso priming to AlumaComp Panels! Professionally Gessoed on our Famous AlumaComp (Aluminum) Panels - A High Quality Professional Panel for Oils & AcrylicsNew York Central® has taken the wildly popular AlumaComp brand artists aluminum panel and created a made-to-order gessoed… New York Central® brings premium gesso priming to AlumaComp Panels! Professionally Gessoed on our Famous AlumaComp (Aluminum) Panels - A High Quality Professional Panel for Oils & AcrylicsNew York Central® has taken the wildly popular AlumaComp brand artists aluminum panel and created a made-to-order gessoed surface for the fine artist who prefers primed panels! AlumaComp's unique composition of two aluminum sides with a 1/8" polyethylene core makes them lightweight, archival, dimensionally stable and strong. Panels will never rot and are not affected by weather humidity changes or temperature fluctuations, even in transport. The light weight and slim profile is ideal for shipping, stocking pochade boxes, plein air painting, and for studio use. Featuring a professional quality, proprietary acid-free and archival acrylic gesso, New York Central® Gesso AlumaComp Panels are meticulously hand primed by our own in-house, skilled craftsmen in our custom framing department when the order is placed. White is available with double or quadruple priming, and Rose Earth and Neutral Grey are offered double primed. Double primed panels have a slightly textured, consistent surface, making them ideal for all types of media. Quadruple primed white gesso finished panels offers a smoother, whiter appearance, making them perfect for any media where a smoother surface is desired. Key Features: * The Professionals Panel for Oils & Acrylics * AlumaComp panel foundation * Lightweight for shipping & transport * Archival & dimensionally strong * Proprietary acid-free acrylic priming * Available in 3 primed gesso colors, 4 surfaces * White gesso primed available in: Double or Quadruple primed * Hand primed by our own in-house, skilled craftsmen * Toned grounds: Rose Earth & Neutral Grey * Two aluminum sides with a 1/8" polyethylene core Perfect For: * Oils, Acrylics, Alkyds * Accepts traditional drawing media * Mixed medial applications * Oil sticks & pastels of all types * Heavy textured mediums * Artists of all skill levels The Professionals Panel for Oils & Acrylics - New York Central® Gesso Panels provide a surface that is ideal for oils, alkyds, acrylics, and other media that quickly build up weight that would slack stretched canvas, and bend or warp tempered or canvas covered painting panels. Brittle media like Egg Tempera and Acrylic Gouache is ideally suited for these panels, as they are the stiffest panel offered in such a slim depth. Perfect for mixed media applications, collage works, and heavy coats of acrylic texturing mediums. The gessoed surface works wonderfully with drawing media and charcoals,oil painting sticks, oil pastels, and crayon. Rose Earth and Neutral Grey primed colors have been carefully formulated under the guidance of professional painters, designed to match traditional, classically colored grounds. Featuring complete color consistency from batch to batch, the tone can be depended on for easily seeing values when painting. Perfect for chiaroscuro techniques, landscapes, portraits, still life, and more. Please Note: The panels are made to order, so it may take longer to ship your panel. Please take this extra processing time into account when placing your order. Feel free to call customer service if you have any questions about timing! See More
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New York Central® Acrylic GessoSave Up to55%Off list…Professional grade acrylic gesso * Matte white, opaque finish * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Optimal absorbency rate for paints Perfect For: * Priming raw canvas, panels, or paper * Acrylic and oil… Professional grade gesso for archival results New York Central® Gesso is a professional grade acrylic ground. It’s perfect for a variety of surfaces, from canvas to metal. You can apply the gesso with a palette knife to create a rough texture or sand between coats to achieve a smooth result. Once dry, New York Central® Gesso makes a sturdy base for graphite, charcoal, oil pastels, acrylic, and oil paints. You can even mix it with acrylic paint to create a toned background. Key Features: * Professional grade acrylic gesso * Matte white, opaque finish * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Optimal absorbency rate for paints Perfect For: * Priming raw canvas, panels, or paper * Acrylic and oil paints * Preparing wood and metal surfaces * Charcoal, pencil, and oil pastel * Creating a smooth or textured foundation * Adding a high level of tooth to a surface Acrylic Gesso Instructions: * Use at full strength or thin with up to 25% water. When thinning more than 25%, create an equal mix of water and matte medium. * Sand slick surfaces first. Apply a thin coat with a flat brush and let dry for 24 hours before painting. * To create a smoother base, sand the dried gesso and reapply. * Acrylic painters should apply at least two coats. * Oil painters should apply 2-4 coats and sand between applications. * To create a colored background, gradually add acrylic paint to the gesso until you reach your desired tone. Stir until thoroughly blended. Apply as normal. See More
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Strathmore 400 Series Toned Mixed Media PadsSave Up to33%Off listHigh Performance Heavyweight, toned mixed media paper pads! Toned Tan, Gray and Blue Strathmore 400 Series Toned Tan, Gray and Blue Mixed Media Pads combine the utility of Strathmore’s heavyweight mixed media paper with the toned surfaces of their toned sketch paper. Available in warm tan and cool… High Performance Heavyweight, toned mixed media paper pads! Toned Tan, Gray and Blue Strathmore 400 Series Toned Tan, Gray and Blue Mixed Media Pads combine the utility of Strathmore’s heavyweight mixed media paper with the toned surfaces of their toned sketch paper. Available in warm tan and cool gray, this paper is intended specifically for use with light and dark media. This paper allows for a wider range of values by providing the middle value needed to clearly distinguish highlights and shadows. At 184 lb., this paper is heavyweight enough for wet media with a medium drawing surface for the finish of a drawing sheet. It's the perfect hybrid of two of our most loved papers: 400 Series Toned Sketch and 400 Series Mixed Media. Heavyweight paper that has the attributes of a watercolor paper but with a vellum drawing finish. Suitable for wet and dry media, these toned paper pads are ideal for artists working in multiple mediums. Perfect for various wet media applications: Watercolors, Acrylics, Gouache, Graphite, Pen & Ink, Colored Pencil, Marker and Collage Key Features: * Made in the USA * Heavyweight, 184 lb / 300gsm * Surface: Medium drawing surface with the wet media characteristics of a watercolor sheet * Available in warm tan and cool gray and toned blue for light and dark media * 100% recycled with 30% PCW * Acid Free Perfect For: * Various wet media applications * Finished artwork * Graphite, colored pencils, markers, acrylic, watercolor, gouache, pen & ink, charcoal, gel pens and more! * Artists looking for heightened value ranges See More
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Strathmore 500 Series Mixed Media Paper & BoardsSave Up to33%Off listStrathmore 500 Series Mixed Media Paper & Boards - Professional quality paper and board specifically designed for wet and dry media art! New from Strathmore Artist Papers comes their finest selection of art surfaces for multimedia artwork: 500 Series Mixed Media Paper and Boards! As with all of… Strathmore 500 Series Mixed Media Paper & Boards - Professional quality paper and board specifically designed for wet and dry media art! New from Strathmore Artist Papers comes their finest selection of art surfaces for multimedia artwork: 500 Series Mixed Media Paper and Boards! As with all of Strathmore's 500 Series line, these new paper surfaces are made of only the finest 100% cotton, and are archival, being both acid and lignin-free. Mixed Media Paper and Boards are the perfect surface for finished art in wet and dry media, collage, and more! They are internally sized for wet media work, with a slightly toothy vellum finish perfect for drawing techniques. The ideal professional grade surfaces for any multimedia art, whether graphite, colored pencil, watercolor, gouache, light acrylic, pastel, pen and ink, marker, collage and much more! Key Features: 100% cotton paper Professional grade surface Archival, acid and lignin free Internally sized Toothy vellum finish Popular Ready-Cut sizes Perfect for: Both wet and dry media art Drawings in pencil, marker, colored pencil, pen and ink Paintings in watercolor, gouache, light acrylic and inks Multimedia works and light collage * Mixed Media Paper – This 100% cotton, 90 lb. paper is archival and durable, being internally sized with a toothy vellum finish. Perfect for bookbinding techniques as well as mixed media art. Sold in packs of four 22x30" sheets. * Mixed Media Board – This sturdy, 52 pt. board consists of 2 sheets of Mixed Media paper mounted on either side of a high quality white board. Ideal for vigorous techniques, collage, fine art and commercial illustration. Available in standard 22x30" boards or packs of popular Ready Cut sizes for ready-made frames and mats. See More
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New York Central® Portrait-Smooth Artist Canvas PanelsSave Up to53%Off listExceptionally Smooth Professional Quality Cotton Panels Ideal for oils, acrylics, caseins, and alkyds, the New York Central Portrait-Smooth Artist Canvas Panels are manufactured using high-quality acrylic primed cotton canvas. Only the purest 100% cotton is used in the extra-tight weave to create an… Exceptionally Smooth Professional Quality Cotton Panels Ideal for oils, acrylics, caseins, and alkyds, the New York Central Portrait-Smooth Artist Canvas Panels are manufactured using high-quality acrylic primed cotton canvas. Only the purest 100% cotton is used in the extra-tight weave to create an exceptionally smooth canvas free of the knots and bumps usually found in linen. The portrait-smooth canvas is then cleanly wrapped and adhered to a warp-resistant 3.5mm MDF board. Acid-free, archival glue acts as an archival barrier between the MDF and the canvas. New York Central's universally primed surface is ideal for oils, acrylics, caseins, and alkyds. Perfect for traveling and painting outside, the canvas panels are sturdy yet lightweight and take up less space than a standard stretched canvas. All New York Central products are premium quality and made with only the finest materials. Packaging Note: The primed canvas weighs 8.82 oz. per m2 and 7.37 oz per sq.yd. The square yard weight is listed on the canvas label; however, the correct weight is 8.82 oz. Key Features: * Universal acrylic primed, 100% cotton canvas * 4 oz. unprimed / 8.82 oz. primed weight * Mounted on durable MDF 3.5mm board * Extra-fine portrait-smooth texture * Smoother than most linen weaves * Acid-free, archival glue protects against SID* * Resistant to warping and sagging * Clean paper backing Perfect For: * Oils, acrylics, alkyds, and caseins * Oil sticks, soft pastels, and oil pastels * Delicate brushwork and fine details * Portraits and highly detailed paintings * Painting en Plein air and traveling * Painting highly realistic landscapes and still lifes * Achieving a luminous, refractive effect with oils * Artists of all skill levels Pre-Treated With Acid-Free, Archival Glue To Protect Against SID Acid-free, archival glue helps to prevent Support Induced Discoloration (SID) between the MDF and the canvas. While acid-free, archival glue can help to avoid SID, it is also essential to protect the artwork from material and environmental factors that can cause deterioration. All New York Central products are premium quality and made with only the finest materials. See More
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New York Central® Professional Watercolor PanelsSave Up to46%Off list…the finest Birch wood panel with acid-free and waterproof adhesive. The mounted paper won't buckle or warp when wet because it's glued to the panel. New York Central Professional Watercolor Panels provide a fresh, modern way to present your artwork without a frame. Each panel is hand-mounted with… Hand-mounted 100% Cotton Acid-Free Watercolor Paper Your favorite watercolor paper mounted to the finest Birch wood panel with acid-free and waterproof adhesive. The mounted paper won't buckle or warp when wet because it's glued to the panel. New York Central Professional Watercolor Panels provide a fresh, modern way to present your artwork without a frame. Each panel is hand-mounted with your choice of paper! Choose from these 100% cotton watercolor papers: * New York Central Bright White: Hot Press, Cold Press or Rough * Arches Natural White: Hot Press, Cold Press or Rough * Arches Bright White: Hot Press, Cold Press or Rough * Fabriano Artistico Bright White: Hot Press, Cold Press, Soft Press or Rough * Stonehenge Aqua: Hot Press or Cold Press To choose your preferred paper brand see the buttons below Finished work can be framed under glass or sprayed with an acrylic polymer for frameless presentation. Golden polymer coatings are available in gloss, matte, or satin finishes and help protect your artwork. For a resin finish, we recommend Pebeo Glazing Resin. Hang Without A Frame For A Fresh Modern Look Key Features: * Birch wood panels * 7/8" or 1-5/8" profile * Archival waterproof adhesive * 140lb 100% cotton, acid-free papers and surfaces * Available in eight sizes from 6" x 8" - 18" x 24" * Warp-resistant birch with kiln-dried New Zealand pine cradles * Paper mounted by skilled artisans Perfect For: * Artists seeking a museum-quality, archival surface * Artists looking for a sturdy, non-buckling watercolor surface * Mixed Media applications * Frameless presentation * Permanent works of art Please note: We carefully make each order by hand. As a result, it may take longer for your order to ship. See More
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Strathmore 300 Series Cotton Canvas PanelsSave Up to33%Off listCanvas Panels For All Skill Levels! Strathmore 300 Series Canvas Panels are ideal for practice and painting outside. A triple-primed, medium grain, traditional canvas texture covers each panel. You can paint with acrylic, oil, and water-mixable oils on the acrylic primed surface. They’re also sturdy… Canvas Panels For All Skill Levels! Strathmore 300 Series Canvas Panels are ideal for practice and painting outside. A triple-primed, medium grain, traditional canvas texture covers each panel. You can paint with acrylic, oil, and water-mixable oils on the acrylic primed surface. They’re also sturdy enough to take on heavy layers of paint, mixed media, and collage. They are also great for heavy applications of mixed media, collage and impasto. Key Features: * 100% cotton canvas * Triple-primed, 12oz primed weight * Medium grain texture * Acid free * Ready-to-use painting surface Perfect For: * All skill levels * Oils and acrylics * Water mixable oil paints * Mixed media, collage, and impasto * Painting outside and travel See More
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New York Central® Professional Canvas & Linen AlumaComp PanelsSave Up to58%Off list…Museum-quality formula designed specifically for preservation materials * Exceptional panel strength and rigidity * Panel foundation is warp-resistant Aluminum composite-core panels * Archival canvas panels crafted by skilled artisans Perfect For: * Oils, alkyds, acrylics, egg tempera, and caseins!… Archival, museum quality professional canvas panels! AlumaComp Aluminum Panels Hand Mounted with 8 Professional Surfaces Thought about making your own linen panels, but could use that valuable time painting instead of prepping? New York Central® has heard you and has taken the beauty and luxury of Europe's finest Linens and Poly Cottons, and professionally mounted them on AlumaComp Aluminum Panels for your convenience! Using Lineco Neutral pH Adhesive (acid-free, museum-quality formula designed specifically for preservation materials), our skilled craftsman hand-mount Raphael Linen, Claessens oil and universal primed linens, and Belle Arti poly-cotton canvases to our own composite core aluminum panels. This creates flawless, museum-quality painting panels unlike anything on the market. Perfect for oils, alkyds, acrylics, egg tempera, and caseins! Hand Mounted By Our Our Skilled Craftsman To: 100% Archival 4mm (3/16") Thick Acid-Free Aluminum Boards AlumaComp's unique composition of two aluminum sides with a 1/8" polyethylene core makes them lightweight, archival, dimensionally stable and strong. Panels will never rot and are not affected by weather humidity changes or temperature fluctuations, even in transport. The light weight and slim profile is ideal for shipping, stocking pochade boxes, plein air painting, and for studio use. Available in 8 professional quality linens and poly-cotton canvases. Panels are made to order. * Raphael Oil Primed Fine Textured Linen * Raphael Zinc-Free Oil Primed Fine Textured Linen * Claessens 15DP Oil Primed General Purpose Linen * Claessens 66 Oil Primed General Purpose Linen * Claessens 166 Universal General Purpose Linen * Claessens 13DP Oil Primed Fine Textured Linen * Courbet Ultra Fine Textured PolyCotton * Roma Affesco PolyCotton Rough Texture Key Features: * Hand mounted using Lineco Neutral pH Adhesive * Available in 8 professional quality linens and poly-cotton canvases * Archival and acid-free * Museum-quality formula designed specifically for preservation materials * Exceptional panel strength and rigidity * Panel foundation is warp-resistant Aluminum composite-core panels * Archival canvas panels crafted by skilled artisans Perfect For: * Oils, alkyds, acrylics, egg tempera, and caseins! * Artists of all skill levels * Artists seeking a museum-quality, archival surface * Artists looking to save time Please note: We carefully make each order by hand, as a result, it may take longer for your order to ship. See More
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New York Central® Professional Canvas Mounted Art PanelsSave Up to57%Off list…1-5/8" cradled depths for dramatic presentation* Exceptional panel strength and rigidity* Available in 8 professional quality linens and poly-cotton canvases* Using Lineco Neutral pH Adhesive* Panel foundation is warp-resistant Birch with kiln-dried New Zealand Pine cradles* Archival canvas panels… Archival, museum quality professional canvas panels! 2 Panel Depths Mounted with 8 Professional Surfaces Thought about making your own linen panels, but could use that valuable time painting instead of prepping? New York Central® has heard you and has taken the beauty and luxury of Europe’s finest Linens and Poly Cottons, and professionally mounted them on Da Vinci Pro Birch Wood Panels for your convenience! Using Lineco Neutral pH Adhesive (acid-free, museum-quality formula designed specifically for preservation materials), our skilled craftsman hand-mount Raphael Linen, Claessens oil and universal primed linens, and Belle Arti poly-cotton canvases to our own cradled birch panels (formerly known as Jerry’s Pro Art Canvas Panels). This creates flawless, museum-quality painting panels unlike anything on the market. Perfect for oils, alkyds, acrylics, egg tempera, and caseins! Available in 8 professional quality linens and poly-cotton canvases. Panels are made to order. Expertly flawless, museum-quality painting panels unlike anything on the market * Raphael Oil Primed Fine Textured Linen * Claessens 15DP Oil Primed General Purpose Linen * Claessens 66 Oil Primed General Purpose Linen * Claessens 166 Universal General Purpose Linen * Claessens 13DP Oil Primed Fine Textured Linen * Courbet Ultra Fine Textured PolyCotton * Roma Affesco Poly Cotton Rough Texture --> Click Here to See More Details in a PDF Key Features:* 2 Depths: 7/8" and 1-5/8" cradled depths for dramatic presentation* Exceptional panel strength and rigidity* Available in 8 professional quality linens and poly-cotton canvases* Using Lineco Neutral pH Adhesive* Panel foundation is warp-resistant Birch with kiln-dried New Zealand Pine cradles* Archival canvas panels crafted by skilled artisans* Panels are made to order* Perfect For:* Artists of all skill levels* Artists seeking a museum-quality, archival surface* Artists looking to save time & money* Flawless, museum-quality painting panels* Designed specifically for preservation materials* Oils, alkyds, acrylics, egg tempera, and caseins! Please note: We carefully make each order by hand, as a result, it may take longer for your order to ship. See More
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New York Central® Colossus Varnish BrushesSave Up to63%Off listStiffness Watercolors Acrylics Oils The ultimate brush for laying down large areas of color The Colossus Varnish Brushes are the best varnish brushes on the market that can do so much more! You can cover a larger area because the brush features an internal fluid reservoir that holds paint or varnish… Stiffness Watercolors Acrylics Oils The ultimate brush for laying down large areas of color The Colossus Varnish Brushes are the best varnish brushes on the market that can do so much more! You can cover a larger area because the brush features an internal fluid reservoir that holds paint or varnish in addition to the brush tips, which retain a considerable amount of fluid. Besides, these brushes are triple-thick, making them the ultimate brush for laying down large areas of paint, either thin ink or heavy impasto, as well as varnishes and gels of all sorts. Very fine 0.15mm PBT tapered filament allows for the most versatile use from varnishing to impasto painting to large scale lettering. The fine synthetic bristles do not leave any traces or marks when varnishing, creating a seamlessly smooth finish. The hair is purposely set at an angle allowing the user to hold the brush at a comfortable 45˚ angle. The high-quality filament, stainless steel ferrules, solid beech wood, and skilled craftsmanship contribute to a long brush life and are ultimately a great value! Key Features: * High-quality 0.15mm PBT tapered filament * Stainless steel ferrule * Solid beech wood handle * Brush tips retain a lot of paint * Handmade by skilled artisans in Germany * Huge paint reservoir within the brush * Excellent shape retention * Comfortable to hold at 45˚ angle * Perfect For: * Varnishing * Oil and acrylic paint of any viscosity * Fluid acrylic to heavy body * Thin ink or watercolor * Oversized calligraphy or lettering * Covering large areas * Heavy impasto techniques See More
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Strathmore 400 Series Black Mixed Media Paper PadsSave Up to33%Off listHigh-Performance Black Papers For Multiple Media! Strathmore's 400 Series Black Mixed Media Paper/Pad is a heavyweight 184lb.(300gsm) paper and has a vellum drawing surface. It’s also sized to handle wet media applications, making it perfect for a wide range of materials. Strathmore 400 Series Black… High-Performance Black Papers For Multiple Media! Strathmore's 400 Series Black Mixed Media Paper/Pad is a heavyweight 184lb.(300gsm) paper and has a vellum drawing surface. It’s also sized to handle wet media applications, making it perfect for a wide range of materials. Strathmore 400 Series Black Mixed Media paper combines the characteristics of watercolor paper with the finish of a drawing sheet. Key Features:* Acid-free paper* 4 pad sizes: 6”x8”, 9”x12”, 11”x14” and 18”x24"* 15-sheet, gluebound pads with flip-over covers* Heavyweight paper* 184lb. (300gsm)* Vellum drawing surface* Sized to handle wet media applications* Characteristics of watercolor paper with the finish of a drawing sheet Perfect For:* Studies or finished art* Gouache* Colored pencil* Acrylic* Gel pens* Metallic inks* Metallic watercolors* Light charcoal* Pastels* Other opaque media Strathmore's cover artist, Minnie Small, created a beautiful forest scene on the black paper using a mix of gouache, colored pencils and opaque pens. The paper stayed nice and flat and handled the gouache without any issues. Mixed Media pads from Strathmore combine true wet media performance and dry media finish for a complete range of mixed media applications. See More
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Strathmore 300 & 400 Series Mixed Media PadsSave Up to40%Off listHigh-Performance Papers For Multiple Media! Strathmore has crafted a line of papers perfect for the demands of mixed-media applications that blend wet and dry media with collage elements! The spiral-bound 300 Series is great for sketches and quick studies. The tape-bound 400 Series pads are… High-Performance Papers For Multiple Media! Strathmore has crafted a line of papers perfect for the demands of mixed-media applications that blend wet and dry media with collage elements! The spiral-bound 300 Series is great for sketches and quick studies. The tape-bound 400 Series pads are excellent for illustrations or completed artwork. The 300 Series and 400 Series Mixed Media pads feature artist-grade papers that combine the characteristics of a watercolor paper with the finish of a drawing paper. Both series are ideal for works in graphite, colored pencil, charcoal, pastel, watercolor, marker, pen and ink, gouache, acrylic, collage, and almost any art media combination! Key Features:* Micro-perforated sheets* Made in the USA!* Acid-free white vellum* Medium texture surface* Travel or Plein air work Perfect For:* Creating unique, dramatic effects* Watercolor, marker, pen & inks* Gouache, acrylic, collage* Charcoal and colored pencils* Soft and oil pastels 300 Series Mixed Media Pads: These spiral-bound pads feature 40 sheets of medium weight 117 lb. (190gsm) true-size, micro-perforated sheets. Available in 3 popular sizes, this acid-free medium weight paper is great for sketches and practice pieces in both wet and dry media. For mixed media sketches, the practice of techniques and quick studies. Weight: 117 lb. 190 gsm Surface: Vellum 400 Series Mixed Media Pads: High-quality artists' paper in tape-bound pads of 15 sheets of heavyweight 184 lb. (300gsm) paper perfect for finished art. Acid-free, glue bound pads have flip-over covers and combine the characteristics of watercolor paper with the finish of a drawing sheet, creating the ultimate paper for combined mediums. For studies or finished art. Heavyweight paper. Weight: 184 lb. 300 gsm Surface: Vellum See More
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New York Central® Acrylic MediumsSave Up to55%Off listProfessional grade mediums for archival results by New York Central® New York Central® Professional Acrylic Mediums are perfect for thinning and extending acrylic paint. Many misinformed artists use water to thin their acrylic paint, but using too much water can weaken the paint bond… Professional grade mediums for archival results by New York Central® New York Central® Professional Acrylic Mediums are perfect for thinning and extending acrylic paint. Many misinformed artists use water to thin their acrylic paint, but using too much water can weaken the paint bond and cause long-term issues. New York Central® mediums support and maintain the structure of your paint while adding a gloss or matte effect. You can thin and extend your heavy body paints with acrylic medium. The more you add, the thinner and more transparent the paint will become. You can also use New York Central® Acrylic Medium as a collage adhesive or as a fixative for dry media. Key Features: * Professional grade acrylic medium * Matte or gloss finish * Mediums are semi-opaque when wet, transparent when dry * Extends colors without damaging paint structure * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Perfect For: * Increasing color depth and transparency * Thinning heavy body paints * Collage, mixed media, and photo transfers * Use as a collage adhesive or as a fixative for dry media * Professional artists and students * Everyday studio use Acrylic Medium Instructions: * Always stir gently. If bubbles appear, let the mixture sit for about ten minutes or until the bubbles dissipate, then resume use. * For use as an extender, mix the medium with acrylic paint. The more you add, the thinner and more transparent the paint will become. * To fix chalk pastels or graphite, mix 1 part medium to 1 part distilled water and apply with an airbrush or atomizer. * To use as a collage adhesive, apply at full strength with a brush or sponge. See More
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