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Schmincke Oil Mediums 500ml Schmincke Primer 1 JarSave Up to10%Off list…oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing drying time. Key Features: * Accelerate or slow drying * Improve transparency and gloss * Outstanding working properties * Extend oil paints and use less paint * Perfect For:… Magnificent mediums for oil paints Schmincke Oil Mediums allow you to create fluid glazes or thick Impasto effects. You can even transform traditional oils into water-mixable oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing drying time. Key Features: * Accelerate or slow drying * Improve transparency and gloss * Outstanding working properties * Extend oil paints and use less paint * Perfect For: * Traditional oil paints * Blending and glazing * Changing the paint texture * Adding to oils undiluted Schmincke Mussini Drying Accelerator: is an especially fast-drying, Jelly-like painting medium for oil colors. The paste preserves the consistency and degree of gloss of oil colors. To avoid weakening of binding properties, use dosage of 10 to max of 30%. The product is ready to use and should be added to oil colours undiluted. After use clean tools as soon as possible with turpentine or brush cleaner. The Schmincke Mussini drying accelerator contains: siccative, stand oil, resin solution, mineral spirit. Impasto Medium (Megilp): Schmincke Meglip Impasto Medium is an oil painting medium designed for painting thickly. The medium preserves the buttery character of oil paint while accelerating the drying process. When you are applying paint in a thick style with a palette knife you should include some Impasto Medium to support the drying process between layers of paint. Contains: alkyd resin, stand oil, and fillers. Medium L: The Jelly-like medium improves oil paint flow while reducing brush strokes, accelerating drying time, and increasing gloss and transparency. Shake well and stir before use. Close immediately after use. The recommended dosage for medium L is 10 - 20 %. The product is ready to use out of the bottle, but you can dilute it with turpentine substitute 50019. Medium W: Schmincke Medium W is a low-odor oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. You should shake the bottle before use. Mix 2 parts of oil color and 1 part of Medium W on your palette, then add water to thin. Add more Medium W to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W may appear lighter or "milky" when wet, but the color will return as the paint dries. Medium W Gel: Schmincke Medium W Gel is a jelly-like oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. Mix 2 parts of oil color and 1 part of Medium W Gel on your palette, then add water to thin. Add more Medium W Gel to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W Gel may appear lighter or "milky" when wet, but the color will return as the paint dries. Refined Linseed Oil: Refined Linseed Oil is winterized and bleached. Many artists use it as a medium when painting. It slows down the drying time of your paint, which can be very useful when painting in layers. Please note: The natural yellowing tendency of linseed oil cannot be stopped by bleaching! Schmincke Primer 1: Schmincke Primer 1 is a pure white, semi-opaque, light-resistant, and nonaging primer for oil and acrylic colors. The primer has a strong absorbent character and forms an elastic, matt film once dry. Schmincke Primer 1 is ready to use straight out of the bottle, or for a thinner consistency, you can thin it with water. For max dilution, mix with 30% water See More -
Frida Glass Paint Texture Effect Glass Paint 500 ml - Dark GreenSave Up to73%Off listMake Your Own Stained Glass Creations With Excellent Results! Easily produce artwork with the look of real stained glass without the need for special tools and equipment! Frida offers 21 different solvent-based colors with a smooth texture and cool color palette. Just tape your design underneath,… Make Your Own Stained Glass Creations With Excellent Results! Easily produce artwork with the look of real stained glass without the need for special tools and equipment! Frida offers 21 different solvent-based colors with a smooth texture and cool color palette. Just tape your design underneath, outline the design with Frida Glass Paint Outliner, and fill in with glass paint using a dropper. Frida Glass Paint is solvent based and incredibly easy to use. Create fantastic works of art with a transparent effect that looks just like stained glass. Can be used on glass, acrylic, aluminum, and lightly gessoed wood. The only limits are your imagination! Key Features: * Beautiful smooth texture that spreads easily * Available in 21 cool colors * Solvent-based, easy to use glass paint * No special tools or equipment required Perfect For: * Making your own stained glass creations * Artists of all skill levels * Use on glass, acrylic, aluminum and even lightly gessoed wood * Frida Glass Paint Instructions > You Might Also Like Create intricate designs for your Frida Glass Paint with Frida Relief Outliners Frida Relief Outliners > See More
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Winsor & Newton Artists Acrylic Mediums And Additives - Matt Medium, 500mlSave Up to40%Off list…without decreasing the body, adds a matt finish. * Modelling Paste - Adds texture and structure to your painting. * Flow Improver - Greatly increases the flow of your colors for watercolor, hard edge, and staining techniques. * Slow Drying Medium - Increases the drying time of your acrylic paints. Use to improve flow of acrylic paints, add body, lengthen drying time and more! Of course acrylic paint straight from the tube can be beautiful, but why not spice it up and experiment with mediums and additives? Some are designed to assist with technical aspects like lengthening the drying time of paint, or increasing the flow. Others are intended as aesthetic qualifiers, adding or subtracting sheen, increasing transparency, or adding thickness and body. Mediums are what make acrylics among the most versatile paints out there: from delicate watercolor effects to near-sculptural impasto and everything in between, Artists’ Acrylic Mediums and Additives will help you make your artistic vision a reality! * Glazing Medium - Adds transparency. * Gloss Medium - Increases the transparency and flow. * Matt Medium - Increases the transparency and flow of your paints, while decreasing the gloss finish. * Gloss Gel - Increases the transparency of your paint without decreasing the body. * Matt Gel - Increases the transparency of your paint without decreasing the body, adds a matt finish. * Modelling Paste - Adds texture and structure to your painting. * Flow Improver - Greatly increases the flow of your colors for watercolor, hard edge, and staining techniques. * Slow Drying Medium - Increases the drying time of your acrylic paints. See More -
Frida Glass Paint Pearl Effect Glass Paint 500 ml - GrapeSave Up to73%Off listMake your own stained glass creations with excellent results! Easily produce artwork with the look of real stained glass without the need for special tools and equipment! Frida offers 19 different solvent-based colors with a pearlescent style to choose from. Just tape your design underneath, outline… Make your own stained glass creations with excellent results! Easily produce artwork with the look of real stained glass without the need for special tools and equipment! Frida offers 19 different solvent-based colors with a pearlescent style to choose from. Just tape your design underneath, outline the design with Frida Glass Paint Outliner, and fill in with glass paint using a dropper. Frida Glass Paint is solvent based and incredibly easy to use. Create fantastic works of art with a pebbled, pearlescent effect in 20 vibrant and bright colors. Can be used on glass, acrylic, aluminum, and lightly gessoed wood. The only limits are your imagination! Key Features: * Pebbled, pearl-like surface * Available in 19 vibrant colors * Solvent based, easy to use glass paint * No special tools or equipment required Perfect For: * Making your own stained glass creations * Artists of all skill levels * Use on glass, acrylic, aluminum and even lightly gessoed wood Frida Glass Paint Instructions > See More
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Winsor & Newton Linseed Stand Oil Medium, 500ml BottleSave Up to40%Off list…viscous oil that slows drying while imparting a smooth, tough enamel finish with no brush marks. Refined Linseed Oil - A low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of… The Perfect Mediums to Aid In Drying Time and Preserve of Oil Paint Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. Drying oils control color, prevent over-thinning when mixed with solvents, and help maintain the flexibility of paint film. Blending & Glazing Medium - Adjusts oil paint's viscosity and drying behavior for seamless colour blends and even glazes. Improves transparency. Cold Pressed Linseed Oil - An oil extracted without the use of heat. Cold Pressed Linseed Oil makes oil colour "fatter". It reduces viscosity for better flow while adding transparency and gloss. Drying Poppy Oil - Extracted from the seeds of the poppy plant. Drying Poppy Oil makes oil colour "fatter" and has a pale character. The fast drying oil stabilizes a colour’s film. Dries more slowly than linseed oil and preserves good, clear colours even in the spectrum of light colours. Drying Linseed Oil - Fastest drying linseed oil, increases gloss, transparency, and reduces consistency. It decreases the consistency and transparency of the oil paint. Add to other oils to accelerate drying times. Linseed Stand Oil - For glazing and as an alternative for Refined Linseed Oil, due to its pale colour and excellent levelling. Linseed Stand Oil makes oil colour "fatter". It's a pale viscous oil that slows drying while imparting a smooth, tough enamel finish with no brush marks. Refined Linseed Oil - A low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. Thickened Linseed Oil - Amber coloured, partially oxidised oil. Makes oil colour "fatter". A faster drying viscose oil. Can be used in combination with Sansodor to accelerate drying rates further. Safflower Oil - Extracted from the seeds of the safflower plant. Makes oil colour "fatter" and has a pale character. It's a slow drying oil that stabilizes paint film. Use with whites, pale and bright colours. The pale colour preserves the brightness of pigments. Key Features: * Accelerates the drying time * Increases gloss & translucency of colors * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Accelerating the drying of oil colors * Professional oil painters * Maintaining consistency * Preserving gloss PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More -
Grafix Artist-Tac Adhesive Dots - 11"x17" (25-Sheets)Save Up to9%Off listNo mess, easy to use dry adhesive dots! Grafix Artist-Tac is a line of dry-transfer adhesive dot sheets that allow mess-free, quick and easy mounting of paper, photos, plastic and more. These sheets transfer a fine layer of adhesive dots—repositionable until burnished—ensuring even… No mess, easy to use dry adhesive dots! Grafix Artist-Tac is a line of dry-transfer adhesive dot sheets that allow mess-free, quick and easy mounting of paper, photos, plastic and more. These sheets transfer a fine layer of adhesive dots—repositionable until burnished—ensuring even adhesion on any shaped item. Packs of 25 sheets are available in three sizes: 5.5 x 9”, 8.5 x 11” and 11 x 17”. Key Features: * Even edge to edge adhesion with no bleed * Repositionable until burnished * Works well with irregular shaped items, many surfaces and translucent mediums * No mess, fumes or cutting Perfect For: * Mixed Media and collage artists * Scrapbooking * Photo mounting * Greeting Cards See More -
Frida Glass Paint Smooth Effect Glass Paint 500 ml - OrangeSave Up to73%Off listMake your own stained glass creations with excellent results! Easily produce artwork with the look of real stained glass without the need for special tools and equipment! Frida offers 21 different solvent-based colors with a smooth texture and cool color palette. Just tape your design underneath,… Make your own stained glass creations with excellent results! Easily produce artwork with the look of real stained glass without the need for special tools and equipment! Frida offers 21 different solvent-based colors with a smooth texture and cool color palette. Just tape your design underneath, outline the design with Frida Glass Paint Outliner, and fill in with glass paint using a dropper. Frida Glass Paint is solvent based and incredibly easy to use. Create fantastic works of art with a transparent effect that looks just like stained glass. Can be used on glass, acrylic, aluminum, and lightly gessoed wood. The only limits are your imagination! Key Features: * Beautiful smooth texture that spreads easily * Available in 21 cool colors * Solvent based, easy to use glass paint * No special tools or equipment required Perfect For: * Making your own stained glass creations * Artists of all skill levels * Use on glass, acrylic, aluminum and even lightly gessoed wood Frida Glass Paint Instructions > You Might Also Like Create intricate designs for your Frida Glass Paint with Frida Relief Outliners Frida Relief Outliners > See More
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Old Holland Classic Pigment Schev. Yellow Medium 30gSave Up to40%Off listYellow Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More -
LUKAS Acrylic Medium - Modeling Paste Fine Sand, 500mlSave Up to60%Off list…even slow drying time for wet-on-wet techniques. Lukas mediums are great for customizing your acrylic paints! Click the item number to learn more about specific mediums. Key Features: * Highest-quality acrylic resins and materials * Pastes and gels help create complex ground structures * Slow drying… Customize Your Acrylic Paints With Lukas Professional Acrylic Mediums LUKAS has been supplying professional quality artist paints and mediums to artists since 1862. Their high-quality acrylic mediums, pastes, gels, and retarders have been carefully created to fulfill any acrylic painter’s needs. Any imagined texture, technique, or faux finish is capable with one or more of the mediums below. Build up a massive volume of color with structure pastes in various finishes from fine to extra coarse. Obtain specific looks with metallic modeling pastes, pumice pastes, or glass beads. Achieve granular looks with their structure pastes that contain quartz sand. LUKAS manufactures a wide variety of acrylic painting mediums to dilute or extend paint, create different film sheens, and even slow drying time for wet-on-wet techniques. Lukas mediums are great for customizing your acrylic paints! Click the item number to learn more about specific mediums. Key Features: * Highest-quality acrylic resins and materials * Pastes and gels help create complex ground structures * Slow drying time for wet-on-wet painting techniques * Regular and metallic modeling paste Perfect For: * Artists of all skill levels * Mural painters and faux finishers * Exploring different techniques * Creating different surface textures * Altering the sheen of a painting Studio Universal Modeling Paste: Great for building up thick structured areas on the surface of a panel or board. The paste dries to a light opaque grayish color. Retarding Medium: Slows the initial drying time of the paint film and the acrylic colors it is mixed with. Depending on the amount added, the drying can be delayed longer, allowing for wet-in-wet techniques. Pearl Structure Gel, Extra Fine: A milky white acrylic gel with pearlescent pigments that dries a silvery-white color. It is slightly transparent with intense pearly reflections. The color spectrum ranges from silver-white to light green to purples. Structure Paste Pumice Mortar: A light grey-beige structure paste perfect for creating pronounced 3D effects. This paste dries to an extremely coarse, rough-looking surface texture. Structure Paste Granite: A silver-grey colored, fine-grain acrylic paste with black particles and a shining mineral effect. It dries with a rough surface texture. Paste Granite is suitable for creating mineral textures that imitate stone surfaces. A shimmering, silver glimmer effect can be achieved when added to acrylics. Structure Paste Graphite: An opaque metallic black acrylic paste with metal oxide granulates. It dries graphite black with a rough surface texture and glitter effect. Structure Paste Graphite can also be mixed in with regular acrylic paint. Studio Light Structure Paste: A lightweight opaque white structure paste, suitable for large murals and paintings. Structure Paste Fine Sand: An opaque white structure paste perfect for creating reliefs on non-absorbent surfaces. Drying time depends on the thickness of the layers 2-24 hours. Acrylic Structure Paste with Quartz Sand Extra Coarse: An opaque light beige structure paste perfect for creating relief structures. This paste also offers a unique quartz sand texture. Studio Modeling Paste Universal: An opaque beige structure paste that can be mixed with acrylic paint or painted over. Acrylic Relief Modeling Paste: An opaque white modeling paste perfect for creating reliefs. Studio Modeling Paste with Extra Coarse Sand: An opaque beige structure paste with a unique sand texture. Studio Modeling Paste Extra Coarse: This opaque white structure paste offers a unique coarse-grained, sand-like surface texture great for creating reliefs. Modeling Paste with Coarse Sand: This modeling paste contains extra coarse quartz sand and dries to an opaque, beige finish. It can be mixed with acrylic paint or painted over. Golden Modeling Paste: An opaque metallic gold modeling paste. Silver Modeling Paste: An opaque metallic silver modeling paste. Copper Modeling Paste: An opaque copper-colored modeling paste. Bronze Modeling Paste: An opaque metallic bronze modeling paste. Acrylic Transparent Gel: A milky, transparent acrylic gel that allows the application of semi-transparent relief structures. This gel has a silky sheen once dry. Crystal Gel: A crystal clear, high gloss gel that allows you to build transparent reliefs; suitable for collage techniques. Structure Gel Corundum: A milky white acrylic gel with black and brown metal oxide granules that dries to a transparent finish. This gel is suitable for creating a coarse-grained, rough, black-brown surface texture with a slight glitter effect. It can be added to acrylic paints to achieve bright colors with black/brown flecks without changing the original character of the acrylic paint. Structure Gel Glass Beads: A milky white acrylic gel with structure-forming reflective glass beads. The gel dries transparent. The most intense reflections are achieved by mixing the glass beads with transparent acrylic paint or thinly painting over the dried gel. Acrylic Crystal Sand Structuring Gel: A milky white acrylic gel with structure-building transparent grains of sand. It dries transparent with a crystalline sand texture and a light glitter effect. Acrylic Structuring Gel Fibre Mix: A milky-white acrylic structuring gel with flexible synthetic fibers. Gel dries transparent with a shining surface effect. The most light reflection is achieved when the gel is mixed with transparent acrylics or applied over a colored ground. Acrylic Structuring Gel with Crystal Fragments: A milky white acrylic gel with coarse-grained transparent synthetic resin particles. Gel dries transparent with a crystalline sand texture and a light glitter effect. The most light reflection is achieved when the gel is mixed with transparent acrylics or applied over a colored ground. Acrylic Quartz Sand Structuring Gel: A Milky-white acrylic gel with fine-grained light grey specs of sand. The structure gel dries transparent with a rough sand texture and light glitter effect. Acrylic Hologram Structuring Gel: A milky white acrylic structure gel that dries to a transparent finish with a holographic, shimmering glitter effect. Please Note: The effect does not work when mixed with acrylic paint. Gloss Acrylic Painting Gel: A nonyellowing acrylic gel that dries to a transparent gloss finish. Mixing the gel with acrylic paint increases gloss, transparency, and color brilliance without altering the paint color. Silk-Matt Acrylic Painting Gel: Increases the gloss, transparency, and brilliance of acrylic paints when mixed into the paint. This nonyellowing acrylic gel dries to a translucent satin matte finish. Will not alter the color of the paint. Acrylic Impasto Painting Gel, Gloss: A milky white acrylic structure gel perfect for creating distinctive 3D reliefs. This gel dries clear and is known for increasing the structure, transparency, and brilliance of acrylics when mixed into paint. Acrylic Impasto Painting Gel, Silk-Matt: A milky white acrylic structure gel perfect for creating distinctive 3D reliefs. This satin matte gel is known for increasing the structure, transparency, and brilliance of acrylics when mixed in with paint. Pastel Primer: A light grey pastel primer that dries to a fine-grained coarse film. You can mix in acrylic paint to change the color of the primer. The dried surface is suitable for working with pastels, chalk, watercolors, acrylics, and gouache. See More
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