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Old Holland Oil Color - Zinc White, 125 TubeSave Up to44%Off listWhite Considered one of the Finest Oil Paints In the World! Manufacturing pigments since 1664, Old Holland Classic Oil Colors are still considered today as one of the top oil paints in the world! Boasting artists like Van Gogh, Vermeer, and other Dutch Masters that used their pigments and paints, Old Holland uses only pure, cold-pressed linseed oil as a binder with the highest possible pigment loads, creating brilliantly concentrated paints that provide exceptional covering power, strength of color, and color intensity. All Old Holland Classic Oil Paints are completely lightfast except for the Madder Lakes and Cremnitz White, which are nearly lightfast. All Old Holland oils are manufactured using stone rollers only, as the colors of the paint will not change due to metal oxidations (which will alter Cadmium colors). All colors are completely free of cheap fillers and artificial dryers like other premium paints contain. Although Old Holland Oils initially may seem very expensive, the heavy concentration of pigment is actually an exceptional value, given the covering power of the paint and minimum amount needed for color mixing. One tube of their highest possible concentration of pigment equals the pigment contained in 2 to three tubes of other professional brands! Old Holland Classic Oil Colors come in 40ml and 225ml tubes. Cremnitz White, Flake White, Mixed White, Titanium White, and Zinc White can be purchased in 125ml and 225ml tubes, as well as 475ml cans. Key Features: * Oil Paints used by Van Gogh and Vermeer * 40ml, 125ml, 225ml tubes / 475ml Cans * 40 ml or 18ml tube sets of 10 * Highest Professional Quality * Highest possible pigment loads * Manufacturing Pigments Since 1664 * Completely lightfast * Cold Pressed Linseed Oil Binder * Exceptional covering power * Strength of color and color intensity * Paint will not change due to metal oxidations * Free of cheap fillers Perfect For: * Professional Oil Painters * Pigment Afficionados * Making paint go further * Upgrading to Professional Oils * Highest Quality Paints You Can use Old Holland Oil Sets of 10: Want to blow the oil painter in your life away and make their artist friends swoon with envy? Old Holland Classic Oil Colors Sets are the perfect gift for just that! "Lake" means transparent glazing colours. "Extra" means traditional colour made from lightfast pigment See More
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Old Holland New Masters Classic Acrylic Colors Titanium White Extra Opaque 60 mlSave Up to25%Off listWhite Highest pigment load acrylics with a 100% pure acrylic medium Designed to have little color shift from wet to dry, Old Holland New Masters Acrylics hold the maximum possible pigment content as well as look and feel of classic oils straight from the tube. In 1998, Old Holland’s chemists began research in the area of acrylic paint colors, with the goal to create an exceptional professional acrylic paint line that was worthy of carrying the Old Holland name. The project was dubbed "New Masters" as a long-held dream of the late owner Professor Theo de Beer, since Old Holland Oils were used by the old Dutch masters. He foresaw that the modern medium of acrylics would be used by the new masters of art. Key Features:* Full range of 168 colors* Highest pigment load* High impasto capabilities* Dries to a satin gloss* Oldest paint maker in the world!* Professional Acrylic Sets* All-Inclusive Deluxe Wood Box Set Perfect For:* Professional Acrylic Painters* Transitioning to acrylics from oils* Impasto painting to glazing* Feel of oil paints in an acrylic After testing more than 250 pigments and different mediums for the paints, they were incorporated into a series, irrespective of cost. Instead of the resins most of the major acrylics manufacturers incorporated into their products, Old Holland chose a 100% pure acrylic medium from a European manufacturer as the paint vehicle. More expensive than traditional popular resins, it gives New Masters Acrylics the same characteristics and texture of Old Holland’s Classic Oils. Utilizing traditional pigments like Genuine Manganese Blue, etc. to more modern lightfast anthraquinonoids and more, Old Holland produced acrylics that they tested with professional artists in various countries. By the end of 2005, the range of 168 colors was introduced, and consisted of opaque and transparent lightfast colors that were free of additives and fillers. Drying to a satin gloss, they can be used for a wide range of techniques from thick impasto to ultra-thin glazing. With an extensive selection of metallics, pearlescent, iridescent, and interference colors that are extremely lightfast, the high doses of pigment in the patented binding system ensure each color displays the unique characteristics of the individual pigment. Try the simple starter New Masters Set of 6, or spring for the Deluxe Wood Box Set — the perfect transition for the professional oil painter to the medium of acrylic painting — and fall in love! New Masters Acrylic Set of 6 - Includes six 60ml tubes of Titanium White, Azo Yellow Light, Naphthol Vermillion, Quinacridone Fuschia, Ultramarine Blue, and Phthalo Blue. New Masters Acrylic Deluxe Wood Box Set - Deluxe Italian Mabef Wood Sketch Box contains thirty 60ml tubes of Old Holland New Masters Acrylic Colors, three brushes, and a wood palette. See tech notes for complete set contents. See More
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Old Holland Classic Watercolor 18ml - Mixed WhiteSave Up to25%Off listWhite Made from only the best and purest pigments Old Holland Classic Watercolors are super intense colors made from extremely concentrated formulas. Old Holland has emerged as a quality leader in watercolor! Old Holland spent ten years assembling a range of 168 lightfast watercolor paints with the maximum degree of pigmentation that could be achieved. All color-making is done by hand. Made from the best and purest pigments! For great transparency, a binder was formulated based on distilled water in which bleached gum types, pure glycerin (99.9%), natural sugar syrups, honey, rabbit skin glue, and seaweed extract are dissolved. The color packs the greatest punch of any existing brand and is totally reliable with ASTM 1 or 2 lightfast ratings. Due to its highly concentrated nature, each color has an unsurpassed tonal range. Key Features:* Unparalleled colour strength* Rich range of 168 colours* ASTM 1 or 2 lightfast ratings* All color making is done by hand* Made from the best and purest pigments* Maximum pigmentation* Pigments are ground in stone* Binder based on gum arabic, glycerin* Silk screened colour example of the undertone on your tube* Highly concentrated* Unsurpassed tonal range* Available in 18 ml tubes (0.6 oz) Perfect For:* Watercolorists demanding the best* Depth and richness* Infinite shades* Mixing well and dry to a nice velvet finish See More
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Pebeo Vitrail Color Pearl 45 mlSave Up to26%Off listWhite THE IMPOSING BEAUTY OF THE STAINED GLASS - RIGHT AT YOUR REACH Luminous, high-gloss colors in transparent and opaque finishes! Pebeo Mixed Media Vitrail Colors are high-gloss, solvent-based colors— 36 total colors: available in 26 transparent and 10 opaque colors. These colors can be used with liquid art panels, metal, glass, ceramics, plastics, paper, canvas and more! Applied in thin or thick layers with a brush or used with a dropper. Compatible with other products in the Pebeo Mixed Media line. You can easily imitate the lead strips of stained glass windows using self adhesive lead strips, combined with transparent colours to create astonishingly beautiful light effects Key Features:* Mixable* Ready to use* Good lightfastness* Solvent-based* Transparent, intense and very bright colour* Opaque effect, luminous colours Perfect For:* Mixed media artists* Use on multiple surfaces* Use over acrylic mediums or in combination with resins What is Pebeo Vitrail Paint? To imitate a stained glass effect, use Vitrail Glass Paint with Pebeo Cerne Relief. Pebeo Cerne Relief is a water-based outliner that comes in a tube with a fine nozzle. It is available in a range of 7 colours and is used to create the outline of the design before applying the glass paint. After applying the Cerne Relief outliners, how long do you wait before applying Vitrail colours? It is better to allow the Cerne Relief dry at least 30 minutes prior to applying the Vitrail colours. QUALITY: Transparent, intense and very bright colours. Opaque effect, luminous colours. Solvent based, ready to use. Good lightfastness. Use with the cerne relief. COLOUR MIXABILITY: Colours can be mixed together. DRYING: 1 hour to the touch, completely dry after 8 hours. Drying times can vary depending on the thickness of the application, and the temperature and humidity of the room where the product is applied. SURFACES: Glass, polyester, acetate THINNER: Odourless mineral spirits or white spirits. OPACITY:Transparent and opaque colours FINISH Brillant. See More
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Pebeo Fantasy Moon Color Pearl 250 mlSave Up to25%Off listWhite Solvent-based colors that create marbled effects! Pébéo Fantasy Moon opaque colors render a hammered or marbled effect on flat horizontal surfaces. The liquid paints create unique effects, which depend on whether used alone or mixed with Fantasy Prisme, Vitrail or Ceramic paints. They work well on Liquid Art Panels and can also be used on glass, canvas, metal, mirror, Plexiglass, acetate, plastics, ceramics, and more. Make sure to clean brushes and droppers with odorless mineral spirits or citrus-based brush cleaners and then rinse with soapy water.Please note: Stir the paint with a wooden stick prior application to obtain a homogenous and fluid color. DO NOT SHAKE. Use a dropper to place color or pour directly from the bottle onto a flat horizontal surface. The length of time required for the colors to be completely dry varies according to the thickness of the application. A 1/16 inch (2 mm) thick application is dry to the touch after 24 hours and completely dry after 72 hours. Wait a minimum of 7 days before adding a coat of resin over completely dry colors. Key Features:* Pourable, liquid, solvent-based paint* Creates crater-like effects over time* Good lightfastness* Compatible with all other products in the Pébéo Mixed Media line Perfect For:* Abstract landscapes and seascapes* Resin jewelry * Mixed media applications See More
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Pebeo Fantasy Prisme Color Eggshell White 250 mlSave Up to25%Off listWhite Solvent-based colors that create honeycomb and textured effects! Pébéo Fantasy Prisme pearlescent, opaque colors render a honeycomb effect on flat horizontal surfaces. This effect reveals itself while the paint is drying (5 to 10 minutes). They work well on Liquid Art Panels and can also be used on glass, canvas, metal, mirror, Plexiglass, acetate, plastics, ceramics, and more. Fantasy Prisme work well with the Studio Acrylics line as well as with Gedeo Resins and Mirror Effect Metal Leaf. Make sure to clean brushes and droppers with odorless mineral spirits or citrus-based brush cleaners and then rinse with soapy water.Please note: Stir the paint with a wooden stick prior application to obtain a homogenous and fluid color. DO NOT SHAKE. Use a dropper to place color or pour directly from the bottle onto a flat horizontal surface. The length of time required for the colors to be completely dry varies according to the thickness of the application. A 1/16 inch (2 mm) thick application is dry to the touch after 24 hours and completely dry after 72 hours. Wait a minimum of 7 days before adding a coat of resin over completely dry colors. Key Features:* Pourable, liquid, solvent-based paint* Creates honeycomb-like effects over time* Good lightfastness* Compatible with all other products in the Pébéo Mixed Media line Perfect For:* Abstract art* Resin jewelry* Mixed media applications See More
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Great White Artist Oil Paint, 3 PACK - 150ml (5oz) TubesSave Up to59%Off listWhite Heavy Body, Opaque, Non-Yellowing, Archival White Great White Artist Oil Paint is a professional white oil paint made from the purest pigments and the clearest safflower oil. Its buttery smooth consistency dries to a strong elastic film that will not crack or flake. Apply in a thick impasto style or thin with solvent to create soft glazes or delicate highlights. Cover large areas quickly and thoroughly with the brightest opaque white oil paint on the market. Great White Artist Oil Paint is uniquely blanched to stay neutral and not alter color warmth. As a result, the white oil paint mixes well with other colors to yield clean, brilliant tints that resist yellowing. Great White Artist Oil Color has been developed with a historic knowledge of the ingredients and a state-of-the-art blending process. The paint is thoroughly mixed in a European 3-roll computer automated milling machine, a first in color-making. This process allows the oil to coat the pigments in the paint entirely and ensures perfect blending. 100% guaranteed to be the best white you have ever used or your money back! Key Features: * Professional quality, lead-free white * Made with the highest concentration of pigments * Heavy body, opaque, and archival * Clear safflower oil resists yellowing * Will not crack or flake * Highest lightfastness rating * Made in the USA Perfect For: * Color mixing and creating tints * Covering large areas quickly * Creating soft glazes or delicate highlights * Textured brush or palette knife application * Schmaltz™ and StudioSolv™ mediums * All oil painters See More
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Box of 10 Art Alternatives Classic 10oz Studio 3/4 in Canvas 20X20Save Up to66%Off listWhite 3/4" Deep - An All-Purpose Canvas Perfect For Wet Or Dry Media! Art Alternatives Classic Cotton Stretched Canvas is terrific for traditional painting and mixed media techniques. The unbleached 5oz. cotton duck is primed with acid-free acrylic titanium gesso, which brings the finished weight of the canvas to 10 ounces. The all-media primed surface is suitable for acrylics, oil paints, and other wet or dry media. Each canvas is stretched around kiln-dried solid pine stretcher bars. Sizes twenty-four inches or longer have cross braces for additional support. Art Alternatives Studio canvases have a 3/4" depth profile with paintable edges. Key Features: * 3/4" depth profile * Primed with acid-free acrylic titanium gesso * Unbleached cotton duck * 100% natural cotton * Stretched around kiln-dried solid pine stretcher bars * 10oz. primed weight * 5oz. raw weight before priming * Back stapled Perfect For: * Traditional painting and mixed media techniques * Oils, acrylics, and dry media * Spray painting, mixed media and craft projects * Painted edge presentation * Mixed media works * Painters of all levels * Frameless artwork presentation See More
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Painter's Color Diary 9"x12" Wire Bound Pad, WatercolorSave Up to54%Off listWhite Build Your Color Library! Patent Pending Exclusive to Jerry’s, The Painter’s Color Diary® has a fail-proof layout that allows you to record swatch information for future reference. There are countless ways to use the Painter's Color Diary®. Some examples are: * Swatching new color purchases * Testing color transparency and opacity * Creating color mixing formulas * Testing color palettes for an upcoming painting The color diary is spiral-bound with removable pages so that you can work on multiple sheets simultaneously. Once dry, you can reinsert the pages between layers of the included glassine, so they don’t stick together. The top of each color chart has a space for writing the paint brand, the date, or an assignment title if it’s for class. Each swatch box contains a bold black line to show transparency or separate half-tones. The color diary is truly a game changer when it comes to planning the mood of a painting. It’s a remarkable resource to have. Oil & Acrylic Color Diary: * Perfect for oil and acrylic paint * 40 outlined swatch boxes on each page * 136 lb. (290gsm) sized canvas textured paper * 10 removable pages with glassine interleaving * Each swatch outline measures 1" x 1-1/2" * Pages measure 9" x 12" from the spiral binding Watercolor & Multimedia Color Diary: * Perfect for watercolor, colored pencils, pastels, and more! * 35 outlined swatch boxes on each page * 140 lb. (300gsm) 100% cotton cold press paper * Landscape page layout for watercolor gradations * 10 removable pages with glassine interleaving * Each swatch outline measures 1" x 1-1/2" * Pages measure 9" x 12" from the spiral binding Travel Painter’s Color Diary®: * Perfect for watercolor, colored pencils, pastels, and more! * 140 lb. (300gsm) 100% cotton cold press paper * Landscape page layout for watercolor gradations * 36 swatch boxes per page * 10 removable pages with glassine interleaving * Each swatch outline measures 1-3/16" x 1/2" * Pages measure 6" x 8" from the spiral binding Painter’s Color Diary® Binder Box: * Designed to hold Painter’s Color Diary® pages * 1-½" diameter binder ring * Holds up to 40 diary pages * Overall size 9-3/4" x 14-7/8" x 2-7/16" * Holds up to 40 pages (sold separately) * Compatible with 9" x 12" and 6" x 8" sizes * Durable soft-touch cover and sides * Strong magnetic closure keeps the binder secured * Metal label plate for easy identification * Added protection from light and dust * Perfect for cataloging all of your swatches archivally Build your color library with the new Painter's Color Diary® Binder Box – the perfect place to store and protect all your swatched pages. Painter's Color Diary® Review "Over the decades, I have continued to make tests of a diverse and ever-growing collection of oil paints, taking note of how they respond to the addition of white paint to analyze tinting strength or adding a glaze medium to note how the pigments react transparently. Sometimes I will test one color, such as Raw Sienna, from different paint manufacturers to determine which version will be best for my needs. Before using The Painter's Color Diary®, I did these tests on my painting or palette and wiped them away. With this wonderful tool, I now keep a record and note each color and company. For me, The Painter's Color Diary® is the perfect color tool for artists working in oils. Printed on high-quality canvas paper and protected by vellum sleeves, this pad allows for the testing and recording of colors with no bleed-through. I highly recommend the Painter's Color Diary®, not only for students but for professional artists. My color struggle now will be to decide whether to keep the pages in the book or post them on the studio wall!" John Wellington - Painter and teacher See More
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Strathmore Mixed Media 4X6 Postcard Pad Of 15 SheetsSave Up to25%Off listWhite Who doesn't love getting real, handmade mail? Make someone's day by sending your personal art in a postcard! These new Mixed Media Postcards are made with heavyweight 184lb (300gsm) paper that has a vellum drawing finish and is able to handle wet media applications. The front of the postcard is left blank for your art. The back is printed with traditional markings of a postcard so you can mail your piece and share your art. It's great for pen and ink, watercolor, gouache, acrylic, graphite, colored pencil, marker and collage! Available in a standard 4"x6" postcard size with 15 sheets per pad. Key Features: * Heavyweight paper * Vellum drawing finish * Standard 4x6 postcard size Perfect For: * Sending your personal art * Pen and ink * Watercolor, gouache, acrylic * Graphite, colored pencil, marker & collage! See More
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Grafix Mixed Media .010 Opaque White Dura-Bright 6x6 Disc-Bound JournalSave Up to12%Off listWhite Unique Surfaces to create versatile journals The NEW Grafix Mixed Media journals allow you to create a mixed media book with almost any media. You can use stamps, inks, stencils, markers, die-cuts, acrylics, and more on the unique Grafix sheets! The journals are available with an assortment of 6 films or 12 sheets of a single material. Each journal is disc-bound by 6 discs. The unique disc-binding system allows you to remove, insert, and rearrange pages. You can even insert decorated pages into your current disc planner for daily inspiration. Our assorted Grafix Mixed Media packs have 12 pages in total with 2 sheets of .010 Clear Dura-lar, .004 Wet Media Dura-lar, .005 Matte Dura-lar, .010 Opaque White Craft Plastic, .010 Opaque Black Craft Plastic, and .057 Natural Chipboard. Key Features: * Journal and art sketchbook * Available in 2 sizes, 6x6” and 6x9” * 12 Sheets and 6 discs a package * The disc-binding allows you to add or remove pages * Journal pages can be inserted into a separate disc-bound planner * You can add pages from other disc-bound planners to your journal * Made in the USA Perfect For: * Mixed Media artwork * Stamps, inks, stencils, markers, and die-cuts * Painting and drawing * Combining a variety of mediums or styles in one journal * Use with plotter with blade or laser cutter (Craft Plastic) * Alcohol ink, watercolor, acrylics (Craft Plastic and Wet Media Dura-La) * Adding inspiration to your disc-bound planner Journal surface options include: .010” Clear Dura-Lar: Ultra-clear, glossy film perfect for permanent inks and markers. .005” Matte Dura-Lar: a matte translucent film with a drawing surface on both sides. This film will accept lead, ink, charcoal, paint, and colored pencil erases cleanly. .004” Wet Media Dura-Lar: specially coated on both sides to accept water-based mediums, markers, and inks without beading, chipping, or running. Great for planning painting compositions, as a painting surface or printmaking. Wipe with a damp cloth for repeated use. .010” Opaque White or Black Craft Plastic: film a is a strong, smooth, waterproof surface that is wipeable, heat resistant, and fun to use. Available in White and Black. These films can be used with a wide range of mediums and techniques. White works best with watercolor and alcohol inks. Our Black film works best with metallics and iridescent colors. .057” Natural Chipboard: is sturdy enough to be painted, stamped, and sanded, yet thin enough to be cut by many die-cut machines. Each sheet is acid-free and safe to use with all your photos and precious keepsakes. Decorate Grafix Chipboard with eyelets, stickers, brads, and glitter. Chipboard is perfect for creating memory albums. See More
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Fredrix 111 "Rix" Lead-Free DP Linen Roll 54" x 6 YardsSave Up to26%Off listWhite "Carleton" Single or Double Primed - Pure linen, all linen yarns medium texture. Substantial weight. Suitable for many techniques. Picked and pumiced. Hand primed with a lead-free oil ground. "Flemish" Single or Double Primed - Finest Belgian linen, all line yarns, close construction. Woven with the highest quality standards and suitable for the most critical work in portraits and fine technique. Uniform weave, glue sizing and lead-free oil priming. Completely hand processed, picked and pumiced. "Kent" Single or Double Primed - Pure linen with fine weave for portrait or general work. Glue sizing, lead-free oil primed, hand processed, picked and pumiced. "Rix" Single or Doubled Primed - Finest Belgian linen with close construction. For portraits and fine techniques. Uniform weave, glue sizing, lead-free oil priming, hand processed, picked and pumiced. SP = Single Primed DP = Double Primed See More
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Fabriano 1264 Mixed Media Spiral Pad - 9"x12", 120lb (40-Sheet)Save Up to33%Off listWhite Various wet and dry media applications! Fabriano 1264 Mixed Media Pads feature 120 lb. (200gsm) acid-free paper sheets. The soft mixed media paper has a medium-textured surface finish with a unique sizing perfect for withstanding the demands of wet and dry techniques. Fabriano 1264 Mixed Media paper is excellent for those mixed media applications that blend dry and wet media with collage elements. Each paper sheet is made using Hydro-Power and is FSC certified. Pads are spiral-bound and contain micro-perforated sheets. Ideal for works in graphite, colored pencil, watercolor, marker, pen and ink, gouache, collage, and almost any art media combination! Key Features:* 120lb (200gsm) weight* AvaIlable in Soft White and Black* Acid-free medium textured paper* Spiral-bound pad* 25 or 40 micro-perforated sheets* FSC certified paper* Made in Italy Perfect For:* Colored pencil and graphite* Various wet and dry media applications* Finished artwork* Graphite, colored pencils, markers, watercolor, gouache, pen & ink, gel pens, and more!* Intricate drawings* Illustration* Students and professionals alike* Spontaneous sketching and Plein air work See More
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Strathmore Vision Mixed Media 11x14 In Pad Wire Bound - Medium Surface - 70 SheetsSave Up to25%Off listWhite Vision Mixed Media Pads - Let the world see your vision Tear off the top sheet and reveal your own customizable cover! A medium weight, all-purpose paper in a sketching format. This versatile paper is a good choice for dry and light, wet media sketching. All sizes feature high sheet counts, sturdy chipboard backing and tear-off top sheets with customizable, steel blue, mixed media covers below. Tear off the top sheet and reveal your own customizable cover! Pad Features: Wire bound pads are micro-perforated. Tear-off top sheet with a blank, permanent mixed media cover underneath that can be customized with your own artwork. Drawing Paper Weight: 98 lb. 160 g/m2 Surface: Medium Customizable Cover Weight: 184 lb. 300 g/m2 Surface: Medium 5.5" x 8.5 Wire Bound (8.5") 70 Sheets 7" x 10" Wire Bound (10") 70 Sheets 9" x 10" Wire Bound (12") 70 Sheets 11" x 14" Wire Bound (14") 70 Sheets Key Features:* Mixed Media Paper Weight: 98 lb. 160 g/m2* Customizable Cover Weight: 184 lb.* Medium weight, all-purpose paper in a sketching format* Versatile paper * Permanent mixed media cover underneath* Good choice for dry and light, wet media sketching* Tear-off top sheet* Customized with your own artwork* Pads are micro-perforated* All sizes feature high sheet counts* Sturdy chipboard backing Perfect For:* Dry and light, wet media sketching* Sturdy chipboard backing and tear-off top sheets* Customizable, steel blue mixed media covers below* All-purpose paper in a sketching format* Pads are micro-perforated Strathmore® Vision™ Artists are as unique as their vision. That's why we listened to requests for a series of artist pads with covers that can be customized. For the first time ever, our new line of pads features a tear away fly sheet that reveals a heavyweight, CUSTOMIZABLE, blank cover made from high quality, steel blue mixed media paper.Featuring extra high sheet counts and extra durability, this affordable line delivers key performance characteristics for sketching, drawing, mixed media and watercolor art. See More
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Winsor & Newton Mixed Media 135 lb Spiral 11x14 Pad 30-SheetsSave Up to41%Off listWhite Durable enough to withstand mixed media multi-layered work! With Winsor & Newtons, Mixed Media Pads, you can create dynamic mixed media drawings and paintings on tough multipurpose paper. Each spiral-bound pad contains thirty sheets of 135lb natural white fine-grain paper. The paper mill uses hydroelectric power to reduce greenhouse emissions and FSC certified pulp to protect forests. Winsor & Newton designed the Mixed Media Pad paper to withstand repeated manipulation and various wet and dry media layers, including graphite, pastel, acrylic, watercolor, and gouache. Free from acids and optical brighteners, this paper is archival and resistant to aging. Key Features: * 135lb, 250gsm Mixed media paper * 30-Sheets, spiral-bound * Micro-perforated sheets for easy removal * Heavyweight and non-absorbent paper * Soft white paper with a slightly grained texture * Archival acid-free and non-yellowing * Free of acids and optical brighteners * Hydroelectric power used to reduce greenhouse emissions * FSC certified pulp to protect forests * Perfect For: * Mixed media artists * Combining wet and dry mediums and techniques * Sketching and drawing * Graphite, pastel, acrylic, watercolor, and gouache * Illustrators, designers, fine arts * Withstanding mixed media multi-layered work * An endless array of techniques * Archival foundation for artwork See More
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Creative Mark Universal Mixed Media Pad 6 x 8 in (20 Sheets)Save Up to58%Off listWhite Withstands virtually any media type! After years of research, Creative Mark has created a universal pad for mixed media art applications. The 90 lb. (200gsm) sheets withstand virtually any media and stand up to the roughest handling and gluing. Use the pages for anything from drawings and designs to light collage. Each pad contains 20 white sheets, glue-bound on top. Available in four sizes. Key Features:* 20 white sheets (40 pages)* 90 lb. (200gsm) paper stock* Glue-bound top binding* White paper* Withstands the roughest handling* Perfect For:* Acrylic inks and traditional gouache* Turner Acryl Gouache* Glue and light collage* Most writing instruments* Colored pencil and graphite* Travel or working outside* Your thoughts and ideas See More
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Canson XL Fluid Mixed Media Pad 7"x10", 30 SheetsSave Up to32%Off listWhite Finally, a paper that does not warp under fluid acrylic pours! Canson XL Fluid Mixed Media Pads feature a 90lb. (250 gsm) heavyweight paper perfect for acrylic pouring techniques. Fluid acrylics flow evenly across the smooth, clean surface of the paper. You don't have to worry about the paper curling because the paper is durable and can withstand wet acrylic paint without warping. Bold, bright colors stand out against the super white background. The super-smooth surface is also perfect for precision drawing with technical pens, ink, and markers. Each pad contains 30 sheets. Key Features: * 90lb. (250 gsm) heavyweight paper * Each pad contains 30 sheets * Smooth white surface * Super white paper for color contrast * Acid-free and will not yellow * Sturdy cardboard backing provides stability for use on the go * Complies with the ISO longevity standard 9706 * Paper made from FSC® certified wood Perfect For: * Acrylic pouring techniques * India ink and acrylic ink * Liquid watercolor and markers * Fluid acrylic paintings * Illustrators and fluid acrylic artists * New artists wanting to try pouring without a big investment * At home painting parties * Artists of all skill levels See More
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Yasutomo Mineral Paper Pad 150gsm, 11x14" 20-SheetsSave Up to11%Off listWhite Paper made from rocks, not trees!! Made from 80% calcium carbonate, Mineral Paper provides a unique surface for dry and wet media. Because the paper is bonded with a small amount of HDPE (plastic), it can handle more abuse. Yasutomo Mineral Paper is tear-resistant, foldable, non-wrinkling, and will not allow color-bleed through even when soaked. Mineral Paper has a smooth, vellum-like velvety feel and a nice amount of tooth for wet media. You can draw crisp lines with graphite or puddle alcohol inks on the surface. Perfect for multi-media projects, you can emboss, deboss, varnish, glue, and even laminate Mineral Paper. Key Features: * Acid-free bright white paper * 80% calcium carbonate bonded with HDPE (plastic) * Can handle more abuse than traditional paper * Available in 100 lb /150 gsm or 160 lb/240 gsm weight * Green alternative to wood pulp * Smooth, vellum-like velvety feel * Nice amount of tooth for wet media * Tear-resistant, foldable, and non-wrinkling * Will not allow color-bleed through even when soaked * Not recommended for oil-based paints or oil pastels Perfect For: * Dry and water-based media * Alcohol inks, watercolors, and colored pencils * Graphite, acrylic, and pan pastel * Crisp lines and saturated colors * Emboss and deboss * Accepts varnish and glue * Inkjet printing (results will vary depending on the printer) Mineral Paper now comes in a heavier weight! 240 gsm Mineral Paper is more durable than previous versions and holds up better to various art techniques, including alcohol ink painting, silverpoint drawing, mixed media, and more. See More
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Strathmore Mixed Media Greeting Cards + Envelopes 3.5"x4.875" (Pack of 6)Save Up to33%Off listWhite Versatile Mixed Media Greeting Cards Strathmore's popular 400 Series Mixed Media paper is available in greeting card form! These heavyweight 140 lb. cards offer the attributes of watercolor paper but with a vellum drawing paper finish. They are ideal for artwork in watercolor, gouache, acrylic, graphite, pen and ink, colored pencil, pastel, marker, and collage. Of course, these artist-grade cards are acid-free, so your personalized cards can be treasured for years. Customize your holidays and letters in any artistic media with Mixed Media Greeting Cards from Strathmore! Key Features:* Cards: 140 lb. / 300 g/m2* Envelopes: 80 lb. text / 118 g/m2* Acid-free * Attributes of a watercolor paper but with a vellum drawing finish* Surface: Vellum Perfect For:* Ideal for watercolor, gouache, acrylic, graphite, pen and ink, colored pencil, marker, and collage* Customized correspondence for any occasion! See More
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Pebeo Liquid Art Panel 3/4" Deep - 16"x16" (Box of 3)Save Up to19%Off listWhite Enticing panels to keep your heart brave and your imagination wild! These hardboard panels are covered with a white non-toxic coating. They feature a 1/8" wood lip (width and height) to contain a variety of liquid mediums. Use the appropriate primer (if needed) for the medium of your choice (no primer needed with Pébéo Fantasy, Vitrail, Ceramic, Gédéo, or Studio Acrylics). Experiment with combining different mediums to produce a wide range of effects. Make sure to cover your artwork during the drying process to protect it from dust and debris. Available in several sizes, with a choice of 3/4" or 1.5" depth. Key Features:* White, laminated hardboard surface* 1/8" Raised Lip, available in Classic (3/4" Deep) and Gallery (1.5" Deep)* Sizes range from 6x6" to 18x24"* Wooden sides may be painted or stained Perfect For:* Acrylics and mixed media* Encaustics* Alcohol inks & dyes* Pouring Pébéo colors and Resins See More
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Strathmore 500 Heavy Weight Mixed Media Pad 9X12Save Up to33%Off listWhite Premium heavyweight paper perfect for watercolor, illustration & mixed media artwork! Strathmore 500 Series Heavyweight Mixed Media Pads features an extra heavyweight, 3-ply cotton surface ideal for mixed media applications. This 100% cotton, 350 lb (570 g/m2) paper has a vellum finish suitable for drawing and illustration and is internally sized for wet media. The durability of this archival, lignin free paper helps it withstand multiple layers of media application. Each 12- sheet pad is available in 3 sizes with glue binding for clean and easy sheet removal. Key Features: * 100% cotton, 350 lb (570 g/m2) 3-ply mixed media paper * Vellum finish suitable for drawing and illustration * Archival & lignin free * Each 12 sheet pad available in 3 sizes with glue binding for easy sheet removal. Perfect For: * Watercolor, gouache & acrylic mediums * Mixed Media Artists * Graphite, pen & ink, colored pencil * Marker, pastel & collage applications See More
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Strathmore 500 Series Mixed Media Paper - 4 Sheets 22x30"Save Up to33%Off listWhite Strathmore 500 Series Mixed Media Paper & Boards - Professional quality paper and board specifically designed for wet and dry media art! New from Strathmore Artist Papers comes their finest selection of art surfaces for multimedia artwork: 500 Series Mixed Media Paper and Boards! As with all of Strathmore's 500 Series line, these new paper surfaces are made of only the finest 100% cotton, and are archival, being both acid and lignin-free. Mixed Media Paper and Boards are the perfect surface for finished art in wet and dry media, collage, and more! They are internally sized for wet media work, with a slightly toothy vellum finish perfect for drawing techniques. The ideal professional grade surfaces for any multimedia art, whether graphite, colored pencil, watercolor, gouache, light acrylic, pastel, pen and ink, marker, collage and much more! Key Features: 100% cotton paper Professional grade surface Archival, acid and lignin free Internally sized Toothy vellum finish Popular Ready-Cut sizes Perfect for: Both wet and dry media art Drawings in pencil, marker, colored pencil, pen and ink Paintings in watercolor, gouache, light acrylic and inks Multimedia works and light collage * Mixed Media Paper – This 100% cotton, 90 lb. paper is archival and durable, being internally sized with a toothy vellum finish. Perfect for bookbinding techniques as well as mixed media art. Sold in packs of four 22x30" sheets. * Mixed Media Board – This sturdy, 52 pt. board consists of 2 sheets of Mixed Media paper mounted on either side of a high quality white board. Ideal for vigorous techniques, collage, fine art and commercial illustration. Available in standard 22x30" boards or packs of popular Ready Cut sizes for ready-made frames and mats. See More
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Bee Paper 6X6in Super Deluxe Mixed Media Spiral Pad #808Save Up to31%Off listWhite The Only Super Deluxe Sketchbook You Will Ever Need! Created especially for mixed media artists, the Bee Paper Aquabee #808 Super Deluxe Mixed Media Paper Pads are well suited for dry and wet media. The heavyweight 93 lb. (150 gsm), neutral pH drawing paper has two distinct surfaces. The top side of the sheet has the tooth for dry media and works well as a cold pressed watercolor sheet. The bottom side is fabulous with pen and ink and works well as a hot pressed sheet for watercolor and other mixed media. Each sheet of paper is internally and externally sized. The double wire binding creates a flat surface, allowing the artist to draw across the page. The water-resistant cover can be personalized with acrylic paint. The back of the pad features an extra heavyweight 100% recycled chipboard that is perfect for field work. The natural white paper is acid-free and is available in 8 different spiral-bound pad sizes or a 36 In X 5 Yard roll. Key Features: * 93 lb. (150 gsm) * Water-resistant cover * Neutral pH drawing paper * Neutral white sheets * Assorted Sizes: 50 or 60 sheets (see pad info) * See Also: 36" x 5 yard roll * Acid-free * Internally and externally sized * Two distinct surfaces textures * Super deluxe mixed media pads #808 Perfect For: * Dry and wet media * Watercolor painting * Pen and Ink * Mixed-media journal * Field work See More
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Soho Artist Oil Color Titanium White, 430ml CanSave Up to81%Off listWhite Artist Oils at The Best Value! Good color is vital for the success of the painter! Thick and Rich Color! Good color is vital for the success of the painter. Only oil colors that act like oil colors and provide for lasting and predictable results should be considered by any artist at any skill level. Many brands of student grade oil color don't feel like genuine oil colors and don't mix well, ultimately achieving less appealing results in a finished painting. This artist range of colors is designed for all artists at all skill levels. It is particularly well loved by oil colorists that use lots of color seeking high performance and economy. SoHo Oils are slowly ground on triple roller mills allowing pure refined linseed oil to completely encapsulate the pigment for maximum luminosity and superb handling properties. SoHo Urban Artist Oil Colors eliminate the need for student oils, providing first time artists and professional artists on a tight budget the use of "real" color with a buttery consistency, excellent pigment load and lightfast results. That way, once they can afford better, they can move up to a more expensive brand, already familiar with what a true oil color can do. Glazing is no problem with these colors, and palette knife painting is quick and expressive, just as you would expect from far more costly brands. If you are looking for the next step up in color, we recommend Lukas Studio Oil Colors. Available in bonus size tubes! 50ml tube offers 20% more paint than traditional 40ml tubes, 170ml tubes offers 13.3% more paint than traditional 150ml tubes, 430ml cans offer 72% more paint than traditional 250ml jars of paint. Key Features:* 50ml, 170ml Tubes - 430 Ml Cans* Slowly ground, triple milled* Pure refined linseed oil* Buttery consistency for smooth application of color* Maximum luminosity and superb handling properties* Perfect for use with brushes or palette knives* Does not blotch when thinned for staining or glazing* Great color for true mixes without surprises* 55 colors including primaries* Perfect For:* Excellent pigment load for brilliant color and a wide variation of mixed shades with white* Purified linseed oil and high quality artist pigments* Combines professional quality, high performance, and economy pricing with the properties of a "true" oil color* Ideal for working professionals on a budget, artists who enjoy painting on a large scale and first time artists* 21 ml tubes make it possible to carry a large color range into the field or from your studio to class* 170 ml tubes come in boxes ideal for storage between use* One price system achieved by substituting costly and toxic traditional pigments with safer modern alternatives See More
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Jo Sonja's Background Colour - Soft White, 6oz BottleSave Up to38%Off listWhite Flow formula acrylics, opacity of color & velvet matte finish Chroma's Jo Sonja's Background Colors are specially formulated for easy one-coat base coating and are intended for all decorative and fine art applications. Use straight from the jar as a background color or combine with other Jo Sonja's colors for dramatic effects. Made from the finest artist-quality pigments, all of Jo Sonja's Background Colours are independently tested to ensure that your colors will not fade over time. They are safe, water-based, and clean up easily with soap and water. Suitable for all surfaces including paper, paper mache, card, canvas, wood, fabric, tin, terracotta, glass, and tile.* Specially formulated to provide one coat coverage* 6oz bottles* Sets of 12: 2oz bottles* Include fillers to smooth out imperfections* Various techniques and special effects* All decorative and fine art applications* Made from the finest artist quality pigments* Colors will not fade over time* Safe, water based* Clean up easily with soap and water* Suitable for all surfaces Jo Sonja's Background Colour Sets: Specially formulated for easy base coating. Intended for all decorative and fine art applications. Choose from Classic Colours, Clear Colours, and Potting Shed Collection Colours, all sets of 12, 2oz bottles. Directions:* For one step basecoat, mix and apply paint and All Purpose Sealer beginning with approximate proportions of 2 parts paint to 1 part All Purpose Sealer. The amount of All Purpose Sealer may be increased up to a ratio of 1:1. Basecoat may be applied with a brush, roller, or sponge. Sand when dry and apply a second coat as needed without the addition of sealer.* To thin, add small amounts of Flow Medium until desired consistency is reached. Thinning with water may decrease the adhesion of the paint to the surface/* Chroma’s Jo Sonja Background Colors may be applied using an airbrush by thinning with Flow Medium approximately 1:1. All Purpose Sealer may be added for increased adhesion beginning with a ratio of 2 parts paint to 1 part All Purpose Sealer. Thin as needed using small amounts of distilled water to adjust consistency. Approximate Coverage: 1ml = 188 sq cm 1 oz = 6 sq ft See More
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Daler-Rowney Georgian Oil Color 225ml Tube - Buff TitaniumSave Up to40%Off listWhite Artist quality oil colors at a much better value! "Buttery and vivid... These paints come alive!"-Thumper, Artist & Customer (Auburn, WA) Daler-Rowney’s Georgian Oil Colors are the product of over 200 years of fine craftsmanship from the company’s color factory in Bracknell, England. Named for the company’s founder, George Rowney, his passion for traditional milling techniques in the pursuit of classical and modern colors has translated into the satisfying experience for both brush and palette knife painting today. Georgian Oil Colors provide a high quality oil color at a uniform and economical price. They use lightfast and permanent pigments that are triple-milled for easy mixing and consistent brilliance across all colors. The precise measurements used for individual colors requires the perfect balance of oil content and high quality pigment, finely ground to release the full intensity of the color and to ensure complete dispersion. Their new and improved formula provides enhanced single pigment color brightness, which remain consistent from first application to final finish. The Georgian Oil Colors generally require very limited quantities of added mediums, which is perfect for using freely straight from the tubes. Students and professional artists alike will feel they have found a workhorse, both for their studios and for plein air painting. Key Features:* 54 brilliant colors available* High lightfast ratings and highly permanent* 24 single pigments, 31 opaque or semi-opaque colors* Improved color strength (color reduction 5:1; mix of 5 part of white and 1 part of the color to show the effect/ result)* Improved consistency of drying from 4-5 days to 2-5 days* All colors are rated as Permanent**** or Normally Permanent*** Perfect For:* Student to professional works * Classrooms and workshops * Large scale projects * Artists in search of an unbeatable value * Daler-Rowney Georgian Oil Color Selection Set of 10 - The Perfect Set For The New Oil Artist! This set includes ten popular colors in generous 38ml tubes Ten 38ml Colors include: Titanium White, Lemon Yellow, Cadmium Red Hue, Alizarin Crismon, French Ultramarine, Viridian Hue, Yellow Ochre, Burnt Sienna, Raw Umber, and Ivory Black See More
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Daniel Smith Water Soluble Oil 37ml Buff TitaniumSave Up to40%Off listWhite Get The feel, control, and rich appearance of classic oil paints With DANIEL SMITH Water Soluble Oils Paints, if you love the feel, control, and rich appearance of classic oil paints, but don't like the toxic solvents and tedious clean up, you will want to try our fantastic new paints. Vibrant, highly pigmented colors offer outstanding color strength, even when mixed with Titanium White. All colors offer uniform drying times, buttery consistency, excellent brushing, and a beautiful surface appearance. Made in our Seattle manufacturing facility from the highest quality raw materials, they have the most finely ground pigments in any color line. DANIEL SMITH Water Soluble Oil Colors can be thinned with water. Brushes and palettes clean up easily with soap and warm water. These new oil colors are made with the same quality and care as our Original Oil Colors but with a specially modified linseed oil binder and dry times are slightly slower Key Features:* Artist grade oils* 43 Colors* Non Toxic Solvents* Vibrant, highly pigmented colors* Outstanding color strength* All colors offer uniform drying times* Buttery consistency* Excellent brushing* Highest quality raw materials* Have the most finely ground pigments in any color line* Made in U.S.A. Made in Seattle* Perfect For:* Oil painters who are sensitive* Want to avoid exposure to solvents* Students and teachers in schools and colleges* Artists working in a shared studio space* Artists who work within a small home environment* Reduce the odor of oil painting* Artists that travel can transport these paints on airplane subject to the approval of the airline Every tube of DANIEL SMITH Water Soluble Oils is filled and labeled by hand. All labels give complete information including the common pigment names, color index names and numbers and ASTM lightfastness ratings, keeping artists informed when they choose DANIEL SMITH Water Soluble Oils. Why use Daniel Smith Water Soluble Oil Paints? * Oil painters who are sensitive to or want to avoid exposure to solvents such as mineral spirits or turpentine. * Students and teachers in schools and colleges where the use of oil color is prohibited because of solvents. * Artists working in a shared studio space where the build up of solvent levels could lead to a harmful concentration of vapors and an unpleasant odor. * Artists who work within a small home environment and wish to reduce the odor of oil painting. * Artists that travel can transport these paints on airplanes subject to the approval of the airline. Clean up easily with water, use soap if using a staining pigment. * 43 Colors – Highly pigmented and extremely vibrant. * 33 Single Pigment Colors – Single pigment colors provide clear and clean mixes. * 42 Colors with Lightfast Rating (LR) I or II LR rating I = 100+ years LR rating II = 100 Lightfastness rating is a measurement of how many years the color in your artwork will remain the same. * 11 Quinacridone Colors – The Quinacridone family of colors (pronounced kwin ak’ ri doan) are high-performance pigments with outstanding transparency and color intensity. See More
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LUKAS Studio Oil Color - Titanium White Pack of 2, 200mlSave Up to67%Off listWhite High-quality, artists' oil paint at a great value! Working with over 145 years of tradition and advancement, LUKAS has created a high quality yet economical oil paint for the discerning artist! LUKAS Studio Artist Oils are made with the same high-quality pigments and exclusive blend of linseed oil, sunflower oil, and beeswax as their master line of 1862 oil paints. All toxic, caustic, and expensive pigments have been eliminated from the line, leaving you with a well-balanced but affordable spectrum of brilliant colors. Loaded with pigment, LUKAS Studio Artist Oil Paints have exceptional covering power, and the high-quality linseed oil, sunflower oil, and beeswax binder make for even drying and a strong paint film. Dry to the touch in 2 to 4 days and available in 37ml and generous 200ml tubes mean that you can work large and quickly while not breaking the bank! With a range of 48 vibrant colors all at the same price, LUKAS Studio Artist Oils are higher quality artist oil paint at an affordable cost. Create beautiful works of art! Great quality artist oil paints and amazing consistency at amazing prices! Key Features:* Heavy pigment load* Excellent lightfastness* 48 colors 37ml & 200ml tubes* Dry to the touch in 2 to 4 days* Exclusive blend of linseed oil, sunflower oil, and beeswax* Great quality, affordable paints* Perfect For:* Well-balanced range of color* Smooth, buttery consistency* High-quality pigments* Strong paint film* Paint at an affordable cost* Excellent feel with the brush, or palette knife* Painting more, worry about cost less!* All artists looking for great quality "As a test, I laid down my current stock of colors from W & N next to the same Lukas colors and noticed right away there was a difference in both consistency and color intensity. Every one of the Lukas colors was more pure and covered the canvas paper better. one of the colors I ordered was the cobalt violet. This is not a color I've seen anywhere else and I have to say, it's lovely. I much prefer it to dioxazine purple." See More
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Winsor & Newton Griffin Alkyd Fast-Drying Oil Color - Titanium White, 37ml TubeSave Up to40%Off listWhite Fast Drying Oil Colors Made with pigments and oil modified alkyd resin Griffin Alkyd is an oil color formulated from the same family of fast-drying resins that has been used by Winsor & Newton in producing Liquin and other mediums since the 1960’s. Each color reaches a touch-dry state in less than 24 hours, making them ideal for fast working while still offering the working and optical properties of oils. Their unique luminosity makes them perfectly suited for glazing, particularly when used in combination with Liquin. Compatible with conventional oils, Griffin Alkyd Oils have excellent flow properties and dry to a durable, semi-gloss hard film that will not yellow over time. Made with an alkyd resin binder that has been modified with a non-yellowing drying oil for optimum color retention, excellent durability, and rapid drying time. 48 oil colors is available in 37ml tubes. Titanium White is also available in 200ml tubes. Key Features:* 48 oil colors, available in 37ml tubes* Faster drying time than traditional oils* Dry to the touch in 18 to 24 hours* Genuine oil color* Can be thinned with traditional oil color solvents* Can usually be varnished in 30 days* No compromise on lightfastness, color strength, and selection* Speed of drying allows techniques such as impasto and glazing to be done in considerably less time* Classed as artists' quality because the grinding of pigments* Dries to a durable, semi-gloss hard film* Will not yellow over time Perfect For:* Fast working while still offering the working and optical properties of oils* Colors remain workable for 4-8 hours* Oil painting outdoors* Clean with mineral spirits* Non-yellowing drying oil for optimum color retention* Glazing, particularly when used in combination with Liquin * Because alkyd film is slightly less flexible and is faster drying than traditional oil color, application over oil or oilbar layers is not recommended. Alkyd is not intermixible with acrylics. Griffin Alkyd Fast Drying Drying Oil Color Alkyds are made from a naturally derived vegetable oil that is polymerized. The result is a resin-like product that, when mixed with a solvent, is very similar to traditional linseed oil. The colours remain workable for 4 to 8 hours and are touch dry in 18 to 24. Consistent drying times across the range removes the usual restrictions that come with conventional oils, making it easier to overpaint, regardless of the colour upon the surface. Artist Review Great Product! "I work on commissions all the time that sometimes require a short deadline. I feel much more confident in getting them done and out in time while using these oils. You can also mix them in with regular oil paint and usually that will speed up the drying times as well. Usually they are completely dry in 24 hours!" See More
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Winsor & Newton Artisan Water Mixable Oil Color - Zinc (Mixing) White, 37ml TubeSave Up to40%Off listWhite Who Says Oil and Water Don't Mix! Designed to look and work just like traditional oil paint Just because oil and water don't mix in your kitchen doesn't mean there aren't other methods to make them happy in each other's company. A most effective route is through the addition of a chemical emulsifier that has an attraction on one side of the molecule for water and, on the other, for oil. The result? A happy match made, if not in heaven, at least in the laboratory. Mix with Water - Artisan provides all the characteristics expected from conventional oil color: High pigment strength, a high proportion of single pigments, and variable opacity. The key difference is their ability to be mixed with water even though they are made with traditional oil binders. Chemical analysis has indicated that any added water fully leaves the paint film within a short time; no water remains "trapped" to weaken or loosen the color on the canvas. Drying Time- The water evaporates out of the paint film fairly rapidly leaving behind a conventional oil color that dries by oxidation, as normal. Adhesion and drying time have been shown to be comparable to conventional oil color. Research has also shown that the dried Artisan film is similar to a conventional oil film in solvent resistance, yet remains slightly softer than conventional colors, offering increased flexibility, which is a very good thing. Your canvas can flex with changes in temperature and humidity; a paint film that will go along with it will better resist cracking or lifting. Key Features: * 40 vibrant tones * Designed to look and work just like traditional oil paint * Thick, buttery consistency * All colors are touch dry in 2-12 days * Clean up is easy with just soap and water! * High pigment strength and variable opacity * Mix with water and avoid hazardous solvents * Made from modified linseed and safflower oils * Winsor & Newton Artisan Water Mixable Oil Colors - These magnificent paints are designed to look and work just like traditional oil paint, but they're a bit special. You can use them without hazardous solvents - they're happy being thinned down and cleaned up with water. They're especially good for artists who share a workspace or don't want solvents in school or at home. For Water Mixable Mediums Click here -> Winsor & Newton Artisan Water Mixable Oil Painting Mediums See More
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Pebeo Ceramic Color White 45 mlSave Up to25%Off listWhite Lacquer-Finish Ceramic Colors! Pébéo Ceramic Colors are ideal for decorating ceramics, terracotta, earthenware, wood, metal and even canvas. Produce marbled effects by mixing with the Pébéo Fantasy Moon colors. They dry to the touch after 2 hours and completely after 10 hours. Drying time may vary, depending on the thickness of the application as well as the temperature and humidity of the room. Objects decorated with Ceramic Colors are intended for decorative purposes only; they should not be in contact with food. Make sure to clean brushes with odorless mineral spirits or citrus-based brush cleaners and then rinse with soapy water. Key Features:* Opaque and very bright, alkyd oil-based colors (lacquer finish)* Very Good lightfastness* Compatible with all other products in the Pébéo Mixed Media line Perfect For:* Decorating ceramics* Restoring pottery* Mixed media applications See More
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Stabilo ALL Colored Pencil Pack of 12 - WhiteSave Up to27%Off listWhite Leave your mark on virtually any surface with these versatile water soluble pencils! Stabilo ALL Colored Pencils are designed to write brilliantly on practically all surfaces. The lead is made from high quality pigments and graphite, and is water soluble so marks are easily wiped off glass, metal and plastic surfaces with a damp cloth. Available in 8 aquarellable colors and graphite, these pencils are ideal for marking up film, photos and other glossy surfaces! Key Features: * Water soluble colored and graphite pencils * Writes brilliantly on practically all surfaces * Available in 8 aquarellable colors & graphite * Marks wipe of glossy surfaces with a damp cloth Perfect For: * Film editors * Writing on glass, plastic & metal * Photographers & artists * Industrial use See More
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Jacquard Neopaque Fabric Color - White, 8oz JarSave Up to30%Off listWhite Dazzling opaque colors for fabric, paper, leather, wood and more! These gorgeous, brilliant opaque paints spread smoothly and stay flexible. They are a perfect choice for fabric and leather, but are also stunning on surfaces like paper, photos, wood, shrink plastic and even styrofoam! Neopaque paints are designed to cover dark backgrounds with light application. On light backgrounds they produce a subtle "designer palette" alternative to a more intense color scheme. Neopaque colors may be painted, stenciled, screen printed, airbrushed (when diluted) and stamped. They may also be added to Jacquard Lumiere colors to produce an antique effect. Available in 2.25 oz and 8 oz bottles. See More
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Blockx Oil Color 200 ml Tube - Titanium WhiteSave Up to65%Off listWhite Finest Quality Artists' Oil Colors Made and processed by the Blockx family in Belgium, still handground in the Blockx tradition with slowly rotating stone mills, our extra-fine artists' colors are made from the finest selection of pigments and oil. Only pure pigment is used for maximum lightfastness, buttery consistency and easy mixing on the canvas itself. All colors have a minimum lightfast rating 7 out of 8 on the blue wool scale. So they all can be considered perfectly lightfast. Iron oxides, earths and blacks are ground with linseed oil. All other pigments are ground with poppyseed oil which is well-known for its lack of yellowing and the non-forming of wrinkles at the time of the drying. As an oil colorist you deserve the very best colors to paint with. Blockx has been made in the same way in Belgium by family members for over 140 years. Today, Blockx is the oldest artist paint manufacturer continuously run and operated by a family. The story began when Jacques Blockx, a noted chemist, was asked by his artist friends to make reliable oil colors that would be permanent and extremely expressive. His formulas for permanent and lightfast colors are legendary and carefully guarded by the Blockx family today, who still test each batch of color to personally insure absolute quality and satisfaction. Key Features:* Slowly stone ground in pure Poppy Seed Oil* 84 colors available in 35ml & 200ml tubes* The preferred color of Rene Magritte, Salvador Dali and Frank Stella* All colors have a minimum lightfast rating 7 out of 8* Made from the finest selection of pigments and oil* Maximum lightfastness, buttery consistency and easy mixing on the canvas* Iron oxides, earths and blacks are ground with linseed oil* Other pigments are ground with poppyseed oil* Lack of yellowing and the non-forming of wrinkles at the time of the drying* Colors produced in maximum color concentration Perfect For:* Colors in still life that deliver consistent results* Fine quality paint that moves beautifully* Beginner to Professional artists* Amazing pigment load* Color that holds it's tone beautifully when mixed with titanium white* Use in studios or professional classrooms New: historical pigments handground with poppyseed oil; Vermillon, Naples yellow light, Naples yellow dark, Lapis Lazuli How Blockx Oils Are Made Using Blockx oils is a tactile experience—they are creamy yet firm, and allow the artist to feel the color with brush or painting knife. Indeed Blockx is a bit expensive, but these paints are worth every penny. An investment in Blockx is an investment in your art and truly one that will pay dividends in the future. Mixing: Pigments, oil, generally poppyseed oil, and specific ingredients are pre-mixed according to their particular nature to achieve the best paste for milling. Grounding: The paste is ground on a three roll mill made of stone rolls, to preserve the purity of paints, rotating at low speed to avoid heating. This operation is conducted 3 or 4 times-each time reducing the size of particles-allowing us to fill the tube immediately to preserve all the qualities of the paint. Test: Besides the long experience of the craftsman, numerous checks are made of particle size, consistency, drying time, density, and so more. A sample of each batch is carefully kept for years. See More
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Jacquard Permanent Textile Color Gallon - Opaque WhiteSave Up to31%Off listWhite Fix Permanent Textile Colors with Dyeset Fixative or Steam! Jacquard Permanent Textile Colors are color rich, intense, and semi-opaque. They can be applied straight from the bottle with a brush, thinned for use with an airbrush, bottle, or used with stamping applications. When diluted with 25% water or Permanent Textile Colorless Extender, they produce beautiful transparent colors. Textile Colors can be intermixed for endless color creations. Unlike other textile paints, Jacquard Permanent Textile Colors leave your fabric as soft as possible. The Textile Colors can be set in several ways, either heat setting with an iron, or by using Jacquard Dyeset Fixative. Alternatively, Jacquard Airfix can be added to textile paint while working, to set it during the working process. Available for purchase in 2.25oz, 8oz, 32oz, and Gallon Jar sizes. Key Features:* Leaves fabric soft* Intense, semi-opaque colors* Dilute or use extender to 25%* Addition of Airfix sets colors Perfect For:* Art and craft applications* Fabric and Textile Artists* Unique Art Creations* Collage and Multimedia Works See More
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Matisse Structure Acrylic Colors Titanium White 75 mlSave Up to50%Off listWhite A Heavy Body Acrylic Suited to Impasto Techniques Matisse Structure Acrylics come in 98 highly pigmented lightfast colors! Because of their heavy body and high viscosity, Matisse Structure Acrylic Colors are ideally suited to impasto techniques and thick textured applications. You can easily apply the paint with a brush or palette knife straight from the tube. Matisse Mediums can be mixed in to alter the body and texture, gloss and sheen, or working time of the paint. Key Features: * Heavy body, high viscosity acrylic * Excellent lightfastness * No masking agents! * Brilliant and highly pigmented * 98 Brilliant professional colors Perfect For: * Impasto painting techniques * Painting colorful backgrounds * Mixing with acrylic mediums * Large-scale acrylic paintings * Intermediate to professional artists Artist Review & Testimonial Professional Artist Andy Russell - "Matisse Acrylic Paints have proven to be a pleasure to work with in so many ways. They are of the highest quality, richly pigmented and creamy smooth and perfect for the professional artist." “I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas." “I love colors and they come in a full range, which makes me feel like a kid in a candy store. I almost think of them as flavors. I really like their unique colors such a Cadmium Orange Deep, Australian Red Violet and Australian Blue Gum, Australian Salmon Gum and Australian Sienna. After years of painting in acrylics, it is exciting and refreshing to use these new colors. Discovering them was like getting a ‘booster shot’ of creativity for my work." See Full Review and Videos In Our Blog - Click here > See More
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